The document discusses the music choices for a thriller film. It describes the music "Panic Man" as having a low pitch but including a heartbeat sound in the bass, fitting for when the character is running. While low in pitch, the music does follow some thriller conventions by starting slow and speeding up, emphasizing the character's running. There is also a crescendo ending to build tension. The music will play at certain scenes like when the character runs and realizes she can't escape, with silence in other scenes to build suspense.

1. Our Thriller Music

2. Our music is called ‘Panic Man’. It goes against the conventions of thriller music, as it is
quite low in pitch, whereas normal thriller music would be high pitched to create
tension. We chose the music despite the pitch, because the bass in the background
sound like a heartbeat, which is good for when our character is running.
However, our music does follow some conventions of thriller music. The music does
start slow and then speed up, which will sound good when our character is running
because the fast tempo combined with the heartbeat sound will emphasise how she is
running away from something. There is also a crescendo at the end of the music,
where the music gets faster and higher in pitch which is good for creating tension.

3. We will put the music when she is running at the beginning of the thriller, and then the
music will cut out when she enters the windmill, you will hear heavy breathing when
she walks past the camera and up the stairs, and then complete silence when it
switches to the security camera shots. We will then have some sound effects like doors
slamming and a scream before a cut to the title sequence where the music will come
back in quietly, after a wind sound effect. The music stays quiet after when she walks
around the hospital room, and then gets louder and faster when she realises she can’t
escape, The crescendo will hit when she gives up and slides down the door, and then
once she reaches the floor there will be silence.