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1
“I am not attracted to straight
angles or to the straight line,
hard and inflexible, created by
man. I am attracted to free-
flowing, sensual curves. The
curves that I find in the
mountains of my country, in the
sinuousness of its rivers, in the
waves of the ocean, and on the
body of the beloved woman.
Curves make up the entire
Universe, the curved Universe
of Einstein”

― OSCAR RIBEIRO DE ALMEIDA NIEMEYER
                                    2
• Oscar Ribeiro de
  Almeida
  Niemeyer Soares
  Filho         (born
  December         15,
  1907) is a Brazilian
  architect
  specializing       in
  INTERNATIONAL
  MODERN                           National Congress of Brazil, Brasília
  ARCHITECTURE.
• In the 1940s, '50s • During the 1950s while Brasilia was
  and     '60s    "he starting to develop, Oscar Niemeyer
  established himself made incredible contributions to the
  as      one        of country by designing many important
  Modernism's             buildings in Brasilia.
  greatest              • He is a pioneer in exploring the formal
  luminaries," while possibilities           of      REINFORCED 3
IDEOLOGIES & PHILOSOPHIES
• Niemeyer is most famous          • His        buildings         are
  for his use of abstract            characterized      by     being
  forms and curves that              spacious      and     exposed,
  specifically     characterize      mixing volumes and empty
  every one of his works.            space          to        create
• he didn’t stick to traditional     unconventional patterns and
  straight lines; he is not          often propped up by piloti.
  attracted to straight angles     • Niemeyer was able to
  or lines but rather he is          connect the baroque style
  captured by “free-flowing,         with modern architecture
  sensual curves”                    leading to a new form of
• He designed & built curved         architecture, which had never
  architecture through his           been built in Brazil before.
  revolutionary usage of           • He         believed         that
  concrete.                          Architecture,      technology
• His designs were daring:           and nature be integrated 4
  mixing innovation and
MAJOR WORKS
• UN Headquarters, New
  York city
• Óscar             Niemeyer
  International      Cultural
  Centre, Spain.
• Ibirapuera      Auditorium,
  São Paulo.                        City Administrative Building, Brazil
• Centro Administrativo de
  Minas      Gerais      (City
  Administrative
  Building),Brazil
• Itamaraty           Palace,
  Ministry     of    External
  Relations, Brazil
• Church of Saint Francis        Church of Saint Francis of Assisi, Brazil
  of Assisi, Brazil                                                        5
CULTURAL COMPLEX OF THE REPUBLIC of BRAZIL



  NATIONAL LIBRARY OF BRASÍLIA



                    National
                    Museum       of   Brasilia Cath
                    the Republic




                                                6
Palaucio-da-Alvorada          Casa das Canoas, Rio de Janeiro.




                            Ministry of External Relations, Brazil
UN Headquarters, New York                                      7
Auditorio Ibirapeura
                      Niemeyer International Cultural Centre, Spain


Edifício Copan- The
Copan building

                                                                      8
C O N T E M P O R A RY I N T E R I O R S




                                   Stairwell as sculpture - Centro Cultural
                                   Oscar Niemeyer
 Stairwell as sculpture-Ministry
 of Foreign Affairs by Oscar
                                                                              9
Lobby      of
Brasilia
Palace


                Interior of Auditorio Ibirapeura




                                              10
                Interior of Auditorio Ibirapeura
CASA DAS CANOAS – NIEMEYER’S HOME




                                    11
THE STRICK HOUSE




                   12
Interior of Museum of Contemporary Art,
                                  Niteroi, Brazil




Interior of Memorial da America
Latina




                                                                            13
Interior of Central Communist Party   Vaulted ceiling interiors at the
Building, Paris, France               Museu Oscar Niemeyer in Curitiba.

                                                                          14
Interior Landscapes
Interior of Palácio da Alvorada
Interior of Palácio da Alvorada




                                                        15
Interiors of Copan Apartment, Brazil
                                       16
C AT H E D R A L O F B R A S Í L I A
• The     Cathedral      of
  Brasília is the Roman
  Catholic       cathedral
  serving Brasília, Brazil.
• It was designed by
  Oscar Niemeyer, and
  was completed and
  dedicated on May 31,
  1970.
• This concrete-framed
  hyperboloid structure,
  seems with its glass
  roof to be reaching up,
  open, to heaven.
• The cathedral is a
  hyperboloid     structure            17
  constructed from 16
• In the square access to the
  temple, are four bronze
  sculptures with three feet
  tall,   representing    the
  evangelists.
• Inside the nave, are the
  sculptures of three angels,
  suspended by steel cables.
• The dimensions and weight
  of the carvings are 2.22 m
  long and the shorter one
  hundred kg, 3.40 m long
  and two hundred kilograms
  the average and 4.25 m in
  length and most three
  hundred kilograms.
• The baptistery was ovoid in
                                18
  shape.
• Each piece is inserted into
  triangles with base 10M and 30’
  high and were painted.
• At the entrance of the cathedral,
  is a pillar with passages from
  the life of Mary, mother of
  Jesus.
• Niemeyer saw a compact and
  clean concept, a volume
  occurring with the same purity
  from any perspective and for
  times     of    deep     religious
  expression.
• In the air born outside the
  structure of the earth is a cry of
  faith and hope, then, the gallery
  is located in semi-darkness to
                                       19
  prepare the faithful to show
T H E N I T E R Ó I C O N T E M P O R A RY A R T M U S E U M
• The Niterói Contemporary Art
  Museum (Museum de Arte
  Contemporânea de Niterói —
  MAC) is situated in the city of
  Niterói, Rio de Janeiro, Brazil,
  and is one of the city’s main
  landmarks. It was completed in
  1996.
• Designed by Oscar Niemeyer
  with the assistance of structural
  engineer Bruno Contarini, who
  had worked with Niemeyer on
  earlier projects, the MAC-Niterói
  is 16M high; its cupola has a
  diameter of 50M with three
  floors.                                              20
• A wide access
  slope leads to a
  Hall            of
  Expositions,
  which has a
  capacity       for
  sixty people.
• Two doors lead
  to the viewing
  gallery, through
  which can be
  seen          the
  Guanabara Bay,
  Rio de Janeiro,
  &       Sugarloaf
  Mountain.
• The       saucer-
                   21
  shaped
C O N T E M P O R A RY F U R N I T U R E




                                           Hotel Lobby Furniture




                                                               22
Oscar Niemeyer - Table



The Broyhill Brasilia Round Lamp
Table could be used as a small coffee
table or end table. The furniture
emulates the spirit of Oscar Niemeyer’s
design, complete with his distinctive
swooping      curves.Constructed     of
carefully matched walnut veneer with
frames of solid pecan.
                                          23
C H A I R & O T TO M A N




                                       • Leather,  chrome    plated
Pair of Oscar Niemeyer lounge chairs     hardware,  ebonized   bent
and ottomans                             wood.
                                       • Used in drawing rooms &  24
Bentwood, caning
                                     and leather rocking
                                     chaise longue. This
                                     chaise epitomizes
                                     Brazil;          it's
                                     sensuous      curves
                                     recall its landscape
                                     as well as its
                                     feminine forms.
Rocking chaise, by Niemeyer, 1978.




  Chaise,      by
  Niemeyer, 1978.
                                                         25
Chaise longue in multilayered wood open pore
black stained. Cushion and head-rest
upholstered and covered with soft leather.




                                               Chaise Lounge




                   Vertebrae Chair
                                                          26

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Oscar niemeyer

  • 1. 1
  • 2. “I am not attracted to straight angles or to the straight line, hard and inflexible, created by man. I am attracted to free- flowing, sensual curves. The curves that I find in the mountains of my country, in the sinuousness of its rivers, in the waves of the ocean, and on the body of the beloved woman. Curves make up the entire Universe, the curved Universe of Einstein” ― OSCAR RIBEIRO DE ALMEIDA NIEMEYER 2
  • 3. • Oscar Ribeiro de Almeida Niemeyer Soares Filho (born December 15, 1907) is a Brazilian architect specializing in INTERNATIONAL MODERN National Congress of Brazil, Brasília ARCHITECTURE. • In the 1940s, '50s • During the 1950s while Brasilia was and '60s "he starting to develop, Oscar Niemeyer established himself made incredible contributions to the as one of country by designing many important Modernism's buildings in Brasilia. greatest • He is a pioneer in exploring the formal luminaries," while possibilities of REINFORCED 3
  • 4. IDEOLOGIES & PHILOSOPHIES • Niemeyer is most famous • His buildings are for his use of abstract characterized by being forms and curves that spacious and exposed, specifically characterize mixing volumes and empty every one of his works. space to create • he didn’t stick to traditional unconventional patterns and straight lines; he is not often propped up by piloti. attracted to straight angles • Niemeyer was able to or lines but rather he is connect the baroque style captured by “free-flowing, with modern architecture sensual curves” leading to a new form of • He designed & built curved architecture, which had never architecture through his been built in Brazil before. revolutionary usage of • He believed that concrete. Architecture, technology • His designs were daring: and nature be integrated 4 mixing innovation and
  • 5. MAJOR WORKS • UN Headquarters, New York city • Óscar Niemeyer International Cultural Centre, Spain. • Ibirapuera Auditorium, São Paulo. City Administrative Building, Brazil • Centro Administrativo de Minas Gerais (City Administrative Building),Brazil • Itamaraty Palace, Ministry of External Relations, Brazil • Church of Saint Francis Church of Saint Francis of Assisi, Brazil of Assisi, Brazil 5
  • 6. CULTURAL COMPLEX OF THE REPUBLIC of BRAZIL NATIONAL LIBRARY OF BRASÍLIA National Museum of Brasilia Cath the Republic 6
  • 7. Palaucio-da-Alvorada Casa das Canoas, Rio de Janeiro. Ministry of External Relations, Brazil UN Headquarters, New York 7
  • 8. Auditorio Ibirapeura Niemeyer International Cultural Centre, Spain Edifício Copan- The Copan building 8
  • 9. C O N T E M P O R A RY I N T E R I O R S Stairwell as sculpture - Centro Cultural Oscar Niemeyer Stairwell as sculpture-Ministry of Foreign Affairs by Oscar 9
  • 10. Lobby of Brasilia Palace Interior of Auditorio Ibirapeura 10 Interior of Auditorio Ibirapeura
  • 11. CASA DAS CANOAS – NIEMEYER’S HOME 11
  • 13. Interior of Museum of Contemporary Art, Niteroi, Brazil Interior of Memorial da America Latina 13
  • 14. Interior of Central Communist Party Vaulted ceiling interiors at the Building, Paris, France Museu Oscar Niemeyer in Curitiba. 14
  • 15. Interior Landscapes Interior of Palácio da Alvorada Interior of Palácio da Alvorada 15
  • 16. Interiors of Copan Apartment, Brazil 16
  • 17. C AT H E D R A L O F B R A S Í L I A • The Cathedral of Brasília is the Roman Catholic cathedral serving Brasília, Brazil. • It was designed by Oscar Niemeyer, and was completed and dedicated on May 31, 1970. • This concrete-framed hyperboloid structure, seems with its glass roof to be reaching up, open, to heaven. • The cathedral is a hyperboloid structure 17 constructed from 16
  • 18. • In the square access to the temple, are four bronze sculptures with three feet tall, representing the evangelists. • Inside the nave, are the sculptures of three angels, suspended by steel cables. • The dimensions and weight of the carvings are 2.22 m long and the shorter one hundred kg, 3.40 m long and two hundred kilograms the average and 4.25 m in length and most three hundred kilograms. • The baptistery was ovoid in 18 shape.
  • 19. • Each piece is inserted into triangles with base 10M and 30’ high and were painted. • At the entrance of the cathedral, is a pillar with passages from the life of Mary, mother of Jesus. • Niemeyer saw a compact and clean concept, a volume occurring with the same purity from any perspective and for times of deep religious expression. • In the air born outside the structure of the earth is a cry of faith and hope, then, the gallery is located in semi-darkness to 19 prepare the faithful to show
  • 20. T H E N I T E R Ó I C O N T E M P O R A RY A R T M U S E U M • The Niterói Contemporary Art Museum (Museum de Arte Contemporânea de Niterói — MAC) is situated in the city of Niterói, Rio de Janeiro, Brazil, and is one of the city’s main landmarks. It was completed in 1996. • Designed by Oscar Niemeyer with the assistance of structural engineer Bruno Contarini, who had worked with Niemeyer on earlier projects, the MAC-Niterói is 16M high; its cupola has a diameter of 50M with three floors. 20
  • 21. • A wide access slope leads to a Hall of Expositions, which has a capacity for sixty people. • Two doors lead to the viewing gallery, through which can be seen the Guanabara Bay, Rio de Janeiro, & Sugarloaf Mountain. • The saucer- 21 shaped
  • 22. C O N T E M P O R A RY F U R N I T U R E Hotel Lobby Furniture 22
  • 23. Oscar Niemeyer - Table The Broyhill Brasilia Round Lamp Table could be used as a small coffee table or end table. The furniture emulates the spirit of Oscar Niemeyer’s design, complete with his distinctive swooping curves.Constructed of carefully matched walnut veneer with frames of solid pecan. 23
  • 24. C H A I R & O T TO M A N • Leather, chrome plated Pair of Oscar Niemeyer lounge chairs hardware, ebonized bent and ottomans wood. • Used in drawing rooms & 24
  • 25. Bentwood, caning and leather rocking chaise longue. This chaise epitomizes Brazil; it's sensuous curves recall its landscape as well as its feminine forms. Rocking chaise, by Niemeyer, 1978. Chaise, by Niemeyer, 1978. 25
  • 26. Chaise longue in multilayered wood open pore black stained. Cushion and head-rest upholstered and covered with soft leather. Chaise Lounge Vertebrae Chair 26