Teaching Tangible
Interaction
Rung-Huei Liang (jazzliang)
Dept. of ICD, NTUST (Taiwan Tech) July 6, 2011
How is design taught?
JOHANNES ITTEN
DESIGN AND FORM: THE BASIC COURSE AT THE BAUHAUS AND LATER (1976)
CONTRASTS
DUALITIES TO EXPRESS:
 
                    
                                          
                            

Tao Te Ching Chapter 2

When beauty is abstracted
Then ugliness has been implied;
When good is abstracted
Then evil has been implied.
So alive and dead are abstracted from nature,
Difficult and easy abstracted from progress,
Long and short abstracted from contrast,
High and low abstracted from depth,
Song and speech abstracted from melody,
After and before abstracted from sequence.
STUDY OF TEXTURE
BAUHAUS
TEXTURE
TEXTURE WORK BY DEBBIE U. CAHN
PICASSO
COMPOSITION WITH FRUIT, GUITAR, AND GLASS (1912)
COLLAGE AND MIXED MEDIA
WILLIAM GRANT WOOD CONSTRUCTION 6, AND ALEX MALCOLMSON WOOD CONSTRUCTION
Contrast (duality expression)
Texture
Material
Collage
Composition
WHAT IS THE BASIC COURSE OF TANGIBLE INTERACTION DESIGN?
ELETRONICS? SKETCH? MODEL? 3D MODEL?
NO/NO/NO/NO!
How to Teach Tangible Interaction
Design (TID)?

What are contrasts of TID?

What texture does TID manifest?

What is the beauty of material in
TID?

How is the collage of such material
in TID aesthetically pleasing?

How to evaluate a composite of
TID?
Define all your terms
“Paul Rand: You have to
define all your terms. You have
to define what design is. Do
you know what design is?
What is design? People have to
understand what the hell they
are doing. In art school people
assume everybody understands
everything. They do not.”
In terms of TID
 “You have to define all your
 terms in Tangible
 Interaction Design....People
 have to understand what the
 hell they are doing. In art
 school people assume
 everybody understands
 everything about tangible
 interaction design. They do
 not.”
1. Define every term in TID
2. Specify contrasts in TID
What is the common
language of TID when
conducting a collaborative
project ?
INTERACTION DESIGN FRAMEWORK
B. VERPLANK
EXPRESSION          FORM

           MATERIAL        FUNCTION

RE-INTERPRET AS DESIGN LANGUAGE IN TID
FUNCTION




             INTERACTION
EXPRESSION                      FORM
                DESIGN
              LANGUAGE


              MATERIAL
                           Verplank’s 4 steps
FUNCTION
METAPHOR                                TASK



                INTERACTION
EXPRESSION                             FORM
                   DESIGN
                 LANGUAGE


                  MATERIAL
   IDEA                             MOVEMENT


       4 STEPS ARE OF THE SAME IMPORTANCE
   INTERACTION DESIGN CAN BEGIN FROM ANY STEP
BUILDING PHYSICAL FORMS
Enabling Function Connecting Digital/Analog
Studying Materials




Designed by Kouji Iwasaki 20X9X9cm
Thinking Metaphor




Beer bottle as musical instrument   musicbottles
Designing Expression




Dancerail     Alarm clock anticipates sleepers’ emotions
Finding Contrasts in TID
Effort in Laban
Movement Analysis
(LMA)
 1. time: quick/sustained

 2. weight: strong/light

 3. flow: free/bound

 4. space: indirect/direct
MOVEMENT AND FORM
STUDY BASED ON CONTRASTS OF LMA
MOVEMENT AND FORM
STUDY BASED ON CONTRASTS OF LMA
Collaborative Project



• Expression of tangibility is of the most significant value
• The beauty of material is highly concerned
• The quality of form and movement are at the focus of
  interaction
• The function of emerging technology and innovative
  usage is strongly welcome
KEEP IN TOUCH
COLOR LEDS, TEMPERATURE TO REPRESENT AN INTERESTING SOCIAL INTERACTION
KITID (KEEP IN TOUCH ID)
FACEBOOK POKE ENABLED INTERACTION WITH SIMPLE SOUND, LIGHT, MOVEMENT
WISH EGG
CONFIGURABLE SAVING AND RECALLING WISHES WITH GESTURES
SIMPLE WHILE ELEGANT MUSIC PLAYER WITH HIGH TANGIBILITY
HI ME
VERY EVOKING TO HEAR SAVED VOICES AT THE CORRESPONDING HEIGHT OF OUR BODY
SIMPLE AND ELEGANT CRAFT TO RECORD A SECRET AND PLAY BACK RANDOMLY
OPEN
sesame
photo sharing devices with
personal ID in a social
meeting
FLOW BUM
WATER INTERFACE TO TRIGGER PHOTO DISPLAY
photo triggering cabinet
SHY TREE
SIMULATED MSN MESSAGES ATTACHED TO WOOD PIECES RESPECTIVELY
SECRETS
CONCEPT TO LEAVE WRITTEN TEXTS ON A WALL, APPEAR ONLY WHEN BLOWING UPON IT
ThAnKs
         JAZZLIANG.WORDPRESS.COM
   TANGIBLEINTERACTION2011.BLOGSPOT.COM

Open hci2011