A talk given at the MobilityShifts conference (http://mobilityshifts.org/) at the New School in New York City on October 11, 2001. A nice description of the session is here: http://dangerouslyirrelevant.org/2011/10/mobility-shifts-day-2-privacy-surveillence-and-the-academic-commons-guest-post.html . Audio to be added at a later date.
Presentation given 27/9/11, on "Managing the Local and Global Commons" by James B. Quilligan on behalf of, and Senior Advisor to, the School of Commoning.
Presentation given 27/9/11, on "Managing the Local and Global Commons" by James B. Quilligan on behalf of, and Senior Advisor to, the School of Commoning.
"Toward Sustainability: "Margin" and "Mission" in the Natural History Setting...Tom Moritz
"Toward Sustainability: "Margin" and "Mission" in the Natural History Setting": National Initiative for a Networked Cultural Heritage (NINCH) at New York Public Library, 2003
Libraries, Archives and Museums - From cooperation to collaborative transform...choare
Presentation by Gunter Waibel, OCLC Research. Given at the London Museum Librarians and Archivists Group conference "Not Museum Pieces" 10 September 2009.
Museum as Platform; Curator as ChampionNancy Proctor
"Museum as Platform; Curator as Champion: Learning to sing in the age of social media," a presentation by Nancy Proctor at the conference, "Event Culture: The Museum and Its Staging of Contemporary Art" organized by the Copenhagen Doctoral School of Cultural Studies, Department of Arts and Cultural Studies, Louisiana Museum of Modern Art, 7 November 2009.
Creative Commons License Attribution-Noncommercial 3.0 United States
Michael Edson @ Walker Art Center: What is a CommonsMichael Edson
annotated/footnoted talk given at the Walker Art Center's "Opening the Field" celebration in Minneapolis, MN, 6/2/2010. The talk goes through some of the reasons why the Smithsonian Commons project is important to accomplishing the Smithsonian's mission, and what the characteristics of a commons are or might be...
Reading the Tea Leaves: Global Trends and Opportunities for Tomorrow's MuseumsRobert J. Stein
A presentation to the 2014 Communicating the Museum conference in Sydney, Australia.
As our society becomes increasingly more intertwined, it is evident that global trends that once seemed remote are having a deep impact on our local communities. These same trends play out in museums around the globe as we reflect our communities both past and present. The museum audience is inherently submerged in this current of cultural change. Without pretending to predict the entire future, there are strong signals that a few important global trends will persist. What are those trends and how can museums begin to take advantage of those likely shifts to promote, advocate, and enhance their relevance to a global audience?
A deep dive into the history of composting in Americas largest metropolis. A brief overview of how organics were handle pre-Industrial Revolution. An expanded look at compost policies, initiatives and facilities from 1990 thru 2020, and some info about how the pandemic affected composting in NYC.
Playing with Media: simple ideas for powerful sharingWesley Fryer
The primary goal of this project is to inspire and empower you, as a creative person, to "play with media" in a variety of formats to expand your personal senses of digital literacy and digital agency as a multimedia communicator.
Evidence Over Story: Assembly Over AlgorithmRick Prelinger
Talk presented by Rick Prelinger at Future Histories Lab, UC Berkeley, September 27, 2021. Other speaker: Savannah Wood, Afro Charities, Baltimore. Many of the slides include archival video clips, which are not shown in this version.
Günter Waibel's talk "Libraries, Archives and Museums:From cooperation to collaborative transformation", given at London Museums, Librarians and Archivists Group conference "Not Museum Pieces? – The Developing Role of Archivists and Librarians in Museums", National Gallery of Art (London) Thursday 10 September 2009
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
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Similar to Open Education: The University and the Commons
"Toward Sustainability: "Margin" and "Mission" in the Natural History Setting...Tom Moritz
"Toward Sustainability: "Margin" and "Mission" in the Natural History Setting": National Initiative for a Networked Cultural Heritage (NINCH) at New York Public Library, 2003
Libraries, Archives and Museums - From cooperation to collaborative transform...choare
Presentation by Gunter Waibel, OCLC Research. Given at the London Museum Librarians and Archivists Group conference "Not Museum Pieces" 10 September 2009.
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"Museum as Platform; Curator as Champion: Learning to sing in the age of social media," a presentation by Nancy Proctor at the conference, "Event Culture: The Museum and Its Staging of Contemporary Art" organized by the Copenhagen Doctoral School of Cultural Studies, Department of Arts and Cultural Studies, Louisiana Museum of Modern Art, 7 November 2009.
Creative Commons License Attribution-Noncommercial 3.0 United States
Michael Edson @ Walker Art Center: What is a CommonsMichael Edson
annotated/footnoted talk given at the Walker Art Center's "Opening the Field" celebration in Minneapolis, MN, 6/2/2010. The talk goes through some of the reasons why the Smithsonian Commons project is important to accomplishing the Smithsonian's mission, and what the characteristics of a commons are or might be...
Reading the Tea Leaves: Global Trends and Opportunities for Tomorrow's MuseumsRobert J. Stein
A presentation to the 2014 Communicating the Museum conference in Sydney, Australia.
As our society becomes increasingly more intertwined, it is evident that global trends that once seemed remote are having a deep impact on our local communities. These same trends play out in museums around the globe as we reflect our communities both past and present. The museum audience is inherently submerged in this current of cultural change. Without pretending to predict the entire future, there are strong signals that a few important global trends will persist. What are those trends and how can museums begin to take advantage of those likely shifts to promote, advocate, and enhance their relevance to a global audience?
A deep dive into the history of composting in Americas largest metropolis. A brief overview of how organics were handle pre-Industrial Revolution. An expanded look at compost policies, initiatives and facilities from 1990 thru 2020, and some info about how the pandemic affected composting in NYC.
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Talk presented by Rick Prelinger at Future Histories Lab, UC Berkeley, September 27, 2021. Other speaker: Savannah Wood, Afro Charities, Baltimore. Many of the slides include archival video clips, which are not shown in this version.
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Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
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Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
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Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
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2. The CUNY Academic Commons
Conception, Strategy, Process, Use
The Commons
Histories, Theories, Models
New Models for the Networked Commons
Challenges, Publics, Possibilities
Sunday, October 16, 11
3. The CUNY Academic Commons
Conception, Strategy, Process, Use
The Commons
Histories, Theories, Models
New Models for the Networked Commons
Challenges, Publics, Possibilities
Sunday, October 16, 11
30. “ we judge our tools by one key metric
above all others: use. Successful tools
”
are tools that are used.
Tom Scheinfeldt
“Lessons from One Week | One Tool – Part 2, Use.” Found History.
2 August 2010. <http://www.foundhistory.org/2010/08/02/lessons-
from-one-week-one-tool-part-2-use/>
Sunday, October 16, 11
50. The CUNY Academic Commons
Conception, Strategy, Process, Use
The Commons
Histories, Theories, Models
New Models for the Networked Commons
Challenges, Publics, Possibilities
Sunday, October 16, 11
52. What is a
commons?
a shared resource
Sunday, October 16, 11
53. Traditional Commons
Natural resource -- plot of land
CC-licensed photo: “Cow in Niederbauen” http://www.flickr.com/photos/akane86/182443256//
Sunday, October 16, 11
54. 3 Phases of English Common Land Tenure
1. Saxon Age before Norman conquest
most village lands held and worked in common.
2. After Norman conquest
village lands belong to local manor, rights of the
common granted on condition of fealty to manor lord
3. Age of enclosure - early 18th century - end of 19th
century
common land divided up, fenced, converted to private
property in modern sense.
Sunday, October 16, 11
58. Design principles of robust, long-enduring, common-pool resource institutions
(Ostrom 1990, 90–102):
• Clearly defined boundaries should be in place.
• Rules in use are well matched to local needs and conditions.
• Individuals affected by these rules can usually participate in modifying
the rules.
• The right of community members to devise their own rules is respected
by external authorities.
• A system for self-monitoring members’ behavior has been established.
• A graduated system of sanctions is available.
• Community members have access to low-cost conflict-resolution
mechanisms.
Sunday, October 16, 11
59. Libertarian vs.
Associational Commons
Sunday, October 16, 11
61. social networks
middle-state publishing
emphasis on process
Sunday, October 16, 11
62. “The common is not to be construed, therefore, as
a particular kind of thing, asset or even social
process, but as an unstable and malleable social
relation between a particular self-defined social
group and those aspects of its actually existing or
yet-to-be-created social and/or physical
environment deemed crucial to its life and
livelihood. There is, in effect, a social
practice of commoning.” -- David Harvey
Sunday, October 16, 11
63. What is a
commons?
a shared space
for creating
resources with a
community
Sunday, October 16, 11
64. What is a
commons?
a shared space for
creating resources
with (and within) a
community
Sunday, October 16, 11
66. “the process of creating public
knowledge [is] an additional good,
because such work builds social
capital, strengthens communities,
and gives people skills that they
need for effective citizenship.”
-- Peter Levine
Sunday, October 16, 11
67. “the cornucopia of the
commons”:
more value is created as more
people use the resource and
join the social community. The
operative principle is “the
more, the merrier.”
Sunday, October 16, 11
86. The CUNY Academic Commons
Conception, Strategy, Process, Use
The Commons
Histories, Theories, Models
New Models for the Networked Commons
Challenges, Publics, Possibilities
Sunday, October 16, 11
89. Challenges
A GROUP OF SILOED COMMONS
Sunday, October 16, 11
90. Challenges
INTERACTION FATIGUE
Sunday, October 16, 11
91. Challenges
ENTERPRISE-LEVEL LEARNING
MANAGEMENT SYSTEMS
Sunday, October 16, 11
92. Challenges
PROPRIETARY PLATFORMS
Sunday, October 16, 11
93. Challenges
SECONDARY ENCLOSURES,
THREATS TO COLLABORATION:
PATENTS, TRADEMARKS,
COPYRIGHT
“MONOPOLIES OF INVENTION”
Sunday, October 16, 11
94. Challenges
TRACKING, SURVEILLANCE
Sunday, October 16, 11
95. Possibilities
BUILD RECURSIVE PUBLICS
Sunday, October 16, 11
96. “Free Software . . . is not simply a technical pursuit but also the
creation of a ‘public,’ a collective that asserts itself as a check on
other constituted forms of power—like states, the church, and
corporations—but which remains independent of these domains
of power. Free Software is a response to this reorientation that
has resulted in a novel form of democratic political action, a
means by which publics can be created and maintained in forms
not at all familiar to us from the past. Free Software is a public of
a particular kind: a recursive public. Recursive publics
are publics concerned with the ability to build,
control, modify, and maintain the infrastructure
that allows them to come into being in the first
place and which, in turn, constitutes their everyday practical
commitments and the identities of the participants as creative
and autonomous individuals.”
– Christopher Kelty, Two Bits:The Cultural Significance of Free
Software (2008)
Sunday, October 16, 11
97. Possibilities
BUILD GENERATIVE SPACES
Sunday, October 16, 11
98. “Generativity is a system’s capacity to
produce unanticipated change through
unfiltered contributions from broad and
varied audiences. . . . Generativity pairs an
input consisting of unfiltered
contributions from diverse people and
groups, who may or may not be working
in concert, with the output of
unanticipated change.”
– Jonathan Zittrain, The Future of the
Internet - And How to Stop It (2008)
Sunday, October 16, 11