OILTANKERS VS SPEEDBOATS
Positioning Your Studio - AIGA Breakfast Talk 04.14.15
2
I’M JAMES, A STRATEGIST AT LARGE.
3
WHAT DO I DO?

INVENTIVE DIGITAL STRATEGY AND 

CONCEPTUAL CREATIVITY FOR 

COMPLEX BUSINESS CHALLENGES.
4
HELP BUSINESSES NAVIGATE AND CREATE
CULTURE BY CREATING IDEAS, PLATFORMS
AND STORIES THAT NAVIGATE A FAST
CHANGING WORLD.
HOW DO I DO IT?
5
(THAT WAS SUPER DIFFICULT TO WRITE).
6
POSITIONING YOUR STUDIO IS
POSSIBLY ONE OF THE HARDEST
THINGS YOU CAN DO STARTING OUT.
BECAUSE IT ASKS YOU TO TRULY,
D E E P L Y , Q U E S T I O N A N D
UNDERSTAND WHAT YOU DO, WHERE
YOU DO IT AND WHY YOU DO IT.
7
POSITIONING - A SUPER BRIEF HISTORY
8
1950’S - ROOTED IN BUDGET PLANNING AND
FINANCIAL CONTROL. AKA SUPER BORING
1960’S - ADOPTED BY HARVARD BUSINESS
SCHOOL. ‘SWOT’ ANALYSIS IS BORN
9
10
1980’S - EVERYONE READS “THE ART OF WAR”
AND LOSES THEIR MIND FOR STRATEGY
11
1990’S - M&A’S MAKE EVERYONE CRAZY FOR
POSITIONING THAT LEVERAGE CORE COMPETENCIES
12
2000’S - POSITIONING GOES MAINSTREAM. THE
RISE OF BRAND POSITIONING AND BECOMES A
COTTAGE INDUSTRY IN OF ITSELF.
13
2010’S - DIGITAL CULTURE MOVES
POSITIONING FROM CORPORATE TO
CULTURE. PURPOSE OVER PROFIT
14
WHY SPEEDBOATS AND OIL-TANKERS?
15
16
WHY IS A POSITIONING SO IMPORTANT?
17
A GOOD POSITIONING IS A
WAY TO REPEAT SUCCESS.
18
WHAT MAKES US DIFFERENT? WE’RE FULL SERVICE!
WE’RE INTEGRATED! WE HAVE A WIDE RANGE OF
EXPERIENCE! WE’RE CREATIVE! WE’RE STRATEGIC! WE’RE
NIMBLE! WE’RE MEDIA NEUTRAL! WE’RE DEDICATED!
WE’RE YOUR MARKETING PARTNER! WE ASSIGN ONLY
SENIOR PEOPLE! WE GET RESULTS! WE’RE FUN!
19
“THE COMMON FAILING AMONG AGENCIES SEEKING
N E W B U S I N E S S I S T H E I R I N A B I L I T Y , O R
WILLINGNESS TO NAME WHAT THEY STAND FOR”
Bob Lundin, R3/JLB
AND THE TRAP OF NOT TAKING A STAND
20
WHAT DOES A POSITIONING LOOK LIKE?
21
AKA - DO WHAT YOU DO BEST.
VARIETY-BASED
22
EXAMPLE VARIETY BASED POSITIONING
23
AKA - DO EVERYTHING, BUT ONLY FOR A PARTICULAR GROUP OF PEOPLE.
NEEDS-BASED
24
25
AKA - GO WHERE YOUR CUSTOMERS ARE.
ACCESS-BASED
26
27
DEFINE A VALUABLE AND UNIQUE POSITIONING INVOLVING A
DIFFERENT SET OF ACTIVITIES TO MAKE YOU DISTINCT.
THE KEY?
28
SO HOW DO I MAKE MY POSITIONING DISTINCT?
29
YOU GOT INTO THIS FOR A REASON. TELL PEOPLE WHAT THAT IS. 

BE YOUR PURPOSE.
LISTEN TO YOUR CALLING
30
“THE ESSENCE OF STRATEGY IS DECIDING WHAT NOT TO DO”
Michael Porter - Harvard Business School
BE SELECTIVE
31
DEFINE YOUR OPPOSITIONAL FORCE
STAY ON TARGET
32
FOCUS ON FINDING THE RIGHT PEOPLE THAT FIT YOUR VALUES FOCUS
FOR WHAT TYPE OF CLIENTS YOU WANT RIGHT NOW
DON’T LOSE FOCUS
33
“EVERYONE IS SO BUSY DOING WORK FOR THEIR CLIENTS 

THAT THEY FORGET TO DO THE SAME WORK FOR THEMSELVES.”
UNAMED AGENCY CMO
34
CONCENTRATE ON DEEPENING YOUR POSITION VIA YOUR
EXPERTISE, AND CONSTANTLY DEMONSTRATE AGAINST IT

GO DEEP
35
BUILD CONSENSUS, AND COMMUNICATE YOUR POSITIONING IN
CLEAR, INSPIRING, AND COLLABORATIVE TERMS.
ALL FOR ONE, ONE FOR ALL
36
CLIENTS BECOME FELLOW TRAVELERS.

THESE TRAVELERS, BECOME YOUR GREATEST ASSETS.
BUILD THE FELLOWSHIP
37
A SUSTAINABLE ADVANTAGE CANNOT BE GUARANTEED BY
SIMPLY CHOOSING A UNIQUE POSITION, AS COMPETITORS WILL
IMITATE A VALUABLE (IE. SUCCESSFUL) POSITION.
THEIR WILL BE COPIERS
38
WRITE A SENTENCE THAT ARTICULATES YOUR DISTINCTIVE
ADVANTAGE, NOT JUST A BUNCH OF SUPERLATIVES. KEEP
HONING IT UNTIL IT'S CLEAR AND FEELS RIGHT. RUN IT PAST
WITH CLIENTS FOR CONFIRMATION THAT IT CONVEYS THE
COMPELLING REASON TO DO BUSINESS WITH YOU.
STARTER FOR 10
39
“KNOW THE USER, KNOW THE
MAGIC, CONNECT THE TWO”
GOOGLE CREATIVE LAB
THANKS FOR LISTENING!
40
TWITTER: @THEKINGMOB

INSTAGRAM: @THEKINGMOB

Oiltankers vs Speedboats: Positioning Your Studio

  • 1.
    OILTANKERS VS SPEEDBOATS PositioningYour Studio - AIGA Breakfast Talk 04.14.15
  • 2.
    2 I’M JAMES, ASTRATEGIST AT LARGE.
  • 3.
    3 WHAT DO IDO?
 INVENTIVE DIGITAL STRATEGY AND 
 CONCEPTUAL CREATIVITY FOR 
 COMPLEX BUSINESS CHALLENGES.
  • 4.
    4 HELP BUSINESSES NAVIGATEAND CREATE CULTURE BY CREATING IDEAS, PLATFORMS AND STORIES THAT NAVIGATE A FAST CHANGING WORLD. HOW DO I DO IT?
  • 5.
    5 (THAT WAS SUPERDIFFICULT TO WRITE).
  • 6.
    6 POSITIONING YOUR STUDIOIS POSSIBLY ONE OF THE HARDEST THINGS YOU CAN DO STARTING OUT. BECAUSE IT ASKS YOU TO TRULY, D E E P L Y , Q U E S T I O N A N D UNDERSTAND WHAT YOU DO, WHERE YOU DO IT AND WHY YOU DO IT.
  • 7.
    7 POSITIONING - ASUPER BRIEF HISTORY
  • 8.
    8 1950’S - ROOTEDIN BUDGET PLANNING AND FINANCIAL CONTROL. AKA SUPER BORING
  • 9.
    1960’S - ADOPTEDBY HARVARD BUSINESS SCHOOL. ‘SWOT’ ANALYSIS IS BORN 9
  • 10.
    10 1980’S - EVERYONEREADS “THE ART OF WAR” AND LOSES THEIR MIND FOR STRATEGY
  • 11.
    11 1990’S - M&A’SMAKE EVERYONE CRAZY FOR POSITIONING THAT LEVERAGE CORE COMPETENCIES
  • 12.
    12 2000’S - POSITIONINGGOES MAINSTREAM. THE RISE OF BRAND POSITIONING AND BECOMES A COTTAGE INDUSTRY IN OF ITSELF.
  • 13.
    13 2010’S - DIGITALCULTURE MOVES POSITIONING FROM CORPORATE TO CULTURE. PURPOSE OVER PROFIT
  • 14.
  • 15.
  • 16.
    16 WHY IS APOSITIONING SO IMPORTANT?
  • 17.
    17 A GOOD POSITIONINGIS A WAY TO REPEAT SUCCESS.
  • 18.
    18 WHAT MAKES USDIFFERENT? WE’RE FULL SERVICE! WE’RE INTEGRATED! WE HAVE A WIDE RANGE OF EXPERIENCE! WE’RE CREATIVE! WE’RE STRATEGIC! WE’RE NIMBLE! WE’RE MEDIA NEUTRAL! WE’RE DEDICATED! WE’RE YOUR MARKETING PARTNER! WE ASSIGN ONLY SENIOR PEOPLE! WE GET RESULTS! WE’RE FUN!
  • 19.
    19 “THE COMMON FAILINGAMONG AGENCIES SEEKING N E W B U S I N E S S I S T H E I R I N A B I L I T Y , O R WILLINGNESS TO NAME WHAT THEY STAND FOR” Bob Lundin, R3/JLB AND THE TRAP OF NOT TAKING A STAND
  • 20.
    20 WHAT DOES APOSITIONING LOOK LIKE?
  • 21.
    21 AKA - DOWHAT YOU DO BEST. VARIETY-BASED
  • 22.
  • 23.
    23 AKA - DOEVERYTHING, BUT ONLY FOR A PARTICULAR GROUP OF PEOPLE. NEEDS-BASED
  • 24.
  • 25.
    25 AKA - GOWHERE YOUR CUSTOMERS ARE. ACCESS-BASED
  • 26.
  • 27.
    27 DEFINE A VALUABLEAND UNIQUE POSITIONING INVOLVING A DIFFERENT SET OF ACTIVITIES TO MAKE YOU DISTINCT. THE KEY?
  • 28.
    28 SO HOW DOI MAKE MY POSITIONING DISTINCT?
  • 29.
    29 YOU GOT INTOTHIS FOR A REASON. TELL PEOPLE WHAT THAT IS. 
 BE YOUR PURPOSE. LISTEN TO YOUR CALLING
  • 30.
    30 “THE ESSENCE OFSTRATEGY IS DECIDING WHAT NOT TO DO” Michael Porter - Harvard Business School BE SELECTIVE
  • 31.
    31 DEFINE YOUR OPPOSITIONALFORCE STAY ON TARGET
  • 32.
    32 FOCUS ON FINDINGTHE RIGHT PEOPLE THAT FIT YOUR VALUES FOCUS FOR WHAT TYPE OF CLIENTS YOU WANT RIGHT NOW DON’T LOSE FOCUS
  • 33.
    33 “EVERYONE IS SOBUSY DOING WORK FOR THEIR CLIENTS 
 THAT THEY FORGET TO DO THE SAME WORK FOR THEMSELVES.” UNAMED AGENCY CMO
  • 34.
    34 CONCENTRATE ON DEEPENINGYOUR POSITION VIA YOUR EXPERTISE, AND CONSTANTLY DEMONSTRATE AGAINST IT
 GO DEEP
  • 35.
    35 BUILD CONSENSUS, ANDCOMMUNICATE YOUR POSITIONING IN CLEAR, INSPIRING, AND COLLABORATIVE TERMS. ALL FOR ONE, ONE FOR ALL
  • 36.
    36 CLIENTS BECOME FELLOWTRAVELERS.
 THESE TRAVELERS, BECOME YOUR GREATEST ASSETS. BUILD THE FELLOWSHIP
  • 37.
    37 A SUSTAINABLE ADVANTAGECANNOT BE GUARANTEED BY SIMPLY CHOOSING A UNIQUE POSITION, AS COMPETITORS WILL IMITATE A VALUABLE (IE. SUCCESSFUL) POSITION. THEIR WILL BE COPIERS
  • 38.
    38 WRITE A SENTENCETHAT ARTICULATES YOUR DISTINCTIVE ADVANTAGE, NOT JUST A BUNCH OF SUPERLATIVES. KEEP HONING IT UNTIL IT'S CLEAR AND FEELS RIGHT. RUN IT PAST WITH CLIENTS FOR CONFIRMATION THAT IT CONVEYS THE COMPELLING REASON TO DO BUSINESS WITH YOU. STARTER FOR 10
  • 39.
    39 “KNOW THE USER,KNOW THE MAGIC, CONNECT THE TWO” GOOGLE CREATIVE LAB
  • 40.
    THANKS FOR LISTENING! 40 TWITTER:@THEKINGMOB
 INSTAGRAM: @THEKINGMOB