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Narrative in the classroom.

    EL4221 Narrative Structures
The point.
Roadmap.
    Part 1:              Part 2:
The story of the      The new (and
  classroom.       improved) story of
                     the classroom.
1
DISCOURSE




                        DISCOURSE
DISCOURSE




              STORY




            DISCOURSE
THE MEDIUM
     IS
THE MESSAGE



- Marshall McLuhan
A CLASSROOM IS ITS ENVIRONMENT.

THE WAY I EXPERIENCE THE CLASS
BECOMES ITS SUBJECT MATTER.
The communicative framework



Addresser             Addressee
            Message
 (Author)             (Reader)
If the classroom is a story,

    WHO IS THE AUTHOR?
An anonymous ideology.
“The whole of France is steeped in this
anonymous ideology: our press, our
cinema, our theatre, our popular literature,
our ceremonies, our Justice, our
diplomacy, our conversations, our remarks
on the weather, the crimes we try, the
wedding we are moved by, the cooking we
dream of, the clothes we wear…”
“…everything, in our everyday life,
 contributes to the representation
 that the bourgeoisie makes for itself
 and for us of the relationships
 between man and the world”
   - Roland Barthes (emphasis mine)
Setting.
• Background material
• Spatial location
Characters.
• Dr. Talib – lecturer, in his 40s
• Students – English Language and Literature
  undergraduates, in their 20s
A modern approach to
     education.
With a difference.
Narrator.
• Point of view: Prof Talib
• Homodigetic: narrator present in story
• Intradigetic: limited knowledge of story
AND Extradigetic – “higher level”
Events.
• Constituents of a story.




• Major events (kernels) and minor events
  (satellites)
The Post-Modern Educator?
Macro-sequence 1: Plurality of voices allowed.
– Prof Talib gets us to introduce ourselves
   • Everyone shares their goals for the class
– Prof Talib teaches with PowerPoint
   • Various voices are heard
The Post-Modern Educator?
Macro-sequence 2: Power structures reversed.
– Micro-sequence 1: Deciding the format of the
  class
   • Prof Talib gives autonomy to class to decide format
   • Jovi responds with a proposal
   • Jovi presents proposal in class
– Micro-sequence 2: Educating the students
   • Prof Talib lectures again
   • People ask him questions after class
   • He requests that people who asked him questions
     present their ideas the next week
Plot.
Prof Talib exercises
  POST-MODERN LEADERSHIP
in the context of the classroom.
2
A new model of education.
METANARRATIVES
should give way to
petit recits petit recits petit recits petit recits petit recits petit recits petit recits petit recits petit recits
     petit recits petit recits petit recits petit recits petit recits petit recits petit recits petit recits petit
     recits petit recits petit recits petit recits petit recits petit recits petit recits petit recits
petit recits petit recits petit recits petit recits petit recits petit recits petit recits petit recits petit recits
     petit recits petit recits petit recits petit recits petit recits petit recits petit recits petit recits petit
     recits petit recits petit recits petit recits petit recits petit recits petit recits petit recits




(Lyotard)
Everything is reversed:
“You are the teachers in this class”
No hierarchy of knowledge.
Events and plot:
Determined by collaborative
       authorship.
Narrator:
Co-narrators – plurality of voices.
Characters:
all teachers, and all students.
Setting. Classroom layout ought to
be changed to reflect these values
New Communicative Framework


  Addresser-                  Addresser-
   Addressee      Message     Addressee
(Author-Reader)             (Author-Reader)
The old classroom narrative that
   embraces modern values
has become outmoded.
A NEW MODEL OF EDUCATION
in a world where   petit narratives
Have become
THE NEW GRAND NARRATIVE
• “Ants and bees worked together as a single
  unit, and were prepared to die for the greater
  good of the colony.” – “Bees and ants ‘operate
  in teams’” BBC News, 23 March 2009
Rewritetheworld.wordpress.com

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Narrative in the classroom

Editor's Notes

  1. Story: What narrative is; its content, consisting of events, actions, time, and location Discourse: How the narrative is told: arrangement, emphasis, de-emphasis, magnification/diminution of any of the elements of the content (1.2)
  2. Story: What narrative is; its content, consisting of events, actions, time, and location Discourse: How the narrative is told: arrangement, emphasis, de-emphasis, magnification/diminution of any of the elements of the content (1.2) The medium is an environment that produces effects The effects of media come from their form and not from their contentThe medium itself is the ultimate message
  3. Story: What narrative is; its content, consisting of events, actions, time, and location Discourse: How the narrative is told: arrangement, emphasis, de-emphasis, magnification/diminution of any of the elements of the content (1.2) The medium is an environment that produces effects The effects of media come from their form and not from their contentThe medium itself is the ultimate message
  4. French literary theorist, philosopher, critic
  5. French literary theorist, philosopher, critic
  6. Students of English Language and LiteratureNational University of Singapore Discuss Narrative Structures in the context of a classroom
  7. New narrative of the classroom ought to reflect the importance and relevance of small stories, because this is the new meta-narrative of the age
  8. New narrative of the classroom ought to reflect the importance and relevance of small stories, because this is the new meta-narrative of the age
  9. New narrative of the classroom ought to reflect the importance and relevance of small stories, because this is the new meta-narrative of the age