This scene summary analyzes a scene from the film "Slumdog Millionaire".
[1] The scene takes place on a train, where Jamal and his brother Salim are trying to steal food from other passengers.
[2] This functions as the beginning of Jamal's story, raising questions for the audience about why the brothers are on the train and what they are running away from.
[3] The narrative structure is non-linear, confusing the audience by changing the order of events to create mysteries that are answered later.
The document provides instructions for an assignment to analyze the narrative structure of the last scene from the film "Momento". It includes questions about whether the scene represents the whole narrative, a section, or an enigma. It also asks about the narrative functions, structure, characters, and representation of ideology in the scene.
The document contains information about 4 candidates - Amy Cleary, Monae Minors-Gibbs, Jodie Foster-Pilia, and Pamela Younes. For each candidate it lists their name, candidate number, and colour code. The document also contains sections about inspiration from film opening sequences, including films like Se7en, Mission Impossible, and U Turn. It discusses elements like establishing characters, credits, and setting. Finally, it discusses inspiration from real film openings like Anatomy of a Murder, Oceans 11, and films dealing with themes like suicide, transgender experiences, and flashbacks.
The document discusses various marketing techniques used to promote the film Chatroom. It summarizes trailers for the film, which emphasized themes of deception, manipulation and tension online. Product placement and partnerships with social media sites were also part of the marketing strategy, as the film explores dangers of the internet and needed to attract audiences in a time before widespread media coverage. Alternative DVD covers and cast interviews on YouTube aimed to make unknown actors more likable and appeal to potential viewers.
The music video conveys conventions of the romantic genre through its narrative and visuals. It features a strong female protagonist whose broken relationship is portrayed through the song's lyrics and her motions in the video. Close-ups and lip syncing emphasize the emotional appeal, creating a connection between the media and target audience. While using typical genre motifs like the rose, the artist develops the story through the supplementary texts within the video.
1) The narrator is frustrated trying to find a good movie to rent on a Friday night at Blockbuster Videos, facing rows and rows of bad movies.
2) Memories of movies past mix in the narrator's mind, like John Wayne shooting tomatoes in the rain and kissing Ryan Gosling.
3) Though the selection is dismal, the narrator hopes the video clerk could be the next Tarantino and has made a brilliant movie about space toucans that might change their life.
The document provides a detailed analysis and summary of a movie trailer. It examines how the trailer uses various techniques to immerse the audience and build suspense, while also providing context about the plot and genre. This includes the use of logos, settings, characters, music, anticipation/climax building scenes, references to other similar films, and more. The overall goal of the trailer analysis is to understand how it engages audiences and leaves them wanting to learn more about the film.
The document discusses various cinematography, editing, mise-en-scene, sound, and other techniques used in the filmmaker's thriller/drama media product. It examines how conventions from films like Seven and Memento were implemented, but also how the film challenged thriller genre conventions through its military/PTSD themes and inclusion of drama elements. Close-ups, tracking shots, filters, and a increasing editing pace over time were used, along with military uniforms, medication props, and original piano music to set the tone. Iconography through a photograph and dog tags provided context while informing the audience.
Assignment 6:Simple film narrative structure analysissodamnsimple
The document outlines the plot of the movie Evelyn Salt, where CIA agent Evelyn Salt is accused of being a Russian spy assigned to assassinate the Russian president, forcing her to go on the run to clear her name and seek revenge for the death of her husband who is killed by the Russians. It describes the typical three act structure of setup, conflict, and resolution followed in the movie as Salt's story unfolds from the beginning of her being accused, through the middle crisis events, to the ending resolution of her escaping authorities.
The document provides instructions for an assignment to analyze the narrative structure of the last scene from the film "Momento". It includes questions about whether the scene represents the whole narrative, a section, or an enigma. It also asks about the narrative functions, structure, characters, and representation of ideology in the scene.
The document contains information about 4 candidates - Amy Cleary, Monae Minors-Gibbs, Jodie Foster-Pilia, and Pamela Younes. For each candidate it lists their name, candidate number, and colour code. The document also contains sections about inspiration from film opening sequences, including films like Se7en, Mission Impossible, and U Turn. It discusses elements like establishing characters, credits, and setting. Finally, it discusses inspiration from real film openings like Anatomy of a Murder, Oceans 11, and films dealing with themes like suicide, transgender experiences, and flashbacks.
The document discusses various marketing techniques used to promote the film Chatroom. It summarizes trailers for the film, which emphasized themes of deception, manipulation and tension online. Product placement and partnerships with social media sites were also part of the marketing strategy, as the film explores dangers of the internet and needed to attract audiences in a time before widespread media coverage. Alternative DVD covers and cast interviews on YouTube aimed to make unknown actors more likable and appeal to potential viewers.
The music video conveys conventions of the romantic genre through its narrative and visuals. It features a strong female protagonist whose broken relationship is portrayed through the song's lyrics and her motions in the video. Close-ups and lip syncing emphasize the emotional appeal, creating a connection between the media and target audience. While using typical genre motifs like the rose, the artist develops the story through the supplementary texts within the video.
1) The narrator is frustrated trying to find a good movie to rent on a Friday night at Blockbuster Videos, facing rows and rows of bad movies.
2) Memories of movies past mix in the narrator's mind, like John Wayne shooting tomatoes in the rain and kissing Ryan Gosling.
3) Though the selection is dismal, the narrator hopes the video clerk could be the next Tarantino and has made a brilliant movie about space toucans that might change their life.
The document provides a detailed analysis and summary of a movie trailer. It examines how the trailer uses various techniques to immerse the audience and build suspense, while also providing context about the plot and genre. This includes the use of logos, settings, characters, music, anticipation/climax building scenes, references to other similar films, and more. The overall goal of the trailer analysis is to understand how it engages audiences and leaves them wanting to learn more about the film.
The document discusses various cinematography, editing, mise-en-scene, sound, and other techniques used in the filmmaker's thriller/drama media product. It examines how conventions from films like Seven and Memento were implemented, but also how the film challenged thriller genre conventions through its military/PTSD themes and inclusion of drama elements. Close-ups, tracking shots, filters, and a increasing editing pace over time were used, along with military uniforms, medication props, and original piano music to set the tone. Iconography through a photograph and dog tags provided context while informing the audience.
Assignment 6:Simple film narrative structure analysissodamnsimple
The document outlines the plot of the movie Evelyn Salt, where CIA agent Evelyn Salt is accused of being a Russian spy assigned to assassinate the Russian president, forcing her to go on the run to clear her name and seek revenge for the death of her husband who is killed by the Russians. It describes the typical three act structure of setup, conflict, and resolution followed in the movie as Salt's story unfolds from the beginning of her being accused, through the middle crisis events, to the ending resolution of her escaping authorities.
This document provides an overview of narrative theory and techniques. It defines narrative and identifies three common narrative theories: Todorov's theory of narrative structure, Propp's characterization roles, and Levi-Strauss's concept of binary oppositions. Examples are given for each theory and students are tasked with applying these concepts to analyze various media texts, including films, news, and advertisements. Non-linear narratives are also discussed.
Taken is a 2008 action thriller directed by Pierre Morel. It tells the story of Bryan Mills, a former CIA operative, who uses his skills to find his daughter and her friend when they are kidnapped while on holiday in Paris. He tracks down and murders the men responsible. The film conforms to the action thriller genre through its car chase scenes, explosions, gun fights, and dark lighting that adds suspense. It follows a linear narrative of a father doing anything to rescue his daughter from sex traffickers.
Taken was a 2008 action thriller directed by Pierre Morel. It tells the story of Bryan Mills, a former CIA operative who uses his skills to find and rescue his daughter after she is kidnapped while visiting Paris. The film conforms to the action genre through its fast-paced editing, dark lighting in some scenes, and Bryan's violent pursuit of his daughter's captors. It also touches on themes of violence, justice, and parental love through the story of an American man stopping at nothing to save his child after she is taken.
The editor of the film Hot Fuzz builds tension in the scene where Angel dismounts from his horse through careful cutting between Angel and the villagers. This switching of camera angles raises the intensity level for the audience as Angel makes his final approach to the villagers, with a shot highlighting his sidearm just before gunfire erupts.
The document analyzes the structure and editing techniques used in the trailer for the horror film The Conjuring. It begins with an introduction page and then the production company logos. Throughout, captions provide plot details and information about the director's previous work. At the end, the film title, release date, and website are shown. Continuity editing connects shots to emphasize the passage of time. Long takes are used at the beginning to set the scene, while short takes at the end build tension. Transitions vary from smooth to fast/dramatic based on the shot. Pace also shifts from slow to build tension to fast and dramatic towards the end.
The document analyzes the editing techniques used in a scene from the movie Hot Fuzz. It breaks down the scene into multiple shots including long shots, medium shots, and close ups. The editing functions to introduce the main character, speed up the action by cutting shots fast without transitions, and use camera movements and zooming to introduce characters and show emotions. It lists the shot sequences and editing functions used to connect different shots and scenes with whip pans and add realism and drama through camera techniques.
Hot Fuzz (2007) is an action-comedy film directed by Edgar Wright that draws on genres like cop films, buddy movies, and horror. It uses techniques like fast-paced montages and parody to reference other films and popular culture. The film contains abundant references that make intertextuality a theme. It parodies genres like the super-cop film and includes self-reflexive elements where characters are fans of the same genres the film references. Hot Fuzz was both a critical and commercial success for its hybrid approach combining action, comedy, and postmodern techniques.
This document provides a scene-by-scene analysis of key moments in a film. It describes shots from a car crash scene showing a family arguing in a car before the crash. It then analyzes shots from a cave exploration scene where the main character Sarah discovers bloody fingerprints on the wall. The analysis concludes by describing shots of Sarah's desperate attempt to escape from the cave, with close-ups showing her bloody face as she climbs towards daylight using bones as stairs.
Editing involves improving various elements of filmed content like sound, image, and effects. It allows creators to tell a story by correcting mistakes, making the footage look better, and creating illusions or expanding time. Specific editing techniques include establishing shots, clips, transitions like wipes and dissolves, straight cuts, and color correction. The document analyzes a scene from the movie "Hot Fuzz" where the main character arrives in a village, with a series of shots showing villagers' reactions that get faster edited together, using wipes and cross cuts between the character and his colleague.
This document describes 10 establishing shots from the opening scene of a film. Shot 1 is an extreme long shot that introduces the setting. Shot 2 transitions to a close up of the main character on a horse. Shot 3 is a mid shot showing interaction. Shot 4 shows school children looking up at the superior main character on a horse. Shot 5 transitions to a low angle shot from the character's point of view on the horse. Shot 6 again shows the importance of the character on a horse, with shocked children looking at him. Shot 7 transitions with a quick wipe. Shot 8 shows the children's reactions. Shot 9 is a fast transition as the character throws a bag to the children. Shot 10 zooms in on the children opening
This document analyzes the cinematography techniques used in the opening sequence of the film Hot Fuzz. It discusses how various shots like extreme long shots, medium shots, and close-ups are used to build suspense around the main character and establish him as a serious and accomplished police officer, despite hints that the film will have comedic elements. Transitions between shots use flashes or match cuts to keep the sequence intense as the character's backstory and achievements are laid out. The cinematography and narration work together to present the main character as a perfect officer before the absurd comedy of the film is revealed.
A narrative analysis on Game of Thrones season 4, in this i talk about the different theories put forward by Vladimir Propp and other, whilst also analysing an episode.
The opening scene of Jaws establishes the carefree teenage characters around a beach fire and foreshadows impending violence when a girl runs off alone. Cross-cutting builds suspense between the characters and ominous music cues the audience to the approaching threat. Various camera shots like point-of-view from the shark's perspective further the sense of a predator stalking its prey. The credits with red text also foreshadow the blood and danger to come through their symbolic color association.
The document analyzes several film clips from the movie "Taken" through shots of the main protagonist and his daughter. A medium close-up shows the protagonist's apprehensive facial expressions and body language as he talks to his daughter on the phone. A close-up of the scared daughter looking out a window surprises when her expression changes. A wide shot from her point of view shows two men moving in another part of the hotel, making the audience aware something will happen. Later clips use extreme close-ups of the daughter's fearful face and frantic movements to generate suspense as the men kidnap her.
This document provides an overview of narrative concepts and theories that will be used to analyze the films "Super 8" and "Moonrise Kingdom". It defines key terms like narrative, story, and plot. It also describes classical Hollywood cinema conventions and continuity editing. Major narrative theories discussed include Propp's character archetypes, Todorov's model of equilibrium and disequilibrium, and Campbell's monomyth model of the hero's journey. The lesson objectives are to discuss the messages, values, and themes of "Super 8" and "Moonrise Kingdom" by applying these narrative frameworks.
Narrative structure in film refers to how films tell stories through a sequence of events. Films use narrative form to structure stories, with a beginning, middle, and end. Key elements of narrative structure include an exposition, rising action, climax, falling action, and resolution. Character development and conflicts between characters, nature, society, or other forces drive the narrative forward. Filmmakers select and order events to craft a plot that tells a version of the complete story in a concise time frame.
The document discusses films that inspired the creators' sequence idea focusing on the theme of revenge. It mentions liking the isolated settings and mind games portrayed in Hard Candy. Research on revenge included watching movies where characters enact painful murders for past wrongs. Ideas involved a woman getting murdered for laughing at a doll, and a man torturing and killing his daughter's rapist. Suffering was also considered a theme, showing a homeless man and child sleeping with no blankets in a train station.
The document provides an overview of screenplay formatting including defining scenes, scene headings, scene directions, character cues, actor directions, dialogue, exposition, and backstory. It discusses how to effectively incorporate exposition and backstory into a screenplay while continuing to move the story forward through visual storytelling. Key elements like dialogue, character actions, and location are emphasized.
This document provides a summary of common conventions in horror/psychological thriller films. It notes that these films typically involve a struggle for survival between good and evil taking place in an isolated setting. Common elements include the use of weapons like knives and saws by an evil force intruding on the lives of other characters. Technical elements aim to build tension through the use of lighting, camera techniques like close-ups, and a mix of diegetic and non-diegetic sounds. Character archetypes include victims like a "dumb blonde" as well as potential rescuers who may turn out to be false heroes.
This document provides a summary of common conventions in horror/psychological thriller films. It notes that these films typically involve a struggle for survival between good and evil taking place in an isolated setting. Common elements include the use of weapons like knives and saws by an evil force intruding on the lives of other characters. Technical elements aim to build tension through the use of lighting, camera techniques like close-ups, and a mix of diegetic and non-diegetic sounds. Character archetypes include victims like a "dumb blonde" as well as potential rescuers who may turn out to be false heroes.
Manipulations In Memento, By Christopher Leonard And MolloSamantha Randall
Christopher Nolan utilizes nonlinear storytelling and manipulation of time in Memento to immerse viewers in the experience of the protagonist Leonard Shelby's anterograde amnesia. Scenes are shown out of chronological order and switch between color and black-and-white to mirror Leonard's inability to form new memories. This unconventional structure, combined with Leonard's tattoos, notes and photos, challenge the audience to piece together the narrative in the same way Leonard must reconstruct his own investigation.
This document provides an overview of narrative theory and techniques. It defines narrative and identifies three common narrative theories: Todorov's theory of narrative structure, Propp's characterization roles, and Levi-Strauss's concept of binary oppositions. Examples are given for each theory and students are tasked with applying these concepts to analyze various media texts, including films, news, and advertisements. Non-linear narratives are also discussed.
Taken is a 2008 action thriller directed by Pierre Morel. It tells the story of Bryan Mills, a former CIA operative, who uses his skills to find his daughter and her friend when they are kidnapped while on holiday in Paris. He tracks down and murders the men responsible. The film conforms to the action thriller genre through its car chase scenes, explosions, gun fights, and dark lighting that adds suspense. It follows a linear narrative of a father doing anything to rescue his daughter from sex traffickers.
Taken was a 2008 action thriller directed by Pierre Morel. It tells the story of Bryan Mills, a former CIA operative who uses his skills to find and rescue his daughter after she is kidnapped while visiting Paris. The film conforms to the action genre through its fast-paced editing, dark lighting in some scenes, and Bryan's violent pursuit of his daughter's captors. It also touches on themes of violence, justice, and parental love through the story of an American man stopping at nothing to save his child after she is taken.
The editor of the film Hot Fuzz builds tension in the scene where Angel dismounts from his horse through careful cutting between Angel and the villagers. This switching of camera angles raises the intensity level for the audience as Angel makes his final approach to the villagers, with a shot highlighting his sidearm just before gunfire erupts.
The document analyzes the structure and editing techniques used in the trailer for the horror film The Conjuring. It begins with an introduction page and then the production company logos. Throughout, captions provide plot details and information about the director's previous work. At the end, the film title, release date, and website are shown. Continuity editing connects shots to emphasize the passage of time. Long takes are used at the beginning to set the scene, while short takes at the end build tension. Transitions vary from smooth to fast/dramatic based on the shot. Pace also shifts from slow to build tension to fast and dramatic towards the end.
The document analyzes the editing techniques used in a scene from the movie Hot Fuzz. It breaks down the scene into multiple shots including long shots, medium shots, and close ups. The editing functions to introduce the main character, speed up the action by cutting shots fast without transitions, and use camera movements and zooming to introduce characters and show emotions. It lists the shot sequences and editing functions used to connect different shots and scenes with whip pans and add realism and drama through camera techniques.
Hot Fuzz (2007) is an action-comedy film directed by Edgar Wright that draws on genres like cop films, buddy movies, and horror. It uses techniques like fast-paced montages and parody to reference other films and popular culture. The film contains abundant references that make intertextuality a theme. It parodies genres like the super-cop film and includes self-reflexive elements where characters are fans of the same genres the film references. Hot Fuzz was both a critical and commercial success for its hybrid approach combining action, comedy, and postmodern techniques.
This document provides a scene-by-scene analysis of key moments in a film. It describes shots from a car crash scene showing a family arguing in a car before the crash. It then analyzes shots from a cave exploration scene where the main character Sarah discovers bloody fingerprints on the wall. The analysis concludes by describing shots of Sarah's desperate attempt to escape from the cave, with close-ups showing her bloody face as she climbs towards daylight using bones as stairs.
Editing involves improving various elements of filmed content like sound, image, and effects. It allows creators to tell a story by correcting mistakes, making the footage look better, and creating illusions or expanding time. Specific editing techniques include establishing shots, clips, transitions like wipes and dissolves, straight cuts, and color correction. The document analyzes a scene from the movie "Hot Fuzz" where the main character arrives in a village, with a series of shots showing villagers' reactions that get faster edited together, using wipes and cross cuts between the character and his colleague.
This document describes 10 establishing shots from the opening scene of a film. Shot 1 is an extreme long shot that introduces the setting. Shot 2 transitions to a close up of the main character on a horse. Shot 3 is a mid shot showing interaction. Shot 4 shows school children looking up at the superior main character on a horse. Shot 5 transitions to a low angle shot from the character's point of view on the horse. Shot 6 again shows the importance of the character on a horse, with shocked children looking at him. Shot 7 transitions with a quick wipe. Shot 8 shows the children's reactions. Shot 9 is a fast transition as the character throws a bag to the children. Shot 10 zooms in on the children opening
This document analyzes the cinematography techniques used in the opening sequence of the film Hot Fuzz. It discusses how various shots like extreme long shots, medium shots, and close-ups are used to build suspense around the main character and establish him as a serious and accomplished police officer, despite hints that the film will have comedic elements. Transitions between shots use flashes or match cuts to keep the sequence intense as the character's backstory and achievements are laid out. The cinematography and narration work together to present the main character as a perfect officer before the absurd comedy of the film is revealed.
A narrative analysis on Game of Thrones season 4, in this i talk about the different theories put forward by Vladimir Propp and other, whilst also analysing an episode.
The opening scene of Jaws establishes the carefree teenage characters around a beach fire and foreshadows impending violence when a girl runs off alone. Cross-cutting builds suspense between the characters and ominous music cues the audience to the approaching threat. Various camera shots like point-of-view from the shark's perspective further the sense of a predator stalking its prey. The credits with red text also foreshadow the blood and danger to come through their symbolic color association.
The document analyzes several film clips from the movie "Taken" through shots of the main protagonist and his daughter. A medium close-up shows the protagonist's apprehensive facial expressions and body language as he talks to his daughter on the phone. A close-up of the scared daughter looking out a window surprises when her expression changes. A wide shot from her point of view shows two men moving in another part of the hotel, making the audience aware something will happen. Later clips use extreme close-ups of the daughter's fearful face and frantic movements to generate suspense as the men kidnap her.
This document provides an overview of narrative concepts and theories that will be used to analyze the films "Super 8" and "Moonrise Kingdom". It defines key terms like narrative, story, and plot. It also describes classical Hollywood cinema conventions and continuity editing. Major narrative theories discussed include Propp's character archetypes, Todorov's model of equilibrium and disequilibrium, and Campbell's monomyth model of the hero's journey. The lesson objectives are to discuss the messages, values, and themes of "Super 8" and "Moonrise Kingdom" by applying these narrative frameworks.
Narrative structure in film refers to how films tell stories through a sequence of events. Films use narrative form to structure stories, with a beginning, middle, and end. Key elements of narrative structure include an exposition, rising action, climax, falling action, and resolution. Character development and conflicts between characters, nature, society, or other forces drive the narrative forward. Filmmakers select and order events to craft a plot that tells a version of the complete story in a concise time frame.
The document discusses films that inspired the creators' sequence idea focusing on the theme of revenge. It mentions liking the isolated settings and mind games portrayed in Hard Candy. Research on revenge included watching movies where characters enact painful murders for past wrongs. Ideas involved a woman getting murdered for laughing at a doll, and a man torturing and killing his daughter's rapist. Suffering was also considered a theme, showing a homeless man and child sleeping with no blankets in a train station.
The document provides an overview of screenplay formatting including defining scenes, scene headings, scene directions, character cues, actor directions, dialogue, exposition, and backstory. It discusses how to effectively incorporate exposition and backstory into a screenplay while continuing to move the story forward through visual storytelling. Key elements like dialogue, character actions, and location are emphasized.
This document provides a summary of common conventions in horror/psychological thriller films. It notes that these films typically involve a struggle for survival between good and evil taking place in an isolated setting. Common elements include the use of weapons like knives and saws by an evil force intruding on the lives of other characters. Technical elements aim to build tension through the use of lighting, camera techniques like close-ups, and a mix of diegetic and non-diegetic sounds. Character archetypes include victims like a "dumb blonde" as well as potential rescuers who may turn out to be false heroes.
This document provides a summary of common conventions in horror/psychological thriller films. It notes that these films typically involve a struggle for survival between good and evil taking place in an isolated setting. Common elements include the use of weapons like knives and saws by an evil force intruding on the lives of other characters. Technical elements aim to build tension through the use of lighting, camera techniques like close-ups, and a mix of diegetic and non-diegetic sounds. Character archetypes include victims like a "dumb blonde" as well as potential rescuers who may turn out to be false heroes.
Manipulations In Memento, By Christopher Leonard And MolloSamantha Randall
Christopher Nolan utilizes nonlinear storytelling and manipulation of time in Memento to immerse viewers in the experience of the protagonist Leonard Shelby's anterograde amnesia. Scenes are shown out of chronological order and switch between color and black-and-white to mirror Leonard's inability to form new memories. This unconventional structure, combined with Leonard's tattoos, notes and photos, challenge the audience to piece together the narrative in the same way Leonard must reconstruct his own investigation.
The document provides an analysis of the film Memento directed by Christopher Nolan. It discusses how the film tells the story in a non-linear fashion through two different timelines, with some scenes going backwards in fifteen minute intervals and others shown chronologically. This innovative structure mimics the experience of the main character Leonard who has anterograde amnesia and can only remember fifteen minutes in the past. The film requires multiple viewings to fully understand due to this complex narrative technique.
The opening of A Nightmare on Elm Street establishes the main focus on dreams and features a girl being chased by Freddy through a factory. Though Freddy is not shown in detail, his clawed glove is revealed and cuts the girl receives in her dream carry over to the real world. The credits are sparse and against a black background to add mystery. Camera angles emphasize the girl's fear and isolation. Symbolism through the girl's white dress and a jumping lamb establish themes of innocence and being preyed upon. Dark lighting maintains the horror tone as the lines between dreams and reality are blurred.
Assignment 7 narrative analysis in a sceneempressnae
This 2 minute and 35 second clip from the film Freedom Writers shows a single narrative involving the character Eva. The clip begins with Eva in court confessing the truth about who killed her boyfriend. It then shows her reaction and being chased by her family members after confessing. The clip follows a linear structure with changes in location but not time. It establishes Eva as the heroine and victim and her family as the villains who confront and harass her. The ideology around cultural honour and consequences of deceit are represented implicitly through the narrative events.
Todorov's 5 stages of narrative structure are summarized as: 1) Equilibrium, 2) Disequilibrium, 3) Recognition of disequilibrium, 4) Attempt to repair damage, and 5) New equilibrium. Levi-Strauss believed that narratives describe the world through binary opposites such as hero/villain and good/evil. Propp identified 7 character types that commonly appear in stories, including the hero, villain, dispatcher, and donor. Various narrative theories analyze codes, structures, and techniques used in storytelling.
Katie Piper underwent an acid attack in 2008 that left her blind in one eye. The documentary "The Science of Seeing Again" follows her journey to regain sight in that eye through experimental stem cell treatment. It uses various documentary conventions like natural lighting, archival footage, interviews with experts and other acid attack survivors, close-up photos of her eye, and non-diegetic music to enhance mood. The documentary realistically depicts her operations and recovery process in an effort to educate viewers on vision science and give hope to others in similar situations.
Amy has chosen drama as her genre for her group project. She discusses several drama films that inspire her including The Magdalene Sisters, The Impossible, The Pursuit of Happyness, and My Sister's Keeper. She then outlines a 10-point narrative structure for a short film that begins with a woman waking up in the hospital and flashes back to how she got there. Amy discusses the characters, setting, and conventions for the film. She proposes using an "enigma" style that leaves the audience wondering what happened. The narrative structure is non-linear, similar to Slumdog Millionaire. Amy also discusses title design and target audience for the film.
The document analyzes the narrative structure of the film "The Impossible". It finds that the film uses a conventional three-act structure: [1] Act 1 sets up the family's holiday in Thailand. [2] Act 2 introduces conflict when a tsunami hits while they are at the pool. [3] Act 3 resolves the story as the family is reunited. This structure leaves the audience satisfied as it follows familiar storytelling patterns. However, some flashbacks challenge expectations.
The opening sequence of the film establishes tension through graphic images of blood and fire with Egyptian drawings. It then cuts abruptly to two men in a lab who seem unconcerned with their work. The sequence introduces the main characters, a group of teenagers preparing for a vacation. Rapid transitions between scenes keep the audience unsettled as they wonder what threats may arise. Red is used prominently to symbolize danger and death throughout the opening.
The opening sequence of The Girl With The Dragon Tattoo is effective because it establishes a gothic and morbid tone through its dark colors and graphic designs.
The document analyzes different sounds within a video clip from The Hunger Games, including volume control, sound perspective, dialogue, ambient sound, sound bridges, non-diegetic sounds, and sound effects. It discusses how the volume is loud at first but Katniss blocks it out due to nerves. Background sounds of the audience can be heard throughout. Dialogue and sound bridges are used between shots of different characters. Added sound effects include the dress swooshing and fire burning.
The document outlines the requirements to reach the target level of "GREEN B-A" which includes completing sections on film theory, exploring different films, choosing a film of analysis, and analyzing the film's genre, subgenre, conventions, and how it relates to audience and film theories. It provides details about the chosen film My Sister's Keeper, analyzing its genre as drama and tragedy, conventions it uses, and how it relates to various film theories. The document demonstrates applying film analysis concepts to break down the chosen film.
The document discusses various narrative theories including those proposed by Todorov, Levi-Strauss, Barthes, and Propp. Todorov's theory examines the stages of equilibrium, disequilibrium, recognition, attempt to repair, and new equilibrium. Levi-Strauss analyzed binary oppositions in stories. Barthes looked at how narratives create anticipation and expectation. Propp identified character types that commonly appear in folktales and fairy tales such as heroes, villains, dispatchers, and helpers.
Debbie Marques maintained a blog with constant group meeting updates and filming pictures but could have spent more time writing. Amy would give her an A/B since the blog had good information but seemed rushed at the end.
Gia Alveranga's blog included most assignments and group meeting notes, uploading pictures when videos didn't work. However, she started late in September rather than January and some pictures seemed rushed. Amy would give Gia a D since her work was missing and late, but she did some things well.
This document provides information on different types of camera shots, angles, movements, and compositional techniques used in filmmaking. It discusses various shot sizes like establishing shots, long shots, and close-ups. It also covers camera angles such as low, high, and canted shots. Common camera movements like pans, tilts, tracks, and zooms are explained. Finally, the document discusses compositional elements including balance, depth of field, symmetry, and the rule of thirds.
3. Slum dog millionaire
We are analysing the scene on the train from ‘Slum dog Millionaire”
Story:
o Jamal is a man who originated from the slums
o Jamal gets involved in a game show called who wants
to be a millionaire
o He applied for the show to try to find his lost love
o Amazingly he wins a million pounds, and is then
questioned due to the fact he is a slum dog, so
should be incapable of wining
o He achieves his goal of finding hid long lost love
(Latika)
4. Is this a whole narrative, a section or an
enigma?
Section section
• This is only 2 minutes scene • Enigma present with non linear
from the film narrative (the film goes backwards in
time)
Beginning scene where Jamal and Because the chronological end is the
Salim are on the train and trying to beginning of the film this raises questions
steal food from some of the to the audience:
passengers. -as to why their on the train
-what are they running away from.
5. If you are looking at a section of a narrative,
what function does this section have for the
narrative? (Think about the whole) Just after
Lenny killed
wrong guy
Teddy knows
he is on right
track
Lenny knows
Teddy is
dishonest and
Lenny Works with is killer but
waking up girl to find needs to
(going back killer – he prove it
in time doesn’t Audience can
remember make sense
before
………. of story and
murder)
all enigmas
are answered
Jamal is
getting Works with ………. ……….
Teddy to try
to find killer
He doesn’t
trust Teddy
The function of the END scene is to answer all enigma's that were answered at the:
-beginning (which is who did he kill)
-through the film (why did he kill him and how did he find him)
6. Does the film follow the conventional
narrative (3 part)? Explain yes or now
Narrative Structure of film
Beginning
Is
Chronological
End
End of Day 5
The film is non linear with changing the order of time in a very confusing way
N to create enigmas for the audience
O
Audience emotions
7. Does the clip fall into a conventional narrative
structure? Explain yes or no
9. Is it linear? How? Or is it non-linear? How
(Does it have flashbacks, flash-forwards, or
episodically)
Chronological Chronological
Start (leaving location) (driving away from
Chronological
(him thinking as
FLASHBACK
(different time and
Chronological
(him thinking as
(on location before) he is driving) location of him
with his wife)
he is driving)
train)
NON LINEAR
STRUCTURE
10. Is it being presented in segments,
separated by changes in location or time?
LOCATION TIME
IN CAR In real time
At abandoned location
Immediate cut to
next scene
OUT OF CAR In real time
At abandoned location
Ellipsis (a few
moments later)
IN CAR In real time
Driving away from 1st
location Flashback (of his
thought in car)
IN BED In the past
With wife in the past
Return to real time
(back in car)
11. Is it being broken up or linked by graphics?
No graphics are present in this clip.
(If they were then screen grab and explain
their function)
12. Is there a single narrative (even if different
aspects in this narrative are being shown)?
Or are multiple narratives being shown?
Single Narrative
Lenny Lenny writing Lenny driving Lenny thinking Lenny seeing Lenny
suspecting down Teddy’s off of his wife tattoo parlour obviously
Teddy Licence plate going to tattoo
# licence plate #
to remember
Only scene in different
location/time
(but relates to the single narrative)
13. Is there a single narrative (even if different
aspects in this narrative are being shown)?
Or are multiple narratives being shown?
Narrative 1 Narrative 2
14. Are there clear character roles and functions being
established, such as a hero or villain?
How does their role(s) connect to the narrative?
Dominating brother Younger brother
ROLE/REPRESENTATION
Younger face, listening to
his older brother,
Serious look on
face.
Also on top of the
Riding on top of the
train.
train.
THEIR FUNCTION -To get sympathy and understanding -To also get sympathy by audience
from audience (he looks up to his brother as he is younger.)
(he has to look after his brother as he is the oldest.)
-To have compassion from the
-To be admired by audience audience
(has a responsibility and takes it on well ) (he does what his brother tells him even if its risky)
CONNECTION TO
NARRATIVE
15. In what ways is the narrative constructing the ideology of the
text?
Is this explicit/obvious (like in a lot of adverts) or is it
implicit/hidden?
IDEOLOGY Evidence Implicit Explicit
Young and Jamal and Salim are both
√
independent dirty.
Only has brother as They look after each
√
company other
Selling objects to On the train shouting
√
make money out the prices
Steals food Has Jamal on the rope
therefore falls off hanging off the train
√
the train
17. Story Time & Discourse Time
STORY TIME DISCOURSE TIME
Screen
Grab N/A
Explanation
No evidence but probably 10
minutes
-seconds to move location
-minutes spent selling things on the Takes 1:22 minutes to show the
train. scene
-steals food then jumps off the train
(daylight is the same for the scene =
not much difference in time)
18. Identify all types of time being represented:
Types of Screen Grabs/Evidence Explanation
Time
Summary Clip is only 1:22 long, therefore by editing
Scene takes place over approx 10 minutes
time is reduced to represent an hour
over only 2 mins
Ellipsis 1) Different locations
2) The boys on the train
3) Stealing food
4) Fall off the train
Scene
On the train selling things.
Stretch N/A
19. In lesson
Set up PowerPoint together (copy/paste questions)
Watch clip at least 3 times
Discuss questions together, write bullet points as
answers
Get screen grabs and begin to answer with bullet
points, charts, diagrams, etc
If not finished, break up work (leader to make sure
everyone in group understands what they are doing)
Everyone to have copy (USB or e-mail)
DUE: TUESDAY JAN 22
(Complete over weekend and then Monday put Powerpoint together)