Hunter is tasked with tracking down a serial killer known as "The Elephant" who leaves only a small cactus at each crime scene. As the cacti begin appearing closer to Hunter's own home, he must find The Elephant before becoming the next victim. The film will be directed by the document's author and incorporate influences from the terrible online game "Where's the Elephant?" that inspired the idea.
Infill Philadelphia: Soak It Up- Meeting Greencdesignc
Meeting Green is one of three winning entries in a national, interdisciplinary design competition created by the Philadelphia Water Department, U.S. Environmental Protection Agency, and Community Design Collaborative to inspire innovation in green stormwater infrastructure for Philadelphia.
The competition challenged architects, landscape architects, engineers, and other sustainability professionals to show how green stormwater infrastructure could transform the city.
Teams were asked to address the unique stormwater management challenges and opportunities at one of three sites based in Philadelphia. Each site represented a different urban context and land-use (industrial, commercial, or neighborhood). Meeting Green was the winning entry in the NEIGHBORHOOD—Greening the Grid Category.
Meeting Green Team:
OLIN Design Studio, Philadelphia, PA:
Stephen Benz
Darrell Campana
Ed Confair
Andrew Dawson
Allison Harvey
Joey Hayes
Jessica Henson
Shawn Hilleman
Jenny Jones
Chris Landau
R. Benjamin Lawrence
Amy Magida
Jennifer Martel
Andrew McConnico
John Mellor
Ari Miller
Michael Miller
Nick Mitchell
Henry Moll
Richard Roark
Lauren Schwartz
Laura Stedenfeld
Judy Venonsky
Dana Williamson
Gilmore & Associates, New Britain, PA:
Christopher Green
Gregory Glitzer
Shiny Mathew
Ronald Monkres
Trevor Woodward
International Consultants Inc., Philadelphia, PA:
Michael Funk
MM Partners LLC, Philadelphia, PA:
David Waxman
Penn Praxis:
Andrew Goodman
Harris Steinberg
SMP Architects, Philadelphia, PA:
David Ade
Sam Emory
Scott Ritchie
dengan minum Nutrishake, anda dapat mengontrol berat badan sesuai dengan keinginan anda, ada yang sudah berhasil menurunkan berat badannya, bisa juga untuk menjaga stamina anda, hubungi iyagartika@yahoo.com
Infill Philadelphia: Soak It Up- Meeting Greencdesignc
Meeting Green is one of three winning entries in a national, interdisciplinary design competition created by the Philadelphia Water Department, U.S. Environmental Protection Agency, and Community Design Collaborative to inspire innovation in green stormwater infrastructure for Philadelphia.
The competition challenged architects, landscape architects, engineers, and other sustainability professionals to show how green stormwater infrastructure could transform the city.
Teams were asked to address the unique stormwater management challenges and opportunities at one of three sites based in Philadelphia. Each site represented a different urban context and land-use (industrial, commercial, or neighborhood). Meeting Green was the winning entry in the NEIGHBORHOOD—Greening the Grid Category.
Meeting Green Team:
OLIN Design Studio, Philadelphia, PA:
Stephen Benz
Darrell Campana
Ed Confair
Andrew Dawson
Allison Harvey
Joey Hayes
Jessica Henson
Shawn Hilleman
Jenny Jones
Chris Landau
R. Benjamin Lawrence
Amy Magida
Jennifer Martel
Andrew McConnico
John Mellor
Ari Miller
Michael Miller
Nick Mitchell
Henry Moll
Richard Roark
Lauren Schwartz
Laura Stedenfeld
Judy Venonsky
Dana Williamson
Gilmore & Associates, New Britain, PA:
Christopher Green
Gregory Glitzer
Shiny Mathew
Ronald Monkres
Trevor Woodward
International Consultants Inc., Philadelphia, PA:
Michael Funk
MM Partners LLC, Philadelphia, PA:
David Waxman
Penn Praxis:
Andrew Goodman
Harris Steinberg
SMP Architects, Philadelphia, PA:
David Ade
Sam Emory
Scott Ritchie
dengan minum Nutrishake, anda dapat mengontrol berat badan sesuai dengan keinginan anda, ada yang sudah berhasil menurunkan berat badannya, bisa juga untuk menjaga stamina anda, hubungi iyagartika@yahoo.com
Bukti kesuksesan mereka menjalankan bisnis Oriflame membuahkan hasil yang cukup tinggi ada yang menerima cash award senilai 42 juta, 168 juta dan banyak lagi, yuk disimak...jika mau seperti mereka hubungi saya di iyagartika@gmail.com
Have you ever seen a movie so bad, you had to recommend i.docxaryan532920
Have you ever seen a movie so bad, you had to
recommend it to your friends? A movie so bad you liked it
because of how fun it was to watch and make fun of? Black
Sheep wants very badly to be one of those movies. It falls short
for me however, because it also tries to be an actual horror
movie at the same time, lacking the satirical edge a film trying
to mock how awful it is needs. This makes the film rather
monotonous, and you find yourself rooting for the sheep to just
kill everyone already, just so it will all end and you can get on
with your life.
We start out on a lovely New Zealand farm, spread out on a
lovely country side, with a lovely dog, and a lovely pair of
siblings, all frolicking happily together. When the younger boy
Henry goes to the house, the older brother axe murders the
boy’s pet sheep. Then wearing the sheep’s carcass, he hides in
the barn to scare his younger brother. While Henry is on the
ground screaming in terror, the grandmother comes out and
tells them to stop playing around, that there has been an
accident, and their father has been killed. We suddenly jump
years in the future, and meet the adult Henry who now has a
pathological fear of sheep. Already knowing the title of the
film, of course we the viewers know this is going to serve him
well. The first thing I notice, and cannot stop noticing during the entire film, is the horrendous audio
track. It’s not that the audio is bad, it’s that it is too good. It is painfully clear that every line of audio
was recorded in the studio after the fact and over-layed onto the film, leaving everything feeling out of
sync despite the words they are saying being in line with their mouths.
Cast
Nathan Meister as Henry Oldfield
Peter Feeney as Angus Oldfield
Danielle Mason as Experience
Oliver Driver as Grant
Tammy Davis as Tucker
Written and Directed By
Jonathan King
The movie goes on to use all the classic techniques of ridiculous horror movies, but it can never
make up its mind about what it wants to be. I was never able to decide whether or not the director,
Peter King, was trying to make an actual horror film, or if he was trying to parody one. It is clear
horror movies are being made fun of, but the movie never goes into full parody mode. The danger
from these sheep are real, and it goes deeper than just being killed. No it is more like a zombie
plague, where if you get bitten you transform. That’s right, weresheep or sheeple are another real
danger to anyone in the area. It’s so bad it is comedic, and there is some definite comedy, but there is
no real satirical feeling to what is going on. It’s a complete contradiction that prevented me from ever
really getting into the movie.
The elder brother who has taken over the farm after the demise of the father, is trying to move
into the future with new methods of agricultural science. He does this of course, by bringing in what
appears to be a hot, youn ...
Emergent Narrative: What We Can Learn From Dungeons & DragonsFITC
Presented at FITC Toronto 2016
See details at www.fitc.ca
Interactive narrative hasn’t changed much in forty years – it’s still ruled by limited options and predestined outcomes. While digital RPG gameplay has become more sophisticated, the stories remain rather basic (albeit better disguised). Remarkably, we still haven’t matched the tabletop role-playing experience.
We need to approach interactive story from a different angle, one that’s natively digital and that takes full advantage of the new content platform paradigm. It won’t be easy, it’ll take a lot of time… but WE’RE WIZARDS, right?!
Objective
To explore the potential of a truly emergent narrative, and explain how playing tabletop role-playing games can get us there.
Target Audience
Storytellers, creators, writers, game developers, and gamers.
Five Things Audience Members Will Learn
An abbreviated history of interactive storytelling
Different approaches to interactive narrative; their pros and cons
Sneaky tricks good Game Masters use to get players invested in a game
How to convert player agency into dramatic agency (also great for GMs)
That they want to play a tabletop RPG (if they haven’t already).
2. IDEA SUMMERY
Detective Hunter is put on the case of tracking down the smooth psycho
killer, known only by his alias “The Elephant”
Seemingly Unprovoked and meticulous in his spotless crime scenes, The only
thing we have on the elephant is his name, and a small gift cactus which he
leaves on the doorstep of his next victim.
It is Hunters Job to find The Elephant and put a stop to his wild, gruesome
killings, as the cacti begin to be left closer and closer to his own doorstep.
It’s your typical film noir thriller, just based on a modern day computer game
with bad graphics and an awesome soundtrack (The game, not the film)
3. GROUP ROLES
As the general idea and script are both products of my mind, I am going to
direct it, so as to be sure that it gives of the right kind of vibe that I had
envisioned.
Alex’s editing skills, as proved in our audience research task and his own
prelim, are superb. So seeing as editing is his forte, it seems only fair that that
is the role Alex plays in the production of the film.
Silent but deadly, the mighty Geoffrey will be most suited to sound and
camera. So that is what he will be doing.
5. INFLUENCES
Our film idea is based on the terrible online computer game called where’s the
elephant.
The game consists of finding an elephant on a screen full of sand, with a
cactus the only object it can hide behind, which it rarely does. The game is
simple, yet it still takes people a while on first playing it to realise that’s all it is.
Part of the game that also influenced our film idea
(Apart from the Hunter vs. Elephant thing) was the soundtrack.
We will incorporate this by having the elephant whistle this.
6. LOCATIONS
The only locations we will need are:
A woodland area (Night)
A Shed (Day)
A house for the elephant (Day)
A house for Hunter (Day)
A front doorstep (Day)
A front garden for the crime scene (Day)
7. COSTUMES & PROPS.
Elephant:
Grey suit, Gloves, Hat/Mask, white shirt, Black shoes and tie.
Knife, Framed photo of real elephant, Statue of Hindu elephant god.
Hunter:
Scruffy blazer and trousers, old black tie, hat.
Toothbrush, toothpaste, towel, phone.
Elephants wife:
White blouse, Long blue skirt, Light ballet pumps, Cross pendant.
Flowers, mirror, breakfast things on a table.
8. COSTUMES AND PROPS
CONTINUED…
Hunter’s Girlfriend:
Old baggy t-shirt, Slippers, pyjama shorts.
Sheets to sort in the background.
Milkman:
White coat, white hat, casual trousers and top.
Milk bottles & bum bag.
Banks:
Long trench coat, smart clothing (Somewhat officey)
Press/ Curious onlookers/ CSI
Whatever they turn up in costume wise apart from CSI who’ll need suits or
overalls & onlookers may be in Pyjamas.
Cameras
9. SOUNDTRACK
Incorporating the soundtrack of the game here and there may be good, But
will be difficult to fit in appropriately.
I would like to involve a child singing “Where’s the elephant?, Where’s the
elephant?” which could work, I would like to figure out a way in which it
would sound like its going round the killers head.