The document provides instructions for completing a case study assignment on music video production, which involves analyzing the purposes, styles, techniques, and conventions of music videos. It outlines 3 tasks to complete - examining the purposes of music videos, styles and techniques used, and a case study analyzing at least 3 music videos. Students are expected to submit weekly and can get guidance from their tutor if needed.
This document provides guidance for completing a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos and strategies employed by labels and artists. Task 2 covers styles, techniques and conventions of music video production. Task 3 requires analyzing a minimum of three music videos by an artist of the student's choice, considering elements from Tasks 1 and 2 like camerawork, editing, genre conventions and applying critical approaches. The student should include video links, illustrative stills from videos, and compare their chosen artist/genre to others.
The document provides guidance for a case study assignment on music video production. It outlines 4 tasks: 1) examining the purposes of music videos, 2) exploring common styles, techniques and conventions, 3) analyzing at least 3 music videos from an artist, and 4) discussing how the student can apply what they've learned. The document emphasizes illustrating points with examples and images from videos, and comparing analyzed videos and artists to broader genres and contexts.
The document provides guidance for completing a case study analysis of music videos. It outlines three tasks: 1) discussing the purposes of music videos, 2) examining styles, techniques and conventions, and 3) analyzing three specific music videos. For task 1, purposes include promotion, revenue, and entertainment. Strategies employed by artists and labels are explored. Task 2 delves into camerawork, editing, technical developments, and genre conventions. Task 3 requires selecting pop music videos for in-depth analysis of these elements, along with intertextuality.
Mv case study assignment 01 2020 pro forma (1)OliviaCrossley
1) The document provides instructions for completing a case study assignment on music video production. It outlines three tasks to be completed on a weekly basis, focusing on the purposes of music videos, production styles and techniques, and an analysis of three selected videos.
2) Task 1 questions examine the core purposes of music videos and how artists use them to promote their brand. Task 2 explores common camerawork, editing, and genre conventions in music videos.
3) Task 3 requires selecting an artist and analyzing a minimum of three of their music videos to discuss production styles, intertextuality, and apply critical approaches learned. Illustrations and video links are encouraged to support responses.
The document provides guidance for completing a case study on music video production. It outlines 3 tasks: 1) examining the purposes of music videos, 2) exploring styles, techniques and conventions of music video production, and 3) conducting a case study of at least 3 music videos analyzing them in light of Tasks 1 and 2. Task 1 discusses purposes like entertainment, branding, and sales. Task 2 reviews shot types and editing techniques. Task 3 prompts an in-depth analysis of an artist's videos considering style, intertextuality, camerawork, genres, and critical approaches. The document emphasizes using examples and images from videos to strengthen analysis.
This document provides guidance for completing a case study assignment on music video production. It outlines three tasks to be completed: 1) analyzing the purposes and strategies of music videos, 2) examining styles, techniques and conventions, and 3) conducting a case study of three or more music videos. For each task, questions are provided to help structure the response. The case study portion asks students to discuss style, techniques, intertextuality, camerawork, editing, genre conventions and critical approaches for the selected videos. Tips are included to incorporate images and make connections between examples.
This document provides guidance for completing a case study assignment on music video production. It is split into three tasks. Task 1 addresses the purposes of music videos and strategies employed. Task 2 focuses on styles, techniques and conventions of music video production. Task 3 requires analyzing a minimum of three music videos by an artist of choice, considering camerawork, editing, genre conventions, and critical approaches. Notes are provided on illustrating points made and adding slides as needed. The document emphasizes applying concepts from the provided lectures and examples to fully discuss the chosen videos.
This document provides guidance for completing a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos and strategies employed by labels and artists. Task 2 covers styles, techniques and conventions of music video production. Task 3 requires analyzing a minimum of three music videos by an artist of the student's choice, considering elements from Tasks 1 and 2 like camerawork, editing, genre conventions and applying critical approaches. The student should include video links, illustrative stills from videos, and compare their chosen artist/genre to others.
The document provides guidance for a case study assignment on music video production. It outlines 4 tasks: 1) examining the purposes of music videos, 2) exploring common styles, techniques and conventions, 3) analyzing at least 3 music videos from an artist, and 4) discussing how the student can apply what they've learned. The document emphasizes illustrating points with examples and images from videos, and comparing analyzed videos and artists to broader genres and contexts.
The document provides guidance for completing a case study analysis of music videos. It outlines three tasks: 1) discussing the purposes of music videos, 2) examining styles, techniques and conventions, and 3) analyzing three specific music videos. For task 1, purposes include promotion, revenue, and entertainment. Strategies employed by artists and labels are explored. Task 2 delves into camerawork, editing, technical developments, and genre conventions. Task 3 requires selecting pop music videos for in-depth analysis of these elements, along with intertextuality.
Mv case study assignment 01 2020 pro forma (1)OliviaCrossley
1) The document provides instructions for completing a case study assignment on music video production. It outlines three tasks to be completed on a weekly basis, focusing on the purposes of music videos, production styles and techniques, and an analysis of three selected videos.
2) Task 1 questions examine the core purposes of music videos and how artists use them to promote their brand. Task 2 explores common camerawork, editing, and genre conventions in music videos.
3) Task 3 requires selecting an artist and analyzing a minimum of three of their music videos to discuss production styles, intertextuality, and apply critical approaches learned. Illustrations and video links are encouraged to support responses.
The document provides guidance for completing a case study on music video production. It outlines 3 tasks: 1) examining the purposes of music videos, 2) exploring styles, techniques and conventions of music video production, and 3) conducting a case study of at least 3 music videos analyzing them in light of Tasks 1 and 2. Task 1 discusses purposes like entertainment, branding, and sales. Task 2 reviews shot types and editing techniques. Task 3 prompts an in-depth analysis of an artist's videos considering style, intertextuality, camerawork, genres, and critical approaches. The document emphasizes using examples and images from videos to strengthen analysis.
This document provides guidance for completing a case study assignment on music video production. It outlines three tasks to be completed: 1) analyzing the purposes and strategies of music videos, 2) examining styles, techniques and conventions, and 3) conducting a case study of three or more music videos. For each task, questions are provided to help structure the response. The case study portion asks students to discuss style, techniques, intertextuality, camerawork, editing, genre conventions and critical approaches for the selected videos. Tips are included to incorporate images and make connections between examples.
This document provides guidance for completing a case study assignment on music video production. It is split into three tasks. Task 1 addresses the purposes of music videos and strategies employed. Task 2 focuses on styles, techniques and conventions of music video production. Task 3 requires analyzing a minimum of three music videos by an artist of choice, considering camerawork, editing, genre conventions, and critical approaches. Notes are provided on illustrating points made and adding slides as needed. The document emphasizes applying concepts from the provided lectures and examples to fully discuss the chosen videos.
Here are the addresses and locations with any cast or permission requirements noted:
- Selby Canal – YO8 8QE (no cast required)
- Farmers Field at Flaxley Road, Selby. YO8 4DB (no cast required)
- Selby Bowling Alley – Unit 1, Bawtry Rd, Selby YO8 8NA (1 cast member required)
- York College – Sim Balk Ln, Bishopthorpe, York YO23 2BB (all in college cast required for some shots)
- Around York – York Piccadilly, York walls, York (1 cast member required for some shots)
The document provides guidance for completing a case study assignment on music video production. It outlines 4 tasks: 1) examining the purposes of music videos, 2) exploring common styles, techniques and conventions, 3) an individual case study of 3 or more music videos, and 4) linking what was learned to the student's own work. The case study requires analyzing examples in terms of camerawork, editing, genre conventions, and applying critical approaches. Students are encouraged to include illustrative images and video links in their responses.
The document provides instructions for completing a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos, including entertainment, branding, and sales. It also discusses broader purposes like representing opinions and strategies used by major labels, independent labels, and unsigned artists. Task 2 covers styles, techniques and conventions in music videos, such as camerawork, editing, technical developments, and genre conventions. Task 3 instructs students to analyze a minimum of three music videos by an artist or genre, discussing styles, techniques, intertextuality, camerawork, genre conventions, and critical approaches.
The document provides guidance for completing a case study assignment on music video production. It outlines 3 tasks: 1) examining the purposes and strategies of music videos, 2) exploring styles, techniques and conventions, and 3) an individual case study analyzing at least 3 music videos. For the case study, students must discuss the artistic and technical elements used as well as apply critical approaches. The document emphasizes using illustrative examples and linking ideas when analyzing and comparing different artists and genres of music videos.
The document provides guidance for completing a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos, such as entertainment, branding, and sales. Task 2 covers styles, techniques and conventions used in music videos, such as camerawork, editing, and how genres influence visual conventions. Task 3 requires analyzing at least three music videos, considering elements from Tasks 1 and 2 like how camerawork and editing techniques relate to the artist's branding and genre.
This document provides an overview of a case study assignment on music video production. It outlines 3 tasks to complete: 1) discussing the purposes of music videos, 2) exploring styles, techniques and conventions of music video production, and 3) conducting a case study analysis of at least 3 music videos. The case study should examine the videos' styles, techniques, intertextuality, camerawork, editing, and genre conventions through a critical lens. Guidelines are provided on completing the assignment, such as including illustrative images from the videos and adding extra slides as needed.
This document provides guidance for completing a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos and strategies used by labels and artists. Task 2 covers styles, techniques and conventions of music video production. Students are asked to analyze camerawork, editing, genre conventions, and intertextuality with examples. Task 3 requires students to conduct a case study of three or more music videos by an artist of their choice, discussing the elements from Tasks 1 and 2 through critical analysis and comparison to other artists.
The document provides guidance for completing a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos, such as entertainment, branding, and sales. Task 2 covers styles, techniques and conventions used in music videos, including camerawork, editing, and genre conventions. Task 3 instructs students to analyze a minimum of three music videos by an artist or genre, discussing elements like style, intertextuality, camerawork, and genre conventions using critical approaches. The document emphasizes using illustrative examples and adding images from video examples.
The document provides guidance for completing a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos and branding strategies. Task 2 covers styles, techniques and conventions for camerawork, editing, and genres. Task 3 instructs students to analyze a minimum of three music videos by an artist of their choice, discussing the technical and creative aspects while applying critical approaches. Students are encouraged to include video examples and images in their responses.
The document provides information about completing a case study assignment on music video production. It is split into three tasks. Task 1 addresses the purposes of music videos, including entertainment, branding, and sales. It also discusses strategies used by different types of artists and labels. Task 2 covers styles, techniques and conventions of music video production, such as camerawork, editing, technical developments, and genre conventions. Task 3 involves analyzing at least three music videos, drawing from Tasks 1 and 2. The document emphasizes using illustrations and examples to strengthen analysis and linking to other sources where possible.
The document provides instructions for completing a case study on music video production. It outlines three tasks: 1) examining the purposes of music videos, 2) exploring styles, techniques and conventions, and 3) conducting an individual case study analyzing a minimum of three music videos. For the case study, students must discuss camerawork, editing, genre conventions, intertextuality, and apply critical approaches. Examples are encouraged and it should be creative and comparative.
Mv assignment 01 2019 pro forma joy buck.JoyLucyBuck
This document provides information and questions for a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos and artist/label strategies. Task 2 covers styles, techniques and conventions used in music video production. Task 3 requires the student to analyze a minimum of three music videos by an artist or genre, discussing elements like style, intertextuality, camerawork, genre conventions, and applying critical approaches. The document also provides notes on completing the case study, emphasizing showing examples from videos and linking concepts to other sources.
Mv assignment 01 2019 pro forma Joy Buck.JoyLucyBuck
This document provides information about completing a case study on music video production. It is divided into three tasks. Task 1 discusses the purposes of music videos and strategies used by labels and artists. Task 2 covers styles, techniques and conventions of music video production. Task 3 requires analyzing a minimum of three music videos, discussing their visuals, meanings, and connections to Tasks 1 and 2. The document provides guidance on thoroughly answering the questions and illustrating key points from the chosen video examples.
This document outlines a case study assignment on music video production. It is divided into 3 tasks. Task 1 addresses the purposes of music videos and strategies used by labels and artists. Task 2 covers styles, techniques and conventions in music video production. Task 3 requires analyzing at least 3 music videos, discussing their visual and technical elements in the context of Tasks 1 and 2. The document provides guidance on completing the case study, including using illustrative examples from the videos and adding extra slides as needed.
This document provides information and tasks for a case study on music video production. It is split into three sections. Task 1 asks questions about the purposes of music videos and how artists present themselves. Task 2 asks questions about common music video styles, techniques and conventions like camerawork, editing, and genre conventions. It also asks about intertextuality in music videos. Task 3 involves analyzing at least three music videos considering what was discussed in the first two tasks. The document provides guidance on completing the case study assignments.
The document provides guidance for completing a case study analysis of music videos. It outlines 3 tasks: 1) the purposes of music videos and artist strategies, 2) common styles, techniques and conventions, and 3) a case study analysis of a minimum of 3 videos. For the case study, students should discuss the videos' usage of style, techniques, intertextuality, camerawork/editing, genre conventions, and apply critical approaches. The document also provides examples for each task and encourages the use of images to illustrate points.
The document provides information about music video production, including the purposes of music videos, styles and techniques used, and a case study analysis. It discusses how music videos aim to entertain, promote the artist's brand, and increase sales. Common techniques include different camera shots and editing to set mood. Genre conventions also influence visual style. The case study analyzes several Katy Perry videos, noting examples of intertextuality, camerawork, and how they represent pop music conventions while challenging gender norms.
This document provides guidance for completing a case study analysis of music videos. It is divided into three tasks. Task 1 addresses the purposes of music videos and strategies employed by labels and artists. Task 2 discusses styles, techniques and conventions used in music video production. Task 3 instructs the student to analyze a minimum of three music videos by an artist or genre of their choice, discussing style, intertextuality, camerawork, genre conventions, and applying critical approaches. The document provides example questions to answer for each task and emphasizes using illustrative examples and images from the selected video examples.
The document provides guidance for completing a case study assignment on music video production. It outlines three tasks: 1) examining the purposes of music videos and artist strategies; 2) exploring styles, techniques and conventions of music video production; and 3) conducting a case study of three music videos analyzing them based on Tasks 1 and 2. The case study should discuss the videos' styles, techniques, use of intertextuality, camerawork, editing, genre conventions, and critical approaches. Students are encouraged to include video links and stills from their selected videos in their response.
This document provides guidance for completing a case study analysis of music videos. It is divided into three tasks. Task 1 addresses the purposes of music videos in terms of sales, entertainment, and branding. It also discusses strategies used by artists and labels. Task 2 covers styles, techniques, and conventions used in music videos, such as camerawork, editing, and technical developments. It also addresses genre conventions. Task 3 instructs the student to analyze a minimum of three music videos by one artist or genre. The analysis should discuss styles, techniques, intertextuality, camerawork, editing, genre conventions, and critical approaches.
The document provides guidance for completing a case study assignment on music video production. It outlines three tasks to be completed: 1) examining the purposes of music videos, 2) exploring styles, techniques and conventions of music video production, and 3) conducting a case study analysis of three or more music videos. For each task, it provides questions for students to answer and notes on properly completing the case study, such as including illustrative images, examples, and linking ideas to other texts and videos.
It then provides examples of questions from Task 1 on purposes, Task 2 on production elements, and prompts for the required case study analysis in Task 3, focusing on an artist of the student's choice.
This document provides guidance for completing a case study assignment on music video production. It is split into three tasks. Task 1 addresses the purposes of music videos and strategies employed by labels and artists. Task 2 focuses on styles, techniques and conventions of music video production. Task 3 requires analyzing a minimum of three music videos by one artist, discussing the usage of style, techniques, intertextuality, camerawork/editing, genre conventions, and critical approaches. Students are instructed to include video links, images, and compare/contrast their chosen artist/genre to others.
Here are the addresses and locations with any cast or permission requirements noted:
- Selby Canal – YO8 8QE (no cast required)
- Farmers Field at Flaxley Road, Selby. YO8 4DB (no cast required)
- Selby Bowling Alley – Unit 1, Bawtry Rd, Selby YO8 8NA (1 cast member required)
- York College – Sim Balk Ln, Bishopthorpe, York YO23 2BB (all in college cast required for some shots)
- Around York – York Piccadilly, York walls, York (1 cast member required for some shots)
The document provides guidance for completing a case study assignment on music video production. It outlines 4 tasks: 1) examining the purposes of music videos, 2) exploring common styles, techniques and conventions, 3) an individual case study of 3 or more music videos, and 4) linking what was learned to the student's own work. The case study requires analyzing examples in terms of camerawork, editing, genre conventions, and applying critical approaches. Students are encouraged to include illustrative images and video links in their responses.
The document provides instructions for completing a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos, including entertainment, branding, and sales. It also discusses broader purposes like representing opinions and strategies used by major labels, independent labels, and unsigned artists. Task 2 covers styles, techniques and conventions in music videos, such as camerawork, editing, technical developments, and genre conventions. Task 3 instructs students to analyze a minimum of three music videos by an artist or genre, discussing styles, techniques, intertextuality, camerawork, genre conventions, and critical approaches.
The document provides guidance for completing a case study assignment on music video production. It outlines 3 tasks: 1) examining the purposes and strategies of music videos, 2) exploring styles, techniques and conventions, and 3) an individual case study analyzing at least 3 music videos. For the case study, students must discuss the artistic and technical elements used as well as apply critical approaches. The document emphasizes using illustrative examples and linking ideas when analyzing and comparing different artists and genres of music videos.
The document provides guidance for completing a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos, such as entertainment, branding, and sales. Task 2 covers styles, techniques and conventions used in music videos, such as camerawork, editing, and how genres influence visual conventions. Task 3 requires analyzing at least three music videos, considering elements from Tasks 1 and 2 like how camerawork and editing techniques relate to the artist's branding and genre.
This document provides an overview of a case study assignment on music video production. It outlines 3 tasks to complete: 1) discussing the purposes of music videos, 2) exploring styles, techniques and conventions of music video production, and 3) conducting a case study analysis of at least 3 music videos. The case study should examine the videos' styles, techniques, intertextuality, camerawork, editing, and genre conventions through a critical lens. Guidelines are provided on completing the assignment, such as including illustrative images from the videos and adding extra slides as needed.
This document provides guidance for completing a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos and strategies used by labels and artists. Task 2 covers styles, techniques and conventions of music video production. Students are asked to analyze camerawork, editing, genre conventions, and intertextuality with examples. Task 3 requires students to conduct a case study of three or more music videos by an artist of their choice, discussing the elements from Tasks 1 and 2 through critical analysis and comparison to other artists.
The document provides guidance for completing a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos, such as entertainment, branding, and sales. Task 2 covers styles, techniques and conventions used in music videos, including camerawork, editing, and genre conventions. Task 3 instructs students to analyze a minimum of three music videos by an artist or genre, discussing elements like style, intertextuality, camerawork, and genre conventions using critical approaches. The document emphasizes using illustrative examples and adding images from video examples.
The document provides guidance for completing a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos and branding strategies. Task 2 covers styles, techniques and conventions for camerawork, editing, and genres. Task 3 instructs students to analyze a minimum of three music videos by an artist of their choice, discussing the technical and creative aspects while applying critical approaches. Students are encouraged to include video examples and images in their responses.
The document provides information about completing a case study assignment on music video production. It is split into three tasks. Task 1 addresses the purposes of music videos, including entertainment, branding, and sales. It also discusses strategies used by different types of artists and labels. Task 2 covers styles, techniques and conventions of music video production, such as camerawork, editing, technical developments, and genre conventions. Task 3 involves analyzing at least three music videos, drawing from Tasks 1 and 2. The document emphasizes using illustrations and examples to strengthen analysis and linking to other sources where possible.
The document provides instructions for completing a case study on music video production. It outlines three tasks: 1) examining the purposes of music videos, 2) exploring styles, techniques and conventions, and 3) conducting an individual case study analyzing a minimum of three music videos. For the case study, students must discuss camerawork, editing, genre conventions, intertextuality, and apply critical approaches. Examples are encouraged and it should be creative and comparative.
Mv assignment 01 2019 pro forma joy buck.JoyLucyBuck
This document provides information and questions for a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos and artist/label strategies. Task 2 covers styles, techniques and conventions used in music video production. Task 3 requires the student to analyze a minimum of three music videos by an artist or genre, discussing elements like style, intertextuality, camerawork, genre conventions, and applying critical approaches. The document also provides notes on completing the case study, emphasizing showing examples from videos and linking concepts to other sources.
Mv assignment 01 2019 pro forma Joy Buck.JoyLucyBuck
This document provides information about completing a case study on music video production. It is divided into three tasks. Task 1 discusses the purposes of music videos and strategies used by labels and artists. Task 2 covers styles, techniques and conventions of music video production. Task 3 requires analyzing a minimum of three music videos, discussing their visuals, meanings, and connections to Tasks 1 and 2. The document provides guidance on thoroughly answering the questions and illustrating key points from the chosen video examples.
This document outlines a case study assignment on music video production. It is divided into 3 tasks. Task 1 addresses the purposes of music videos and strategies used by labels and artists. Task 2 covers styles, techniques and conventions in music video production. Task 3 requires analyzing at least 3 music videos, discussing their visual and technical elements in the context of Tasks 1 and 2. The document provides guidance on completing the case study, including using illustrative examples from the videos and adding extra slides as needed.
This document provides information and tasks for a case study on music video production. It is split into three sections. Task 1 asks questions about the purposes of music videos and how artists present themselves. Task 2 asks questions about common music video styles, techniques and conventions like camerawork, editing, and genre conventions. It also asks about intertextuality in music videos. Task 3 involves analyzing at least three music videos considering what was discussed in the first two tasks. The document provides guidance on completing the case study assignments.
The document provides guidance for completing a case study analysis of music videos. It outlines 3 tasks: 1) the purposes of music videos and artist strategies, 2) common styles, techniques and conventions, and 3) a case study analysis of a minimum of 3 videos. For the case study, students should discuss the videos' usage of style, techniques, intertextuality, camerawork/editing, genre conventions, and apply critical approaches. The document also provides examples for each task and encourages the use of images to illustrate points.
The document provides information about music video production, including the purposes of music videos, styles and techniques used, and a case study analysis. It discusses how music videos aim to entertain, promote the artist's brand, and increase sales. Common techniques include different camera shots and editing to set mood. Genre conventions also influence visual style. The case study analyzes several Katy Perry videos, noting examples of intertextuality, camerawork, and how they represent pop music conventions while challenging gender norms.
This document provides guidance for completing a case study analysis of music videos. It is divided into three tasks. Task 1 addresses the purposes of music videos and strategies employed by labels and artists. Task 2 discusses styles, techniques and conventions used in music video production. Task 3 instructs the student to analyze a minimum of three music videos by an artist or genre of their choice, discussing style, intertextuality, camerawork, genre conventions, and applying critical approaches. The document provides example questions to answer for each task and emphasizes using illustrative examples and images from the selected video examples.
The document provides guidance for completing a case study assignment on music video production. It outlines three tasks: 1) examining the purposes of music videos and artist strategies; 2) exploring styles, techniques and conventions of music video production; and 3) conducting a case study of three music videos analyzing them based on Tasks 1 and 2. The case study should discuss the videos' styles, techniques, use of intertextuality, camerawork, editing, genre conventions, and critical approaches. Students are encouraged to include video links and stills from their selected videos in their response.
This document provides guidance for completing a case study analysis of music videos. It is divided into three tasks. Task 1 addresses the purposes of music videos in terms of sales, entertainment, and branding. It also discusses strategies used by artists and labels. Task 2 covers styles, techniques, and conventions used in music videos, such as camerawork, editing, and technical developments. It also addresses genre conventions. Task 3 instructs the student to analyze a minimum of three music videos by one artist or genre. The analysis should discuss styles, techniques, intertextuality, camerawork, editing, genre conventions, and critical approaches.
The document provides guidance for completing a case study assignment on music video production. It outlines three tasks to be completed: 1) examining the purposes of music videos, 2) exploring styles, techniques and conventions of music video production, and 3) conducting a case study analysis of three or more music videos. For each task, it provides questions for students to answer and notes on properly completing the case study, such as including illustrative images, examples, and linking ideas to other texts and videos.
It then provides examples of questions from Task 1 on purposes, Task 2 on production elements, and prompts for the required case study analysis in Task 3, focusing on an artist of the student's choice.
This document provides guidance for completing a case study assignment on music video production. It is split into three tasks. Task 1 addresses the purposes of music videos and strategies employed by labels and artists. Task 2 focuses on styles, techniques and conventions of music video production. Task 3 requires analyzing a minimum of three music videos by one artist, discussing the usage of style, techniques, intertextuality, camerawork/editing, genre conventions, and critical approaches. Students are instructed to include video links, images, and compare/contrast their chosen artist/genre to others.
The document provides guidance for a case study assignment on music video production. It outlines 3 tasks for students to complete: 1) examining the purposes and strategies of music videos, 2) exploring styles, techniques and conventions used in music video production, and 3) conducting an individual case study analyzing a minimum of 3 music videos. The case study should discuss the use of style, intertextuality, camerawork, editing, genre conventions and critical approaches. Students are encouraged to include video links, stills from videos, and compare/contrast their selected artist to others.
The document provides guidance for a case study assignment on music video production. It outlines three tasks for students to complete: 1) analyzing the purposes and strategies of music videos, 2) exploring styles, techniques and conventions used in music video production, and 3) conducting an individual case study of three or more music videos by an artist of their choice. The case study should discuss the videos in relation to topics covered in tasks 1 and 2, including camerawork, editing, genre conventions, and applying critical approaches. Students are encouraged to include video stills and be creative in their analysis.
Mv assignment 01 2021 pro formal new copyClaudiaRose5
This document provides guidance for completing a case study assignment on music video production. It is divided into 4 tasks. Task 1 addresses the purposes of music videos and strategies used by labels and artists. Task 2 covers styles, techniques and conventions used in music video production. Task 3 requires analyzing a minimum of 3 music videos by an artist of choice, discussing the usage of style, intertextuality, camerawork, editing, genre conventions and critical approaches. Task 4 prompts linking what was learned to the student's own work. The document emphasizes showing examples from videos, making points and linking to further materials to support explanations.
The document provides guidance for a case study assignment on music video production. It is divided into four tasks: 1) outlining the purposes of music videos and strategies used by labels and artists, 2) describing styles, techniques and conventions used in music video production, 3) conducting a case study analysis of at least three music videos, and 4) linking what was learned to the student's own music video project. The case study requires analyzing videos in terms of style, techniques, intertextuality, camerawork, editing, genre conventions, and critical approaches. Students are encouraged to include video links and illustrative stills from the videos discussed.
The document provides instructions for completing a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos and strategies used by labels and artists. Task 2 covers styles, techniques and conventions of music video production. Task 3 requires a case study analysis of at least three music videos by an artist of the student's choice, discussing the videos in relation to Tasks 1 and 2. The instructions emphasize using illustrative examples and applying critical approaches learned in lessons.
The document provides guidance for completing a case study on music video production. It outlines three tasks: 1) examining the purposes of music videos, 2) exploring styles, techniques and conventions, and 3) conducting a case study analysis of at least three music videos. For the case study, the student must discuss elements like style, techniques, intertextuality, camerawork, editing, genre conventions, and apply critical analysis. MGMT is used as an example case study, analyzing videos for "Little Dark Age", "Electric Feel", and "Kids" based on these elements.
This document provides instructions for completing a case study analysis of music videos. It is divided into three tasks. Task 1 involves analyzing the purposes of music videos, including attracting audiences, conveying meaning, and presenting artists. Task 2 examines styles, techniques, and conventions used in music video production, such as camerawork, editing, and genre conventions. Task 3 requires selecting an artist and analyzing a minimum of three of their music videos, drawing on concepts from Tasks 1 and 2. The case study should consider the videos' purposes, branding, techniques, and meanings created. Students are encouraged to illustrate their analysis with images and video links.
This document provides instructions for completing a case study assignment on music video production. It includes 4 tasks: 1) outlining the purposes of music videos and discussing branding; 2) describing techniques like camerawork, editing, and genre conventions; 3) conducting a case study of an artist's music videos focusing on style, intertextuality, and critical analysis; 4) linking what was learned to the student's own music video project plans. Sample responses are provided for questions within each task discussing concepts like the core purposes of advertising, entertainment and distribution, broader purposes of art and message, and analyzing the branding, camerawork and meaning of videos by artists like Playboi Carti, One Direction and Animal Collective.
This document provides guidance for completing a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos and strategies employed by labels and artists. Task 2 covers styles, techniques and conventions of music video production. Task 3 involves analyzing a minimum of three music videos, drawing on Tasks 1 and 2. The document emphasizes including illustrative images and examples to support points. It also notes that additional pages can be added if needed to fully respond to the questions.
The document provides instructions for completing a case study assignment on music video production. It outlines three tasks to analyze the purposes of music videos, styles and techniques used, and a case study analyzing at least three music videos. For the case study, students must discuss the videos in terms of style, intertextuality, camerawork, genre conventions, and critical approaches. Guidelines emphasize using examples and images from the videos to illustrate points being made.
The document provides guidance for completing a case study assignment on music video production. It outlines 4 tasks: 1) examining the purposes of music videos and artist strategies; 2) exploring styles, techniques and conventions; 3) conducting a case study of 3 or more music videos analyzing these elements; and 4) linking what was learned to the student's own work. The summary emphasizes analyzing music videos considering camerawork, editing, genre conventions, intertextuality, and applying critical approaches. Students are encouraged to illustrate their responses with video stills and links.
The document provides instructions for completing a case study assignment on music video production. It outlines three tasks: 1) examining the purposes of music videos and strategies used by labels and artists, 2) exploring styles, techniques and conventions of music video production, and 3) conducting a case study of at least three music videos analyzing them in relation to Tasks 1 and 2. For the case study, the student chooses artist ASAP Rocky and analyzes three of his music videos, discussing techniques, intertextuality, camerawork, genre conventions, and critical approaches.
The document provides information about music video production and purposes. It discusses the core purposes of music videos being entertainment, identity, and sales. It also discusses broader purposes like featuring other artists to promote multiple acts. Genre conventions are explored, comparing the more direct brand of One Direction to the more open interpretation encouraged by Animal Collective. Camerawork, editing styles, and intertextuality are analyzed in sample music videos. A case study of Bugzy Malone examines his visual style and use of techniques to represent his experiences and inspire others.
The document provides guidance for a case study assignment on music video production. It is divided into three tasks. Task 1 addresses the purposes of music videos and strategies used by labels and artists. Task 2 covers styles, techniques and conventions of music video production. Task 3 requires analyzing a minimum of three music videos by the same artist to discuss usage of techniques from Tasks 1-2, intertextuality, camerawork, editing, genre conventions and critical approaches. Students are advised to include illustrative images and links from their chosen videos in their responses.
The document provides information and tasks for a case study assignment on music video production. It outlines 3 tasks: 1) the purposes of music videos, 2) styles, techniques and conventions of music video production, and 3) a case study of 3 or more music videos. The case study tasks students to analyze the videos in terms of style, intertextuality, camerawork, genre conventions, and critical approaches. Guidelines are provided for completing the case study, including using illustrative images and adding slides as needed.
The document provides guidance for completing a case study analysis of music videos. It is split into three tasks. Task 1 addresses the purposes of music videos and strategies used by labels and artists. Task 2 covers styles, techniques and conventions in music video production. Task 3 requires analyzing a minimum of three music videos by the same artist, discussing the videos in relation to Tasks 1 and 2. The case study should demonstrate understanding of concepts like camerawork, editing, genre conventions, and intertextuality. Students are encouraged to include examples and make connections between parts of videos and broader contexts.
The document provides guidance for completing a case study assignment on music video production. It outlines three tasks: 1) discussing the purposes and strategies of music videos, 2) exploring styles, techniques and conventions, and 3) an individual case study analyzing at least three music videos. For the case study, students must discuss the artistic and technical elements employed as well as apply critical approaches. Examples are encouraged to support points. The summary focuses on the key aspects and structure of the assignment.
This document provides guidance for completing a case study assignment on music video production. It is divided into four tasks. Task 1 addresses the purposes of music videos and strategies used by labels and artists. Task 2 covers common styles, techniques and conventions in music video production. Task 3 requires analyzing a minimum of three music videos by an artist of the student's choice, considering elements from Tasks 1 and 2. Task 4 prompts the student to discuss how they can apply techniques learned to their own music video project. The document emphasizes using illustrative examples from videos and linking ideas between different parts of the assignment.
The document discusses the student's initial ideas and process for their final project in a film course. They were excited to have creative freedom but wanted to make something meaningful. They considered doing a music video but felt it wouldn't challenge them enough. Looking at screenplays helped generate new ideas by showing how writing translates to visuals. While idea generation was difficult initially, exploring different concepts helped them find a project that better shows their skills and passions.
Lily Ajaib proposes creating a short film about a girl receiving a puzzle box containing threatening messages. Over 18 months, Lily has developed skills in filmmaking including composition, lighting, audio, and organization. For this project, Lily will research suspense techniques, the works of David Lynch and David Fincher, and audience demographics. Lily will document the process through a production diary and conduct an evaluation. The project will involve pre-production planning, shooting, editing, and a final presentation.
Lily Ajaib is proposing a short film project titled "Present" to be completed by Week 18. The concept is a thriller about a girl receiving a puzzle box that contains threatening messages. Lily will document the process through a production diary and evaluate the final project. Research will include studying techniques for building tension from the works of David Lynch and examining how other films use elements like sound, lighting, and composition to create atmosphere. Pre-production will involve planning, storyboarding, and securing locations and equipment. Principal photography and editing will occur between Weeks 8-11, with evaluation and a presentation in the final weeks.
Reflection and evaluation on my factual project n.pptxalilyajaib
The document discusses the student's reflection on their factual documentary project about sustainability at York College. Some key points:
- The student was initially attracted to the project topic due to their previous interest in sustainability. They wanted to create an educational documentary with interviews.
- Research on documentary genres and York College's sustainability efforts helped the student plan their project approach.
- Developing the interview concept after their trip was a turning point that boosted the student's motivation and confidence.
- The completed 4-minute project included two interviews and filler footage around campus. The student was happy to finish on time but felt some aspects like the music could be improved.
The document discusses the student's research, idea development, and planning for a documentary project. It outlines the research conducted on different documentary genres and conventions. It also details the student's initial concept ideas, analysis of potential topics, and considerations around who could be interviewed. The student discusses narrowing their topic to the sustainability efforts of their college and the potential approaches and techniques that could be used to educate student viewers.
Lily Ajaib is a 17-year-old student currently studying Creative Media Production at York College. She has worked in various customer service roles, including at cafes and wedding catering, to gain experience in multitasking and working with customers. Lily hopes to continue her studies in Film Production and Practice at York College and eventually work in the film industry. She is interested in film, photography, reading, and motorsports in her spare time.
The document summarizes the author's experience at the Aesthetica Film Festival, where they watched various short films including dramas, music videos, and comedies. The author first saw 6 intense drama shorts that gave ideas for low-budget filmmaking. They then viewed music videos for inspiration but found the styles didn't suit their tastes. Next was a disturbing series breaking the fourth wall that was too much to watch consecutively. The author concluded by watching comedies to lighten the mood, finding British humor most relatable and funny.
Lily has always been fascinated by films and the conversations they spark. She is passionate about using film to create projects that generate meaningful discussions. Her interest in film was nurtured through phone calls with industry professionals arranged by her father, podcasts, and her creative media course. The course exposed her to different media and taught essential skills like camera operation, editing, planning, and teamwork. Outside of school, Lily runs a social media photography account showcasing her hobbies and takes photos to promote local bands. She ultimately wants to pursue a career in the film industry.
Lily Ajaib proposes creating a 3-5 minute educational documentary about sustainability efforts at York College. The documentary will feature interviews and footage around the college. It will target students ages 16-24 to increase awareness of current sustainability initiatives and future plans. Research will include sustainability displays, social media, and York College's overall efforts. The documentary will be evaluated based on a production diary reflecting on successes, challenges, and skills gained.
RPA 2022 Entry HE Application website.docxalilyajaib
This document contains a record of prior acceptance for a student applying to university. It includes personal information like name, date of birth, address, nationality, and disability status. It also includes details about the chosen course of study like the course code, campus, and intended start date. By signing the declaration, the student confirms the accuracy of the information and accepts the terms of not pursuing other university choices if accepted to the program listed in the application.
The document discusses applying the auteur theory to cinematographer Newton Thomas Sigel. It examines Sigel's career and body of work to determine if he has a recognizable style or approach. It analyzes his use of different cameras over time, as well as his work on the film "Cherry." Specifically, it looks at how Sigel used lenses, lighting, and camera movements to achieve a "magic realism" effect in the first chapter. While Sigel adapts his approach to each project, the document argues the auteur theory can still be relevant to him through his focus on authentic storytelling based on his own interpretation of the script.
Personal Study Essay Research Document Pro Forma.pptxalilyajaib
The document provides instructions for a personal study project. It outlines that the student will need to produce a research document and essay. The research document involves collecting quotes and summarized information from a variety of sources on their chosen topic. It must include an alphabetized bibliography. The essay will explore an element of media the student is passionate about and how it relates to what they will produce for their final major project. The essay should be at least 1500 words and reference at least one academic media theory. The document provides a plan for the essay's structure, including an introduction to the topic and theory, macro and micro analysis, and application of the theory to the student's own work. It also lists learning criteria and support slides for completing the
The document discusses applying the auteur theory to cinematographer Newton Thomas Sigel. It analyzes Sigel's work, including his transition from film to digital cameras. It provides a micro analysis of Sigel's cinematography in the first chapter of the film "Cherry" where he used specific lenses to create a sense of magical realism. While Sigel adapts his style to each project, his use of instincts to authentically portray the story suggests the auteur theory could apply to him as it does to directors.
The document is a production diary for a mobile app project over 3 weeks. In week 1, the student was unable to use Adobe XD as planned and focused on designing app pages instead. They completed most of a map page. In week 2, the student experimented with Adobe XD and redesigned the app logo page based on difficulties tracing an image. They started adding details to the logo and continued the map page. In week 3, the student completed a loading screen page quickly as it closely followed their original plan. They want to add animation to the loading screen later.
The project involved creating a concept for a Harry Potter-themed mobile app that would help promote tourism in York to audiences aged 17-24. The outcome was an app design created in Adobe XD that resembled the Marauder's Map from Harry Potter. Some challenges included illustration complications that required redesigning elements, and difficulty developing an achievable concept within the time frame. Overall, the project turned out as envisioned with a visually pleasing aesthetic that linked Harry Potter and York. Learning points included managing expectations and allowing time for additional planned elements.
This proposal outlines a project to create a digital Harry Potter-themed tour guide of locations in York, targeted at 18-24 year olds. The guide would be inspired by the Marauder's Map from the Harry Potter stories and allow users to take photos at locations to collect points and earn discounts on attractions. Key aspects of the project include researching Harry Potter and York references to include, drawing an accurate map of York, and evaluating the outcomes through a production reflections log.
This document outlines the planning and research for an app called "Marauder" that is intended to attract Harry Potter fans ages 17-24 to visit York, England. The app would be inspired by the Marauder's Map from the Harry Potter stories and function as a tour guide. It would use augmented reality to overlay locations from the stories on views of real places in York. The document discusses researching demographics, games like Pokémon Go that blend digital and real worlds, and the conventions of mobile apps to inform the design of "Marauder".
The document describes concepts for a Harry Potter themed app that would function like the Marauder's Map from the books. It would include pages for the app logo, title screen upon opening, a loading screen, an options menu to select the map or photo upload pages, the map itself showing tourist locations in York linked to Harry Potter characters or themes, example information pages for each location, and a photo upload page. The app aims to be educational and fun for Harry Potter fans by connecting real world places to the fictional world.
Thinking of getting a dog? Be aware that breeds like Pit Bulls, Rottweilers, and German Shepherds can be loyal and dangerous. Proper training and socialization are crucial to preventing aggressive behaviors. Ensure safety by understanding their needs and always supervising interactions. Stay safe, and enjoy your furry friends!
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
Physiology and chemistry of skin and pigmentation, hairs, scalp, lips and nail, Cleansing cream, Lotions, Face powders, Face packs, Lipsticks, Bath products, soaps and baby product,
Preparation and standardization of the following : Tonic, Bleaches, Dentifrices and Mouth washes & Tooth Pastes, Cosmetics for Nails.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
2. MUSIC VIDEO PRODUCTION
• We will look at Music Videos from a number of perspectives, this template is for
you to write up your notes and to complete your case study.
• The document is split into 3 different tasks, each with separate questions to
answer.
• Task 1 is concerned with the purposes of music videos and the strategies
employed by labels and artists
• Task 2 is concerned with the styles, techniques and conventions of music video
production
• Task 3 is your own case study into a minimum of three music videos where you
can unpack and discuss the videos considering everything you have looked at in
Task 1 and 2
• You are expected to submit each section on a weekly basis during your remote
learning weeks.
• If you get stuck, talk to/email your tutor for guidance.
3. NOTES ON COMPLETING THE
CASE STUDY
• It is often easier to show something you are discussing than to
take time describing it. With this in mind, feel free to add lots of
illustrative images from your chosen video examples. Links to
YouTube/Vevo/etc are also encouraged.
• Remember, when you make a point or define something, you
should follow this with an example, an explanation of this and
then link to further texts/videos where possible.
• If you don’t think there is enough room to add your full
response to a question, don’t just reset the font size to really
small, add an extra slide wherever necessary.
4. TASK 1 -
PURPOSES
Y O U S H O U L D O P E N T H E M U S I C L E C T U R E
P O W E R P O I N T A N D L O O K AT S E C T I O N 1
B E F O R E D O I N G T H I S TA S K
5. TASK 1 - PURPOSES
• Q1 - Outline the 3 core purposes of music video with a
short explanation for each:
• Branding – companies have an amazing opportunity to
promote themseves through a much cheaper way then
standard advertising. Fans also want to have lots of in
common with artists so if that means having the same
phone as them then it will reach their attention. Music
videos are a way of reaching different audiences due to
different genres of music.
Ariana Grande – focus
Samsung galaxy note 5
6. TASK 1 – PURPOSES
• Q1 - Outline the 3 core purposes of music video with a
short explanation for each:
• Sales- the whole aim of a music video for an artist Pov is to gain
ore recognition and gain popularity for their music. The music
video will help promote the artists, the artists management and the
director's work.
• Entertainment- entertainment is the main puurpose of music
videos. It gives fans a chance to see the artsist live witout a ticket
and see them on a performace. It give the artist a chance to take a
break from touring and writing music in the studio as well as a
chance for the artist to give a visual guide for their song. THE MAIN
PURPOSE OF A MV IS TO ENTERTAIN PEOPLE
7. TASK 1 - PURPOSES
• Q2 – What are some of the broader purposes of music videos?
Try and outline a minimum of 3. (Think about some of the
strategies employed by artists in their videos and how they
represent themselves, you could consider where the artist is on
a major label, independent label of unsigned, is there a
difference between them?)
• - reinforce a political view or social message. For example, Dave
– black
• A visual guide to the song. This helps tell a story or a message
that the artist a want to create and a chance to connect with the
audience
• Feature other artists from there label as a means of promotion
8. TASK 1 - PURPOSES
• Q3 – Branding; select an
artist you like and look at
how they present
themselves in their music
videos. Explain what their
‘brand’ is, who is appeals to
and why they might have
done this.
•
9. TASK 1 - PURPOSES
• Q3 – Branding; select an
artist you like and look at
how they present
themselves in their music
videos. Explain what their
‘brand’ is, who is appeals
to and why they might
have done this.
Zayn malik-
Zayn's music videos have a lot of special effects
and lots of bright neon lights. Throughout most
of the music videos they are a lot of cu shots of
himself or the love interest of the story. He also
usually does Zayn brand is that he wants to be
heard as he feels like he was silenced for so long.
He wants to give a chance for other to be heard
an he writes that through his music. Zayn's
music videos are a way to escape from a serious
message and a way to express with his art. This
usually appeals to 14-24 females and have a
large Middle East Asia audience and well as a
Hollywood audience.
10. TASK 1 - PURPOSES
• Q4 – Compare One Direction and Animal
Collective music videos [find them on YouTube!],
what can you discern about each act from their
videos? What is the main aim? Explain why.
• one direction – there videos are very
representational and predominantly cu shots. They
are clearly understandable and are a high budget.
The music videos usual have a boy girl love story as
their audience are mainly teenage females.
• Animal collective – animal collectives' videos an
obscure a niche and not partially easy to follow.
They are non – representational and don’t have
many cu of the artists. They have a low budget and
are artistically deprived.
11. TASK 2 – STYLES,
TECHNIQUES AND
CONVENTIONS
Y O U S H O U L D O P E N T H E M U S I C L E C T U R E
P O W E R P O I N T A N D L O O K AT S E C T I O N 2
B E F O R E D O I N G T H I S TA S K
12. TASK 2 – STYLES, TECHNIQUES
AND CONVENTIONS
• Q1 – Describe and explain the use of camerawork in music videos,
i.e. the types of shot used with examples to illustrate this and how
this creates meaning
• How the camera is used and how the images are sequenced will
have a significant affect on how the music video is portrayed.
• The close up predominate as in most tv, partly because the size of
the screen a partly because of the desire to create a sense of
intimacy for the viewer.
• They camera angle is also important as it can give different themes
f the music video. E.g. a lower camera angle can make the subject
feel more powered as you are looking up to it and it is looking
down on you.
13. TASK 2 – STYLES, TECHNIQUES
AND CONVENTIONS
• Q2 - Describe and explain the use of editing in music videos,
i.e. the types of shot used with examples to illustrate this and
what the effect of this is/meanings that are created/etc
• Through the most common form of editing associated with
music promo is fast cut montage which is rendering many of
the images impossible to grasp on first viewing.
• Enhancing editing by using digital effects, can play with the
original images and offer different kinds of pleasure to the
audience. The digital effect may include slit screens,
colorization and of course blockbuster film style CGI.
14. TASK 2 – STYLES, TECHNIQUES
AND CONVENTIONS
• Q3 – Genre conventions; often
music videos adhere to genre
conventions within their visual
style and production techniques.
Select a recognizable genre and
use illustrations to explain what
their genre conventions are…
15. TASK 2 – STYLES, TECHNIQUES
AND CONVENTIONS
• Q3 – Genre
conventions; often
music videos adhere
to genre conventions
within their visual style
and production
techniques. Select a
recognizable genre
and use illustrations to
explain what their
genre conventions
are…
Grime- grime is a genre of music that is influenced
by uk garage, typically characterized by a minimal,
prominent rhythm, a very low-pitched bassline, and
vocals by an mc. Grime music videos usually are
close up shots of the artist followed by close up with
them and a group of men. There audience usually
attracted 13-20yr old men and their movements are
as If they are shouting at the camera with lots of
hand and arm movements. The videos usually
include lots of drugs and cigarettes, as well as
alcohol and the male gaze of women. The
camerawork is cut and montage from around 5
difference locations and have a dark color theme (so
sometimes filmed at night). They also sometimes
include people covering there faces with face masks
and have big fluffy coat hoods. A lot of the time the
extras where black, grey or navy-blue tracksuits and
the main artist where a different color to make them
stand out from the rest. The videos show minimal
16. TASK 2 – STYLES, TECHNIQUES
AND CONVENTIONS
• Q4 - John Stuart’s description of the music video “incorporating,
raiding and reconstructing” is essentially the essence of
intertextuality [something asserted by Andrew Goodwin]. Can
you explain what intertextuality is and find a minimum of 3
examples of it in music videos?
• Intertextuality is a visual reference in a music video coming from
a range of source like cinema, fashion and art photography.
17. ARIANA GRANDE – THANK YOU, NEXT
Ariana creates intertextuality references from iconic early 2000s films like
legal blonde and mean girls and bring it on.
20. TASK 3 – CASE
STUDY
Y O U S H O U L D O P E N T H E M U S I C L E C T U R E
P O W E R P O I N T A N D L O O K AT S E C T I O N 3
B E F O R E D O I N G T H I S TA S K
21. TASK 3 – CASE STUDY
• For your individual case study you must study an artist of
choice, focusing on a minimum of 3 videos [ideally 5+ videos]
• This should provide discussion on the usage of the following:
– Style[s] & Techniques employed
– Intertextuality
– Camerawork/editing
– Genre conventions
– Critical approaches [you should be applying some of the critical
approaches from your lessons and some of your own, to your
selected videos]
22. TASK 3 – CASE STUDY
• You should include a video link for the videos used
• You should include illustrative stills from the videos chosen
• Be creative in your approach, it is suggested you use the heading
on the previous slide a guide on how to structure your response to
get you started
• Remember, make a point, use a specific part of the chosen video as
an example, explain yourself and then link to another video where
possible
• Compare and contrast your artist/genre to other artists/genres
• Remember to consider differing contexts
• Add slides here as appropriate – DO NOT SHORT CUT THIS
SECTION, IT IS THE MOST IMPORTANT
24. STYLE AND TECHNIQUE
Harry's music style is a mixture of indie and pop with a hint of rock. The
way he expresses himself is through clothing which have an 80s theme to
it and goes against gender stereotypes. His music videos like watermelon
sugar and treat people with kindness are filmed in a vintage style along
with vintage props.
The color pallet for watermelon sugar are bright colors that give the
theme of summer. There are a lot of close up shots (as most of his other
music videos show) of him and the extras while lip syncing the words. The
music video is filmed from a eye line POV and filmed on a vintage camera.
He wears 80s style clothing as well as Elton john theme glasses.
The treat people of kindness music video is filmed in black and white but
has the same upbeat and fun theme as watermelon sugar. The black and
white theme suggests that the message of behind tpwk is more serous.
The footage is taken further back on a good camera so you can see
everything but still shows him lip-synching the lyrics. The Broadway feel to
the music video makes the audience feel like harry is putting on a
performance for them as it was during release during lockdown. His
clothing was was a glitter jacket with an 80s sequin sweater vest.
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25. STYLE AND TECHNIQUE
• A big thing that you are able to tell with Harrys music videos is
that they are all very high budget whether that is building a tank
room full of water or creating your own fictional island. His
music videos are very representable and are easy to follow. The
things that make harry different from other artists is the way he
goes against society's view of gender norms by his clothing and
by his song lyrics. He likes to make it apparent that his clothes
are a key part of the video by showing close ups of his nails and
his outfits, as well as a few glasses closeups.
26. INTERTEXTUALITY
The treat people with kindness music video was filmed
inspired by stormy weather the musical/comedy. Top
hat is about an American tap dancer name jerry travels
to London to star in a show. He meets and attempts to
impress a girl a win her affection. Although the clothing
in the music video may be very different to top hat, the
chorography is similar, and he incorporates some of top
hats moves.
https://www.youtube.com/watch?v=L0X03zR0r
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27. CAMERA WORK
Throughout all of Harrys music
videos, there are lots of close up
shots with lip-synching as well as
multiple locations where the use a
cut fast montage. A lot of the
time the lip synching is filmed fast
so they can later slow it when and
come out on time. For example,
“Golden”, “kiwi” and “sign of the
times”.
In golden they use 3 different
type of camera techniques:
1. Fisheye camera
2. Handhold camera
3. Tracking shot
/car held camera
https://www.youtube.com/watch?v=
P3cffdsEXXw
28. • The music video is set on the Amalfi
coast in Italy and opens with a blurred
tunnel entered with the title. This is
because they have a low aperture
setting making less light get to the lens.
It fades and the camera focuses onto
harry running towards the camera. It
then shows a closer view of him running
in slow-motion while lip-synching.
While filming, the track would have
been speed up and filmed in fast
motion and then later edited back into
normal speed making the footage
produced in slow motion. The camera is
on the back of a car Infront of him and
uses a tracking shot to get any further
close ups. They use a fast cut montage
to cut between multiple locations as
well as harry driving a car where the
camera is attached on the hood of the
Camera work
Tracking shot/car held shot
29. CAMERA WORK Fish eye camera
It’s a recurring theme of using fish
lenses throughout his album
including in the golden music video.
The fish eye camera gives the
audience an ultra wide angle that
produces a strong visual distortion.
Throughout the video, the editors
refer back to these fisheye lens shots
that are half underwater so you can
see the wide surroundings.
30. CAMERA WORK
Hand held camera
In all of Harrys music videos, they at
least once film a tape of him singing
the song with a hand held camera. A
theme is a lot of the time they put a
vintage effect or colouring on it. This
gives the audience a chance to
connect with the artist when moving
away from the story line. The hand
held camera is usually an extreme
close up of his face or a close up of
his whole body. Other videos that
include this are sign of the times,
kiwi, lights up, watermelon sugar,
adore you and falling. The camera is
always steady and
follows the movements
of harry.
31. CAMERA WORK Sign of the times
Falling
Sign of the times was Harrys first music
video solo so it gave him a chance to
experiment with what he wanted to do.
The music video showed lots of
different camera shots such as drone
shots, helicopter shots, close ups, hand
held camera and tracking cameras. The
helicopter and drone shots are
something that wasn’t used again but
was very effective cinematography for
the song.
For Harrys falling music
video they created a room
that they filled with water.
The they blocked it of by a
glass window they got all
there further back footage from. The
closeup shots are mainly before he
goes underwater and the ones that
are done underwater are filmed on a
high quality water proof camera.
They added lighting and colour to
the footage after it was filmed to
create a dark tone to match the
song. Harry and the crew had to go
under several practise's before
having the correct footage they
wanted.
32. GENRE CONVENTIONS
• Harrys music follows an indie rock genre but is me known for
his pop song. This is because the pop genre appeals to a larger
audience so he can grow his music. He does not follow the pop
conventions visually but his songs like watermelon sugar and
adore you do. They follow a simple beat and have a simple song
structure where they use the same rds throughout the whole
song. However, the music videos to
34. LINKING FORWARD…
• Now it’s important to think about how you can use some of what
you’ve learned in your investigations for your own work.
• Summarise in this section the key techniques, styles, conventions
and genre you prefer and what you think you could use in your
project.
• Think of this as a place to put all those loose ideas for your music
video and how you intend to apply the things you’ve enjoyed
looking at.
• Remember, music video is a medium that has a lot freedom in
terms of form and style. It is also the medium that steals,
incorporates and re-integrates all the things you have seen and
experienced.
• Add slides as necessary, it will make the next section of the
much easier