Music video analysis earl
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The music video by Earl Sweatshirt and directed by Hiro Murai presents a visualization of Earl's feelings about his life through unconventional camera shots and bizarre imagery that create a sense of a broken and distorted world. While the video's dark and mellow atmosphere does not reflect all characteristics of hip-hop such as flashy clothing and expensive items, it intrigues viewers to follow Earl's unconventional career in hip-hop. The video reflects Earl's negative lyrics through its black and white visuals and disturbing imagery, though the director revealed it was actually based on Greece's economic downturn rather than Earl's life.
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Chris brown love more analysis
This document analyzes the music video for Chris Brown's "Love More" song. It summarizes that the video is a performance piece with Chris Brown and dancers lip syncing and dancing to the song on a stage set like a live concert. It uses various camera shots and lighting effects like shadows on the face to match the beat and lyrics of the upbeat song. The video aims to attract both male and female audiences by including dancing from different cultures and objectifying female dancers. It was produced by RCA Records in 2013.
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Textual analysis
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Presentation2
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2) The genre is described as alternative rock, shown through the abnormal setting and Thom Yorke's unusual dancing.
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This document analyzes and summarizes conventions used in music videos. It discusses how flashbacks are used to establish narratives, the inclusion of performances to show the band, and close-ups of instruments in rock videos. While rock videos focus on musicians actually playing, pop videos conform to the convention of not showing instruments being played.
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Alternative Rock Conventions
The document discusses common elements of mise-en-scene, camerawork, and editing in music videos. For mise-en-scene, settings are often urban areas at night or consider colors for daytime/rural areas. Costumes tend to be casual, with female singers having multiple changes. Cameras commonly use mid shots of singers, tilt down establishing shots, and close-ups of faces during singing. Editing features fancy transitions of artists into shots, effects like blurring, and cuts that match the song's tempo.
Research: Johnny Cash
The document discusses characteristics of music video genres and analyzes Johnny Cash's music video for "Hurt". Some key points:
1) Cash's video focuses solely on him and his personal life/battles, characteristic of the singer-songwriter genre.
2) It shows Cash expressing heartache through close-ups and body language, in line with the genre often addressing heartbreak.
3) The lyrics and visuals, like footage of awards and a museum, relate to Cash regretting parts of his life and missing people.
4) Close-ups of Cash and his memorabilia are used both to advertise him as an artist and convey the song's message.
Michelgondry
Michel Gondry is a French film director known for his imaginative and original music videos. He directed music videos for bands like The White Stripes, Daft Punk, and Bjork. His videos are visually inventive, using techniques like stop motion animation. In The White Stripes' "The Hardest Button to Button" video, he multiplied drum kits and amplifiers using stop motion to represent the song's beats. For Daft Punk's "Around the World", dancers represented parts of the song. Gondry's videos typically feature surreal concepts and themes rather than directly relating to lyrics.
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Goodwin music video analysis
Andrew Goodwin studied hundreds of music videos for his book "Dancing in the Distraction Factory" and identified several typical codes and conventions that are commonly used. These include establishing a relationship between the lyrics and visuals of the video, between the music and visuals, and particular genres having their own distinctive styles. Videos also often feature demands for close-ups of the main artist, development of their star iconography, references to voyeurism and intertextuality.
Flo rida whistle
Flo Rida's music video for "Whistle" features scantily clad women dancing sexually and Flo Rida rapping topless and muscled on the beach. Split screens and slow motion are used to exaggerate attractive poses. Close ups highlight seductive facial expressions. The natural high key lighting and expensive props portray a wealthy lifestyle. Both the narrative and performances synchronize with the provocative lyrics to promote Flo Rida's image.
Quantitative analysis – music videos
Through analyzing different music video genres, the document identifies common elements in hip-hop, alternative rock, rap, dance, pop, folk, rock and roll, and drum and bass videos. Hip-hop and rap videos often focus on the artist's performance and connecting with viewers, while alternative rock, folk, and some pop videos center on the band's performance. Dance, rock and roll, and some pop videos combine performance with a storyline. Drum and bass videos use special effects to match the music's feel.
Parklife
The music video for Blur's song "Parklife" features actor Phil Daniels lip syncing the lyrics while driving around London. Though unconventional for a music video at the time, the abstract style fits with the Britpop genre. Various shots reference the lyrics, like a jogger mentioned in the words. While humorous, Daniels is the clear focus instead of the band. The upbeat tempo matches the fast-paced visuals, and colors occasionally sync with the music. The video parodies common music video tropes through exaggerated elements.
Analysis of Vato Gonzalez ft. Foreign Beggars 'Badman Riddim (Jump) Music Video
1) The document analyzes the music video for "Badman Riddim (Jump)" focusing on its creative use of costumes and editing style.
2) The video uses a narrative format intercut with performance footage, reflecting dance/hip hop genre conventions. It depicts a comic book style world with characters like a dinosaur-suited man destroying a cardboard city.
3) Various shots are discussed in terms of how they advance the narrative and musical elements, drawing on theories about narrative structure and creating continuity between scenes. Effects, costumes, and locations integrate intertextual references to create an upbeat, stylized video.
Music video Analysis, Beating Heart-Ellie Goulding
The music video for Ellie Goulding's "Beating Heart" incorporates clips from the film Divergent and features Goulding alone in a forest. It draws on characteristics of multiple genres, including synthpop through its prominent synthesized instrumentation, indie through its natural outdoor setting, and pop through its focus on attractive characters and inclusion of a love story. Visual elements like close-ups, natural scenery, and Goulding's performance reflect the song's tone and lyrics. Intertextual references to films like The Hunger Games and Twilight are also present.
Third analysis!!!
The video analyzes the music video for the Foo Fighters song "The Pretender". It discusses the mise-en-scene including the props, clothing, lighting, and setting of the warehouse. It also covers the camerawork using different shots and angles. The sound is diegetic from the band playing. Editing uses cuts between shots and pacing to match the music. The video depicts a confrontation between the band and riot police authorities.
Music video analysis
1. The music video analyzes Jeremy Loops' song "Down South" using 5 aspects: thought beats, narrative and performance, star image, ways to promote the song, and technical aspects.
2. It synchronizes the visuals with the music to create a summer vibe and connect the audience to Jeremy Loops' personality. Scenes of nature and horses accompany slower parts of the song.
3. The video uses narrative and performance shots to illustrate Jeremy Loops leaving his friends and family "Down South" to travel, emphasizing the song's lyrics and creating an atmosphere of love and warmth. Close-ups establish Jeremy Loops as the star.
Third analysis!!!
The document analyzes the music video for the Foo Fighters song "The Pretender" using techniques of mise-en-scene, camerawork, sound, and editing. It describes the warehouse setting, costumes portraying rebels and authorities, use of lighting and camera angles to depict conflict. Instrumental music plays diegetically as the band performs amid cutting between shots that match the song's pace.
Without me analysis 2
Eminem is one of the best-selling artists of all time, having sold over 300 million records worldwide. He has won 15 Grammys and an Oscar. The music video for his song "Without Me" uses a disjunctive narrative structure where Eminem portrays Batman and Robin. It features fast editing and camera cuts to match the upbeat tempo of the song. Eminem is shown in baggy clothes of the early 2000s hip hop style. The visuals amplify and illustrate the lyrics, such as impersonating his mother and threatening another artist mentioned in the song.
Analysis of 3 music videos
This document provides a summary and analysis of the music video for Foo Fighters' song "My Hero". The video tells a narrative of a man rescuing people from a house fire, including babies. It contrasts shots of the band casually performing with the dramatic rescue scenes. The video is shot in a single take to heighten the sense of urgency and match the song. It effectively uses the fire as a backdrop for the band's performance without making them the central focus.
3 music video analysis
This document provides a summary and analysis of the music video for Foo Fighters' song "My Hero". The video tells a narrative of a man rescuing people from a house fire, including babies. It contrasts shots of the band casually performing with the dramatic rescue scenes. The video is shot in a single take to heighten the sense of urgency and match the song. It also features privacy bars over the faces of those rescued to maintain their anonymity and portray the man as more of a hero.
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Looking back to your preliminary task
The author learned several important lessons when progressing from their preliminary task to the full product. For the preliminary, they focused on dialogue-driven comedy but realized the script was weak. They also used a limited number of shots. For the full product, a horror film, the author removed dialogue, relied more on visuals and score to build tension, improved shot variety, filmed at night indoors for lighting control, and learned editing techniques to make filming more efficient. Overall, the author gained valuable insights into script/dialogue quality, shot design, and production/editing workflow.
Who would be the audience for your media product
The document discusses strategies for promoting an unconventional horror film targeted at audiences aged 25-39 who appreciate artistic and surreal films. It proposes using nostalgic poster and trailer designs inspired by early 20th century horror films to emphasize the film's visual style. Promotional efforts would include social media pages, hashtags, and YouTube videos to spread the word. Unconventional strategies like fake banned film articles and a related online game could also attract younger audiences through intrigue and gameplay. The goal is to find ways to promote the film's niche artistic style and appeal to fans of the genre and era that inspired it.
How does your media product represent particular social groups
This document summarizes how a film represents different social groups through its characters. The film includes characters ranging from 10 to 45 years old to show how events impact people of various ages, unlike most slasher films that only affect young adults. Both the murderer and victims are intentionally presented with little backstory. The murderer, a mentally unstable young adult, kills both children and elders without remorse. Teenagers are shown partying recklessly before being killed, representing dubious aspects of youth culture. Parents are also killed to show that people of any age can be victims of violence. The inclusion of characters of various ages and backgrounds aims to provide a realistic perspective on massacres.
Evaluation Q1
The film uses and develops some conventions of slasher films by having the protagonist also serve as the killer, which challenges expectations. It is presented in black and white without dialogue like 1920s/30s horror films. Specifically, it takes inspiration from The Cabinet of Dr. Caligari in its shot composition and ability to disturb without sound. The film further challenges modern conventions by having a convoluted chronology and ending where it began to disturb the audience's understanding of the killer's acts. Overall, it combines slasher and early 20th century horror conventions while challenging expectations through its presentation.
Institutional research
This document analyzes box office data and critical reception for horror films from 1998-2014. It finds that comedy is the most popular genre overall but horror performs best in October and winter months. Most successful horror films are R-rated and from the late 1990s/early 2000s. The Conjuring was the highest grossing horror film of 2013 and its success led to the spin-off Annabelle. While Annabelle was financially successful, it received poor critical reviews unlike The Conjuring which won several awards. The document concludes that choosing Warner Bros. as the distributor, aiming for a 15 rating, and releasing in summer could help a new horror film achieve financial success.
Risk assesement
The document outlines various risks that could interfere with a film shoot taking place at a house and strategies to overcome them. It identifies illness of cast members, timing clashes for cast, memory cards becoming full, issues with fake blood, and knives being used as potential risks. The strategies include having replacements prepared for cast members that are ill or unable to attend, bringing spare memory cards, carefully applying fake blood away from sensitive areas like the mouth and eyes, and only having a trusted actor handle any knives used.
Sinister opening analysis
The scene shows a family of four with bags on their heads standing next to a tree. An unseen figure cuts a branch that causes the family to hang. The disturbing scene conveys the film's dark themes through the grainy super 8 camera filter and unsettling score, suggesting a secret murder has already occurred. The breaking title card reinforces the idea that someone filmed and rewatches the family's death for their own pleasure, establishing the film's horrific tone without dialogue.
Bbfc
The British Board of Film Classification (BBFC) is an independent body that regulates and rates films, television, advertisements and video games shown in the UK. They provide age ratings to help consumers, especially parents, make informed decisions about what media is appropriate for children. Their ratings consider factors like language, violence, sex, and drug use. Films rated U are suitable for all, while PG, 12, 15, and 18 have increasing restrictions on problematic content. Their goal is to protect children while giving adults freedom of choice.
Jaws opening analysis
The scene opens with Chrissie wanting to go for a swim at the beach with her boyfriend. This lighthearted opening draws viewers in before introducing horror elements. There are no opening credits, immersing viewers immediately. Shots emphasize how isolated Chrissie is swimming alone in the large ocean at sunset, when beaches are usually empty. The tense score starts as the camera shows an underwater view seeming to follow Chrissie, confirming it as a point-of-view shot from the antagonist. Viewers fear something terrible will happen to Chrissie, who is then seen frantically trying to escape an ambiguous attacking force that pulls her underwater.
Media analysis
The document summarizes a BBC News broadcast interviewing Darkus Howe, a black writer and broadcaster, about his reaction to the London riots. Darkus was positioned in front of a fire engine, deliberately highlighting the damage caused. Darkus was not surprised by the riots, criticizing politicians and police for failing to address youth concerns. However, the broadcast is perceived as biased against youth involved in the riots, frequently interrupting Darkus and accusing him of condoning violence when he criticized police and discussed the death that sparked the riots. Youth perspectives were not given a fair representation.
House of balloons treatment
This document provides details for a short horror film called "House of Balloons: Treatment". It includes a synopsis of the plot, which involves finding a house full of corpses and balloons with a lone killer just watching. It describes the killer being played in a disturbed manner and one victim shown alive. It outlines the plot, including zooming out from a corpse to reveal the crime scene and the killer contacting police before leaving. It lists the cast and details the filming location, costumes, and props, including using a horse mask to hide the killer's face and filming in black and white in the style of early silent horror films.
Night of the living dead opening analysis
The document provides an opening analysis of the 1968 horror film "Night of the Living Dead". The summary is as follows:
The film begins with an establishing shot of a car driving down a rural road without any opening credits or logos. The musical score builds tension as the car approaches the camera. The title card is then shown with the word "Night" only outlined. The film is noticeably shot during the daytime despite its title. It introduces the main characters Johnny and Barbara visiting their mother's grave. Johnny is obnoxious while Barbara wants to pay respects. Strange radio issues hint that something is amiss. Johnny criticizes the church and teases Barbara about zombies before one attacks and kills Johnny. Barbara then
House of balloons script
1) A living room is filled with multiple dead bodies and balloons as eighties funk music plays in the background.
2) A man in a mask is revealed standing over a dead body with a knife. He removes his mask to reveal a confident expression.
3) The man calmly calls the police to report the murder, stating the victims were involved with someone they shouldn't have been and deserved their violent deaths. He then leaves the house still in a calm demeanor.
call sheet
This call sheet is for the opening scene of the horror short film "House of Balloons" directed by Tom Millett. It will be filmed at 5 Lowther Close in Billingham on an unspecified date. Tom Millett will serve as the director, producer, cinematographer and play the killer. The film stars Paul Mason and Wesley Aitchison as additional killers and Alex Grange, Michael Millett, Tom Moore and Ben Millett as victims. Equipment needed includes a Panasonic camcorder, camera bags, memory cards, a tripod, a knife, masks and fake blood.
Callsheet
This call sheet is for a music video shoot for the Portishead song "The Rip." It will be directed by Tom Millett and shot at Thorpe Beck in Billingham on an unspecified date. The cast includes Gilly Ferries as the lead singer and Jack Waterman playing pigs. Equipment needed includes a Canon DSLR 500D camera, macro lens, torch, masks, camera bags, memory cards, and a tripod.
opening sequence
The opening sequence of Eraserhead establishes the surreal and disturbing tone of the film. It begins with white text on a black background introducing director David Lynch. The sequence then cuts between two men - one lying horizontally and the other on an unknown planet. Strange events occur between the men, including a creature emerging from the horizontal man's mouth. The creature is sent through different levers pulled by the planetary man, ultimately falling into a crater filled with bubbling liquid. The opening ends by zooming into a white circular hole, transitioning to a blinding white screen and implying a shift to a new location.
Analysing opening sequence
The opening sequence of Eraserhead establishes the surreal and disturbing tone of the film. It begins with white text on a black background introducing David Lynch as the director. The title sequence cuts to a shot of a man with a translucent appearance moving around the screen in a paranoid manner. His face contorts and a strange creature emerges from his mouth. The creature moves towards a deformed man living in a makeshift house on what appears to be the moon. This man pulls levers that seem to affect the horizontal man, and the creature falls into a crater. The opening ends by cutting to black and then showing a white circle that the camera zooms into, transitioning to a new location.
The rip lyrics breakdown
The document provides production notes for a music video for the song "The Rip" by The Rip Lyrics. It outlines that the video will open with a single long take to summarize the narrative for viewers in an artistic and mysterious way. Many shots in the beginning and end will be slow and long, while cuts in the middle will emphasize haunting parts of the lyrics. During two long gaps in the lyrics, the video will show thought beats and montages focused on rabbits and the artist in a forest. The video will conclude with a long zooming out take to create tension and ambiguity.
Question 3 questions
The document contains 17 questions about a music video asking the respondent's opinions on various technical and artistic elements including overall impression, genre, production quality, performances, narrative, editing, visual effects, set design, strongest and weakest parts, and potential improvements.
Question 4 list
The document lists various technologies including photo and video editing software like Photoshop and Final Cut Pro, social media platforms like Facebook and YouTube, media players and downloaders like iTunes, Quicktime, and YouTube Downloader, online services for maps, images, cloud storage, and blogging, as well as common productivity applications like Microsoft Word and Powerpoint, and various digital media devices like cameras, camcorders, and SD cards.
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Music video analysis earl
- 1. Music Video Analysis Artist: Earl Sweatshirt Genre: Hip-Hop/ Rap Director Hiro Murai The concept of the music video is to present a visualization of how Earl feels about his life at the moment. The use of the unconventional camera shots and bizarre imagery creates an image of a broken and distorted world which reflect Earl’s feelings towards the world. The idea of the video is to intrigue viewers into following the artist’s career as his video is very unconventional as far as Hip-Hop goes. Goodwin analysis The music does not demonstrate many characteristics of the genre it is in. Hip-hop usually has a very confident aesthetic to it with the majority of the video being focused on the artist in designer label clothes with expensive items and seductive women around him. This video has a very dark and mellow atmosphere, which does not reflect the genre accurately in the grand scheme of things. It can be argued that Earl is wearing designer clothing but it is tough to say, as it isn’t a recognizable brand due to his jacket being heavily customized with badges. It is also worth noting that it is an even split between camera shots including and not including Earl. It shows a lesser focus on Earl as an icon. The visuals sit well with the mellow tone of Earl’s voice and the negative topics that he brings up about himself because of the black and white visualization and the use of disturbing imagery such as the dog with a skeleton face. The visual however does not directly illustrate any of the topics Earl brings up about himself. It can be interpreted that the video is a symbolic amplification of Earl’s thoughts and feelings about his life. It was revealed however by director Hiro Murai that the video was based around the economic downturn of Greece and it had no relation to Earl whatsoever. The music is illustrated within the video when the camera shows a man playing a drum kit in a skeleton costume in time with the beat of the music. The camera will sometimes cut into a shot in time with the sound effects used within the song also. The majority of the song’s mellow and simplistic production is contradicted in bizarre cinematography that shows locations upside down and rotating camera angles. The camera will cut to the beat of a strong piano note and drum beat used at the same time to keep in time with the beat of the music. There are a noticeable amount of close ups when Earl is in shot with a hand full of panning medium shots of Earl floating around the abandoned city. The lighting within the shots of Earl is constantly shadowing his face
- 2. on multiple angles with the lighting changing constantly in shot. The visual style is reflecting in a mall number of Earl’s music videos but it is only done when the song for the music has equally dark and gritty tones to the song presented in this video. There is a use of intertextual symbolism with the fact that the video is based on Greece’s economic downturn with the idea that the city is abandoned, desolate and the only people remaining have a skull drawing appearing on them symbolizing their hopelessness or impending demise.