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Monster culture
Seven theses
Thesis # 1: The monster body
 It is a cultural body
 It is born at a certain cultural moment of a time, a feeling and place
 The monster body is a construct and a projection
 Monstrous that which reveals, that which warns
Thesis # 2: The monster always escapes
 The monster is incorporeal
 The monster returns… in a different context to be modified by the
contemporary culture
Thesis # 3: The monster refuses categorization
 The monster is the harbinger of category crisis
 They reject categorization
 Hybrids
 Monsters rebuke boundaries and enclosures
 The geography of the monster is a contested cultural space
Thesis # 4:
The monster dwells at the gates of difference
 It is as a dialectical OTHER
 It comes from outside, from beyond
 Different from the cultural, social, racial, economic or sexual stand point
 The monster can be displaced or marginalized because its monstrosity
justifies its displacement
Thesis # 5: The monster polices the borders
 Curiosity is punished
 The monster delineates social spaces
 The monster prevents mobility into monstrous spaces
 Transgression can lead to becoming a moster
Thesis # 6 Fear & Desire
 The monster is linked to the forbidden
 The monster attracts
 The monster entices
 The monster dwells in exotic places
 It lurks in that ambiguous, primal space between fear and attraction
Thesis # 7: The monster stands at the threshold
of ….becoming
 Monsters always return
 They are our children
 They ask us how we perceive the world
 They ask us to re-evaluate our cultural assumptions about race, sexuality,
difference
 That´s why we have created them

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Monster culture

  • 2. Thesis # 1: The monster body  It is a cultural body  It is born at a certain cultural moment of a time, a feeling and place  The monster body is a construct and a projection  Monstrous that which reveals, that which warns
  • 3. Thesis # 2: The monster always escapes  The monster is incorporeal  The monster returns… in a different context to be modified by the contemporary culture
  • 4. Thesis # 3: The monster refuses categorization  The monster is the harbinger of category crisis  They reject categorization  Hybrids  Monsters rebuke boundaries and enclosures  The geography of the monster is a contested cultural space
  • 5. Thesis # 4: The monster dwells at the gates of difference  It is as a dialectical OTHER  It comes from outside, from beyond  Different from the cultural, social, racial, economic or sexual stand point  The monster can be displaced or marginalized because its monstrosity justifies its displacement
  • 6. Thesis # 5: The monster polices the borders  Curiosity is punished  The monster delineates social spaces  The monster prevents mobility into monstrous spaces  Transgression can lead to becoming a moster
  • 7. Thesis # 6 Fear & Desire  The monster is linked to the forbidden  The monster attracts  The monster entices  The monster dwells in exotic places  It lurks in that ambiguous, primal space between fear and attraction
  • 8. Thesis # 7: The monster stands at the threshold of ….becoming  Monsters always return  They are our children  They ask us how we perceive the world  They ask us to re-evaluate our cultural assumptions about race, sexuality, difference  That´s why we have created them