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Latinxs and the Media
Mixed Race/Ethnicity and
Latinidad
Welcome to Module Six
• In this module we will explore how discussions
of mix race/ethnicity complicate the
construction of Latinidad. Two scholars have
done interesting case studies on these issues:
– Maria Elena Cepeda’s work on Latin pop idol,
Shakira.
– Isabel Molina-Guzman’s work on Hollywood actress,
Zoe Saldaña.
• Let’s discuss each of them but first, let’s clarify
some points about mix race/ethnicity studies.
Why study mixed race/ethnicity in the
context of Latinidad?
• Mixed race/ethnic studies is a fast-growing field
and remarkeably varied in its methods,
disciplines, and orientation.
• Why the interest in this area of study increased?
– The 2008 elections with Barak Obama as a
presidential candidate.
• Both his blackness and his first generation biracialism have
prompted new consideration, within black communities
and within the U.S. population in general.
• It brings into perspective into discussion the operations
and meanings of race, nation, family and community within
the U.S.A.
– Questions like "Is Obama black? Is he black enough? Is he too
black?"
Why study mixed race/ethnicity in the
context of Latinidad? (cont.)
• But these discourses are not exclusive to
national politics. The issue of mixed
race/ethnicity has occupied an important space
in popular media, especially within the Latinos
and Media realm.
– Why is it relevant to this course?
• What becomes important is not how the actor self
identifies, but how a mainstream audience would racialize
them playing a given character.
– What is evident is that these actors are:
» not being racialized as white in most contexts
» forced to fit into a highly structured and restrictive U.S.
system of racialization
» usually not represented as both Black and Latina/o, ruling
out a construction of racial mixture or acknowledgment of
mestizaje (notion of mixture based in Latin America).
Zoë Saldana: The Complicated Politics of
Casting a Black Latina
Isabel Molina-Guzmán / University of Illinois
• Some of the author’s
arguments are:
– She departs from the debate:
“Should Zoe Saldana Play Nina
Simone?
• There is a growing debate and
online petitions over whether or
not US-born black Latina
Saldana should play the iconic
African American singer,
composer and Civil Rights
Activist Nina Simone
“As a US-born black Latina of Puerto Rican
and Dominican descent, Saldana navigates
an identity that is fluid, complicated and not
connected to physical appearance: Saldana,
like other black Latinos, is often asked to
identify herself by a racial or ethnic label,
sometimes being asked to choose between
Hispanic roots and black heritage.”
Shakira as the Idealized Transnational Citizen:
A Case Study of Colombianidad in Transition
Maria Elena Cepeda
• Some of the author’s arguments
are:
– Shakira’s music and public
persona shape both in and out-
group notions of what it means to
be not only Latina, but also
colombiana.
• She assumes multiple subject
positions
– Lebanese–Colombian
– Caribbean–Colombian
– female
– popular performer
– recent US immigrant
» How does the notion of
Latinidad fit within this
scenario?
Now proceed to the readings for this
module:
Enjoy!

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Mixed Race Latinidad

  • 1. Latinxs and the Media Mixed Race/Ethnicity and Latinidad
  • 2. Welcome to Module Six • In this module we will explore how discussions of mix race/ethnicity complicate the construction of Latinidad. Two scholars have done interesting case studies on these issues: – Maria Elena Cepeda’s work on Latin pop idol, Shakira. – Isabel Molina-Guzman’s work on Hollywood actress, Zoe Saldaña. • Let’s discuss each of them but first, let’s clarify some points about mix race/ethnicity studies.
  • 3. Why study mixed race/ethnicity in the context of Latinidad? • Mixed race/ethnic studies is a fast-growing field and remarkeably varied in its methods, disciplines, and orientation. • Why the interest in this area of study increased? – The 2008 elections with Barak Obama as a presidential candidate. • Both his blackness and his first generation biracialism have prompted new consideration, within black communities and within the U.S. population in general. • It brings into perspective into discussion the operations and meanings of race, nation, family and community within the U.S.A. – Questions like "Is Obama black? Is he black enough? Is he too black?"
  • 4. Why study mixed race/ethnicity in the context of Latinidad? (cont.) • But these discourses are not exclusive to national politics. The issue of mixed race/ethnicity has occupied an important space in popular media, especially within the Latinos and Media realm. – Why is it relevant to this course? • What becomes important is not how the actor self identifies, but how a mainstream audience would racialize them playing a given character. – What is evident is that these actors are: » not being racialized as white in most contexts » forced to fit into a highly structured and restrictive U.S. system of racialization » usually not represented as both Black and Latina/o, ruling out a construction of racial mixture or acknowledgment of mestizaje (notion of mixture based in Latin America).
  • 5. Zoë Saldana: The Complicated Politics of Casting a Black Latina Isabel Molina-Guzmán / University of Illinois • Some of the author’s arguments are: – She departs from the debate: “Should Zoe Saldana Play Nina Simone? • There is a growing debate and online petitions over whether or not US-born black Latina Saldana should play the iconic African American singer, composer and Civil Rights Activist Nina Simone “As a US-born black Latina of Puerto Rican and Dominican descent, Saldana navigates an identity that is fluid, complicated and not connected to physical appearance: Saldana, like other black Latinos, is often asked to identify herself by a racial or ethnic label, sometimes being asked to choose between Hispanic roots and black heritage.”
  • 6. Shakira as the Idealized Transnational Citizen: A Case Study of Colombianidad in Transition Maria Elena Cepeda • Some of the author’s arguments are: – Shakira’s music and public persona shape both in and out- group notions of what it means to be not only Latina, but also colombiana. • She assumes multiple subject positions – Lebanese–Colombian – Caribbean–Colombian – female – popular performer – recent US immigrant » How does the notion of Latinidad fit within this scenario?
  • 7. Now proceed to the readings for this module: Enjoy!