This document provides an overview of art in Northern Europe and Spain during the 16th century. It discusses the effects of the Protestant Reformation on patronage of the arts. Key artists mentioned include Matthias Grunewald and his Isenheim Altarpiece, Albrecht Durer who blended Northern and Italian Renaissance styles in works like Knight, Death and the Devil, and Hans Holbein the Younger's realistic portraiture including The Ambassadors. Pieter Bruegel the Elder is noted for paintings depicting peasant life and proverbs. The styles and subjects of these major 16th century Northern European artists are compared to 15th century Northern art and Italian Renaissance art.
The Baroque style originated in 17th century Rome and spread throughout Europe. Baroque art used dramatic motion and detailed realism to depict religious themes and impress visitors with expressions of power, though the style remained abstract. Key Baroque artists included Annibale Carracci, Domenichino, Guido Reni, and Guercino, whose works emphasized movement, exuberance, and interpreted realistic detail.
Leonardo da Vinci was a renowned Italian polymath of the Renaissance era who lived from 1452 to 1519. He excelled at painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. Some of his most famous works include the Mona Lisa, The Last Supper, and Vitruvian Man. He was a genius ahead of his time.
Leonardo da Vinci was a renowned Italian polymath of the Renaissance era who lived from 1452 to 1519. He excelled at painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. Some of his most famous works include the Mona Lisa, The Last Supper, and Vitruvian Man. He was a genius ahead of his time.
Leonardo da Vinci was a renowned Italian polymath of the Renaissance era who lived from 1452 to 1519. He excelled at painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. Some of his most famous works include the Mona Lisa, The Last Supper, and Vitruvian Man. He was a genius ahead of his time.
The document displays details from paintings by various Old Masters artists such as Raphael, Fra Filippo Lippi, Hans Memling, Sandro Botticelli, the Master of Flémalle, and Leonardo da Vinci. Each image shows a close-up section or detail from a larger work, and includes the artist's name, title, date created, materials used, and current location in a museum collection. The paintings span the 15th to early 16th centuries and include religious, portrait and altarpiece works.
AHTR Sixteenth-Century Northern Europe and IberiaAHTR
A slideshow connected to a lecture of Sixteenth-Century Northern Europe and Iberian Art available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Maureen McGuire.
Ballet originated in 15th century Italian royal courts as a dance interpretation of fencing, and was further developed in France under King Louis XIV, who founded the Royal Dance Academy in 1661. Key developments included the codification of ballet positions, the emergence of ballet as an independent art form through the emotional storytelling of Jean-Georges Noverre's "ballet d'action", and the creation of pointework which allowed ballerinas like Marie Taglioni to dance en pointe. Ballet flourished internationally in the 19th century, especially in Russia where Marius Petipa collaborated with composers on famous classical ballets like The Nutcracker and Swan Lake.
This document provides an overview of art in Northern Europe and Spain during the 16th century. It discusses the effects of the Protestant Reformation on patronage of the arts. Key artists mentioned include Matthias Grunewald and his Isenheim Altarpiece, Albrecht Durer who blended Northern and Italian Renaissance styles in works like Knight, Death and the Devil, and Hans Holbein the Younger's realistic portraiture including The Ambassadors. Pieter Bruegel the Elder is noted for paintings depicting peasant life and proverbs. The styles and subjects of these major 16th century Northern European artists are compared to 15th century Northern art and Italian Renaissance art.
The Baroque style originated in 17th century Rome and spread throughout Europe. Baroque art used dramatic motion and detailed realism to depict religious themes and impress visitors with expressions of power, though the style remained abstract. Key Baroque artists included Annibale Carracci, Domenichino, Guido Reni, and Guercino, whose works emphasized movement, exuberance, and interpreted realistic detail.
Leonardo da Vinci was a renowned Italian polymath of the Renaissance era who lived from 1452 to 1519. He excelled at painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. Some of his most famous works include the Mona Lisa, The Last Supper, and Vitruvian Man. He was a genius ahead of his time.
Leonardo da Vinci was a renowned Italian polymath of the Renaissance era who lived from 1452 to 1519. He excelled at painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. Some of his most famous works include the Mona Lisa, The Last Supper, and Vitruvian Man. He was a genius ahead of his time.
Leonardo da Vinci was a renowned Italian polymath of the Renaissance era who lived from 1452 to 1519. He excelled at painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. Some of his most famous works include the Mona Lisa, The Last Supper, and Vitruvian Man. He was a genius ahead of his time.
The document displays details from paintings by various Old Masters artists such as Raphael, Fra Filippo Lippi, Hans Memling, Sandro Botticelli, the Master of Flémalle, and Leonardo da Vinci. Each image shows a close-up section or detail from a larger work, and includes the artist's name, title, date created, materials used, and current location in a museum collection. The paintings span the 15th to early 16th centuries and include religious, portrait and altarpiece works.
AHTR Sixteenth-Century Northern Europe and IberiaAHTR
A slideshow connected to a lecture of Sixteenth-Century Northern Europe and Iberian Art available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Maureen McGuire.
Ballet originated in 15th century Italian royal courts as a dance interpretation of fencing, and was further developed in France under King Louis XIV, who founded the Royal Dance Academy in 1661. Key developments included the codification of ballet positions, the emergence of ballet as an independent art form through the emotional storytelling of Jean-Georges Noverre's "ballet d'action", and the creation of pointework which allowed ballerinas like Marie Taglioni to dance en pointe. Ballet flourished internationally in the 19th century, especially in Russia where Marius Petipa collaborated with composers on famous classical ballets like The Nutcracker and Swan Lake.
The document displays details from portraits painted by several renowned Old Masters artists such as Leonardo da Vinci, Bronzino, Holbein, Piero della Francesca, and Vermeer. Each entry includes the artist's name, title of the work, date of creation, medium, and location of the piece. The images focus on close-up details of the paintings that depict things like facial features, clothing textures, and backgrounds.
Contemporary designs of the opera house in metro......Lumbad 1989
The document summarizes a thesis presentation on transforming the design concepts of ancient and classical theaters into a modern performing arts theater. It begins by discussing the origins of performing arts in ancient Greek and Roman theaters from the 4th century BC. It then provides details on the La Fenice theater in Venice, Italy, which was originally built in 1565 and demolished in 1807. The presentation proposes applying design elements from ancient theaters, such as wall treatments, ceilings, and flooring integrated with modern artworks, to create a transformed concept for a new modern performing arts theater.
This document provides an overview of important artists and works from the Early Renaissance, High Renaissance, Northern Renaissance, and Baroque periods. It lists the names of multiple influential 15th-16th century Italian artists such as Brunelleschi, Ghiberti, Donatello, Masaccio, Botticelli, and da Vinci. It also highlights works by Michelangelo, Raphael, Bosch, Bruegel, Durer, Bernini and Caravaggio from the 14th to 17th centuries. The document serves as a survey of major developments and influential figures across Renaissance and Baroque art history.
This document contains details of paintings from various Old Masters artists such as Dürer, Weyden, van Eyck, the Master of Flémalle, and Petrus Christus. For each artwork, the artist, title, date created, materials, and holding institution are provided. The document appears to be showing details of famous works from the 15th century in order to showcase the beautiful details and techniques used in Old Masters paintings.
Ballet is a type of performance dance that originated in the Italian Renaissance courts of the 15th century and later developed into a concert dance. we have share history of ballet dance and the greatest ballerinas.
Staatliche Kunstsammlungen, Dresden: Gemäldegalerie, Old Masters Painting Gal...guimera
The document provides details from the Staatliche Kunstsammlungen Dresden, which houses twelve museums located in Dresden Castle, the Zwinger, and the Albertinum. It originated from the collections of the Saxon electors in the 16th century and is one of the oldest museum institutions in the world. The document focuses on two painting galleries: the Gemäldegalerie Alte Meister (Old Masters Painting Gallery) located in the Zwinger, and the Galerie Neue Meister (New Masters Gallery) located in the Albertinum.
This document contains details from paintings by several Old Masters artists, including Albrecht Dürer, Lucas Cranach the Elder, Rogier van der Weyden, and Sandro Botticelli. The paintings are from the 15th-16th centuries and include religious works, portraits, and Botticelli's famous "Birth of Venus." The details are presented without descriptions but include the artist's name, title, date created, materials, and location housed. The document was created by "olga.e" and contains credits to "www." for the images and text.
This is my presentation about Italy for the EILC course in Aabenraa, Denmark — January 2013. It is supposed to be ironic and funny, so don't take it too seriously. ;)
The document displays details from paintings by several Old Masters artists such as Goya, Rubens, Rembrandt, Holbein, Vermeer and Velázquez. Each image shows a close-up detail from a larger work, and includes the artist's name, title, date created, medium and dimensions of the full work as well as its current location.
This lecture discusses major works of art from 1300 to 1881, including paintings by Giotto, Piero della Francesca, Raphael, Michelangelo, Leonardo da Vinci, Diego Velazquez, Jacques Louis David, Eugene Delacroix, Gustave Courbet, Edouard Manet, and others. The works range from religious scenes like Giotto's Lamentation to portraits of famous figures like Manet's Bar at the Folies-Bergere and include styles from the Renaissance to Realism.
A slideshow connected to a lecture of Northern Renaissance Art available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Christina McCollum.
This document contains descriptions of 58 artworks from various artists depicting brides, weddings, and wedding scenes from the 15th century to present day. The artworks cover a range of mediums including oil paintings, frescoes, and gouache works. Many of the pieces are on display at major European art museums like the Rijksmuseum, Louvre, and Prado. The document provides details for each work such as the title, artist, date created, materials used, and current location.
The document discusses designing teams and processes to adapt to changing needs. It recommends structuring teams so members can work within their competencies and across projects fluidly with clear roles and expectations. The design process should support the team and their work, and be flexible enough to change with team, organization, and project needs. An effective team culture builds an environment where members feel free to be themselves, voice opinions, and feel supported.
UX, ethnography and possibilities: for Libraries, Museums and ArchivesNed Potter
1) The document discusses how the University of York Library has used various user experience (UX) techniques like ethnographic observation and interviews to better understand user needs and behaviors.
2) Some changes implemented based on UX findings include installing hot water taps, changing hours, and adding blankets - aimed at improving the small details of user experience.
3) The presentation encourages other libraries, archives and museums to try incorporating UX techniques like behavioral mapping and cognitive interviews to inform design changes that enhance services for users.
Study: The Future of VR, AR and Self-Driving CarsLinkedIn
We asked LinkedIn members worldwide about their levels of interest in the latest wave of technology: whether they’re using wearables, and whether they intend to buy self-driving cars and VR headsets as they become available. We asked them too about their attitudes to technology and to the growing role of Artificial Intelligence (AI) in the devices that they use. The answers were fascinating – and in many cases, surprising.
This SlideShare explores the full results of this study, including detailed market-by-market breakdowns of intention levels for each technology – and how attitudes change with age, location and seniority level. If you’re marketing a tech brand – or planning to use VR and wearables to reach a professional audience – then these are insights you won’t want to miss.
An immersive workshop at General Assembly, SF. I typically teach this workshop at General Assembly, San Francisco. To see a list of my upcoming classes, visit https://generalassemb.ly/instructors/seth-familian/4813
I also teach this workshop as a private lunch-and-learn or half-day immersive session for corporate clients. To learn more about pricing and availability, please contact me at http://familian1.com
3 Things Every Sales Team Needs to Be Thinking About in 2017Drift
Thinking about your sales team's goals for 2017? Drift's VP of Sales shares 3 things you can do to improve conversion rates and drive more revenue.
Read the full story on the Drift blog here: http://blog.drift.com/sales-team-tips
How to Become a Thought Leader in Your NicheLeslie Samuel
Are bloggers thought leaders? Here are some tips on how you can become one. Provide great value, put awesome content out there on a regular basis, and help others.
The document provides information on numerous artists and works from the Renaissance period in Europe, including Leonardo da Vinci, Michelangelo, Raphael, Botticelli, and Titian. It discusses their influential paintings, sculptures, and other works that advanced techniques like sfumato, linear perspective, and use of light and shadow. Key artistic developments during this period included greater realism and naturalism in depictions of the human body and nature.
The document displays details from portraits painted by several renowned Old Masters artists such as Leonardo da Vinci, Bronzino, Holbein, Piero della Francesca, and Vermeer. Each entry includes the artist's name, title of the work, date of creation, medium, and location of the piece. The images focus on close-up details of the paintings that depict things like facial features, clothing textures, and backgrounds.
Contemporary designs of the opera house in metro......Lumbad 1989
The document summarizes a thesis presentation on transforming the design concepts of ancient and classical theaters into a modern performing arts theater. It begins by discussing the origins of performing arts in ancient Greek and Roman theaters from the 4th century BC. It then provides details on the La Fenice theater in Venice, Italy, which was originally built in 1565 and demolished in 1807. The presentation proposes applying design elements from ancient theaters, such as wall treatments, ceilings, and flooring integrated with modern artworks, to create a transformed concept for a new modern performing arts theater.
This document provides an overview of important artists and works from the Early Renaissance, High Renaissance, Northern Renaissance, and Baroque periods. It lists the names of multiple influential 15th-16th century Italian artists such as Brunelleschi, Ghiberti, Donatello, Masaccio, Botticelli, and da Vinci. It also highlights works by Michelangelo, Raphael, Bosch, Bruegel, Durer, Bernini and Caravaggio from the 14th to 17th centuries. The document serves as a survey of major developments and influential figures across Renaissance and Baroque art history.
This document contains details of paintings from various Old Masters artists such as Dürer, Weyden, van Eyck, the Master of Flémalle, and Petrus Christus. For each artwork, the artist, title, date created, materials, and holding institution are provided. The document appears to be showing details of famous works from the 15th century in order to showcase the beautiful details and techniques used in Old Masters paintings.
Ballet is a type of performance dance that originated in the Italian Renaissance courts of the 15th century and later developed into a concert dance. we have share history of ballet dance and the greatest ballerinas.
Staatliche Kunstsammlungen, Dresden: Gemäldegalerie, Old Masters Painting Gal...guimera
The document provides details from the Staatliche Kunstsammlungen Dresden, which houses twelve museums located in Dresden Castle, the Zwinger, and the Albertinum. It originated from the collections of the Saxon electors in the 16th century and is one of the oldest museum institutions in the world. The document focuses on two painting galleries: the Gemäldegalerie Alte Meister (Old Masters Painting Gallery) located in the Zwinger, and the Galerie Neue Meister (New Masters Gallery) located in the Albertinum.
This document contains details from paintings by several Old Masters artists, including Albrecht Dürer, Lucas Cranach the Elder, Rogier van der Weyden, and Sandro Botticelli. The paintings are from the 15th-16th centuries and include religious works, portraits, and Botticelli's famous "Birth of Venus." The details are presented without descriptions but include the artist's name, title, date created, materials, and location housed. The document was created by "olga.e" and contains credits to "www." for the images and text.
This is my presentation about Italy for the EILC course in Aabenraa, Denmark — January 2013. It is supposed to be ironic and funny, so don't take it too seriously. ;)
The document displays details from paintings by several Old Masters artists such as Goya, Rubens, Rembrandt, Holbein, Vermeer and Velázquez. Each image shows a close-up detail from a larger work, and includes the artist's name, title, date created, medium and dimensions of the full work as well as its current location.
This lecture discusses major works of art from 1300 to 1881, including paintings by Giotto, Piero della Francesca, Raphael, Michelangelo, Leonardo da Vinci, Diego Velazquez, Jacques Louis David, Eugene Delacroix, Gustave Courbet, Edouard Manet, and others. The works range from religious scenes like Giotto's Lamentation to portraits of famous figures like Manet's Bar at the Folies-Bergere and include styles from the Renaissance to Realism.
A slideshow connected to a lecture of Northern Renaissance Art available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Christina McCollum.
This document contains descriptions of 58 artworks from various artists depicting brides, weddings, and wedding scenes from the 15th century to present day. The artworks cover a range of mediums including oil paintings, frescoes, and gouache works. Many of the pieces are on display at major European art museums like the Rijksmuseum, Louvre, and Prado. The document provides details for each work such as the title, artist, date created, materials used, and current location.
The document discusses designing teams and processes to adapt to changing needs. It recommends structuring teams so members can work within their competencies and across projects fluidly with clear roles and expectations. The design process should support the team and their work, and be flexible enough to change with team, organization, and project needs. An effective team culture builds an environment where members feel free to be themselves, voice opinions, and feel supported.
UX, ethnography and possibilities: for Libraries, Museums and ArchivesNed Potter
1) The document discusses how the University of York Library has used various user experience (UX) techniques like ethnographic observation and interviews to better understand user needs and behaviors.
2) Some changes implemented based on UX findings include installing hot water taps, changing hours, and adding blankets - aimed at improving the small details of user experience.
3) The presentation encourages other libraries, archives and museums to try incorporating UX techniques like behavioral mapping and cognitive interviews to inform design changes that enhance services for users.
Study: The Future of VR, AR and Self-Driving CarsLinkedIn
We asked LinkedIn members worldwide about their levels of interest in the latest wave of technology: whether they’re using wearables, and whether they intend to buy self-driving cars and VR headsets as they become available. We asked them too about their attitudes to technology and to the growing role of Artificial Intelligence (AI) in the devices that they use. The answers were fascinating – and in many cases, surprising.
This SlideShare explores the full results of this study, including detailed market-by-market breakdowns of intention levels for each technology – and how attitudes change with age, location and seniority level. If you’re marketing a tech brand – or planning to use VR and wearables to reach a professional audience – then these are insights you won’t want to miss.
An immersive workshop at General Assembly, SF. I typically teach this workshop at General Assembly, San Francisco. To see a list of my upcoming classes, visit https://generalassemb.ly/instructors/seth-familian/4813
I also teach this workshop as a private lunch-and-learn or half-day immersive session for corporate clients. To learn more about pricing and availability, please contact me at http://familian1.com
3 Things Every Sales Team Needs to Be Thinking About in 2017Drift
Thinking about your sales team's goals for 2017? Drift's VP of Sales shares 3 things you can do to improve conversion rates and drive more revenue.
Read the full story on the Drift blog here: http://blog.drift.com/sales-team-tips
How to Become a Thought Leader in Your NicheLeslie Samuel
Are bloggers thought leaders? Here are some tips on how you can become one. Provide great value, put awesome content out there on a regular basis, and help others.
The document provides information on numerous artists and works from the Renaissance period in Europe, including Leonardo da Vinci, Michelangelo, Raphael, Botticelli, and Titian. It discusses their influential paintings, sculptures, and other works that advanced techniques like sfumato, linear perspective, and use of light and shadow. Key artistic developments during this period included greater realism and naturalism in depictions of the human body and nature.
The document provides an overview of important figures and works from the Renaissance period in Italy, including paintings, sculptures, architects and their major works. Key artists mentioned are Leonardo da Vinci, Michelangelo, Raphael, Botticelli, Titian, Giotto and others. Their most famous works are cited such as the Mona Lisa, The Last Supper, David, The School of Athens and more. The document also discusses some of the key developments and influences of the Renaissance.
This document provides information on numerous artists and artworks from the late 14th to early 16th centuries in Europe. It discusses Italian Renaissance painters like Leonardo da Vinci, Michelangelo, Raphael, and Titian. It also mentions architects like Brunelleschi and Donatello. Key artworks highlighted include da Vinci's Mona Lisa and Last Supper, Michelangelo's Sistine Chapel ceiling and David, and Raphael's School of Athens. The document additionally references writers such as Boccaccio and developments in music during this period.
17th Century Art in EuropeCounter-Reformation.docxRAJU852744
17th Century Art in Europe
Counter-Reformation
St. Ignatius of Loyola – Society of Jesus
Counter-Reformation
Art as propaganda
Art as reinvigorator of belief/practice
Spiritual ecstasy
Sculpture: Bernini
St. Teresa of Avila in Ecstasy, Cornaro Chapel, Church of Santa Maria della Vittoria, Rome. 1645-1652. Marble, 11’ 6”.
What IS Baroque?
STYLE featuring:
Drama/theatricality
Intensity of emotion to draw in viewer
Extreme skill
Naturalism
Using gestures and expressions to tell a story
Dark and light contrasts (chiaroscuro)
Off-balance
Bringing the everyday into religious scenes
Baroque in Europe
France: resurgence of classicism
Monarchy
Counter-Reformation
Netherlands: portraiture, still life, landscape, and genre
St. Peter’s Basilica & Piazza, Vatican, Rome
Pope Paul V Borghese (pontificate 1605-1621)
Longitudinal nave and new facade
Carlo Maderno, Façade of St. Peter’s, 1607-1626
Gianlorenzo Bernini (1598-1680)
Baldacchino, St. Peter’s Basilica, Vatican, Rome. 1624-1633. Gilt bronze, 100’.
Cathedra Petri, 1657-1666, gilt bronze, marble, stucco, and glass.
https://www.youtube.com/watch?v=iSH2H0xZPOw
Bernini
https://www.youtube.com/watch?v=1JNjZTx_OsQ
David. 1623, Marble, 5’ 7”, Galleria Borghese, Rome.
Francesco Borromini, Façade of the Church of San Carlo alle Quattro Fontane, Rome, 1638-67.
Dome and Plan, San Carlo alle Quattro Fontane
https://www.youtube.com/watch?v=ixo_SLkblB4
Caravaggio
Bacchus, 1595-1596. Oil on canvas, 37” x 33.5”, Galleria degli Uffizi, Florence.
https://www.google.com/culturalinstitute/beta/asset/the-adolescent-bacchus/dAEBrgRq5AvsQA
Caravaggio
Caravaggio, The Calling of St. Matthew, Contarelli Chapel, church of San Luigi dei Francesi, Rome. 1599-1600. Oil on canvas, 10’ 7.5” x 11’ 2”.
Tenebrism
Caravaggio
The Conversion of St. Paul, Cerasi Chapel, Santa Maria del Popolo, Rome, c. 1601. Oil on canvas, 7’ 6” x 5’ 8”
https://www.google.com/culturalinstitute/beta/asset/der-ungl%C3%A4ubige-thomas/OAEjjQkNdRL9sg
Artemisia Gentileschi
Judith Beheading Holofernes, c. 1619-20. Oil on canvas, 6’ 63/8” x 5’ 4”, Galleria degli Uffizi, Florence.
Giovanni Battista Gaulli
Worked for Bernini, who worshiped at Il Gesu
Illusionistic Baroque ceiling
Giovanni Battista Gaulli, The Triumph of the Name of Jesus and Fall of the Damned,
Vault of the church of Il Gesù, Rome, 1672-1685. Fresco with stucco figures
Quadratura
Di sotto in sù
Spain
Juan Sánchez Cotán, Still Life with Quince, Cabbage, Melon, and Cucumber, c. 1602. Oil on canvas, 27 1/8” x 33 ¼”. San Diego Museum of Art.
Jusepe de Ribera, Martyrdom of St. Bartholomew, 1634. Oil on canvas, 1.05 x 1.14 m.
Diego Velázquez, Water Carrier of Seville, c. 1619. Oil on canvas, 41 ½” x 31 ½” . Victoria and Albert Museum, London.
Diego Velázquez, The Surrender at Breda (The Lances), 1634-1635. Oil on canvas, 10’7/8” x 12’ ½”. Museo del Prado, Madrid.
Diego Velázquez.
17th Century Art in EuropeCounter-Reformation.docxaulasnilda
17th Century Art in Europe
Counter-Reformation
St. Ignatius of Loyola – Society of Jesus
Counter-Reformation
Art as propaganda
Art as reinvigorator of belief/practice
Spiritual ecstasy
Sculpture: Bernini
St. Teresa of Avila in Ecstasy, Cornaro Chapel, Church of Santa Maria della Vittoria, Rome. 1645-1652. Marble, 11’ 6”.
What IS Baroque?
STYLE featuring:
Drama/theatricality
Intensity of emotion to draw in viewer
Extreme skill
Naturalism
Using gestures and expressions to tell a story
Dark and light contrasts (chiaroscuro)
Off-balance
Bringing the everyday into religious scenes
Baroque in Europe
France: resurgence of classicism
Monarchy
Counter-Reformation
Netherlands: portraiture, still life, landscape, and genre
St. Peter’s Basilica & Piazza, Vatican, Rome
Pope Paul V Borghese (pontificate 1605-1621)
Longitudinal nave and new facade
Carlo Maderno, Façade of St. Peter’s, 1607-1626
Gianlorenzo Bernini (1598-1680)
Baldacchino, St. Peter’s Basilica, Vatican, Rome. 1624-1633. Gilt bronze, 100’.
Cathedra Petri, 1657-1666, gilt bronze, marble, stucco, and glass.
https://www.youtube.com/watch?v=iSH2H0xZPOw
Bernini
https://www.youtube.com/watch?v=1JNjZTx_OsQ
David. 1623, Marble, 5’ 7”, Galleria Borghese, Rome.
Francesco Borromini, Façade of the Church of San Carlo alle Quattro Fontane, Rome, 1638-67.
Dome and Plan, San Carlo alle Quattro Fontane
https://www.youtube.com/watch?v=ixo_SLkblB4
Caravaggio
Bacchus, 1595-1596. Oil on canvas, 37” x 33.5”, Galleria degli Uffizi, Florence.
https://www.google.com/culturalinstitute/beta/asset/the-adolescent-bacchus/dAEBrgRq5AvsQA
Caravaggio
Caravaggio, The Calling of St. Matthew, Contarelli Chapel, church of San Luigi dei Francesi, Rome. 1599-1600. Oil on canvas, 10’ 7.5” x 11’ 2”.
Tenebrism
Caravaggio
The Conversion of St. Paul, Cerasi Chapel, Santa Maria del Popolo, Rome, c. 1601. Oil on canvas, 7’ 6” x 5’ 8”
https://www.google.com/culturalinstitute/beta/asset/der-ungl%C3%A4ubige-thomas/OAEjjQkNdRL9sg
Artemisia Gentileschi
Judith Beheading Holofernes, c. 1619-20. Oil on canvas, 6’ 63/8” x 5’ 4”, Galleria degli Uffizi, Florence.
Giovanni Battista Gaulli
Worked for Bernini, who worshiped at Il Gesu
Illusionistic Baroque ceiling
Giovanni Battista Gaulli, The Triumph of the Name of Jesus and Fall of the Damned,
Vault of the church of Il Gesù, Rome, 1672-1685. Fresco with stucco figures
Quadratura
Di sotto in sù
Spain
Juan Sánchez Cotán, Still Life with Quince, Cabbage, Melon, and Cucumber, c. 1602. Oil on canvas, 27 1/8” x 33 ¼”. San Diego Museum of Art.
Jusepe de Ribera, Martyrdom of St. Bartholomew, 1634. Oil on canvas, 1.05 x 1.14 m.
Diego Velázquez, Water Carrier of Seville, c. 1619. Oil on canvas, 41 ½” x 31 ½” . Victoria and Albert Museum, London.
Diego Velázquez, The Surrender at Breda (The Lances), 1634-1635. Oil on canvas, 10’7/8” x 12’ ½”. Museo del Prado, Madrid.
Diego Velázquez ...
The document provides information on several notable Renaissance artists in Italy such as Leonardo da Vinci, Raphael, and Michelangelo. It discusses their most famous works including Leonardo's Mona Lisa and Last Supper, Raphael's School of Athens fresco, and Michelangelo's David statue and frescoes in the Sistine Chapel ceiling. The document also includes images and details about their paintings, sculptures, and architectural works from the 15th-16th centuries.
Gothic art developed in France in the mid-12th century out of Romanesque art, led by the concurrent development of Gothic architecture. It spread across Western Europe and evolved over time, continuing into the 16th century in some areas before transitioning into Renaissance art. Gothic art included painting, frescoes, illuminated manuscripts, panel paintings and stained glass windows.
TIZIANO's 'Amor sacro e Amor profano' Part IK. Bender
Tiziano's painting "Amor sacro e Amor profano" from 1513-1515 has been the subject of many reproductions and interpretations over the centuries. The original painting and details of it were copied in drawings by Van Dyck in 1621 and Mosman in 1757-1787. In the late 18th and 19th centuries, several artists created paintings, prints, and drawings inspired by Tiziano's work, often titled variations of "Sacred and Profane Love". These reproductions reflected the ongoing scholarly analysis and debate around the meaning and symbolism of the original iconic Renaissance painting.
The document provides an overview of the Baroque period from 1650-1750. It describes the Baroque style as extravagant, emotional, and theatrical. The Baroque period is divided into the Italian, Northern, and Aristocratic styles. Key artistic developments included the Counter-Reformation in the Catholic church, the development of opera and oratorio genres in music, and influential artists like Bernini, Caravaggio, Rembrandt, and Velázquez.
Martin Luther emphasized that the Bible, not the Pope, was the sole religious authority. He believed that faith alone, not good works, was necessary for salvation. Baroque art emerged during the Counter Reformation and was characterized by dramatic lighting, emotion, and theatricality. Neoclassical art drew from the balanced compositions and restraint of the Italian Renaissance.
A 2000-year old Roman wall decoration frieze known as the 'Aldobrandini Wedding (Nozze Aldobrandini)' was discovered in 1605 on the Esquiline Hill in Rome and soon transferred to a villa on the Quirinal Hill, possession of the Aldobrandini family, hence its name. Since 1818 it belongs to the Biblioteca Apostolica Vaticana in Rome. It was popular among artists of the 17th-19th centuries. See more about it my post of November 8, 2014 'Nuptial Allegory or the Aldobrandini Wedding' http://kbender.blogspot.be/2014/11/nuptial-allegory-or-aldobrandini-wedding.html?view=magazine
This document contains descriptions of famous mythological paintings from prominent artists such as Botticelli, Titian, Michelangelo, Velázquez, Caravaggio, and others. Each entry includes the title, artist, date created, medium, dimensions and current location of the work. The paintings depict mythological subjects from Greek and Roman mythology including Venus, Bacchus, Apollo, Diana and scenes from stories like the Rape of Persephone and the Judgment of Paris. The document serves as an overview of important mythological works housed in museums across Europe.
not surprising to find flies in the paintings ...
can simply mean misery, loneliness, the vanity of earthly things
can be an allusion to the ephemeral of life, beauty, the symbol of death, the Passion of Christ, corruption and venality ...
The document discusses key artists of the Early and High Renaissance periods in Italy such as Giotto, Masaccio, Donatello, Botticelli, da Vinci, Raphael, Michelangelo, and Titian. It describes their innovations in techniques like linear perspective, use of light and shadow, and more realistic human figures. These artists helped establish principles of Renaissance art that focused on naturalism and three-dimensional representations of space.
The document summarizes key developments and artists of the Italian Renaissance period from the early 1400s to late 1500s. It describes innovations like linear perspective and use of shadows that made paintings more realistic. Important early Renaissance artists mentioned are Giotto, Masaccio, Donatello, and Brunelleschi. The High Renaissance saw works by Botticelli, da Vinci, Raphael, Michelangelo, and Titian, known for realistic figures and masterful use of light, shadow, and perspective.
This document provides information on various famous artworks from different time periods and cultures, including The Milk Maid by Vermeer, Guernica by Picasso, and the Fayum portraits from ancient Egypt. It also lists assignments for an art history course, including presentations and a blog. Some potential themes for exhibits are suggested, such as the representation of the human body over time. Brief analyses of paintings by Tiepolo, Degas, and an anonymous 14th century artist are also included. The document concludes with images of prehistoric cave paintings from the Chauvet and Lascaux caves in France, as well as examples of ancient Egyptian art.
Chapter 10 11 baroque and enlightenmentKaren Owens
The Baroque period in art (1650-1750) was characterized by emotionalism, theatricality, and elaborate ornamentation. Mannerism (1500s-1600s) used complex compositions and artificial styles. El Greco's works vividly embodied mannerism. Bernini's David (1623) was hailed as the first Baroque sculpture for its dramatic depiction. Bernini also designed St. Peter's Basilica and square in Rome. Caravaggio brought realism to religious works, accentuating ordinary people. Artemisia Gentileschi was one of the few female painters of the time. The Enlightenment promoted reason and science over religion in the 1700s. Figures like Newton and philosophers
The document provides an overview of Italian art from the High Renaissance to Mannerism periods. It examines key artists such as Leonardo da Vinci, Michelangelo, Raphael, and Titian and their major works. It also discusses the transition from the naturalism of the High Renaissance to the more expressive style of Mannerism, looking at artists like Pontormo, Bronzino, and Cellini. The document utilizes over 50 figures to illustrate important paintings, sculptures, buildings, and other works from this time in Italian art history.
Similar to Meeting 1 Training And Techniques In 16th Century Venice (20)
2. BOOKS
(I HAVE ALL OF THESE AND YOU ARE WELCOME TO BORROW
THEM.)
Seeing Through Paintings by Philippa Abrahams
Breaks down Titian’s painting methods.
Painting Techniques of the Masters by Hereward Lester Cooke
Bright Earth: Art and the Invention of Color by Philip BallI
Details the origin of pigments, their use and longevity.
Titian: The Last Days by Mark Hudson
About the best biography available. It’s a short read.
3. MORE IMAGES
National Gallery of Art, London: http://
www.nationalgallery.org.uk/artists/titian
Prado Museum (Type in “tiziano”): http://
www.museodelprado.es/index.php?
id=995&no_cache=1&L=0&tx_obras[adv]=
Web Gallery of Art: http://www.wga.hu
4.
5. Philip Galle (Flemish, 1537-1612) A Painter’s Workshop (c. 1595) Engraving. Rijksprentenkabinet,
Amsterdam.
8. 26 PIGMENTS
Yellow Ochre Ultramarine
Raw Sienna Azurite
Raw Umber Orpiment
Green Earth Malachite
Red Ochre Realager
Burnt Sienna Led tin yellow
Burnt Umber Smalt
Ivory Black Vermillion
Lamp Black Red Lead
Indigo Copper resinate
Saafron Carmine (cochineal)
Buckthorn Brasil
Gamboge Lac