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Single camera setup involves filming scenes together in a linear format, such as dialogue scenes, and allows more creative control but is more time consuming. Multi-camera setup is used for chase or action scenes and films from multiple angles simultaneously. Mise en scene is the arrangement of scenery, props, and characters on a film set. Camera shots demonstrate different aspects of a film's setting, characters, and themes. Film transitions connect shots during editing. Costumes relate to a production's context or time period. Acting is performing fictional roles. Lighting and sound create mood and atmosphere. Editing assembles shots into a sequence. Propp's narrative theory outlines 7 character types including villain, donor, and hero. Levi-St
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Mcg
This document discusses how a student's media product uses conventions of real horror movies. It analyzes the opening scenes of three horror movies - The Ghost Ship, The Ring, and the student's own media product. The student incorporates several classical horror conventions in their film, such as using a dark isolated setting, vulnerable female protagonists, jump cuts, and sound to build tension. While drawing on these conventions, the student aims to also challenge real horror movie forms through their use of camerawork, characters, and narrative.
The Aesthetics of Film
Film as literature, analyzing the aesthetics of film. California Standard for English 9 and 10 Listening Speaking 1.4
Question 1:Media Evaluation
Horror movies aim to scare and entertain viewers through themes involving mystical creatures, serial killers, ghosts, and other disturbing subjects. The author analyzes the opening sequences of three horror films, noting their use of camera shots, editing, sound, settings, victims, and other conventions to build suspense and fear. For their own opening sequence, the author's group challenged some conventions by using teenagers instead of children, balancing diegetic and nondiegetic sound, and not including typical props or costumes.
Conventions of film openings
This document discusses common film opening techniques including flashbacks, establishing shots, narration, action scenes, title sequences, animation, photo compilations, and soundtracks. It provides examples for each technique. However, the document notes that some directors choose unconventional openings that lack typical elements like credits or establishing shots in order to create mystery or artistry.
Single Camera Techniques, Media Studies
This document discusses different types of camera shots and setups. It provides examples of close-ups, two shots, long shots, and other shots. It explains that single camera setups are used for films and documentaries as it allows more artistic control over lighting and angles. Multi-camera setups use 3-4 cameras simultaneously for live audience shows to have alternative angles and make editing easier. Reasons for setup choices include filming complexity, time constraints, and maintaining visual consistency across shots.
02. mise en scene
This document discusses the concept of mise-en-scene in media analysis. Mise-en-scene refers to everything visible within a single shot, including color, costume, props, set/location, blocking/performance, and lighting. It examines how these elements are used symbolically and to provide meaning. Specific examples are provided from films like The Village to demonstrate how directors use elements of mise-en-scene purposefully to convey themes and character traits. The document also briefly discusses related concepts like semiotics, the study of signs and codes, and how audience understanding is based on our ability to decode the signs present in a work.
Film Aesthetics II
The document provides an overview of key concepts in film production related to mise-en-scène including composition, framing, lighting, shot types, movement, settings, and duration of shots. It discusses analyzing single frames for mise-en-scène elements and provides a 15-point systematic analysis. It also covers frame aspect ratios, types of camera movement, and provides examples from the films Gentlemen Prefer Blondes and Moulin Rouge.
Horror
Horror films typically follow a narrative structure involving an initial state of equilibrium, a disruption to that equilibrium through some frightening event, attempts to repair the equilibrium, and ultimately a resolution of the disruption. Locations in horror films are usually eerie settings like remote woods or run down houses that add a sense of spookiness, though normal settings like houses can also be scary by implying frightening events could happen anywhere. Props are used to emphasize eerie events, with religious symbols commonly representing themes and religious items sometimes protecting characters. Horror film trailers use fast-paced editing to create intense and dramatic previews, with quick cuts, reaction shots, and ambient sounds intensifying frightening scenes.
Recommended
Mcg
This document discusses how a student's media product uses conventions of real horror movies. It analyzes the opening scenes of three horror movies - The Ghost Ship, The Ring, and the student's own media product. The student incorporates several classical horror conventions in their film, such as using a dark isolated setting, vulnerable female protagonists, jump cuts, and sound to build tension. While drawing on these conventions, the student aims to also challenge real horror movie forms through their use of camerawork, characters, and narrative.
The Aesthetics of Film
Film as literature, analyzing the aesthetics of film. California Standard for English 9 and 10 Listening Speaking 1.4
Question 1:Media Evaluation
Horror movies aim to scare and entertain viewers through themes involving mystical creatures, serial killers, ghosts, and other disturbing subjects. The author analyzes the opening sequences of three horror films, noting their use of camera shots, editing, sound, settings, victims, and other conventions to build suspense and fear. For their own opening sequence, the author's group challenged some conventions by using teenagers instead of children, balancing diegetic and nondiegetic sound, and not including typical props or costumes.
Conventions of film openings
This document discusses common film opening techniques including flashbacks, establishing shots, narration, action scenes, title sequences, animation, photo compilations, and soundtracks. It provides examples for each technique. However, the document notes that some directors choose unconventional openings that lack typical elements like credits or establishing shots in order to create mystery or artistry.
Single Camera Techniques, Media Studies
This document discusses different types of camera shots and setups. It provides examples of close-ups, two shots, long shots, and other shots. It explains that single camera setups are used for films and documentaries as it allows more artistic control over lighting and angles. Multi-camera setups use 3-4 cameras simultaneously for live audience shows to have alternative angles and make editing easier. Reasons for setup choices include filming complexity, time constraints, and maintaining visual consistency across shots.
02. mise en scene
This document discusses the concept of mise-en-scene in media analysis. Mise-en-scene refers to everything visible within a single shot, including color, costume, props, set/location, blocking/performance, and lighting. It examines how these elements are used symbolically and to provide meaning. Specific examples are provided from films like The Village to demonstrate how directors use elements of mise-en-scene purposefully to convey themes and character traits. The document also briefly discusses related concepts like semiotics, the study of signs and codes, and how audience understanding is based on our ability to decode the signs present in a work.
Film Aesthetics II
The document provides an overview of key concepts in film production related to mise-en-scène including composition, framing, lighting, shot types, movement, settings, and duration of shots. It discusses analyzing single frames for mise-en-scène elements and provides a 15-point systematic analysis. It also covers frame aspect ratios, types of camera movement, and provides examples from the films Gentlemen Prefer Blondes and Moulin Rouge.
Horror
Horror films typically follow a narrative structure involving an initial state of equilibrium, a disruption to that equilibrium through some frightening event, attempts to repair the equilibrium, and ultimately a resolution of the disruption. Locations in horror films are usually eerie settings like remote woods or run down houses that add a sense of spookiness, though normal settings like houses can also be scary by implying frightening events could happen anywhere. Props are used to emphasize eerie events, with religious symbols commonly representing themes and religious items sometimes protecting characters. Horror film trailers use fast-paced editing to create intense and dramatic previews, with quick cuts, reaction shots, and ambient sounds intensifying frightening scenes.
Presentation on single camera
The single-camera setup is a method of filmmaking and video production where a single camera is used to film each scene. For each shot or angle, the camera is moved and repositioned while the lighting is typically reconfigured. This differs from multi-camera setups where multiple cameras film a scene simultaneously from different angles.
Features of a single camera production
The document discusses the pros and cons of single camera production, including that scenes don't have to be shot in sequence and it allows more flexibility in editing but requires more takes and outtakes have to be sorted out. It provides examples of genres that typically use single camera techniques like dramas, films, and documentaries. The document also covers shooting techniques, narrative styles, and a comparison to other types of production methods like multi-camera.
Evaluation question 1
Our media production conforms to conventions of the horror genre. It uses similar characters, editing techniques, camera work, narration, and acting seen in films like "The Blair Witch Project" and "The Exorcist." The title "DIABLO" references the devil, signaling the supernatural theme. The creepy font also identifies it as a horror film. Like films such as "Friday the 13th" and "The Evil Dead," it is set in a dark, ominous forest to isolate characters. Editing techniques like using darker colors, quick cuts, and POV shots of the monster mimic those used in films like "30 Days of Night" to build tension and fear. Sound effects like stings and ambient
Film techniques
A presentation that can be used to introduce students to some of the techniques used in film. Includes camera shots and angles, sound, lighting, mise-en-scene.
Principles of editing
The document discusses the principles of film editing, including its history and various techniques. It notes that editing has evolved from simply recording events in sequence to intentionally selecting and combining shots. Key techniques mentioned include cuts, dissolves, match cuts, wipes, montages, and parallel editing. The document also provides examples of how editing is used in the film "The Challenge" to make certain scenes more engaging or conceal actions. It highlights Richard Halsey as a favorite editor, particularly for his work on the film "Beaches."
Single camera and multi camera.
This document discusses different types of television programs and films and the camera techniques typically used to produce them. A single camera technique involves using one camera and allows for more control, while a multi-camera technique uses multiple cameras and is cheaper and faster but provides less control. Series generally use a single camera for dramas and multi-camera for sitcoms. Serial programs have around four episodes and use a single camera. Single dramas and documentaries also typically use a single camera. Soap operas regularly air and use a multi-camera technique for efficiency. Feature films and music videos may use either single or multi-camera depending on their budget and content.
The Features Of Single Camera Production
This document discusses single-camera production techniques for television and film. It begins by outlining some key considerations for single-camera productions such as budget, equipment, cast, and story/genre. It then provides examples of common television genres that use single-camera techniques like sitcoms, documentaries, and music videos. The rest of the document discusses techniques like establishing shots, coverage, following the 180-degree rule, and advantages of shooting out of sequence. It compares single-camera to multi-camera productions and provides an example of the popular British sitcom The Office, which utilized single-camera mockumentary style.
Editing overview
Film editing is an essential part of post-production that involves selecting and arranging shots into a coherent narrative. Some key editing techniques include continuity editing, which guides the audience through a logical progression of events to tell a story in an invisible manner, as well as cutting between shots, cross-cutting between different locations, and adjusting the pace of editing through quick cuts or long takes. Editors also employ transitions between shots like fades and dissolves, match cuts to seamlessly continue action, and shot/reverse shot editing to film dialogue exchanges.
Mise-en-scene I
This document discusses various elements of mise-en-scene in filmmaking, including shots, angles, lighting, and color symbolism. It provides examples from the film Rideshare and discusses analyzing mise-en-scene using a 15-point systematic analysis. Key camera shots like long, full, and close-up shots are explained as well as how they are used to transition between different angles and distances. Common camera angles like high, low, and eye-level are also outlined and an example from Psycho is provided to show how angles can change a character's perceived status. Different lighting styles and the expressive use of color in filmmaking are additionally summarized.
I am legend – promotional package
The document discusses production elements for promoting the film "I Am Legend", including:
1) A trailer for the film uses various camera shots and editing techniques to keep the audience engaged and on edge, such as tracking shots, close-ups, jump cuts, and transitions that match the action.
2) Sound editing in the trailer features an enhanced soundtrack, moments when music dies down for tension, and voice-overs to explain the story.
3) An example movie poster for "I Am Legend" features the main star, a relevant quote, contrast of light and dark to represent the story's theme, and the film's title along the bottom.
Evaluation question 1 prt3
The document analyzes the film trailer for a horror movie and how it complies with common codes and conventions of the genre. Some conventions it follows include using a secluded location, characters forgetting the threat, moments where the power is cut or lighting is dim, a victim cowering, themes of good vs. evil, using scary music to build suspense, and trapping victims who cannot escape. It also discusses how it incorporates these conventions through specific shots and scenes. Mise en scene, props, location, and actors are also used to reinforce the horror genre. The title sequence and text also comply with standard trailer conventions.
Single Camera Production
The document discusses single camera production versus multi-camera production, noting that single camera is preferred for film due to the ability to achieve higher quality, more detailed images through fewer logistical compromises and directorial control, though it does take longer to film and requires more time spent editing compared to multi-camera setups. Key aspects of single camera production covered include blocking, lighting, narrative structures, genres, and editing considerations.
Jon's presentation Mise-En-Sense
This document defines and provides examples of various elements of mise-en-scene that filmmakers can use to creatively control how a scene appears on screen. These elements include setting, props, lighting, costumes, facial expressions, positioning, and visual effects. The document explains how each element can be used to convey meaning, establish time periods and locations, provide clues, and enhance scenes. Examples are given from films like The Planet of the Apes, James Bond: Skyfall, Batman, Star Wars, Notting Hill, Troll 2, Saving Private Ryan, Avatar, and Transformers.
Production schedule
This document outlines the production schedule for filming a music video over December, January, and February. It details the dates, locations, actors, equipment, and props needed for each shot. Post-production will take place from mid-January through late February, including editing shots together, adding music and effects, and making finishing touches. Evaluation of the final video will occur in early March.
Principles of editing 2
The Lumière brothers were early French pioneers of filmmaking. In 1895, they held the first public screening of projected motion pictures in Paris, showing 10 short films including their first film "Workers Leaving the Lumière Factory." D.W. Griffith was an influential American film director in the early 20th century, known for pioneering new editing techniques and directing seminal films like The Birth of a Nation. Sergei Eisenstein was a pioneering Soviet film director and theorist known for his silent films including Strike, Battleship Potemkin, and October, which used montage to convey meaning. David Fincher is an acclaimed American filmmaker known for dark, stylish thrillers like Seven, Fight Club, and
Introduction to Filmmaking
I used this powerpoint presentation for my filmmaking workshop at the University of Bahrain and Bahrain Polytechnic. The contents of this book are from Antonio Manriquez and Thomas McCluskey's "Video Production 101: Delivering the Message."
Principles of Editing
These slides accompany a lecture in the School of Creative and Performing Arts at the University of Calgary.
Elements of film making
This document outlines the key elements that go into filmmaking, including theme, plot, script, acting, setting, costume, makeup, sound, music, cinematography, lighting, and direction. It discusses aspects like motif, metaphor, and symbols that comprise a film's theme. It also explains how the script arranges events in a logical order of increasing intensity. Acting elements like proper casting, makeup, understanding the role, and expressing emotions are covered. Setting, costumes, and makeup are discussed in terms of conveying information and authenticity. Sound effects and music are examined for how they can create tension or emphasize solemnity. Cinematography techniques like close-ups, shots, and lighting are presented. Finally,
Production schedule
The document outlines the production schedule for filming a music video over several dates from December to March. It details the actors, times, locations, equipment, and props needed for each shot on specific dates. It also provides information about the camera that will be used, as well additional equipment like a tripod, dolly, studio lights, and projector. Finally, it includes a post-production schedule from January to March for editing, adding music, finishing touches, and evaluations.
FILM COMMUNICATION - Understanding Aspects of Films
The document discusses key aspects of filmmaking including the director, writer, mise-en-scene, cinematography, and editing. It defines these terms and explains their importance. The director translates the screenplay through their unique vision. Mise-en-scene refers to everything visible in a scene and helps set tone. Cinematography comprises all visual elements and sets the overall look, while editing combines shots to tell the story and create meaning.
Year 11 english studies the big screen student booklet
This document provides information about cinematic terms and techniques used in filmmaking. It discusses different types of films including narrative features, documentaries, short films, and advertisements. It also covers various film genres like action, horror, romance, comedy, and more. The document then examines key film techniques such as camera shots, camera angles, camera movement, lighting, cinematography, mise-en-scene, and special effects. It concludes by discussing aspects of sound, editing, and different types of documentaries.
Codes and Conventions of documentaries
This document discusses conventions of documentary and single camera production. It defines a documentary as a recording of actual events based on people's perspectives or facts. Key conventions include using actual footage, voiceovers, interviews, and text inserts. It also discusses narrative structures like linear, non-linear, and open/closed endings. For single camera production, it notes that one camera is used at a time, allowing flexibility in shots and lighting but requiring more editing. Technical aspects like camerawork, lighting, sound, and scripting are also covered.
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Presentation on single camera
The single-camera setup is a method of filmmaking and video production where a single camera is used to film each scene. For each shot or angle, the camera is moved and repositioned while the lighting is typically reconfigured. This differs from multi-camera setups where multiple cameras film a scene simultaneously from different angles.
Features of a single camera production
The document discusses the pros and cons of single camera production, including that scenes don't have to be shot in sequence and it allows more flexibility in editing but requires more takes and outtakes have to be sorted out. It provides examples of genres that typically use single camera techniques like dramas, films, and documentaries. The document also covers shooting techniques, narrative styles, and a comparison to other types of production methods like multi-camera.
Evaluation question 1
Our media production conforms to conventions of the horror genre. It uses similar characters, editing techniques, camera work, narration, and acting seen in films like "The Blair Witch Project" and "The Exorcist." The title "DIABLO" references the devil, signaling the supernatural theme. The creepy font also identifies it as a horror film. Like films such as "Friday the 13th" and "The Evil Dead," it is set in a dark, ominous forest to isolate characters. Editing techniques like using darker colors, quick cuts, and POV shots of the monster mimic those used in films like "30 Days of Night" to build tension and fear. Sound effects like stings and ambient
Film techniques
A presentation that can be used to introduce students to some of the techniques used in film. Includes camera shots and angles, sound, lighting, mise-en-scene.
Principles of editing
The document discusses the principles of film editing, including its history and various techniques. It notes that editing has evolved from simply recording events in sequence to intentionally selecting and combining shots. Key techniques mentioned include cuts, dissolves, match cuts, wipes, montages, and parallel editing. The document also provides examples of how editing is used in the film "The Challenge" to make certain scenes more engaging or conceal actions. It highlights Richard Halsey as a favorite editor, particularly for his work on the film "Beaches."
Single camera and multi camera.
This document discusses different types of television programs and films and the camera techniques typically used to produce them. A single camera technique involves using one camera and allows for more control, while a multi-camera technique uses multiple cameras and is cheaper and faster but provides less control. Series generally use a single camera for dramas and multi-camera for sitcoms. Serial programs have around four episodes and use a single camera. Single dramas and documentaries also typically use a single camera. Soap operas regularly air and use a multi-camera technique for efficiency. Feature films and music videos may use either single or multi-camera depending on their budget and content.
The Features Of Single Camera Production
This document discusses single-camera production techniques for television and film. It begins by outlining some key considerations for single-camera productions such as budget, equipment, cast, and story/genre. It then provides examples of common television genres that use single-camera techniques like sitcoms, documentaries, and music videos. The rest of the document discusses techniques like establishing shots, coverage, following the 180-degree rule, and advantages of shooting out of sequence. It compares single-camera to multi-camera productions and provides an example of the popular British sitcom The Office, which utilized single-camera mockumentary style.
Editing overview
Film editing is an essential part of post-production that involves selecting and arranging shots into a coherent narrative. Some key editing techniques include continuity editing, which guides the audience through a logical progression of events to tell a story in an invisible manner, as well as cutting between shots, cross-cutting between different locations, and adjusting the pace of editing through quick cuts or long takes. Editors also employ transitions between shots like fades and dissolves, match cuts to seamlessly continue action, and shot/reverse shot editing to film dialogue exchanges.
Mise-en-scene I
This document discusses various elements of mise-en-scene in filmmaking, including shots, angles, lighting, and color symbolism. It provides examples from the film Rideshare and discusses analyzing mise-en-scene using a 15-point systematic analysis. Key camera shots like long, full, and close-up shots are explained as well as how they are used to transition between different angles and distances. Common camera angles like high, low, and eye-level are also outlined and an example from Psycho is provided to show how angles can change a character's perceived status. Different lighting styles and the expressive use of color in filmmaking are additionally summarized.
I am legend – promotional package
The document discusses production elements for promoting the film "I Am Legend", including:
1) A trailer for the film uses various camera shots and editing techniques to keep the audience engaged and on edge, such as tracking shots, close-ups, jump cuts, and transitions that match the action.
2) Sound editing in the trailer features an enhanced soundtrack, moments when music dies down for tension, and voice-overs to explain the story.
3) An example movie poster for "I Am Legend" features the main star, a relevant quote, contrast of light and dark to represent the story's theme, and the film's title along the bottom.
Evaluation question 1 prt3
The document analyzes the film trailer for a horror movie and how it complies with common codes and conventions of the genre. Some conventions it follows include using a secluded location, characters forgetting the threat, moments where the power is cut or lighting is dim, a victim cowering, themes of good vs. evil, using scary music to build suspense, and trapping victims who cannot escape. It also discusses how it incorporates these conventions through specific shots and scenes. Mise en scene, props, location, and actors are also used to reinforce the horror genre. The title sequence and text also comply with standard trailer conventions.
Single Camera Production
The document discusses single camera production versus multi-camera production, noting that single camera is preferred for film due to the ability to achieve higher quality, more detailed images through fewer logistical compromises and directorial control, though it does take longer to film and requires more time spent editing compared to multi-camera setups. Key aspects of single camera production covered include blocking, lighting, narrative structures, genres, and editing considerations.
Jon's presentation Mise-En-Sense
This document defines and provides examples of various elements of mise-en-scene that filmmakers can use to creatively control how a scene appears on screen. These elements include setting, props, lighting, costumes, facial expressions, positioning, and visual effects. The document explains how each element can be used to convey meaning, establish time periods and locations, provide clues, and enhance scenes. Examples are given from films like The Planet of the Apes, James Bond: Skyfall, Batman, Star Wars, Notting Hill, Troll 2, Saving Private Ryan, Avatar, and Transformers.
Production schedule
This document outlines the production schedule for filming a music video over December, January, and February. It details the dates, locations, actors, equipment, and props needed for each shot. Post-production will take place from mid-January through late February, including editing shots together, adding music and effects, and making finishing touches. Evaluation of the final video will occur in early March.
Principles of editing 2
The Lumière brothers were early French pioneers of filmmaking. In 1895, they held the first public screening of projected motion pictures in Paris, showing 10 short films including their first film "Workers Leaving the Lumière Factory." D.W. Griffith was an influential American film director in the early 20th century, known for pioneering new editing techniques and directing seminal films like The Birth of a Nation. Sergei Eisenstein was a pioneering Soviet film director and theorist known for his silent films including Strike, Battleship Potemkin, and October, which used montage to convey meaning. David Fincher is an acclaimed American filmmaker known for dark, stylish thrillers like Seven, Fight Club, and
Introduction to Filmmaking
I used this powerpoint presentation for my filmmaking workshop at the University of Bahrain and Bahrain Polytechnic. The contents of this book are from Antonio Manriquez and Thomas McCluskey's "Video Production 101: Delivering the Message."
Principles of Editing
These slides accompany a lecture in the School of Creative and Performing Arts at the University of Calgary.
Elements of film making
This document outlines the key elements that go into filmmaking, including theme, plot, script, acting, setting, costume, makeup, sound, music, cinematography, lighting, and direction. It discusses aspects like motif, metaphor, and symbols that comprise a film's theme. It also explains how the script arranges events in a logical order of increasing intensity. Acting elements like proper casting, makeup, understanding the role, and expressing emotions are covered. Setting, costumes, and makeup are discussed in terms of conveying information and authenticity. Sound effects and music are examined for how they can create tension or emphasize solemnity. Cinematography techniques like close-ups, shots, and lighting are presented. Finally,
Production schedule
The document outlines the production schedule for filming a music video over several dates from December to March. It details the actors, times, locations, equipment, and props needed for each shot on specific dates. It also provides information about the camera that will be used, as well additional equipment like a tripod, dolly, studio lights, and projector. Finally, it includes a post-production schedule from January to March for editing, adding music, finishing touches, and evaluations.
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The document discusses key aspects of filmmaking including the director, writer, mise-en-scene, cinematography, and editing. It defines these terms and explains their importance. The director translates the screenplay through their unique vision. Mise-en-scene refers to everything visible in a scene and helps set tone. Cinematography comprises all visual elements and sets the overall look, while editing combines shots to tell the story and create meaning.
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This document provides information about cinematic terms and techniques used in filmmaking. It discusses different types of films including narrative features, documentaries, short films, and advertisements. It also covers various film genres like action, horror, romance, comedy, and more. The document then examines key film techniques such as camera shots, camera angles, camera movement, lighting, cinematography, mise-en-scene, and special effects. It concludes by discussing aspects of sound, editing, and different types of documentaries.
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This document discusses conventions of documentary and single camera production. It defines a documentary as a recording of actual events based on people's perspectives or facts. Key conventions include using actual footage, voiceovers, interviews, and text inserts. It also discusses narrative structures like linear, non-linear, and open/closed endings. For single camera production, it notes that one camera is used at a time, allowing flexibility in shots and lighting but requiring more editing. Technical aspects like camerawork, lighting, sound, and scripting are also covered.
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The document discusses the purpose and techniques of editing in film. It explains that editing can emphasize characters, control the information received by the audience, and influence engagement. Examples are given of how editing differs between genres like horror and action films. Propaganda films are mentioned as another example of how editing can manipulate perception. Specific editing techniques from early films like parallel editing and jump cuts are analyzed. The high-level purpose of editing and some foundational editing techniques are covered.
Studyng horror films
The document discusses several key aspects of studying horror films including genre, structuralism, codes and conventions, equilibrium and disequilibrium, and an outline of the film industry process from production to distribution. Genre relies on combinations of expected elements, and a film can belong to more than one genre. Structuralism emphasizes how films convey meaning through established codes and conventions, such as characters, settings, and props common to the horror genre. The film industry process involves a production company obtaining funding from a distributor to make a film, which the distributor then markets and profits from.
Eavaluation question 1
Our media product challenges some conventions while developing and following others. We did not use the common convention of white text on a black background for the opening titles due to time restrictions. Instead, we used titles over gameplay, similar to the film The Drive. We followed conventions for camerawork, including establishing shots, point-of-view shots, and high and low angles to set tone and power dynamics. We also developed settings and costuming to give the film a modern thriller feel while hiding details about a character to intrigue audiences, following conventions of mystery.
Eavaluation question 1 (1)
Our media product challenges some conventions while developing and following others. We did not use the common convention of white text on a black background for the opening titles due to time restrictions. Instead, we used titles over gameplay, similar to the film The Drive. We followed conventions for camerawork, including establishing shots, point-of-view shots, and the use of low and high angles to convey power dynamics. We also developed settings and costumes to give the film a modern, realistic feel while still portraying the villain in darker colors traditionally used. The film follows conventions like maintaining mystery around a character's backstory and having an initial equilibrium disrupted and restored by the end.
Documentary convision
Documentary conventions:
- Documentaries aim to represent reality through a clear narrative structure and use of techniques to convey meaning to audiences. They typically focus on a single issue or story and may present alternative or singular perspectives.
- Common documentary conventions include exposition to introduce subjects, voice-overs for commentary, interviews on or off screen, archival footage to illustrate historical events, visual coding to appear realistic, titles/text for information, montages to sequence ideas, and reconstructions to recreate past events factually.
Editing unit16 template
Film editing has evolved significantly since early films. Early films used long continuous shots due to technology limitations, but editing techniques later developed like montage to progress the story without irrelevant footage. Key techniques include match cuts, jump cuts, and cross cuts. Editing also aims to maintain spatial and temporal continuity through techniques like shot reverse shot and the 180-degree rule. Parallel editing and intensified continuity further advanced storytelling by showing simultaneous events or quick cuts between shots. Overall, editing has become more sophisticated to immerse viewers in complex narratives.
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Lights
1) The document discusses the lighting techniques used in a film to symbolize the protagonist's declining mental state. Scenes early in the film use bright, natural lighting to represent the protagonist's happier past, while later scenes grow darker to show his descent into darkness and minimal hope after a relationship ends. Small spots of bright light are used as a metaphor for the protagonist's few remaining happy memories.
2) Flashback scenes between the protagonist and his love interest use very bright lighting from above to portray an unrealistic, dreamlike quality and represent the woman as his source of hope and light.
3) The last few scenes circle back to darkness, ending in a shot with dark lighting over the sky to conclude the narrative
1234
The document proposes two music video ideas. The first follows a male protagonist's journey after a breakup, showing his emotional breakdown through themes of alcohol, violence, anger and pain. The second idea is a drama genre video with a dark, edgy atmosphere conveying linked themes and conventions. It suggests music by Matt Healy, The 1975, Russ and The Weeknd to set the mood. Pros are a relatable narrative and large audience, while cons are a similar style may lack authenticity and require a skilled lead actor.
123
The document proposes two ideas for a music video. The first follows a male protagonist after a breakup, showing his emotional breakdown through themes of alcohol, violence, anger and pain. The second is a drama depicting dark, edgy themes conventionally through linked themes and atmospheres. Potential music includes songs by The 1975, Russ, and The Weeknd that could fit the ideas' negative emotions. Pros are a clear narrative will be easy to film and widely relatable themes may attract more viewers.
Potential music for initial idea 2
The document lists 6 song titles from 3 different artists: XXXTentacion's "Jocelyn Flores", Trippie Redd's "Love Scars" (listed twice), and The 1975's "Woman". It provides the names of 3 songs by 3 different musical artists.
Possible music for media music video
This document lists the song titles "Russ - Losin Control", "The 1975 – Somebody Else", "The Lumineers – Sleep On The Floor", "Matt Healy (The 1975) - 102", and "The Weeknd – Nothing Without you". It appears to be a playlist containing 5 songs from various artists, including Russ, The 1975, The Lumineers, and The Weeknd.
1
This pitch presentation proposes three ideas for a drama genre music video project:
1) A dark, gloomy story of a man who blames himself for his partner's suicide, told in a nonlinear narrative. Locations will be used to create atmosphere.
2) A lighthearted story following a man's daily routine, which changes when he finds someone to share it with consistently. Gender roles and relationship themes will be represented.
3) A post-heartbreak story of a reckless man drinking, taking drugs, and fighting before breaking down and realizing his actions are covering his inner feelings. Mental health, tragedy, and love will be represented through subtle visuals.
Short film
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
1975 p
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise boosts blood flow, releases endorphins, and promotes changes in the brain which help regulate emotions and stress levels.
1123
The document provides a shot log for a short film, listing various camera shots from 0:00 to 2:23 including establishing shots, close ups, medium shots, over the shoulder shots, and shots of different locations and characters. It follows the visual progression and changing perspectives of the short film through various camera angles and distances over its runtime.
Timeline analysis
The document provides a detailed shot-by-shot summary of a music video. It follows a couple embarking on a spontaneous road trip together over the course of a day and night. The summary describes various scenes showing the couple being affectionate with each other in different locations, including hugging in a house, kissing in a taxi, watching a sunset together, and playing in a hotel room at night. It also describes scenes of them having fun together but hitting obstacles like running out of gas.
Examples
This document lists films and music videos in the drama genre. It includes the films La La Land, Moonlight, Titanic, and The Shawshank Redemption. It also lists the music videos "Sleep on the floor" by The Lumineers and "The greatest" by Sia.
Chosen media & its conventions
This document defines and compares short films and music videos. It states that a short film is generally considered 40 minutes or less, often uses a twist to engage audiences within limited time, and typically has a small cast of 2-4 characters. Music videos are promotional films that either represent or contradict the lyrics of a song through visuals that fit the genre. Both short films and music videos aim to effectively convey a message within their short runtime through focused storytelling or visual representation of music.
Evaluation question 7
The preliminary task allowed the document author to practice filming techniques like shots, angles, and basic editing. This was a learning experience that helped in planning and production for the full film. Some lessons learned were improving storyboards, planning props/costumes, using better equipment, and more advanced editing software. Overall, the preliminary task helped improve skills for the successful final film production.
Evaluation question 6
The document discusses various technologies the author learned about through creating a film project. The author learned to use Blogger to plan and post work online, making collaboration easy. Two DSLR cameras were used to shoot high quality footage. A tripod helped develop shot quality. Motion 5 was used to create title graphics, though it was initially difficult to learn. After Effects provided editing opportunities. Apple computers with necessary software were available. YouTube was used to post drafts and the final film for viewing. Overall, the process was educational and helped advance production skills.
Media institutions
The "Big Six" are the six major media companies that control around 90% of media in the United States. They are GE, News Corp, Disney, CBS, Viacom, and Time Warner. Each company was discussed in the document with an example of a major media product they produced in the last year, including key details about budget, cast, release dates, and revenue. GE co-produced Jurassic World, News Corp produced the TV show Empire, Disney produced Finding Dory, Viacom produced Star Trek Beyond, Time Warner produced The Lego Movie through Warner Brothers, and CBS owns multiple successful TV channels.
Evaluation question 2
The document discusses how social groups are represented in the filmmaker's thriller film. It notes that most characters in thrillers are typically older but they cast younger actors due to resource limitations. Males are often portrayed as antagonists using power and dominance while females are usually depicted as vulnerable victims. The film follows conventions by having the investigation prompted by the death of a female character who is not shown on screen. Class and age are represented through characters' professions and costumes, with most appearing middle-class and between ages 18-22 to fit within their casting abilities.
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
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一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Media notes
- 1. Media notes
- 2. Single camera setup Single Camera setup is a method of filmmaking and video production, this is also known as Portable single camera or single camera mode production. Scenes are normally filmed together usually in a linear format. For example, in a dialogue scene. However, this is more time consuming. However, allows more creative control for the director. Scenes are typically filmed together in a linear format. One example would be in dialogue scenes. On the other hand, this is a time-consuming concept but it also allows directorial freedom.
- 3. Multi-camera setup: The multi-camera setup is also known as multiple-camera mode of production or simply Multi-cam. This is a method of filmmaking and production. Multi- camera setups are usually on sets to be used in chase or action scenes.
- 4. Mise En Scene The arrangement of the scenery, props, on the stage of a theatrical production or on the set of a film.
- 5. Camera: Shot types A camera shot is the amount of space that is seen in one shot or frame. Camera shots are used to demonstrate different aspects of a film's setting, characters, and themes. Transitions A film transition is a technique used in the post- production process of film editing and video editing.
- 6. Costume A set of clothes or visible attire that may relate to a contextual, political or historical period within the production.
- 7. Acting The art or occupation of performing fictional roles in plays, films or television.
- 8. Lighting & Sound The use of external or natural elements to make the scene more visible or create a certain mood and or atmosphere.
- 9. Editing Editing is the technique, and practice of assembling shots into a sequence.
- 10. Media theories
- 11. Propp’s narrative theory Propp developed a character theory for studying media texts and productions, which indicates that there were 7 broad character types: 1. The villain (struggles against the hero) 2. The donor (prepares the hero or gives the hero some magical object) 3. The (magical) helper (helps the hero in the quest) 4. The princess (person the hero marries, often sought for during the narrative) 5. The false hero (perceived as good character in beginning but emerges as evil) 6. The dispatcher (character who makes the lack known and sends the hero off) 7. The hero [also known as victim/seeker/paladin/winner] reacts to the donor, usually marries the princess.
- 12. Levi Strauss theory of binary oppositions Binary oppositions are sets of opposite values which reveal the structure of media texts. An example would be man and women or good vs evil.