This marketing plan outlines the strategy for Beyoncé's new album "The Beyhive". The album will be recorded in various studios but primarily at Beyoncé's production company Parkwood Entertainment. Goals include solidifying Beyoncé as a top artist in entertainment, fashion, and music and selling 900,000 copies. The target demographic is males and females ages 14-42. Marketing will involve cryptic social media posts over 6 weeks and a collaboration with H&M where merchandise bundles include a free album. The album will be available digitally and physically, priced between $11.99-17.99. Distribution is through Sony Music and digital retailers. Promotion includes social media videos, bill
Kirstie Addis is pitching a new music magazine targeting teenagers ages 15-17. The magazine will focus on pop music genres and include sections on the top 40 songs, interviews with popular artists, reviews of new movies, games and albums, fashion trends, and social media. Key aspects include using bright colors and bold fonts with a chatty tone. The magazine will aim to fill a gap in the market for music publications appealing to mid-teenage readers.
George Hunt is submitting a media studies portfolio that includes a magazine concept targeting teenagers aged 13-19 with content focusing on indie music, fashion influenced by musicians, and reviews of gigs and bands. The magazine would combine music and fashion coverage to fill a gap in the market, using conventions from magazines like NME and Q but with more social commentary. Key elements of the magazine include interviews with musicians, competitions to engage readers, and blending of colors and fonts to appeal to both male and female readers.
The document outlines a media studies candidate's proposed music magazine aimed at teenagers aged 13-19 that would combine coverage of indie music and fashion trends. The candidate describes taking inspiration from existing magazines like NME and Q but aiming to provide more social commentary than just music content. Key elements of the proposed magazine outlined include the target demographic, genres covered, and use of images and design conventions from real magazines.
The document outlines plans for a new indie music magazine called Monotone. It will focus on indie rock and related genres. While mostly black and white, it will have small injections of color. It will be published monthly for £3 and include new music releases, concert deals, interviews, and articles on both new and established artists. The target reader is 16-year old Lizzie, who enjoys discovering new music on a budget. The magazine aims to educate readers on influential bands while supplying the latest music and news.
The target audience for the product is predominantly male between ages 16-28 who enjoy rap concerts and battles. They like fashion brands like Nike and Adidas and shop at stores like Topman and Hollister. The audience enjoys listening to music, using social media, and playing sports like football and basketball. A large portion of the audience seeks status and aspires to climb the social ladder, as promoted in much of the rap music they listen to by popular artists.
This document provides details about a student's media studies portfolio project to create promotional materials for a music magazine. It includes the student's responses to questions about the intended audience for the magazine, how it would represent social groups, and how it would attract and address its target readership. The student aimed the magazine at 16-22 year olds interested in pop-punk and rock music. Key elements of the magazine identified to attract this audience included the cover star's appearance, prominent band names, and use of fonts and graphics evoking the genre.
The student drew inspiration from existing magazines like Kerrang! and incorporated conventions like competition mentions and band images while also challenging some conventions like multiple images per page spread. Responses provide specifics
This document provides information about Lucy Phillips' media studies portfolio project to create materials for a music magazine, including a front cover, contents page, and double page spread. It discusses the research Lucy conducted into her target audience for the magazine, which is 16-22 year olds interested in pop-punk and rock music. It also addresses how the magazine would be distributed through Bauer Media Group, the parent company of Kerrang! magazine, and how the magazine uses conventions from real publications while also innovating in its own style.
Media Evaluation- Music Magazine By Lizzie Stringerlizziestringerr
The document discusses the target audience for a music magazine called Neon. The primary audience would be 16-24 year olds of any gender interested mainly in indie music but also pop music. Research through a survey found interest in a magazine that combines different music genres. The cover star and stories featured in the magazine are aimed at representing this target audience and attracting similar readers through contests, subscriptions and focusing on music festivals and artists they enjoy. Color schemes and language used throughout the magazine are meant to address this audience in a friendly, inviting tone.
Kirstie Addis is pitching a new music magazine targeting teenagers ages 15-17. The magazine will focus on pop music genres and include sections on the top 40 songs, interviews with popular artists, reviews of new movies, games and albums, fashion trends, and social media. Key aspects include using bright colors and bold fonts with a chatty tone. The magazine will aim to fill a gap in the market for music publications appealing to mid-teenage readers.
George Hunt is submitting a media studies portfolio that includes a magazine concept targeting teenagers aged 13-19 with content focusing on indie music, fashion influenced by musicians, and reviews of gigs and bands. The magazine would combine music and fashion coverage to fill a gap in the market, using conventions from magazines like NME and Q but with more social commentary. Key elements of the magazine include interviews with musicians, competitions to engage readers, and blending of colors and fonts to appeal to both male and female readers.
The document outlines a media studies candidate's proposed music magazine aimed at teenagers aged 13-19 that would combine coverage of indie music and fashion trends. The candidate describes taking inspiration from existing magazines like NME and Q but aiming to provide more social commentary than just music content. Key elements of the proposed magazine outlined include the target demographic, genres covered, and use of images and design conventions from real magazines.
The document outlines plans for a new indie music magazine called Monotone. It will focus on indie rock and related genres. While mostly black and white, it will have small injections of color. It will be published monthly for £3 and include new music releases, concert deals, interviews, and articles on both new and established artists. The target reader is 16-year old Lizzie, who enjoys discovering new music on a budget. The magazine aims to educate readers on influential bands while supplying the latest music and news.
The target audience for the product is predominantly male between ages 16-28 who enjoy rap concerts and battles. They like fashion brands like Nike and Adidas and shop at stores like Topman and Hollister. The audience enjoys listening to music, using social media, and playing sports like football and basketball. A large portion of the audience seeks status and aspires to climb the social ladder, as promoted in much of the rap music they listen to by popular artists.
This document provides details about a student's media studies portfolio project to create promotional materials for a music magazine. It includes the student's responses to questions about the intended audience for the magazine, how it would represent social groups, and how it would attract and address its target readership. The student aimed the magazine at 16-22 year olds interested in pop-punk and rock music. Key elements of the magazine identified to attract this audience included the cover star's appearance, prominent band names, and use of fonts and graphics evoking the genre.
The student drew inspiration from existing magazines like Kerrang! and incorporated conventions like competition mentions and band images while also challenging some conventions like multiple images per page spread. Responses provide specifics
This document provides information about Lucy Phillips' media studies portfolio project to create materials for a music magazine, including a front cover, contents page, and double page spread. It discusses the research Lucy conducted into her target audience for the magazine, which is 16-22 year olds interested in pop-punk and rock music. It also addresses how the magazine would be distributed through Bauer Media Group, the parent company of Kerrang! magazine, and how the magazine uses conventions from real publications while also innovating in its own style.
Media Evaluation- Music Magazine By Lizzie Stringerlizziestringerr
The document discusses the target audience for a music magazine called Neon. The primary audience would be 16-24 year olds of any gender interested mainly in indie music but also pop music. Research through a survey found interest in a magazine that combines different music genres. The cover star and stories featured in the magazine are aimed at representing this target audience and attracting similar readers through contests, subscriptions and focusing on music festivals and artists they enjoy. Color schemes and language used throughout the magazine are meant to address this audience in a friendly, inviting tone.
This document discusses the target audience and approach for a rap music magazine. The target audience is described as male, aged 16-25, from lower social class backgrounds and of African American ethnicity. The genre of rap music was chosen because it focuses on wealth, success, and coming from a low background, resonating with the target demographic. Images of a model posing as a rapper were taken, focusing on fashionable clothing, to interest the audience. Marketing campaigns using billboards and social media were considered to attract the target youth audience.
The cover features Rihanna, whose provocative image stands out against a dark background. Text around the edges promotes articles inside and a barcode and details allow the issue to be sold. Rihanna's sexualized appearance and the quote appealing to both genders are intended to encourage purchases. Billboard targets music industry professionals and fans in the U.S. and U.K., with the goal of providing information about music business and appealing covers like this one featuring Rihanna.
The document summarizes the author's media project creating a magazine called "Future Music" focused on R&B music. It discusses conventions used including the title, color scheme, language and representation of social groups. It also addresses potential distribution channels and target audience as 16-25 year olds interested in R&B. The author reflects on skills learned around Photoshop and magazine design and received feedback that the cover image quality and featured artist could be improved.
The document outlines a marketing and PR campaign for a new alternative band called Red5. The objectives are to promote their new album and target individuals aged 17-25. Key aspects of the campaign include managing the message to position Red5 as a unique indie band with mainstream appeal, using hyperbole and emotive language in marketing, holding meet and greets and festival performances, and motivating both the target audience and media through the band's original music and status as up-and-coming artists. The goal is to effectively promote the band and make the campaign a success.
Music magazines aim to attract young readers by featuring popular artists through photos, interviews, and reviews. They provide insider information to help readers feel connected to the music industry. While digital access has grown, print magazines still offer high quality photos and a portable format. This magazine will focus on the R&B/urban genre, profiling artists like Drake, Eminem, and Rihanna. It will represent the genre through typical imagery of artists in revealing clothing with money, drugs, and guns to portray the "cool" lifestyle. The magazine will aim to keep readers and make money through advertisements, merchandise, social media promotion, and involvement in music festivals and channels.
Flyball is an east coast punk band from California seeking to promote their new EP "Guide to Ourselves" through small UK and European tours. Their target audience is 14-26 year olds who enjoy bands like Blink-182 and New Found Glory. The band aims to increase their social media followers and sell 500 copies of the EP through online sales and merch bundles. Success would mean building a fanbase, contacts with other bands, and income from multiple revenue streams like merchandising.
The band Glendale is launching their first album "Illusion is the first of all pleasures" and developing their artist and product profile. Their target audience is 23-30 year olds who appreciate folk and rock music. The marketing objectives are to build a fan base of 2,000 sales in two months and 100,000 sales in the second year. The marketing strategy involves developing their image, attracting audiences at live performances, placing advertisements in public houses and billboards, and gaining media coverage through radio stations, magazines, and interviews to meet sales targets and make the project successful.
This marketing presentation outlines a campaign to promote an up-and-coming indie/rock artist named Henry-Maitland-Clark. The objectives are to establish his image and target audience, and sell 2500-3000 albums for his first full release. The target audience is 20-25 year old fans of bands like Hozier, Imagine Dragons, and Kodaline. The campaign will use various social media platforms, radio play, TV appearances, and merchandise to build awareness and fans. The goal is to position Henry as a talented new artist and sell enough albums to kickstart his music career.
This marketing and PR presentation outlines objectives for promoting a new album by the punk rock band Bloody River. The objectives are to raise awareness and recognition among existing fans while also attracting new younger fans aged 20-30. The target is to sell 200,000 albums in the UK within a year. The presentation discusses the band's profile, defines SMART objectives, identifies the target audience, and proposes strategies for using various media channels, merchandise, events, and social media to promote the album and band.
Decene is a 22-year-old indie rock band from the UK releasing their debut album "Nothing But Sea". The objectives are to sell 2,000 copies in the UK and target 17-23 year olds interested in indie music and festivals through social media and radio play. Key goals include headlining a small tour, releasing special edition vinyls, and playing smaller stages at festivals. The band would use social media, posters, magazines, and radio to promote the album and connect with their target audience of 17-23 year old indie music fans.
This proposal outlines a rap poster project aimed at teenagers aged 16-19. The poster will feature famous rap artists like Eminem to attract the target audience. It will include information on upcoming tours and albums, as well as prizes, to grab attention. The poster is intended to entertain by highlighting rap music and culture. No offensive material will be included to avoid legal issues or offending social groups. Permission will be sought to use images of artists like Eminem. The design will differ from existing posters to avoid copyright infringement.
The objectives are to get the band Static seen and heard by a larger audience of late teens and early twenties through selling at least 500 copies of their first album within the first couple months. This will be achieved through advertising in local schools, shops, and online music sites. The band wears fashionable clothes and produces dance music similar to contemporaries like Avicii and Martin Garrix. Success will be measured by album sales and playing small local gigs to start building a fan base.
The document discusses the purposes and benefits of music videos for artists and their target audiences. It provides examples from Rihanna's album "Unapologetic" and music videos. Music videos primarily serve a promotional purpose by advertising the artist to a wider audience to create more fans and generate revenue through music sales. They also benefit record labels. Rihanna uses additional strategies like touring, social media, websites, clothing lines, and fragrances to further promote her music and extend her income sources. Partnering with other industries through movies, advertisements, and fragrances creates synergies that benefit both the artist and their partners.
The document discusses ideas for a new pop-rock music magazine, including potential names, articles, featured artists, and target audience. It considers "Sound Magazine" as a name option that would appeal to the target demographic of young music fans. Suggested article topics include instruments, album reviews, concerts, and how to start a band. Artists mentioned that could be featured include bands and soloists popular in the indie/pop/rock genre. The target audience is identified as 16-25 year old, working to middle class individuals in the UK interested in current music trends.
Glendale is a new folk rock band comprised of members in their early 30s. Their debut album "Illusion is the first of all pleasures" aims to target an audience aged 23-30. The marketing objectives are to develop the band's image and fan base through artist development, product development, and increasing album sales over the first two years. The key message is that Glendale produces meaningful music as former farmers who have found success later in life. Events and media promotion will include radio play, print interviews, live performances at festivals and stores to spread awareness of the band's sound and appeal to literature-loving fans of folk-influenced music.
The band Glendale is launching their debut folk rock album "Illusion is the First of All Pleasures" and aims to sell 5,000 copies in the first 2 months by targeting an audience aged 23-30. Their marketing plan involves developing the band's image, building a fan base through performances and social media, and promoting the album through radio play, print interviews, and merchandise. Potential promotional materials include an album packaging design, tour poster, and social media mockups to engage the target audience.
Bombhunter is a 23-year-old grime artist looking to break into the mainstream music scene. The objectives of the marketing campaign are to increase Bombhunter's popularity, radio play, and number of club shows. The target audience is young fans of grime, bass, and urban music aged 15-28. Social media like Twitter, Instagram, YouTube and SoundCloud will be used to promote Bombhunter's new album "Man Never Listen" and build hype around secret shows. Hyperbolic phrases like "the coolest album" will be used to appeal to fans and make the album seem like the biggest new sound.
The marketing plan aims to promote a new indie band called Hakjala targeting young adults and teenagers. The objectives are to sell 2 million albums for a new band, using social media and gaining exposure through TV, radio, and magazines to reach the target audience. Small secret gigs and TV appearances are proposed to build awareness while larger tours and signings would come later if the band gains success. The message is that the band creates relatable and exciting new music challenging genre rules. Hyperbole and emotive words will be used to promote the band and album across social media, events, and the media.
The marketing plan aims to promote a new indie band called Hakjala targeting young adults and teenagers interested in meaningful lyrics. The objectives are to sell 2 million albums for a new band and make the project a success. The band members are aged 20-24 and in the indie genre. The plan outlines using social media like Twitter, Facebook, and YouTube heavily to engage fans as well as magazines, TV channels, radio stations, and interviews to increase awareness. Merchandise like bracelets, tops, and hats will initially be sold based on social media feedback. Small secret gigs and TV appearances are suggested to build a fanbase before larger tours. The motivation is to make the band well known and successfully launch their music career
The marketing and PR presentation outlines objectives for launching a new band and their album. It aims to raise awareness among 17-25 year olds and sell 5,698 albums annually. Promotional strategies include television promotion, shop displays, and radio play. The band's genre is hip-hop/house and targets the same demographic as artists like Martin Garrix. Metrics like sales numbers and interviews will measure success. Merchandise like t-shirts and posters will promote the band. Events may include signings and TV appearances to increase publicity. Motivation is raising audience awareness to drive sales. Media outlets like magazines and radio stations catering to the target demographic would be interested in coverage.
The objectives of this marketing campaign are to promote a new indie band called Hakjala to their target audience of young adults aged 18-24. The campaign aims to sell 2 million copies of their debut album within a year and establish the band as successful. Hakjala is described as a 20-24 year old indie band influenced by groups like Bastille and The Fray. The marketing plan outlines strategies for using social media, securing media coverage, merchandise, and building hype through small secret shows to spread the word and build their fanbase. The overall goal is to motivate the target audience and media to take interest in the new band.
This marketing and PR presentation outlines a plan to promote Pierce the Veil's upcoming album release. The objectives are to increase awareness of the band among their target 16+ demographic and sell over 300,000 copies of the new album. Key elements of the promotion plan include press releases and interviews in music magazines and radio to build hype leading up to the release. Social media will also be leveraged to engage existing fans and reach new audiences. Merchandise, events like secret shows and in-store signings, and highlighting the band's unique sound are also discussed as ways to promote the band and help drive album sales.
This document discusses the target audience and approach for a rap music magazine. The target audience is described as male, aged 16-25, from lower social class backgrounds and of African American ethnicity. The genre of rap music was chosen because it focuses on wealth, success, and coming from a low background, resonating with the target demographic. Images of a model posing as a rapper were taken, focusing on fashionable clothing, to interest the audience. Marketing campaigns using billboards and social media were considered to attract the target youth audience.
The cover features Rihanna, whose provocative image stands out against a dark background. Text around the edges promotes articles inside and a barcode and details allow the issue to be sold. Rihanna's sexualized appearance and the quote appealing to both genders are intended to encourage purchases. Billboard targets music industry professionals and fans in the U.S. and U.K., with the goal of providing information about music business and appealing covers like this one featuring Rihanna.
The document summarizes the author's media project creating a magazine called "Future Music" focused on R&B music. It discusses conventions used including the title, color scheme, language and representation of social groups. It also addresses potential distribution channels and target audience as 16-25 year olds interested in R&B. The author reflects on skills learned around Photoshop and magazine design and received feedback that the cover image quality and featured artist could be improved.
The document outlines a marketing and PR campaign for a new alternative band called Red5. The objectives are to promote their new album and target individuals aged 17-25. Key aspects of the campaign include managing the message to position Red5 as a unique indie band with mainstream appeal, using hyperbole and emotive language in marketing, holding meet and greets and festival performances, and motivating both the target audience and media through the band's original music and status as up-and-coming artists. The goal is to effectively promote the band and make the campaign a success.
Music magazines aim to attract young readers by featuring popular artists through photos, interviews, and reviews. They provide insider information to help readers feel connected to the music industry. While digital access has grown, print magazines still offer high quality photos and a portable format. This magazine will focus on the R&B/urban genre, profiling artists like Drake, Eminem, and Rihanna. It will represent the genre through typical imagery of artists in revealing clothing with money, drugs, and guns to portray the "cool" lifestyle. The magazine will aim to keep readers and make money through advertisements, merchandise, social media promotion, and involvement in music festivals and channels.
Flyball is an east coast punk band from California seeking to promote their new EP "Guide to Ourselves" through small UK and European tours. Their target audience is 14-26 year olds who enjoy bands like Blink-182 and New Found Glory. The band aims to increase their social media followers and sell 500 copies of the EP through online sales and merch bundles. Success would mean building a fanbase, contacts with other bands, and income from multiple revenue streams like merchandising.
The band Glendale is launching their first album "Illusion is the first of all pleasures" and developing their artist and product profile. Their target audience is 23-30 year olds who appreciate folk and rock music. The marketing objectives are to build a fan base of 2,000 sales in two months and 100,000 sales in the second year. The marketing strategy involves developing their image, attracting audiences at live performances, placing advertisements in public houses and billboards, and gaining media coverage through radio stations, magazines, and interviews to meet sales targets and make the project successful.
This marketing presentation outlines a campaign to promote an up-and-coming indie/rock artist named Henry-Maitland-Clark. The objectives are to establish his image and target audience, and sell 2500-3000 albums for his first full release. The target audience is 20-25 year old fans of bands like Hozier, Imagine Dragons, and Kodaline. The campaign will use various social media platforms, radio play, TV appearances, and merchandise to build awareness and fans. The goal is to position Henry as a talented new artist and sell enough albums to kickstart his music career.
This marketing and PR presentation outlines objectives for promoting a new album by the punk rock band Bloody River. The objectives are to raise awareness and recognition among existing fans while also attracting new younger fans aged 20-30. The target is to sell 200,000 albums in the UK within a year. The presentation discusses the band's profile, defines SMART objectives, identifies the target audience, and proposes strategies for using various media channels, merchandise, events, and social media to promote the album and band.
Decene is a 22-year-old indie rock band from the UK releasing their debut album "Nothing But Sea". The objectives are to sell 2,000 copies in the UK and target 17-23 year olds interested in indie music and festivals through social media and radio play. Key goals include headlining a small tour, releasing special edition vinyls, and playing smaller stages at festivals. The band would use social media, posters, magazines, and radio to promote the album and connect with their target audience of 17-23 year old indie music fans.
This proposal outlines a rap poster project aimed at teenagers aged 16-19. The poster will feature famous rap artists like Eminem to attract the target audience. It will include information on upcoming tours and albums, as well as prizes, to grab attention. The poster is intended to entertain by highlighting rap music and culture. No offensive material will be included to avoid legal issues or offending social groups. Permission will be sought to use images of artists like Eminem. The design will differ from existing posters to avoid copyright infringement.
The objectives are to get the band Static seen and heard by a larger audience of late teens and early twenties through selling at least 500 copies of their first album within the first couple months. This will be achieved through advertising in local schools, shops, and online music sites. The band wears fashionable clothes and produces dance music similar to contemporaries like Avicii and Martin Garrix. Success will be measured by album sales and playing small local gigs to start building a fan base.
The document discusses the purposes and benefits of music videos for artists and their target audiences. It provides examples from Rihanna's album "Unapologetic" and music videos. Music videos primarily serve a promotional purpose by advertising the artist to a wider audience to create more fans and generate revenue through music sales. They also benefit record labels. Rihanna uses additional strategies like touring, social media, websites, clothing lines, and fragrances to further promote her music and extend her income sources. Partnering with other industries through movies, advertisements, and fragrances creates synergies that benefit both the artist and their partners.
The document discusses ideas for a new pop-rock music magazine, including potential names, articles, featured artists, and target audience. It considers "Sound Magazine" as a name option that would appeal to the target demographic of young music fans. Suggested article topics include instruments, album reviews, concerts, and how to start a band. Artists mentioned that could be featured include bands and soloists popular in the indie/pop/rock genre. The target audience is identified as 16-25 year old, working to middle class individuals in the UK interested in current music trends.
Glendale is a new folk rock band comprised of members in their early 30s. Their debut album "Illusion is the first of all pleasures" aims to target an audience aged 23-30. The marketing objectives are to develop the band's image and fan base through artist development, product development, and increasing album sales over the first two years. The key message is that Glendale produces meaningful music as former farmers who have found success later in life. Events and media promotion will include radio play, print interviews, live performances at festivals and stores to spread awareness of the band's sound and appeal to literature-loving fans of folk-influenced music.
The band Glendale is launching their debut folk rock album "Illusion is the First of All Pleasures" and aims to sell 5,000 copies in the first 2 months by targeting an audience aged 23-30. Their marketing plan involves developing the band's image, building a fan base through performances and social media, and promoting the album through radio play, print interviews, and merchandise. Potential promotional materials include an album packaging design, tour poster, and social media mockups to engage the target audience.
Bombhunter is a 23-year-old grime artist looking to break into the mainstream music scene. The objectives of the marketing campaign are to increase Bombhunter's popularity, radio play, and number of club shows. The target audience is young fans of grime, bass, and urban music aged 15-28. Social media like Twitter, Instagram, YouTube and SoundCloud will be used to promote Bombhunter's new album "Man Never Listen" and build hype around secret shows. Hyperbolic phrases like "the coolest album" will be used to appeal to fans and make the album seem like the biggest new sound.
The marketing plan aims to promote a new indie band called Hakjala targeting young adults and teenagers. The objectives are to sell 2 million albums for a new band, using social media and gaining exposure through TV, radio, and magazines to reach the target audience. Small secret gigs and TV appearances are proposed to build awareness while larger tours and signings would come later if the band gains success. The message is that the band creates relatable and exciting new music challenging genre rules. Hyperbole and emotive words will be used to promote the band and album across social media, events, and the media.
The marketing plan aims to promote a new indie band called Hakjala targeting young adults and teenagers interested in meaningful lyrics. The objectives are to sell 2 million albums for a new band and make the project a success. The band members are aged 20-24 and in the indie genre. The plan outlines using social media like Twitter, Facebook, and YouTube heavily to engage fans as well as magazines, TV channels, radio stations, and interviews to increase awareness. Merchandise like bracelets, tops, and hats will initially be sold based on social media feedback. Small secret gigs and TV appearances are suggested to build a fanbase before larger tours. The motivation is to make the band well known and successfully launch their music career
The marketing and PR presentation outlines objectives for launching a new band and their album. It aims to raise awareness among 17-25 year olds and sell 5,698 albums annually. Promotional strategies include television promotion, shop displays, and radio play. The band's genre is hip-hop/house and targets the same demographic as artists like Martin Garrix. Metrics like sales numbers and interviews will measure success. Merchandise like t-shirts and posters will promote the band. Events may include signings and TV appearances to increase publicity. Motivation is raising audience awareness to drive sales. Media outlets like magazines and radio stations catering to the target demographic would be interested in coverage.
The objectives of this marketing campaign are to promote a new indie band called Hakjala to their target audience of young adults aged 18-24. The campaign aims to sell 2 million copies of their debut album within a year and establish the band as successful. Hakjala is described as a 20-24 year old indie band influenced by groups like Bastille and The Fray. The marketing plan outlines strategies for using social media, securing media coverage, merchandise, and building hype through small secret shows to spread the word and build their fanbase. The overall goal is to motivate the target audience and media to take interest in the new band.
This marketing and PR presentation outlines a plan to promote Pierce the Veil's upcoming album release. The objectives are to increase awareness of the band among their target 16+ demographic and sell over 300,000 copies of the new album. Key elements of the promotion plan include press releases and interviews in music magazines and radio to build hype leading up to the release. Social media will also be leveraged to engage existing fans and reach new audiences. Merchandise, events like secret shows and in-store signings, and highlighting the band's unique sound are also discussed as ways to promote the band and help drive album sales.
The Power Plant is a 19-year-old shoegaze/post-rock band promoting their new album "Possibly Adopt Them". The objectives are to sell 10,000 copies through a marketing campaign targeting young adults. Events will include album signings and charity performances. Motivation comes from believing the band's popularity could reach a larger, untapped market. Media interest stems from the band pursuing more success than usual.
The 360 degree business model allows music companies to take a cut of an artist's merchandising and touring revenues in addition to music sales. However, this provides no benefit to artists as their main sources of income used to be touring and merchandise. Artists are better off producing and distributing their own music and hiring an agency to handle marketing.
While a 360 deal could allow for closer collaboration, in reality a huge company like Sony would not be able to work closely with all of its artists. Independent artists may benefit from file sharing as it helps promote their name, whereas large companies are motivated by profits rather than an artist's development.
The future of the music industry lies more in live performances and experiences than just music
This marketing plan aims to promote the comeback album of the band Bloody River. The objectives are to raise awareness to establish a new, younger fan base while maintaining their existing cult following. The target audience is both long-time fans aged 32-40 and new fans aged 20-25. The goals are to sell 200,000 albums in the UK and reach number 1 on the charts. The marketing strategy involves various media outlets, social media, merchandise, and events to generate hype and interest among fans new and old.
The document provides an overview of the marketing strategy for the Magical Mystery Festival, a Beatles tribute festival to be held in Chicago. It discusses the business concept, target markets, competitors, digital properties, SEO techniques, marketing objectives and channels. The marketing campaign will aim to increase brand awareness and ticket sales for customers, and attract vendors. Digital channels will include SEO, social media, ads and email marketing. Traditional channels will be radio advertisements and direct mail. The campaigns will begin 7 and 6 months before the July 2023 festival date.
Columbia Records is one of the oldest record labels, founded in 1901. It is now owned by Sony Music Entertainment. The document discusses Columbia Records' business model, including its key activities like A&R, marketing, and sales. It also covers customer segments, value propositions, revenue streams, and key partners. Overall, the document provides an overview of Columbia Records' history and current operations as a major record label within the music industry.
The document outlines an integrated marketing communications campaign for the indie pop band MisterWives called "Our Own House". Key elements of the campaign include transforming a small house structure in Times Square into a canvas for fan art over two months to build buzz leading up to an undisclosed MisterWives performance. The campaign aims to strengthen the band's connection to their loyal fan base and city of New York through partnerships with retailers and innovative social media engagement.
The band State Leaders aims to sell at least 1,500 records and EPs over 3 years to build their fanbase and popularity within the post-punk music scene. Their target audience is young people aged 18-24 who enjoy bands like The Arctic Monkeys and The Libertines. To promote themselves, State Leaders will use social media like Facebook and Soundcloud, as well as playing local gigs and festivals. Their goals are specific, measurable, achievable and realistic if they focus on smaller promotions before attempting to headline larger shows or get signed to a record label.
Major record label vs Independent record label09foxemm
Columbia Records is a major record label owned by Sony Music Entertainment that represents many top artists across multiple genres. It has a large roster of over 85 artists and earns revenue from album and song sales as well as merchandise. In contrast, Sub Pop is an independent label founded in 1988 that launched the careers of grunge bands like Nirvana and helped define the Seattle music scene in the 1990s. As an independent label, Sub Pop relies more on word-of-mouth and social media to promote its artists due to a smaller budget, while major labels like Columbia can spend heavily on music videos, advertising, and promotion.
A digipack is a marketing tool intended to incentivize consumers to purchase the physical copy of an album from a retailer rather than downloading individual tracks. When visiting a major music retailer, the researchers found digipacks were not as prominently displayed as standard CDs and they did not recognize many of the artists. The store offered a wide variety of products beyond just music to compensate for declining music sales.
The band State Leaders aims to sell at least 1,500 records and EPs over 3 years to build their fanbase and popularity. Their goals are achievable by promoting themselves on social media and playing gigs to interact directly with fans. Their post-punk, garage rock sound appeals to a young audience who enjoy both newer indie bands and classics from the 70s-80s punk era. Low-cost promotional strategies like merchandise, local radio airtime, and charity events can help raise the band's profile as they work towards signing with a small record label.
The band State Leaders aims to sell at least 1,500 records and EPs over 3 years to build their fanbase and popularity. Their goals are achievable by promoting themselves on social media and playing gigs to interact directly with fans. Their post-punk, garage rock sound appeals to a young audience who enjoy both newer indie bands and classics from the 70s-80s punk era. Low-cost promotional strategies like merchandise, local radio spots, and charity events can help raise the band's profile as they work towards signing with a small record label.
A digipack is a marketing tool intended to incentivize consumers to purchase the physical copy of an album from a retailer. It offers extra content like videos and photos to encourage sales as albums are less frequently purchased with many preferring to download individual songs. When visiting a large music retailer, digipacks were not as prominently displayed as other CDs and contained artists that were generally not as well known. The retailer had expanded their product selection beyond just music to include DVDs, games, books, and other items due to the impact of digital music downloads and streaming on CD sales.
This document provides an evaluation of a media project involving the production of a CD digipack, advertisement, and music video for an R&B song. It discusses how the project used and developed conventions of real R&B media products. Research was conducted on popular R&B artists like Beyoncé, Ciara, Leona Lewis, and Keri Hilson to identify conventions around narratives, costumes, and use of sexuality to promote artists. While the project employed conventions like meaningful costumes and titles about love/heartbreak, it also developed them by not featuring the artist in the narrative and having the artist interact with her name on the album cover. The project challenged conventions through its use of natural lighting instead of typical studio
The target audience for the media products was 16-26 year old British and American females from working class backgrounds. To attract this demographic, the music video drew inspiration from empowering videos like Beyoncé's "Single Ladies" and included a female-dominated dance routine. Scenes were filmed in busy city centers and parks to appeal to younger audiences. Feedback identified strong casting choices that matched the target age and relationships/dance scenes that maintained a youthful feel. Weaker aspects included a lack of wealth/fame conventions typically shown in pop videos and not utilizing revealing clothing or "male gaze" enough. It is important to consider audience feedback to ensure the product appeals to and is marketed towards the intended viewers.
2. Table of Contents
I.
The Challenge
…………………………………………………
1
II.
Situation Analysis
……………………………………………
.1
a.
Customer
Analysis
…………………………………………
2
b.
Competitor
Analysis
………………………………………
.2
c.
Collaborators
5. Recording, mixing, and mastering for The Beyhive LP will be done in various
professional studios around the country. But the majority of the album will be
recorded in New York city at Beyoncé’s management and production company,
Parkwood Entertainment. Since Beyoncé will be recording most of the album in
her own studio and having her videos shot by her company the cost of making
the album will be at Beyoncé’s expense. The staff at Parkwood Entertainment all
have experiences in art and entertainment, including web and fashion design,
filmmaking and video production. The company also specializes in marketing,
digital marketing, publicity, merchandising and other creative departments. We
are primarily responsible for distributing the LP and the merchandise that will be
sold with the album with the collaboration with fashion retailer H&M. Goals for
this project includes solidifying Beyoncé as one the top artists in the worlds of
entertainment, fashion and music. We are hoping the project will sell 900,000
copies, riding of the success of the self titled surprise LP Beyoncé.
II. Situation Analysis
The main focus of this project is to solidify Beyoncé as a brand, with music,
fashion, film, and entertainment. Beyoncé already has a very strong fan base so
we will cater to that by offering them the ultimate fan experience with each
release that Beyoncé is involved with.
a. Customer Analysis
Our target demographic includes male and female of all races, ages 14-42 with a
6. very steady income. These people are well educated and listen to a variety of
genres of music including Hip-Hop, R&B, and Pop.
b. Competitor Analysis
Although there are a variety of great, new artists as well as seasoned artists in
the business. Competition isn’t much of a threat to the brand of Beyoncé since
she is already a solidified artist. However, we want to release as much content as
possible to satisfy the loyal fan base that Beyoncé has and continue to make her
a staple in entertainment.
c. Collaborators
Collaborators for this album include production from Mike WiLL Made-It, Hit-Boy,
The-Dream, D.R.A.M and Ryan Tedder. Features on the album include Nicki
Minaj, Solange Knowles, Lady Gaga, and Miguel.
III. SWOT Analysis
7. IV. Market Segmentation
Target Demographics:
Primary: Young adults. Urban and suburban male and female 19-30 years old
that primarily grew up listening to Beyoncé and Destiny's Child. This market buys
both physical and digital copies of albums from their favorite artist and are
heavily involved in social media. They look for satisfying and valuable bodies of
work from artists they’ve been a fan of since their pre-teen and teenage years.
They will accept our prices and are likely to make up 60% of sales.
Strengths S
We are driven on creativity,
innovation, and exclusivity
allowing us to be able to
produce content that one else
has created.
Weaknesses W
Our content is very complex
and can take lots of time to
develop and is likely to be
costly.
Opportunities O
We have a strong presence
on social media, while our
competitors don’t use social
media as marketing tool.
Threats T
Time delays can increase the
cost of our production and
development. We have a
huge creative team, some
ideas may not get developed
properly.
8. Secondary: Teenagers. Urban and suburban, male and female 14-18 years old
that are heavily influenced by pop culture and popular trends happening in their
environments. They typically want to listen to music that is trendy and want to
feel as if they are apart of what’s currently popular, they are least likely to buy
physical albums but more likely to purchase them digitally. They are available to
be reached through social media and don’t mind the prices of our products
because they are usually spending their parents money. They will make up 25%
of sales.
Tertiary: Middle age adults. Urban and suburban, male and female 31-45 years
old. This market is more likely to buy physical copies of albums than digital
copies. They usually like to stay up to date with new, “cool” and trendy things.
They can be reached at coffee shops, and word of mouth. Prices of our products
doesn’t bother them they are willing to spend lots of money on what’s “hot.” They
make up 15% of sales.
V. Marketing Strategy
The initial goal is to help catapult Beyoncé’s music career to the next level with
the release of her new album The Beyhive. Since we are living in the digital era,
the strategy is to gain the attention needed through social media. A series of
cryptic posts to all of Beyoncé’s active social media accounts that includes
Facebook, Twitter, Instagram, and Tumblr will be the start of our strategy. There
will be specific content added to each site each week for about 6 weeks that
unveils details information about her new album regarding the release date and
where it can be purchased.
9. Product
Beyoncé is one of the biggest stars in the music industry; she is a well-rounded
entertainer and that shows in every performance she’s given, and every album
she’s released. A majority of her revenue comes from touring which is why this
model caters to that wide market. The new album The Beyhive which consists of
high-quality recordings produced and mastered from the likes of Timbaland, Mike
WiLL Made-It, Hit-Boy, Kanye West, The –Dream and Ryan Tedder. Beyoncé will
be collaborating with fashion retail company H&M as well for the ultimate fan
experience for the release of the new albume. The packaging will contain a
custom gold, honeycomb shaped sleeve, which protects the case that has the
actual album artwork on it. A variety of cover variations will be made as well as
vinyl records with attached digital download information.
The Beyhive
1. 12 Roses
2. Rollercoaster feat. Miguel
3. Mrs.Carter
4. Die With You feat. JAY Z
5. Sweet Illusion
6. Candyshop
7. Promise
8. Cherry
9. Venom
10.Selfish feat. Solange Knowles
10. 11. Vixen feat. Nicki Minaj & Lady Gaga
12. Contagious
13.Honey
Price
Pricing for the album varies, digital copies released on iTunes, Amazon, or
similar platforms will cost $11.99, CD’s will cost $13.99 be and $17.99 for vinyl
copies. Digital copies will be released for purchase and streaming two weeks
before the physical copies are released. The last option for pricing would be
through Beyoncé and fashion retailer H&M’s collaboration. Beyoncé and H&M
will be collaborating in support of her new album. H&M will sell merchandise and
other fan exclusives along with the new album. If fans spend at least $40 on
merchandise they get the new album for free, which comes equipped with a
barcode that they have to use their mobile devices to scan for bonus videos,
behind the scenes footage, and concert ticket information.
Distribution (Place)
Our direct distribution channel is with Sony Music Distribution, and they are
responsible for getting us top shelf placement in music retailers like Target,
Walmart, Best Buy and other music retailers. We also have digital distribution
channels with digital retailers including iTunes, Amazon, Google Play and also
streaming services Spotify, Tidal, and Pandora. We plan to motivate the channel
by offering exclusive album bundles depending on the retailer.
Promotion
11. Promotion and advertising for this project will be strategically planned and
efficient. With a large budget we plan to advertise with visually appealing short,
teaser videos on Beyoncé’s active social media accounts. We will also be adding
the same videos posted to her social media accounts to digital billboards and
digital posters in select areas around the world. This strategy is to implement
new and innovative ways to promote and advertise. As we have the endorsement
deal with H&M, they will also help with the promotional process of the new
Beyoncé album by the use of commercials, shopping bags with the album art,
and other merchandise relevant to the release. Breaking down our budget we
attend to spend $80,000 for production, $74,000 for manufacturing, and $62,000
for marketing which totals $216,000. Our break even point will be reached when
we sell $12,000 copies and we project to sell $112,000 in physical albums copies
and $104,000 in digital album sales.
VI. Short & Long Term Projections
Although Beyoncé is one of the most popular entertainers and artists in the
world, we hope this project would be considered her best work yet and to be
looked at years from now as her prime era. We plan to dominate all avenues of
entertainment in hopes of immortalizing her legacy like the legends before her
and making her the top selling artist in the history of music.
VII. Conclusion
With the release of The Beyhive LP, the primary goal is to expand the empire
and brand of Beyoncé Knowles. The Beyhive LP is an album dedicated to the
loyal support of her fan base that’s been supporting her since her days as a
12. member of Destiny’s Child as well as the new fans she’s gained throughout her
career. This album is the offers fans what we call “The Ultimate Fan Experience”
with a series of merchandise, concerts, and short films/videos.