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Mapping the Public Service
Broadcasting
September 2015
About MAVISE: a tool-kit to monitor the circulation and registration of TV channels
Channels available in Portugal (329)
Channels in Portuguese (188)
Not
Established
in Portugal
(79)
Established in
Portugal (109)
Channels
establishe
d in
Europe
targeting
Portugal
(57)
Brazilian
channels
and
others
(22)
Channels
licensed in
Portugal (74)
Licensing
unclear (35)
Source: MAVISE
About MAVISE: …and the ownership of audiovisual services
Antena TV Group
PVTV
SC Music Channel
Dolce Sport
Telekom Romania
Hellenic
Telecommunicati
ons
Antena
Intact Media Group
DoQ
Iko Romania
1Music channel
1Music channel (HU)
SC tematic cable
DT RTL Group
Magyar RTL Televizio
DoQ (CZ)
Camina Trust SRL
GSP TV
Zu
PVTV (BG)
PVTV (CZ)
PVTV (HU)
SC Cable channels
Sport Klub
Series+
Fishing & Hunting
Tematic
Fishing & Hunting
Fishing & Hunting (BG)
Fishing & Hunting (CZ)
Fishing & Hunting (SK)
Fishing & Hunting (PL)
United Media Distribution
The United Group
Golf Klub
Golf Klub (HR)
Golf Klub (SI)
DTH Television Group
Boom TV
TVR
TVR
Pro TV (MD)
PRO TV SA
Acasa
CME
Pro TV
Time Warner Inc.
SC B1 TV Channel SRL
B1
Dogan Group
Dogan Media
International
Kanal D
Prima TV
AMC
AMC
PSB services: The vast majority of publicly supported TV channels are local or regional
• “Publicly supported broadcasters” include PSBs but also private TV
channels benefitting from public funding
• Some “national” channels are edited for a specific non-domestic market
(e.g. BBC Knowledge)
• Local television include windows, local stations of PSBs and also local TVs
supported by local authorities
867
307
145
Regional/local channels National Channels International channels
 PSB local and regional
stations
 PSB local and regional
windows
 Local and regional public
supported stations
• International
channels
• International
versions of national
channels
Breakdown of TV services edited by publicly
supported broadcasters
Source: MAVISE
• National domestic
channels
• Channels aiming at
one specific non
domestic channels
PSB services: Publicly supported broadcasters edit 14 % of European TV channels
• But PSB’s channels have a greater exposition on digital terrestrial
television
0 2000 4000 6000 8000 10000
Regional/local channels
National Channels
International channels
Total
Total MAVISE Publicly supported channels
14%
7%
0 200 400 600 800 1000
National Channels available on DTT
20%
Source: MAVISE
Share of PSBs TV services
by genre
Share of PSBs TV services
by genre on DTT
PSB Audience: Leaders and challengers
• PSBs audience market shares impacted by the diversity of their offers,
intensity of competition from domestic and non-domestic channels, levels
of funding
40,7%
51,4%
74%
46,4%
25,7%
28,5%
20,5%
23,8%
25,9% 9,0%
7,1%
8,7%
6%
39,8%
32,1%
36%
39,2%
36,4%
32,4%
38,8%
17,5%
17,4%
15,9%
15%
18,1%
14,1%
Source: OBS analysis from Eurodata TV
PSBs audience market shares - 2014
PSB audience: Market shares challenged by competition and segmentation
• The multiplication of thematic channels distributed over cable, satellite,
IPTV, DTT has led to a fragmentation of audiences, which affects both the
PSBs but also their “historical” private competitors.
Source: OBS analysis from Eurodata TV
2014 audience market share
higher than 2009
2014 audience market share
lower than 2009
2009-2014 evolution of PSBs audience market shares
Funding: European public service broadcasters have (very) different business models...
• EU average: 77% of PSBs resources are public
• Other resources: advertising, theme channels pay-revenues, sales of TV
rights…
0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%
PL
MT
DK
IE
AT
IT
GB
BE
LT
NL
HU
SI
EU Average
LV
PT
FR
HR
DE
CY
CZ
ES
RO
SE
BG
EE
SK
FI
LU
Source: OBS
Share of public funding in
PSBs revenues
Funding: … benefit from heterogeneous level of resources…
• Licence fees vary from 30 EUR to 320 EUR
• Advertising revenues may be marginal or represent up to 70% of resources
• Audience shares appear to be relatively correlated to the level of
resources
DK
AT
GB
DE
FI
IE
SE
BE
FR
SI
NL
IT
HR
ES
CY
LV CZ
EE
HU
PT
BG
PL
SK
LT
0
10
20
30
40
50
60
70
80
0 20 40 60 80 100 120 140 160 180
PSB annual revenues per inhabitant (2013 - EUR)
PSBaudienceshare(2014-%)
Source: OBS analysis from OBS, Eurodata TV
Compared PSBs resources and
audience market shares
Funding: … and globally capture 34% of the audiovisual sector resources
• The share of public funding in the total audiovisual resources has slightly
declined between 2009 and 2013
• But some public service broadcasters have also been vulnerable to the
downturn in advertising
• In total, PSBs capture (public funding + commercial resources) about one third
of the audiovisual sector resources
29%
39%
32%
Public funding Advertising Pay revenues
28%
37%
35%
Public funding Advertising Pay revenues
28%
8%64%
Public funding Commercial revenues Private broadcasters
Share of public funding
among the audiovisual
sector revenues
In 2009 In 2013
Share of PSB
among the
audiovisual sector
revenues
Source: OBS analysis from OBS, HIS, Warc data
New services : PSB edit about 14% of on-demand services, a similar share than for TV channels
• PSBs are particularly active in developing catch-up TV services
• They are –logically- not significantly present for pay-VOD
• They are more platform-neutral and have invested in branded channels on
video platforms.
17
128
37
126
327
Others Branded channels VOD
Catch-up TV services All ODAS services
0 500 1000 1500 2000 2500 3000
Archives
Others
Branded channels
VOD
Catch-up TV services
All ODAS services
Total Mavise From publicly supported TV channels
Source: MAVISE
Breakdown of PSBs ODAS
services by genre
Share of PSBs ODAS
services by genre

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Mapping public service broadcasting- Gilles Fontaine

  • 1. Mapping the Public Service Broadcasting September 2015
  • 2. About MAVISE: a tool-kit to monitor the circulation and registration of TV channels Channels available in Portugal (329) Channels in Portuguese (188) Not Established in Portugal (79) Established in Portugal (109) Channels establishe d in Europe targeting Portugal (57) Brazilian channels and others (22) Channels licensed in Portugal (74) Licensing unclear (35) Source: MAVISE
  • 3. About MAVISE: …and the ownership of audiovisual services Antena TV Group PVTV SC Music Channel Dolce Sport Telekom Romania Hellenic Telecommunicati ons Antena Intact Media Group DoQ Iko Romania 1Music channel 1Music channel (HU) SC tematic cable DT RTL Group Magyar RTL Televizio DoQ (CZ) Camina Trust SRL GSP TV Zu PVTV (BG) PVTV (CZ) PVTV (HU) SC Cable channels Sport Klub Series+ Fishing & Hunting Tematic Fishing & Hunting Fishing & Hunting (BG) Fishing & Hunting (CZ) Fishing & Hunting (SK) Fishing & Hunting (PL) United Media Distribution The United Group Golf Klub Golf Klub (HR) Golf Klub (SI) DTH Television Group Boom TV TVR TVR Pro TV (MD) PRO TV SA Acasa CME Pro TV Time Warner Inc. SC B1 TV Channel SRL B1 Dogan Group Dogan Media International Kanal D Prima TV AMC AMC
  • 4. PSB services: The vast majority of publicly supported TV channels are local or regional • “Publicly supported broadcasters” include PSBs but also private TV channels benefitting from public funding • Some “national” channels are edited for a specific non-domestic market (e.g. BBC Knowledge) • Local television include windows, local stations of PSBs and also local TVs supported by local authorities 867 307 145 Regional/local channels National Channels International channels  PSB local and regional stations  PSB local and regional windows  Local and regional public supported stations • International channels • International versions of national channels Breakdown of TV services edited by publicly supported broadcasters Source: MAVISE • National domestic channels • Channels aiming at one specific non domestic channels
  • 5. PSB services: Publicly supported broadcasters edit 14 % of European TV channels • But PSB’s channels have a greater exposition on digital terrestrial television 0 2000 4000 6000 8000 10000 Regional/local channels National Channels International channels Total Total MAVISE Publicly supported channels 14% 7% 0 200 400 600 800 1000 National Channels available on DTT 20% Source: MAVISE Share of PSBs TV services by genre Share of PSBs TV services by genre on DTT
  • 6. PSB Audience: Leaders and challengers • PSBs audience market shares impacted by the diversity of their offers, intensity of competition from domestic and non-domestic channels, levels of funding 40,7% 51,4% 74% 46,4% 25,7% 28,5% 20,5% 23,8% 25,9% 9,0% 7,1% 8,7% 6% 39,8% 32,1% 36% 39,2% 36,4% 32,4% 38,8% 17,5% 17,4% 15,9% 15% 18,1% 14,1% Source: OBS analysis from Eurodata TV PSBs audience market shares - 2014
  • 7. PSB audience: Market shares challenged by competition and segmentation • The multiplication of thematic channels distributed over cable, satellite, IPTV, DTT has led to a fragmentation of audiences, which affects both the PSBs but also their “historical” private competitors. Source: OBS analysis from Eurodata TV 2014 audience market share higher than 2009 2014 audience market share lower than 2009 2009-2014 evolution of PSBs audience market shares
  • 8. Funding: European public service broadcasters have (very) different business models... • EU average: 77% of PSBs resources are public • Other resources: advertising, theme channels pay-revenues, sales of TV rights… 0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100% PL MT DK IE AT IT GB BE LT NL HU SI EU Average LV PT FR HR DE CY CZ ES RO SE BG EE SK FI LU Source: OBS Share of public funding in PSBs revenues
  • 9. Funding: … benefit from heterogeneous level of resources… • Licence fees vary from 30 EUR to 320 EUR • Advertising revenues may be marginal or represent up to 70% of resources • Audience shares appear to be relatively correlated to the level of resources DK AT GB DE FI IE SE BE FR SI NL IT HR ES CY LV CZ EE HU PT BG PL SK LT 0 10 20 30 40 50 60 70 80 0 20 40 60 80 100 120 140 160 180 PSB annual revenues per inhabitant (2013 - EUR) PSBaudienceshare(2014-%) Source: OBS analysis from OBS, Eurodata TV Compared PSBs resources and audience market shares
  • 10. Funding: … and globally capture 34% of the audiovisual sector resources • The share of public funding in the total audiovisual resources has slightly declined between 2009 and 2013 • But some public service broadcasters have also been vulnerable to the downturn in advertising • In total, PSBs capture (public funding + commercial resources) about one third of the audiovisual sector resources 29% 39% 32% Public funding Advertising Pay revenues 28% 37% 35% Public funding Advertising Pay revenues 28% 8%64% Public funding Commercial revenues Private broadcasters Share of public funding among the audiovisual sector revenues In 2009 In 2013 Share of PSB among the audiovisual sector revenues Source: OBS analysis from OBS, HIS, Warc data
  • 11. New services : PSB edit about 14% of on-demand services, a similar share than for TV channels • PSBs are particularly active in developing catch-up TV services • They are –logically- not significantly present for pay-VOD • They are more platform-neutral and have invested in branded channels on video platforms. 17 128 37 126 327 Others Branded channels VOD Catch-up TV services All ODAS services 0 500 1000 1500 2000 2500 3000 Archives Others Branded channels VOD Catch-up TV services All ODAS services Total Mavise From publicly supported TV channels Source: MAVISE Breakdown of PSBs ODAS services by genre Share of PSBs ODAS services by genre