Macro Analysis Descent
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The document describes various camera shots and techniques used in a film sequence. It includes tracking shots that follow a character, close-ups that focus on specific elements like a cake or heart monitor, shots that shift focus and zoom in or out, point-of-view shots, and steady cam shots that keep backgrounds out of focus while focusing on a character's expression and movement. Wide shots provide context by showing the surroundings and multiple characters.
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This document analyzes and summarizes different camera shots used in the film The Hospital (The Descent). It discusses several close-up shots that are used to convey Sarah's vulnerability in the hospital after a car crash and show her declining health. It also analyzes medium shots that show her realization of being alone after her family's death. Tracking shots like the Steadicam shot follow Sarah as she tries to escape her demons and convey her fight for purity. The arc shot centers on Sarah's realization that her family is gone. Finally, a Steadicam-Out shot is used to transition away from Sarah's current life, fading her out as the viewer walks away.
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This document analyzes the cinematography techniques used in the film The Hospital (The Descent). It summarizes the purpose and effect of several shot types: close-ups are used to show a transition from a car crash to a hospital and indicate a character's deteriorating health; high-angled shots convey vulnerability; trombone shots elongate hallways to illustrate realization and darkness; steadicam shots follow the character and add to feelings of escaping demons; arc shots center the character to show realization of being alone; and a steadicam-out shot transitions to the future by tracking away from the character.
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The document summarizes three scenes set at a viaduct involving two girls. Scene 1 introduces the location with a white flash and grainy effect to indicate it is a memory. Scene 2 shows the girls walking down a path from a low camera angle getting louder as they approach. One girl has a hood to conceal her identity. Scene 3 switches between point-of-view shots of the girls with one saying goodbye and the other facing the bridge entrance, then reveals the figure from the prologue.
Timeline for my horror film
1) The film opens with a girl realizing she is being followed by a mysterious dark figure in a rundown town where she is alone.
2) She tries to run away but the figure keeps pace with her. She hides in an alley but then finds her friend, relieved but still worried about being followed.
3) After hearing her friend scream, she runs away in a panic until bumping into a stranger. Though thinking it's the killer, she continues running with only her breathing heard between non-diegetic sounds.
How i attracted and address my audience
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This document summarizes various cinematography techniques used in filmmaking. It describes tracking shots that follow a character's movements as she runs away from something. It discusses pull focus shots that start blurry and disoriented and become clearer. A trombone shot moves the camera back while zooming in on a character to convey realization. High angled shots depict a looming or overhead perspective. Steadicam shots add a sense of pace and proximity. Mid shots include some surrounding context. Arc shots provide a 360 degree view. Shot/reverse shots alternate between characters' points of view. Close-ups highlight facial emotions.
Matthew swinbourne analysis of taken
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This document analyzes and summarizes different camera shots used in the film The Hospital (The Descent). It discusses several close-up shots that are used to convey Sarah's vulnerability in the hospital after a car crash and show her declining health. It also analyzes medium shots that show her realization of being alone after her family's death. Tracking shots like the Steadicam shot follow Sarah as she tries to escape her demons and convey her fight for purity. The arc shot centers on Sarah's realization that her family is gone. Finally, a Steadicam-Out shot is used to transition away from Sarah's current life, fading her out as the viewer walks away.
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This document analyzes the cinematography techniques used in the film The Hospital (The Descent). It summarizes the purpose and effect of several shot types: close-ups are used to show a transition from a car crash to a hospital and indicate a character's deteriorating health; high-angled shots convey vulnerability; trombone shots elongate hallways to illustrate realization and darkness; steadicam shots follow the character and add to feelings of escaping demons; arc shots center the character to show realization of being alone; and a steadicam-out shot transitions to the future by tracking away from the character.
Scene 4 – viaduct
The document summarizes three scenes set at a viaduct involving two girls. Scene 1 introduces the location with a white flash and grainy effect to indicate it is a memory. Scene 2 shows the girls walking down a path from a low camera angle getting louder as they approach. One girl has a hood to conceal her identity. Scene 3 switches between point-of-view shots of the girls with one saying goodbye and the other facing the bridge entrance, then reveals the figure from the prologue.
Timeline for my horror film
1) The film opens with a girl realizing she is being followed by a mysterious dark figure in a rundown town where she is alone.
2) She tries to run away but the figure keeps pace with her. She hides in an alley but then finds her friend, relieved but still worried about being followed.
3) After hearing her friend scream, she runs away in a panic until bumping into a stranger. Though thinking it's the killer, she continues running with only her breathing heard between non-diegetic sounds.
How i attracted and address my audience
The document discusses shot selection and targeting audiences for a thriller film scene. Shots at the beginning are meant to set the scene and build tension without revealing what is in the assassin's hand. Close ups then show the assassin is emotionless and being controlled by a voice in his earpiece. Slow motion shots show the prime minister happy with his wife to emphasize the calm before he is assassinated. Later shots reveal the assassin is the target and build tension as he raises a gun. Action shots show the assassination from the audience's point of view to make it feel real. The assassin then kills himself to elicit sympathy, and a final gun-pointing shot appeals to action fans. The selections are meant to target both
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treatment 2
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final draft film treatment
The opening sequence begins with Amber lying on the ground with her eyes shut. She and her friend are then seen walking and looking confused at Amber's phone map, trying to figure out where they are going. They realize they are in a graveyard, with Amber looking excited but her friend scared. The friend runs away, while Amber continues exploring towards a tall tree. The sequence ends with Amber's eyes opening to reveal they are now red, suggesting supernatural possession.
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Unit lo2
1) The document describes various camera shots and techniques including trackshot, close up, high mid shot, mid shot, cut away, wide shot, trombone shot, steadicam shot, point of view shot, and rotational steadicam shot.
2) These shots are used to reveal information, focus on characters' faces and emotions, show backgrounds and perspectives, and give impressions of fear and a falling apart world.
3) Close ups in particular are used to clearly show characters' facial expressions and reveal emotions.
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This document provides details about scenes from a location report for a film studies coursework project analyzing the horror films The Woman in Black and Fright Night. It describes three scenes involving two protagonists, Anna and Wendy, walking through a wooded area after school. The first scene shows them having a conversation outside their school with different camera shots. The second scene continues their conversation down a pathway with tense music. In the third scene, Anna is unsure of which way to go at a fork, frustrating Wendy, before Anna drags her down a dead-end path to an abandoned horse stable where they become scared and isolated in the dark.
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The document analyzes various shots and scenes in a Psycho film sequence to uncover potential meanings and themes. Shots of Norman's face in a mirror and the open door to the woman's room are discussed as possibly signifying Norman's hidden dark side. Dramatic irony is also mentioned as the audience knows the woman will die. Norman's changing demeanor from nervous to confident further hints at his sinister nature that will lead to the woman's demise.
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The document provides an analysis of the mise-en-scène, camerawork, lighting, editing, sound, narrative, and use of genre conventions in several award-winning motion pictures. It examines the color schemes, costumes, props, and settings used in the films to establish time periods and convey meanings. It also analyzes the camera angles, shots, and movements used to tell the stories and build suspense or curiosity in the audience. The document discusses the lighting, editing techniques, diegetic and non-diegetic sounds, and narratives of the films. It also identifies several genre conventions the films employ, such as dancing, singing, catchy songs, relatable teenage leads, and happy endings.
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For his AS level film studies coursework, the author will create a location report based on his analysis of the horror films The Woman in Black and Fright Night, exploring the themes of fear and isolation. He describes the locations and shots he will use to film scenes between two protagonists, Anna and Wendy, as they walk from school along an uncertain pathway that leads to an abandoned horse stable, heightening the tension and fear.
treatment 2
The film treatment opens with Amber lying on the ground with her eyes closed. She and her friend are then shown walking through a graveyard as they have gotten lost. Her friend becomes scared and runs away, leaving Amber alone to explore. The perspective then switches to a mystery creature watching Amber from behind a tree. As Amber walks toward the tree, the film cuts between shots of her approaching and the creature watching. The opening sequence ends by returning to the first shot of Amber on the ground, but this time with her eyes open to reveal they have turned red, suggesting supernatural possession.
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The document summarizes scenes from a Halloween movie. It describes a person hiding and watching a couple in their house. When the couple goes upstairs, the lights go out, creating an opportunity for the person to enter the house. Inside, they take a large knife from the drawer. The perspective then shows the person stabbing a woman while she screams. At the end, a boy in a clown costume is revealed to be the killer, holding a big knife in an emotionless way, showing he killed for entertainment.
Shot types
This document discusses different types of shots used in horror films and provides examples. It explains that close-ups are used to show emotion and connect audiences to characters. Extreme close-ups focus on details like eyes to convey feelings. Cutaways and establishing shots can foreshadow future events or set mood. Handheld and tilted shots create tension, while point-of-view shots allow the audience to see through a character's eyes. Over-the-shoulder shots reveal characters' positions and perspectives.
trailer research
The document discusses techniques used in horror/slasher film trailers like The Texas Chain Saw Massacre. It recommends establishing shots that set an isolated location to build tension. It also suggests hiding the killer's face behind a mask to make them seem more inhuman and scary, without showing emotion. Finally, it advises close-up shots of victims' terrified faces with nearby weapons to draw the audience's attention and make them feel scared for the characters. These techniques aim to effectively scare and unnerve the audience in a trailer.
final draft film treatment
The opening sequence begins with Amber lying on the ground with her eyes shut. She and her friend are then seen walking and looking confused at Amber's phone map, trying to figure out where they are going. They realize they are in a graveyard, with Amber looking excited but her friend scared. The friend runs away, while Amber continues exploring towards a tall tree. The sequence ends with Amber's eyes opening to reveal they are now red, suggesting supernatural possession.
Synopsis
This music video explores themes of slut shaming, feminine men, and hijabi women through three characters' experiences with societal judgment. Each character is shown experiencing discrimination - the first through slut shaming at school, the second through mocking of his feminine mannerisms, and the third facing disapproving looks as a hijabi woman dancing. In the final scene, the characters unite in a bright setting with others who have also overcome societal struggles, symbolizing finding acceptance. They burn their placards listing the labels society had placed on them as a sign of liberation from judgment.
Storyboards
The document appears to be a summary of a music video or song, describing various shots that show a boy singing about a girl he finds attractive. Scenes include the boy singing to a crowd, close-ups of the girl walking and lip syncing, and shots of the crowd dancing. The boy expresses not knowing how he and the girl will make it through an unspecified situation.
Nine Frame Analysis
The 9-frame document provides a shot-by-shot summary of scenes from the movie SAW 3D. Each scene description includes the length of the scene and details of camera shots used, including close-ups, medium shots, and wider shots showing character reactions and interactions. Character introductions are done through medium close-ups and reactions are conveyed through alternating close-ups of characters' faces.
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2) It then covers scenes where the main character Sarah becomes trapped in a collapsing cave, but is helped by her friend Juno. The cave collapse is shown through various camera angles.
3) The final scenes show Sarah finding an escape from the cave by climbing over bones, and emerging to drive away from the area, relieved to have survived.
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The document outlines key scenes from a horror film pitch. It describes 9 scenes that will advance the plot and develop tension. Scene 1 introduces the main characters and a mysterious doll. Scenes 2-4 establish the girls camping trip and strange sounds they hear. Scenes 5-6 involve the girls splitting up to search and discovering each other dead. Scene 7 is a flashback revealing the doll's owner Naila was bullied as a child. Scenes 8-9 reveal Naila as the killer and end with her threatening the viewer. The producers were concerned about including suicide but found it was allowed for their desired 12A age rating.
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This document describes various camera shots used in a film scene, including wide shots to establish locations, mid shots to focus on a birthday cake, close ups to show facial features and injuries, cut away shots of a heartbeat monitor, and steadycam and 360 degree shots to smoothly follow characters.
CinematographyNEWUPLOAD
This document analyzes 14 shots from a film. Shot 1 is a tracking shot that draws attention to a birthday cake. Shot 2 is static to avoid distraction. Shot 3 shows the perspective of a mother watching her daughter blow out candles. Shot 4 provides a close-up of the detailed cake. Shot 5 uses a handheld camera to follow a character. Shot 6 uses a cantered angle to suggest something may happen. Shot 7 uses a mid-shot to focus on a character's confused face. Shot 8 isolates a character using a trombone shot. Shot 9 uses a steadicam to smoothly follow action and show surroundings. Shot 10 shows a point of view of something chasing a character. Shot 11 uses a steadic
Unit 1 AO1b Micro analysis
This document analyzes 14 shots from a film. Shot 1 is a tracking shot that draws attention to a birthday cake. Shot 2 is static to avoid distraction. Shot 3 shows the perspective of a mother watching her daughter blow out candles. Shot 4 provides a close-up of the detailed cake. Shot 5 uses a handheld camera to follow a character. Shot 6 uses a cantered angle to suggest something may happen. Shot 7 uses a mid-shot to focus on a character's confused face. Shot 8 isolates a character using a trombone shot. Shot 9 uses a steadicam to smoothly follow action and show surroundings. Shot 10 shows a point of view of something chasing a character. Shot 11 uses a steadic
Dominic Patrick Cinimatography
This document provides descriptions of various camera shots used in a film scene. Shots include wide shots, close ups, medium close ups, and more. Many of the close ups are used to foreshadow a character's death, such as a close up of birthday candles being blown out representing the loss of life. Other shots like medium close ups are from higher angles to make characters seem small and vulnerable. Steadicam shots are also used in wide and medium shots to track and chase characters.
Presentation of scenes of The Descent
The document provides a micro-analysis of 5 scenes from the film The Descent. It analyzes the car crash scene in 5 snapshots, focusing on camera angles and sound effects used. It then analyzes the face-to-face confrontation scene between Sarah and Juno in 6 snapshots, highlighting makeup, editing and sound. Finally, it examines Sarah's escape scene in 5 snapshots, drawing attention to lighting, camera distance and angles. The analysis focuses on cinematography techniques used to convey emotion and build tension across the different scenes.
Descent cinematography
This document analyzes different camera shots used in a film scene. It describes shots including a wide establishing shot of a birthday cake, a close-up used to show a character's expression, and an extreme close-up/cut away that leaves the viewer questioning if the character is dead. It also discusses shots like a wide shot making a character feel lost, a trombone shot used for shock and realization, steady cam shots of a character running for hope or being chased, and close-ups used to focus on a character's emotions.
Descent cinemtography
This document analyzes different camera shots used in a film scene. It describes shots including a wide establishing shot of a birthday cake, a close-up used to show a character's expression, and an extreme close-up/cut away that creates suspense about whether the character is dead. It also discusses shots like a wide shot making a character seem small and lost, a trombone shot revealing a shock, and steady cam shots following a character running.
Presentation of scenes of The Descent
The document provides a micro-analysis of 5 scenes from a film through 25 snapshots. The first scene analyzed is a car crash scene shown through 5 snapshots from different camera angles capturing the buildup and impact of the crash. The second scene analyzed is a confrontation between Sarah and Juno, shown through 6 snapshots alternating between close-ups of their faces as Sarah attacks Juno with a hatchet and climbing pick. The third scene analyzed is Sarah's escape from the cave, shown through 5 snapshots from different camera angles and distances capturing her difficult climb through bones to freedom.
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Production script task 8
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Macro Analysis Descent
- 1. The first shot is a tracking shot that moves in. Next is a out of focus shot that shifts to focus and also it goes from a wide shot to a close up on the cake
- 2. Next is a Static POV shot When the girl goes to blow out the last candle it cuts to the cake to show the darkness.
- 3. There is a close up on Sarah's face and it pans as her head moves. It’s a wide shot to show where Sarah is. This shot is a close up on the heart monitor to show that Sarah has been kept alive by a machine.
- 4. This shot is focusing only on Sarah so that people look at her because she is the point of interest This wide shot shows where Sarah and how confused she.
- 5. This is a trombone shot a trombone shot is made by Having a close up on something and while moving forward on the tracks zooming out.
- 6. This is steady cam it shows expression on Sarah’s face while focusing on her and keeping the background out of focus. There are tracks set up and tracking Sarah while she is running but the meaning for this shot is that Sarah knows that the dark is waiting for her.
- 7. This is Wide shot POV steady cam it lets us feel like we are the darkness chasing after Sarah. They have a 360 Track around them so they are able to create a nice panning shot.
- 8. This is a Close up Steady cam and it is in focus of Judos face to show us the expression of her face and her emotions. This is a Wide Back Track shot to show all the people around her and what is going on.