final draft film treatment
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The opening sequence begins with Amber lying on the ground with her eyes shut. She and her friend are then seen walking and looking confused at Amber's phone map, trying to figure out where they are going. They realize they are in a graveyard, with Amber looking excited but her friend scared. The friend runs away, while Amber continues exploring towards a tall tree. The sequence ends with Amber's eyes opening to reveal they are now red, suggesting supernatural possession.
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treatment 2
The film treatment opens with Amber lying on the ground with her eyes closed. She and her friend are then shown walking through a graveyard as they have gotten lost. Her friend becomes scared and runs away, leaving Amber alone to explore. The perspective then switches to a mystery creature watching Amber from behind a tree. As Amber walks toward the tree, the film cuts between shots of her approaching and the creature watching. The opening sequence ends by returning to the first shot of Amber on the ground, but this time with her eyes open to reveal they have turned red, suggesting supernatural possession.
FINAL FILM TREATMENT
The opening sequence shows Amber lying on the ground with her eyes closed. She and her friend are then seen walking and looking lost while checking Amber's phone map. They stop upon realizing they are in a graveyard. Amber seems intrigued but her friend is scared and runs away. Amber continues exploring alone near a tall tree where a mystery creature watches her from behind. The sequence ends with Amber lying with her eyes closed again, but when they open they are red, suggesting supernatural possession.
final draft timeline (2)
The document provides a timeline for a short film in 3 minute increments from 0 to 95 seconds. It outlines the camera shots and transitions that are planned to tell the story. It begins with Amber on the ground with her eyes shut and then opens to shots of her walking with red eyes and with her friends who slowly back away and leave. It follows Amber as she walks alone and approaches a location with a graveyard, shown through shots from her perspective and from behind her.
Script
Hector is established as the villain by sniggering evilly on a chairlift with an evil mask. When he reaches the top, James skis past and steals Hector's phone. James is shown to be the hero through a slow-motion shot where his name appears and he has a determined expression. A ski chase ensues between the two, until James crashes into an unsuspecting woman. Hector then skis to the tangled victims and taunts James not to pursue him again.
Dawn of The Dead Opening Scene
The document discusses various camera shots and techniques used in the opening scene of the movie "Dawn of the Dead". It describes long shots that establish the hospital setting and characters. A pan shot is used to give the viewer the feeling of looking through the main character's eyes as she looks down the street. Extreme long shots show the city in disaster. Close ups are used to emphasize details like a clock showing the urgency of time or a news bulletin announcing breaking news.
Re do pp location notes
This document provides details about scenes from a location report for a film studies coursework project analyzing the horror films The Woman in Black and Fright Night. It describes three scenes involving two protagonists, Anna and Wendy, walking through a wooded area after school. The first scene shows them having a conversation outside their school with different camera shots. The second scene continues their conversation down a pathway with tense music. In the third scene, Anna is unsure of which way to go at a fork, frustrating Wendy, before Anna drags her down a dead-end path to an abandoned horse stable where they become scared and isolated in the dark.
my opening sequence analysis
The document analyzes and compares the opening scenes of two thriller films: Psycho (1960) and Terminator 2: Judgment Day (1991). It discusses how each opening uses camera shots like close-ups, mid shots, and low/high angles to build suspense and convey meaning to the audience. Specifically, it examines how close-ups of blood swirling in a drain and a screaming woman's mouth increase tension in Psycho's famous shower scene. Shot types are also described in the Terminator sequence to illustrate the main character's strength and focus.
Shot types
This document discusses different types of shots used in horror films and provides examples. It explains that close-ups are used to show emotion and connect audiences to characters. Extreme close-ups focus on details like eyes to convey feelings. Cutaways and establishing shots can foreshadow future events or set mood. Handheld and tilted shots create tension, while point-of-view shots allow the audience to see through a character's eyes. Over-the-shoulder shots reveal characters' positions and perspectives.
Recommended
treatment 2
The film treatment opens with Amber lying on the ground with her eyes closed. She and her friend are then shown walking through a graveyard as they have gotten lost. Her friend becomes scared and runs away, leaving Amber alone to explore. The perspective then switches to a mystery creature watching Amber from behind a tree. As Amber walks toward the tree, the film cuts between shots of her approaching and the creature watching. The opening sequence ends by returning to the first shot of Amber on the ground, but this time with her eyes open to reveal they have turned red, suggesting supernatural possession.
FINAL FILM TREATMENT
The opening sequence shows Amber lying on the ground with her eyes closed. She and her friend are then seen walking and looking lost while checking Amber's phone map. They stop upon realizing they are in a graveyard. Amber seems intrigued but her friend is scared and runs away. Amber continues exploring alone near a tall tree where a mystery creature watches her from behind. The sequence ends with Amber lying with her eyes closed again, but when they open they are red, suggesting supernatural possession.
final draft timeline (2)
The document provides a timeline for a short film in 3 minute increments from 0 to 95 seconds. It outlines the camera shots and transitions that are planned to tell the story. It begins with Amber on the ground with her eyes shut and then opens to shots of her walking with red eyes and with her friends who slowly back away and leave. It follows Amber as she walks alone and approaches a location with a graveyard, shown through shots from her perspective and from behind her.
Script
Hector is established as the villain by sniggering evilly on a chairlift with an evil mask. When he reaches the top, James skis past and steals Hector's phone. James is shown to be the hero through a slow-motion shot where his name appears and he has a determined expression. A ski chase ensues between the two, until James crashes into an unsuspecting woman. Hector then skis to the tangled victims and taunts James not to pursue him again.
Dawn of The Dead Opening Scene
The document discusses various camera shots and techniques used in the opening scene of the movie "Dawn of the Dead". It describes long shots that establish the hospital setting and characters. A pan shot is used to give the viewer the feeling of looking through the main character's eyes as she looks down the street. Extreme long shots show the city in disaster. Close ups are used to emphasize details like a clock showing the urgency of time or a news bulletin announcing breaking news.
Re do pp location notes
This document provides details about scenes from a location report for a film studies coursework project analyzing the horror films The Woman in Black and Fright Night. It describes three scenes involving two protagonists, Anna and Wendy, walking through a wooded area after school. The first scene shows them having a conversation outside their school with different camera shots. The second scene continues their conversation down a pathway with tense music. In the third scene, Anna is unsure of which way to go at a fork, frustrating Wendy, before Anna drags her down a dead-end path to an abandoned horse stable where they become scared and isolated in the dark.
my opening sequence analysis
The document analyzes and compares the opening scenes of two thriller films: Psycho (1960) and Terminator 2: Judgment Day (1991). It discusses how each opening uses camera shots like close-ups, mid shots, and low/high angles to build suspense and convey meaning to the audience. Specifically, it examines how close-ups of blood swirling in a drain and a screaming woman's mouth increase tension in Psycho's famous shower scene. Shot types are also described in the Terminator sequence to illustrate the main character's strength and focus.
Shot types
This document discusses different types of shots used in horror films and provides examples. It explains that close-ups are used to show emotion and connect audiences to characters. Extreme close-ups focus on details like eyes to convey feelings. Cutaways and establishing shots can foreshadow future events or set mood. Handheld and tilted shots create tension, while point-of-view shots allow the audience to see through a character's eyes. Over-the-shoulder shots reveal characters' positions and perspectives.
Preliminary presentation with group draft2
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The 9-frame document provides a shot-by-shot summary of scenes from the movie SAW 3D. Each scene is briefly described, including camera shots, character reactions and movements. In the first scene, an establishing shot introduces the environment. Subsequent scenes show characters waking and attempting escape, the introduction of a new character shocking others, and exchanges between characters using medium and close-up shots to highlight emotions. The final scene ends with the death of a character, shown through the shocked reaction of other characters.
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Timeline for my horror film
1) The film opens with a girl realizing she is being followed by a mysterious dark figure in a rundown town where she is alone.
2) She tries to run away but the figure keeps pace with her. She hides in an alley but then finds her friend, relieved but still worried about being followed.
3) After hearing her friend scream, she runs away in a panic until bumping into a stranger. Though thinking it's the killer, she continues running with only her breathing heard between non-diegetic sounds.
Nine Frame Analysis
Taken is a 2008 action/thriller film about a father's efforts to rescue his daughter after she is kidnapped. The analyzed scene shows Kim realizing intruders have entered her home and her subsequent kidnapping. Close-up shots are used extensively to emphasize the characters' facial expressions and build suspense and emotion as the situation escalates and Kim's father struggles to understand what is happening over the phone.
Film analysis (Taken)
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Screenshots!
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Taken - Film Clip Analysis
The document analyzes several shots from the film Taken that build suspense and convey the emotions of the characters. A medium close-up of the main character on the phone shows his apprehension and confusion in trying to help his daughter. Close-ups of the daughter by the window show her looking scared and then surprised. A wide shot from her viewpoint shows two men in another area of the hotel, indicating something bad will happen. Extreme close-ups of her fearful face and frantic movements show she is helpless as the men kidnap her outside the window. Quick successive shots create a sense of emergency.
Synopsis
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Ouija Content analysis
1. The document analyzes the shots and scenes in the trailer for a horror movie about a Ouija board. It examines things like shot types, lengths, lighting, and how each shot is intended to create tension, suspense, or reveal information to the audience.
2. Several shots zoom in on characters or objects to draw the audience in and create a sense of unease, such as a shot of a smiling child behind a fence and a close-up of a character finding a mysterious object.
3. Other shots use low angles, lighting, and point-of-view techniques to make the setting seem threatening and leave the audience wondering what will happen, like a shot up a dark staircase or
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Analysis of the film trailer taken
The film trailer for Taken begins with happy clips of daughters excited for their vacation without parents. It then shows one daughter witnessing her friend being taken, which she reports to her father. The trailer focuses on the father, as he is the protagonist determined to rescue his daughter from those who have taken her. Various film techniques like lighting, costumes, shots, editing and sound are used to create tension, mystery, and emphasize the father's distress over the situation.
Scene 4 – viaduct
The document summarizes three scenes set at a viaduct involving two girls. Scene 1 introduces the location with a white flash and grainy effect to indicate it is a memory. Scene 2 shows the girls walking down a path from a low camera angle getting louder as they approach. One girl has a hood to conceal her identity. Scene 3 switches between point-of-view shots of the girls with one saying goodbye and the other facing the bridge entrance, then reveals the figure from the prologue.
Blog 2
1. Different camera shots are used in opening sequences to set the scene and provide meaning, such as close-ups to focus on important props, medium shots to show a character's body language, and long shots to establish the setting.
2. Tracking, pan, tilt, and zoom shots are used to follow characters and show their facial expressions and reactions.
3. Cuts between scenes can increase tension by abruptly changing from calm to ominous settings.
4. Diegetic and non-diegetic sounds also build tension and signify danger, like phone rings or ominous music.
5. Mise-en-scene details like a character's clothes and home provide context about their wealth.
Initial film treatment- luis grifo
A female character hears strange noises late at night while watching TV alone in her pajamas. When she investigates, the lights don't work. She grabs a flashlight and goes upstairs, where her flashlight briefly reveals a masked figure before going out. As she tries to call for help, she is stabbed from behind by the attacker. Before losing consciousness, she sees the masked face of her assailant.
Persil Directors TVC Treatment
As a treatment writer, my job is to add, energy, excitement and expertise into boards that may seem a little mundane.... that's when the magic happens.
More at ghosttreatments.com
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The document proposes a treatment for a Nissan sales event holiday commercial campaign that aims to capture the nostalgia of classic 1940s holiday films. It suggests shooting the commercials in black and white like 1940s films, with only the Nissan vehicles in color to make them stand out. It provides details on casting people with 1940s faces, dressing them and setting the scene with 1940s-inspired wardrobe, framing, lighting and camera techniques to achieve an authentic 1940s look and feel. The goal is to portray genuine excitement for visiting the Nissan dealer this holiday season in a way that feels true to the period.
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Preliminary presentation with group draft2
The document discusses different camera shots and angles used in filmmaking. It provides examples of establishing shots, close-ups, and over-the-shoulder shots and explains what each shot is used for. It also includes a short script about two friends discussing a missing phone.
Solitude is bliss – 9 frame analysis
The document provides a nine-frame analysis of the music video "Solitude is Bliss" by Tame Impala. In the first frame, a man is held back by police from getting to the other side, where he desires to be alone. In later frames, he breaks through and is alone on an abandoned road enjoying confetti, but then a group invades his solitude. Subsequent frames show the man expressing power by pretending to shoot someone and kicking another person on the ground. The analysis concludes by returning to the beginning frame, with the man again being held back while looking angry and upset at losing his solitude.
Fingersmith Analysis
The document discusses several different shots used in film extracts. It describes a two shot showing two characters, one closer to the camera, where both express delight at receiving/giving new clothing. It also describes close up shots used to capture facial expressions of concentration while painting and tension during an aggressive conversation. A wide shot allows viewing of a character painting under an umbrella while others watch. A wide tracking shot follows characters to build tension. A cut away shot provides insight into other scene elements, like a character waking and wondering where others went.
Nine Frame Analysis
The 9-frame document provides a shot-by-shot summary of scenes from the movie SAW 3D. Each scene description includes the length of the scene and details of camera shots used, including close-ups, medium shots, and wider shots showing character reactions and interactions. Character introductions are done through medium close-ups and reactions are conveyed through alternating close-ups of characters' faces.
Saw 3D - Nine frame analysis
The 9-frame document provides a shot-by-shot summary of scenes from the movie SAW 3D. Each scene is briefly described, including camera shots, character reactions and movements. In the first scene, an establishing shot introduces the environment. Subsequent scenes show characters waking and attempting escape, the introduction of a new character shocking others, and exchanges between characters using medium and close-up shots to highlight emotions. The final scene ends with the death of a character, shown through the shocked reaction of other characters.
Torture scenes
The document discusses techniques used in torture scenes in movies to build tension and engage audiences. It notes that movies commonly use close-ups of trays of weapons, point-of-view shots up stairs to build suspense of what will happen, and shots of victims' faces showing their pain and fear. The document suggests using low angles to make victims seem helpless and rule-of-thirds shots with victims prominently framed to create tension. It advises editing shots closer to weapons to gradually increase tension, and avoiding over-the-shoulder shots with neutral contrasts and mid-shots that seem boring. The goal is to use cinematography techniques to make audiences feel afraid for victims and immersed in the tension.
Timeline for my horror film
1) The film opens with a girl realizing she is being followed by a mysterious dark figure in a rundown town where she is alone.
2) She tries to run away but the figure keeps pace with her. She hides in an alley but then finds her friend, relieved but still worried about being followed.
3) After hearing her friend scream, she runs away in a panic until bumping into a stranger. Though thinking it's the killer, she continues running with only her breathing heard between non-diegetic sounds.
Nine Frame Analysis
Taken is a 2008 action/thriller film about a father's efforts to rescue his daughter after she is kidnapped. The analyzed scene shows Kim realizing intruders have entered her home and her subsequent kidnapping. Close-up shots are used extensively to emphasize the characters' facial expressions and build suspense and emotion as the situation escalates and Kim's father struggles to understand what is happening over the phone.
Film analysis (Taken)
The document analyzes several film clips from the movie "Taken" through shots of the main protagonist and his daughter. A medium close-up shows the protagonist's apprehensive facial expressions and body language as he talks to his daughter on the phone. A close-up of the scared daughter looking out a window surprises when her expression changes. A wide shot from her point of view shows two men moving in another part of the hotel, making the audience aware something will happen. Later clips use extreme close-ups of the daughter's fearful face and frantic movements to generate suspense as the men kidnap her.
Screenshots!
The document summarizes key screenshots from the opening scene of the film "Saw III". It describes how the low lighting reveals a man trapped in a room with a gun on the floor. He struggles to reach the gun but finds it is empty. Frustrated, he searches the room with a torch and discovers he is trapped by an ankle brace. The only way to escape is to snap his own ankle, shown in a close-up shot with sound effects to convey the pain and gore. The blood on the floor and film title fade-in establish this as the disturbing introduction to the third installment in the Saw franchise.
The descent -cinematography
This document summarizes various cinematography techniques used in filmmaking. It describes tracking shots that follow a character's movements as she runs away from something. It discusses pull focus shots that start blurry and disoriented and become clearer. A trombone shot moves the camera back while zooming in on a character to convey realization. High angled shots depict a looming or overhead perspective. Steadicam shots add a sense of pace and proximity. Mid shots include some surrounding context. Arc shots provide a 360 degree view. Shot/reverse shots alternate between characters' points of view. Close-ups highlight facial emotions.
Taken - Film Clip Analysis
The document analyzes several shots from the film Taken that build suspense and convey the emotions of the characters. A medium close-up of the main character on the phone shows his apprehension and confusion in trying to help his daughter. Close-ups of the daughter by the window show her looking scared and then surprised. A wide shot from her viewpoint shows two men in another area of the hotel, indicating something bad will happen. Extreme close-ups of her fearful face and frantic movements show she is helpless as the men kidnap her outside the window. Quick successive shots create a sense of emergency.
Synopsis
This music video explores themes of slut shaming, feminine men, and hijabi women through three characters' experiences with societal judgment. Each character is shown experiencing discrimination - the first through slut shaming at school, the second through mocking of his feminine mannerisms, and the third facing disapproving looks as a hijabi woman dancing. In the final scene, the characters unite in a bright setting with others who have also overcome societal struggles, symbolizing finding acceptance. They burn their placards listing the labels society had placed on them as a sign of liberation from judgment.
Ouija Content analysis
1. The document analyzes the shots and scenes in the trailer for a horror movie about a Ouija board. It examines things like shot types, lengths, lighting, and how each shot is intended to create tension, suspense, or reveal information to the audience.
2. Several shots zoom in on characters or objects to draw the audience in and create a sense of unease, such as a shot of a smiling child behind a fence and a close-up of a character finding a mysterious object.
3. Other shots use low angles, lighting, and point-of-view techniques to make the setting seem threatening and leave the audience wondering what will happen, like a shot up a dark staircase or
Animatic
The document outlines the shots planned for an animatic of a film trailer. It describes 14 shots across 4 scenes: Scene 1 establishes the main character finding a memory stick and viewing its contents; Scene 2 shows his shocked reaction; Scene 3 shows two sinister characters pursuing the main character; Scene 4 has the main character caught and facing questioning at gunpoint before appearing to be killed.
Media film clips
This document discusses various camera shots and techniques used in a film scene. It describes shots including a tracking shot focusing on a birthday cake, a static point-of-view shot of a girl blowing out candles, and a close-up shot of a character in a hospital bed after an accident. It also mentions a cutaway shot of a heart monitor, a tracking shot following a running character, a two-shot between comforting characters, and close-ups of crying characters to elicit emotion.
Analysis of the film trailer taken
The film trailer for Taken begins with happy clips of daughters excited for their vacation without parents. It then shows one daughter witnessing her friend being taken, which she reports to her father. The trailer focuses on the father, as he is the protagonist determined to rescue his daughter from those who have taken her. Various film techniques like lighting, costumes, shots, editing and sound are used to create tension, mystery, and emphasize the father's distress over the situation.
Scene 4 – viaduct
The document summarizes three scenes set at a viaduct involving two girls. Scene 1 introduces the location with a white flash and grainy effect to indicate it is a memory. Scene 2 shows the girls walking down a path from a low camera angle getting louder as they approach. One girl has a hood to conceal her identity. Scene 3 switches between point-of-view shots of the girls with one saying goodbye and the other facing the bridge entrance, then reveals the figure from the prologue.
Blog 2
1. Different camera shots are used in opening sequences to set the scene and provide meaning, such as close-ups to focus on important props, medium shots to show a character's body language, and long shots to establish the setting.
2. Tracking, pan, tilt, and zoom shots are used to follow characters and show their facial expressions and reactions.
3. Cuts between scenes can increase tension by abruptly changing from calm to ominous settings.
4. Diegetic and non-diegetic sounds also build tension and signify danger, like phone rings or ominous music.
5. Mise-en-scene details like a character's clothes and home provide context about their wealth.
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Initial film treatment- luis grifo
A female character hears strange noises late at night while watching TV alone in her pajamas. When she investigates, the lights don't work. She grabs a flashlight and goes upstairs, where her flashlight briefly reveals a masked figure before going out. As she tries to call for help, she is stabbed from behind by the attacker. Before losing consciousness, she sees the masked face of her assailant.
Persil Directors TVC Treatment
As a treatment writer, my job is to add, energy, excitement and expertise into boards that may seem a little mundane.... that's when the magic happens.
More at ghosttreatments.com
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The document proposes a treatment for a Nissan sales event holiday commercial campaign that aims to capture the nostalgia of classic 1940s holiday films. It suggests shooting the commercials in black and white like 1940s films, with only the Nissan vehicles in color to make them stand out. It provides details on casting people with 1940s faces, dressing them and setting the scene with 1940s-inspired wardrobe, framing, lighting and camera techniques to achieve an authentic 1940s look and feel. The goal is to portray genuine excitement for visiting the Nissan dealer this holiday season in a way that feels true to the period.
GARNIER DIRECTOR'S TREATMENT - TREATMENT WRITER + DESIGN
This document outlines a director's treatment for a commercial for New Garnier hair oil. The summary is as follows:
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4. Animation, product demonstration, casting, soundtrack, and next
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Media film treatment
A police officer named Jessica goes undercover to infiltrate an underground criminal organization in 1950s London led by Dante Evans that is supplying drugs and weapons. She gets close to Dante and gains valuable intelligence over four months. However, Jessica starts developing feelings for Dante. When she learns of the gang's next transaction, Jessica informs her superiors but is overcome with regret and confesses everything to Dante. Enraged, Dante tortures and kills Jessica for betraying him.
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The document provides production notes for a Herbal Essences TV commercial launch in Egypt. It discusses objectives to communicate that the shampoo brings nature and a natural high. It recommends a bright set and organic natural elements to contrast jungle and post-shower scenes. Production values should be cosmetic with a premium pack shot. The talent's robe and attitude aiming for warmth, naturalness and elegance are also covered.
Short Film Treatment (The Set-Up)
The directors aim to create a 5-minute horror film with psychological elements and surprises. They will use horror conventions to build suspense but reveal at the end that the main character is being surprised with a party. They describe scenes where the main character returns home, hears strange noises, and has a disturbing phone call before discovering the surprise party. The directors will collaborate on the film and one will operate the camera, aiming to film over one week using the school's equipment and complete editing afterwards.
Short Film Proposal & Treatment
Susan Grey is a 26 year old woman who has served in the S.A.S. for 6 years and aims to receive a Veteran award in 2012. During a mission in Babylon, South of Baghdad with her team, she goes off on her own and discovers an alien invasion. When she tries to warn her teammates, they don't believe her until chaos erupts. The treatment involves Susan finding an injured opposing soldier and treating his wounds, only to be stabbed in the back by him after she helps him up and turns away.
Example Treatment
This document outlines a treatment for a proposed 45-60 minute video programme about WH Syndrome for the WH Foundation. It details the filming locations, structure, budget, and production timeline. The programme will focus on promoting family values and abilities of children with WH Syndrome through interviews and footage of family life, the annual meeting, and children's achievements.
Film Treatment
1) The film is a romantic drama filmed at a house and office involving a married couple, Jack and Rachel.
2) Jack tells Rachel he may be late from work but does not return home or answer his phone, so Rachel goes to his office to investigate.
3) At the office, Rachel discovers Jack sitting and holding hands with his assistant Lilly, realizing she has been betrayed.
Film treatment
Raj hated his mother because she had only one eye, which made him ashamed of her. As an adult with a family of his own, Raj was still disrespectful towards his mother when she visited. After having a nightmare where his mother cries out to him, Raj decides to apologize. However, he discovers that his mother has passed away. A note reveals that she donated her eye to Raj as a child to replace the one he lost in an accident, showing her deep love for him, though he failed to appreciate her. Raj is overcome with grief and regret for his past mistreatment of his mother.
Film Treatment
This film treatment is for a 5-minute magical realism short film titled "Do You Dream of Murder?" targeting a 15+ audience, particularly females. It will have a strong female protagonist and explore a new genre to develop the creator's skills. The treatment aims to create the film on a low budget by using free local venues and school props. It will use only copyright-free music and effects.
Treatment Template
This document outlines the key elements that should be included when writing a treatment for a creative project such as a short film. The treatment should include:
1) Details about the project such as the working title, genre, duration, and target audience. It should also include an outline of the story and character breakdowns.
2) Descriptions of the visual and audio elements including lighting, camerawork, editing, setting, actors, props, costumes, soundtrack, and sound effects.
3) Explanations of the rationale for the project, research conducted, requirements and resources needed, as well as any constraints or contingencies.
4) Considerations of legal and ethical issues, a proposed budget and
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Purpose of a trailer
Trailers are designed to promote films and persuade audiences to watch them. They showcase the genre and pace of a film through conventions and editing. Trailers last 2-3 minutes and can be watched on various platforms like YouTube, TV, and social media. Audiences engage with trailers by sharing, liking, and commenting on social platforms. Different platforms may attract certain audience types, like child-friendly content on TV before watershed. Institutions encourage investigating film details through social media competitions and forums. While social media allows widespread trailer distribution and audience interaction, it also exposes films to online criticism that could discourage viewership. Changes in exhibition over time have made trailers more accessible anywhere through various devices.
Draft 2 c & a
This document outlines the characters and actors for a student film trailer. It includes:
- The character "Keiran" who will be played by Laurel Wilson-Gayle wearing a tracksuit and carrying bags.
- The character "Zombie Keiran" also played by Laurel wearing the same clothes plus special effects makeup.
- The character "Lily" who will be played by India McGuirk wearing black clothes and a scarf.
- Two friend characters played by Emma Marshall and Gabriella Viltaki, dressed as typical teenagers.
Characters and actors
This document outlines the characters and actors for a trailer. It describes Keiran and Lily, how they are represented, and their costumes. It also describes Zombie versions of the characters. Laurel Wilson-Gayle will play both Keiran and Zombie Keiran. India McGuirk will play both Lily and Zombie Lily. It provides details on their costumes, props, and availability.
Evaluation question 4
The group used various media technologies at each stage of their project. In research, they used IMDb to research films, SurveyMonkey to collect audience data, and the BBFC website to research ratings. In planning, they used Calendar and iMessage to coordinate, and PowerPoint to present plans. They constructed their trailer using Final Cut Pro X for editing, Photoshop for ancillary tasks, and music from Bensound. They evaluated using social media for audience feedback and presenting on Prezi, Slides, PowerPoint, and PowToon.
storyboard final draft black jucie
The storyboard is a final draft created by four students: Gabriella Viltaki, Emma Marshall, Laurel Wilson, and Jordan Williams. It outlines the key scenes and events in their planned film or animation project. The storyboard efficiently conveys the overall narrative through a series of illustrated frames showing important plot points and character actions.
Technologies i used
The document lists various technologies and websites that Emma Marshall used for her blogging, assignments, and film projects. She used Blogger for writing her blog and uploading photos, SlideShare to embed PowerPoints, Gmail for communication, Scriptly for script formatting, PowerPoint and Prezi for presentations, IMDb and Wikipedia for film research, YouTube for uploading and watching videos, Freeplay Music for royalty-free sounds, BBFC for film ratings information, Final Cut Pro X for video editing, MediaMagazine for articles, Facebook and Twitter for feedback, SurveyMonkey for surveys, Kizoa for photo slideshows, and Photoshop for image editing.
Draft 2 shooting schedule
The document provides a shooting schedule for the second draft of a film, listing the scenes to be shot, actors needed, locations, equipment, and props for each scene. Scenes include the living room, bedroom, school classroom, basketball court, front door, and backyard garden. Laurel is needed for most scenes, with Emma and India also appearing. Equipment includes cameras, tripods, microphones, and lighting, while props incorporate bottles, pillows, textbooks, basketballs, and special effects makeup.
Draft 1 shooting schedule
This document provides a draft shooting schedule for a film. It lists the scenes needed, actors required, locations, equipment, and props for each of the 6 scenes scheduled to be filmed on the first day. The scenes include a news report, scenes in Emma's bedroom and bathroom, walking to the front door, at a bus stop, in the park, and during lunch. Laurel is needed as an actor for all scenes, with other actors like Mr. Mills, Emma, India, and Gabriella also listed for certain scenes.
Draft 2 treatment
The film treatment describes scenes from a trailer for a film called "Black Juice". It follows a teenager named Keiran who drinks a drink called Black Juice that has negative side effects on users. Scenes show Keiran transforming into a zombie after drinking Black Juice. His friend Lily urges him to stop drinking it, but he continues in secret. Later scenes show their relationship deteriorating as Keiran's condition worsens, culminating in a plot twist where Lily also drinks Black Juice.
Locations!
The document provides details for filming locations and travel plans. Six filming locations are listed - a basketball court, classroom, living room, bedroom, bathroom, and front door. Travel details are provided for getting to the two school locations and Emma's house on weekdays and weekends. A health and safety section lists potential risks such as getting lost, crowded areas, equipment damage or malfunction, and personal safety risks. Precautions are outlined to address the risks.
Characters and actors
The document summarizes characters and actors for an opening film sequence. It describes two main characters, Keiran and Lily, and their zombie counterparts. It provides details on costumes, props, and how each character will be portrayed. It also includes information on the actors, Laurel Wilson-Gayle and India McGuirk, who will play the roles. Both actors are said to be good at acting and able to portray the different aspects of the characters.
Bbfc & understanding of film rating
The BBFC is the British Board of Film Classification, which rates films, trailers, advertisements, online videos, mobile texts, music videos, and video games using a rating system. There are 7 ratings ranging from suitable for all ages to adults only. To determine a rating, the BBFC considers factors like context, theme, language, nudity, sex, violence and their tone and impact. Each rating is classified differently as they target different age groups - for example, a U or PG rating will not contain violence intended to protect young children.
Production & distribution company research
This document summarizes two comedy horror films and their production and distribution companies. It then analyzes the logos of 20th Century Fox and Lionsgate. 20th Century Fox's logo uses majestic music and spotlights to portray sophistication and importance. Lionsgate's logo uses gears and a keyhole with climactic music to symbolize how they put work into linking everything together in their company. The document concludes by noting elements like close-ups, reverse zooms, lights, and dramatic music that could inspire logos for a new production company.
Shotlist D1
This document contains a shot list for a film or video project. It outlines 66 shots with descriptions of the camera shot type, location whether interior or exterior, the location name, and any props appearing in the shot. The shots cover a variety of locations both interior and exterior, including a basketball area, fence, path, house, bus stop, school gate, wall, shop, and outside a house. Props listed include a basketball, drink, remote control, phone, fake hand, flowers, fake fingers, and bottles.
Timeline
The document provides a timeline for Emma, Laurel, Jordan and Gabriella. It lists the names of four individuals but does not include any dates or details about events. The short document title "Draft One: Timeline" suggests it is a preliminary outline for a timeline that requires more information to be developed.
Draft one storyboard
Emma, Laurel, Jordan, and Gabriella are working on a storyboard together. The storyboard is for a group project they are collaborating on. It will need to be completed and submitted by the deadline.
Zombie research!
This document outlines various conventions and tropes that are commonly seen in zombie films. It discusses conventions related to isolation, unawareness of infection, urban/abandoned settings, apocalyptic worlds, editing styles, character types, survival themes, head shots being required to kill zombies. It also discusses conventional props like gore makeup, blood, and weapons. Common locations are also outlined along with conventional endings like cliffhangers and high death counts. Early zombie conventions of being controlled by a master and their slow, mindless nature are contrasted with Romero popularizing the idea of zombies driven by uncontrolled hunger that can infect others through bites. Modern films still draw from Romero's conventions but show more variety with faster,
Film treatment a2 draft 1
1) The document is a film treatment that outlines various shots planned for a film about a boy named Keiran who becomes a zombie after drinking an energy drink.
2) After becoming a zombie, Keiran exhibits typical zombie behaviors like weakness, sluggish movement, and physical decay.
3) Keiran's friend and crush, Lily, feels bad for him and decides to drink the same drink in an attempt to empathize with Keiran, but she also turns into a zombie.
Narrative enigmas in trailers
The document discusses narrative conventions in action thriller movie trailers. It notes that trailers typically follow a chronological order until a climactic turning point, then become faster-paced and non-linear while still building to reveal the main enigma. Trailers employ both unrestricted narrative, giving audiences clues, and restricted narrative, keeping some details unknown to create enigmas. Enigmas are crafted through fast editing leaving questions and using flashbacks that require the audience to piece together an incomplete story.
Editing in trailers
This document discusses editing techniques used in horror comedy film trailers. It explores the trailers for Shaun of the Dead and Zombieland. Montage editing is used to show the best bits of the films and encourage viewership. Fast pacing creates tension and excitement. CGI glorifies scenes that could not be filmed in real life. Ellipsis removes unimportant details allowing more interesting scenes. Horror trailers use fast pacing and jump scares. Romance uses flashbacks and medium pacing with no need for suspense. Action uses fast pacing and CGI for fights and explosions. Editing connects to plot and narrative by setting atmosphere and showing consequences. The author finds inspiration in fast pacing to set tone and montage editing to showcase
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final draft film treatment
- 1. Film Treatment (Final Draft) Emma Marshall Annamaria Noto Bridget Cardenas Pazmino
- 2. FILM TREATMENT 00:00 00:15 The opening sequence begins with an overhead shot of AMBER lying on the ground outside with her eyes shut. Her facial expression is neutral, her make up is simple (eyeliner and red lipstick) 00:20 After a dissolve transition there is a long shot of AMBER and her FRIEND walking along both of them looking at AMBER'S phone. Their facial expression will be a little confused/ lost. 00:30 The next shot is an overhead shot which shows the screen of AMBER'S phone. There is a map. AMBER and her FRIEND are clearly lost or are not sure where they are going. Long shot from in front of AMBER and her FRIEND continuing to walk, looking around them for some kind of clue as to where they are but mainly still looking down at the map on the phone, trying to figure out where they are going. When you see their facial expression it is still confused/lost.
- 3. 00:35 Mid shot of the two friends stopping, looking up and around them properly, suddenly realising where they are. AMBER looks quite excited and quite happy and content at her surroundings whereas the FREIND looks worried and scared about where they have ended up. 00:40 Eye line match occurs, showing the location of the graveyard. Right in the middle of the graveyard is a tall tree. Close up shot of AMBER showing her facial expression which is still quite excited and intrigued.Close up shot of FRIEND showing her facial expression which is scared, indicating she does not want to be in the graveyard. 00:45 Long shot of the two girls, FRIEND begins to back away slowly and then leaves AMBER by herself after running away. AMBER continues on into the graveyard, still looks excited and intrigued.
- 4. 00:50 Long shot from behind of the FREIND running down the path alone (she has just left AMBER). She has decided for sure she was not adventuring any further into the graveyard so continues to leave. 00:60 POV from the Mystery Creature's perspective, looking at AMBER who is still all alone. She does not look vulnerable however, but daring and determined to explore. She’s taking photos on her phone and looking around her. 00:65 Close up shot on Amber's pocket, she puts her phone away.
- 5. Long shot from behind of AMBER walking towards the same area/ direction of the tree (where the Mystery Creature) is hiding. 00:75 POV from the Mystery Creature's perspective again of AMBER coming towards him/ the area of the tree. Long shot of AMBER from behind continuing to walk towards the tree. 00:80 POV from Mystery Creature's perspective of AMBER coming towards him. Long shot of AMBER from behind continuing to walk towards the tree. (THESE FIVE SHOTS WILL BE EDITED INTO CROSS CUTTING. We may add more than just the five shots when it comes to editing depending on how fast paced we decide we want the shots.)
- 6. 00:90 After a black screen, the opening sequence will end with an overhead shot of AMBER lying on the floor with her eyes shut (matching the first shot at the beginning of the sequence). Suddenly her eyes open to reveal that they are red, suggesting the possession of something supernatural.