Lyric breakdown - Hurricane
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The document provides the lyrics to Halsey's song "Hurricane". The lyrics describe a young person who does not belong to any city or man, and sees themselves as independent and wild like a hurricane or violence in a rainstorm. They reference encounters with romantic partners in Brooklyn and Bed Stuy but the overall message is of the singer's independence and unwillingness to be owned or controlled by another person.
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Mise enscene blood diamond
Blood Diamond is a 2006 film that depicts the Sierra Leone Civil War in 1996-2001. It focuses on the illegal diamond trade that funded the war and profited warlords. The film shows the atrocities of the war, including rebels amputating people's hands to discourage voting. It stars Leonardo DiCaprio as a man searching for a rare pink diamond.
Blood Diamond
Edward Zwick is an American director known for heroic films like Glory and Legends of the Fall. He received several Oscar nominations, including four for The Last Samurai. Zwick's most famous drama was Blood Diamond, released in 2007, which explores the diamond trade in Sierra Leone. The opening scene uses visual techniques like maps, subtitles, and costumes to establish the setting and foreshadow the violence to come from the conflict over blood diamonds. Shots of the coast and villagers also create a sense of tranquility despite the corruption happening nearby.
Donnie lightwood visible , 2nd edited draft script by rose
The music video script tells the story of a male character searching for clues in the forest to find a missing female character. Flashbacks show the female hiding a box and being chased and dragged away by a masked figure. In the present, the male finds the box buried in the forest, containing a photo of the female with the masked figure in the background and a note saying she was never to be seen. The script uses techniques like grayscale, mists, and blurred/out of focus shots to convey mystery and tension as the male pieces together what happened to the female character.
Donnie lightwood visible , 2nd draft script
The music video script describes scenes that will be filmed for a song called "Visible" by Donnie Lightwood. It involves a male character in the present day investigating clues in the forest that seem connected to a female character's experience in the past. The female is seen walking nervously in the forest, being followed and attacked by a masked figure, falling injured, and dragged away. The male finds disturbed dirt and signs of dragging that lead him to uncover a buried box containing a photo of the female with the masked figure and a note saying she was never to be seen. The script uses techniques like grayscale, mist, and blurred/out of focus shots to convey a ominous and mysterious tone as the male pieces together what happened to the
Donnie lightwood visible , final draft
The document is a script for a music video for the song "Visible" by Donnie Lightwood. The script describes 8 scenes:
1. Shadows of a man are seen in a forest as the camera pans around the trees.
2. A female looks up at light through the trees, then cuts to a male in the present doing the same.
3. A female is seen walking nervously in the forest and being followed by something, as footprints are zoomed in on. The male then investigates matching footprints.
4. The female trips and sees a masked figure watching her in the forest. The male later finds markings on a tree from where the figure was.
Donnie lightwood visible , 3rd draft script
The document is a script for a music video for the song "Visible" by Donnie Lightwood. The script describes 8 scenes:
1. Shadows of a man are seen in the forest as the camera pans around.
2. A female looks up at light in the forest, then cuts to a male in the present doing the same.
3. A female is seen walking nervously in the forest and being followed, while a male investigates footprints.
4. The female falls and sees a masked figure, while the male finds markings on a tree.
5. The female hides from the masked figure following her, while the male is in the present.
6.
Music video script_template_wrdfwe my script
The music video script tells the story of a male character searching for clues in the forest to find a missing female character. It alternates between flashbacks showing the female hiding a box and being chased by a masked figure, and the present day male investigating her footprints and buried clues. The male eventually finds the box containing a photo of the female with the masked figure in the background and a note saying she is never to be seen. The script uses techniques like grayscale, mists, and blurred/out of focus shots to convey mystery and tension as the male pieces together what happened to the female character.
Donnie lightwood visible , 1st draft script
The music video script is for the song "Visible" by Donnie Lightwood. It follows a male character who is searching for a box in the forest, tracing the footsteps of a female character. Through flashbacks, it is revealed that the female hid the box and was being followed by a masked figure. The male character in the present finds the disturbed dirt where the box was buried, containing a photo of the female with the masked figure in the background and a note saying she was never to be seen. The script uses techniques like grayscale, mists, and blurred/out of focus shots to convey the story and emotions of being followed and feeling invisible.
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Mise enscene blood diamond
Blood Diamond is a 2006 film that depicts the Sierra Leone Civil War in 1996-2001. It focuses on the illegal diamond trade that funded the war and profited warlords. The film shows the atrocities of the war, including rebels amputating people's hands to discourage voting. It stars Leonardo DiCaprio as a man searching for a rare pink diamond.
Blood Diamond
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Donnie lightwood visible , 2nd edited draft script by rose
The music video script tells the story of a male character searching for clues in the forest to find a missing female character. Flashbacks show the female hiding a box and being chased and dragged away by a masked figure. In the present, the male finds the box buried in the forest, containing a photo of the female with the masked figure in the background and a note saying she was never to be seen. The script uses techniques like grayscale, mists, and blurred/out of focus shots to convey mystery and tension as the male pieces together what happened to the female character.
Donnie lightwood visible , 2nd draft script
The music video script describes scenes that will be filmed for a song called "Visible" by Donnie Lightwood. It involves a male character in the present day investigating clues in the forest that seem connected to a female character's experience in the past. The female is seen walking nervously in the forest, being followed and attacked by a masked figure, falling injured, and dragged away. The male finds disturbed dirt and signs of dragging that lead him to uncover a buried box containing a photo of the female with the masked figure and a note saying she was never to be seen. The script uses techniques like grayscale, mist, and blurred/out of focus shots to convey a ominous and mysterious tone as the male pieces together what happened to the
Donnie lightwood visible , final draft
The document is a script for a music video for the song "Visible" by Donnie Lightwood. The script describes 8 scenes:
1. Shadows of a man are seen in a forest as the camera pans around the trees.
2. A female looks up at light through the trees, then cuts to a male in the present doing the same.
3. A female is seen walking nervously in the forest and being followed by something, as footprints are zoomed in on. The male then investigates matching footprints.
4. The female trips and sees a masked figure watching her in the forest. The male later finds markings on a tree from where the figure was.
Donnie lightwood visible , 3rd draft script
The document is a script for a music video for the song "Visible" by Donnie Lightwood. The script describes 8 scenes:
1. Shadows of a man are seen in the forest as the camera pans around.
2. A female looks up at light in the forest, then cuts to a male in the present doing the same.
3. A female is seen walking nervously in the forest and being followed, while a male investigates footprints.
4. The female falls and sees a masked figure, while the male finds markings on a tree.
5. The female hides from the masked figure following her, while the male is in the present.
6.
Music video script_template_wrdfwe my script
The music video script tells the story of a male character searching for clues in the forest to find a missing female character. It alternates between flashbacks showing the female hiding a box and being chased by a masked figure, and the present day male investigating her footprints and buried clues. The male eventually finds the box containing a photo of the female with the masked figure in the background and a note saying she is never to be seen. The script uses techniques like grayscale, mists, and blurred/out of focus shots to convey mystery and tension as the male pieces together what happened to the female character.
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The music video script is for the song "Visible" by Donnie Lightwood. It follows a male character who is searching for a box in the forest, tracing the footsteps of a female character. Through flashbacks, it is revealed that the female hid the box and was being followed by a masked figure. The male character in the present finds the disturbed dirt where the box was buried, containing a photo of the female with the masked figure in the background and a note saying she was never to be seen. The script uses techniques like grayscale, mists, and blurred/out of focus shots to convey the story and emotions of being followed and feeling invisible.
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The document is a music video script that tells the story of a male character searching for a box in the forest that was hidden there by a female character. It contains descriptions of flashbacks showing the female hiding the box and becoming frightened as she is followed by a masked figure. The male character finds clues left behind like footprints and disturbed dirt that lead him to uncover the box with a photo of the female and a note warning her to never be seen. The script is intended to accompany a song about feeling invisible and what it will take to be seen.
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The document is a music video script that tells the story of a male character searching for a box in the forest that was hidden there by a female character. It contains descriptions of flashbacks showing the female hiding the box and becoming frightened as she is followed by a masked figure. The male character finds clues left behind like footprints and disturbed dirt that lead him to uncover the box with a photo of the female and a note warning her to never be seen. The script is intended to accompany a song about feeling invisible and what it will take to be seen.
Tss analysis
The Sixth Sense is a 1999 American supernatural horror-thriller film directed by M. Night Shyamalan. It tells the story of Cole Sear, a troubled boy who is able to see and communicate with the dead. He is helped by Dr. Malcolm Crowe, a child psychologist also struggling with his own personal issues. The film was both a critical and financial success, establishing Shyamalan as a director and known for his signature plot twists.
Tss analysis
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The opening scene shows deserted plains and mountains in black and white tones, establishing the Southern US setting. As credits roll, folk music plays, introducing themes of freedom. The scene cuts to a busy diner, drawing attention to a waitress serving customers. The camera pans to two female customers as the main character, Louise, crosses into frame and advises them not to smoke. However, Louise is then shown smoking in the back of the diner, establishing her as an older sister figure who looks out for others but doesn't always follow her own advice. Louise is the focus of a static shot amid the busy diner, conveying her hectic work life.
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- The Gift, which uses tarot cards and ominous music to set a mysterious tone without dialogue.
- Premonition, which starts with a woman's normal morning routine before hints that something will go wrong.
- The Strangers, opening with text about true crimes and a 911 call reporting an intruder in a home, found destroyed with signs of violence.
- Awake, introducing the concept of anesthesia awareness through opening text.
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Similar to Lyric breakdown - Hurricane
Lyric breakdown
The document provides a lyric breakdown and analysis of the song "This Lonely Morning" by Best Coast. It summarizes that the song is about feeling alone and trapped in a casual relationship where the singer hopes it could become more serious but the other person often leaves. There are references to being drunk or love drunk throughout the lyrics, suggesting the relationship has the singer in a blurred and messy state of mind.
lyric analysis
The document provides a summary and direction for a music video depicting the two lives of a character named Carmen. It describes scenes showing Carmen partying, doing drugs, and in distress, while alternating with scenes of her appearing happy and well-adjusted. The overarching theme is of Carmen struggling with depression and addiction while projecting an image of fun and popularity to others. She sings the song, expressing a desire to warn others not to emulate her self-destructive lifestyle. The video utilizes shifting perspectives and angles to illustrate Carmen's contrasting private and public personas.
Music video Pitch (holly saunders)
The proposed music video follows a young couple's reckless relationship through montage clips. It will show them spending time together and separately to represent the ups and downs of the relationship. The female will be portrayed as gaining empowerment on her own without the male influence. The video aims to leave the audience questioning what will happen by not having a clear beginning, middle, and end. It will represent stereotypical gender roles and themes of youth rebellion through visuals and lyrics. The target audience is 16-25 year olds who will relate to the experience of relationships and finding independence.
Similar Product Research
The document discusses how the music video for Vance Joy's song "Riptide" effectively illustrates the lyrics through imagery. It analyzes several scenes from the video, showing how they represent specific lyrics. For example, an opening scene of a woman in a dentist's chair represents the lyric "I was scared of dentists and the dark." Throughout the video, close-up shots are used to highlight emotions and emphasize the meaning of the lyrics. The document examines how the video takes the lyrics literally to tell a story that portrays the singer's relationship with a woman who has gotten into trouble.
Lyrics breakdown
This document provides lyrics and timestamps for the song "Not Nineteen Forever" by The Courteeners. The lyrics describe a relationship between an older woman and a younger man, with references to dancing, rain, and growing older. A recurring line is "You're not nineteen forever", suggesting an acknowledgement that youth and its freedoms do not last.
music video pitch
The document proposes a music video that follows the relationship between two youths. The video will be presented as a montage, moving between scenes of the couple together and apart. It aims to portray them engaging in reckless behavior and question what led to their separation. The accompanying song lyrics describe a reckless drive and relationship that provided fleeting fulfillment. The video aims to represent rebellious youth and challenge stereotypes through empowering the female character without the male influence. It will incorporate various film and media theories to analyze representations of gender, youth culture, and the role of media.
Pitch
The music video will tell the story of a broken up couple through flashbacks. During the verses, the video will show happy, colorful flashbacks of the relationship through bright colors and close ups. In the chorus, the video will split the screen to show the sad girl and boy apart from each other with dull colors. The video aims to portray how even after a break up, exes still think about each other through looking at old photos and messages. It will leave out how the couple actually broke up. The target audience is 16-25 year olds, and aims to be relatable by showing the universal experience of heartbreak.
New idea music pitch
The document discusses plans for a music video that compares the experiences of an elderly war veteran visiting a memorial and a grieving young woman visiting a grave to the song "Demons" by Imagine Dragons, covered by a female artist. It outlines the narrative, locations, equipment, characters, stylistic influences including "Til It Happens To You" by Lady Gaga, and plans to brand the new artist in a similar style.
Music video analysis
The music video for All Time Low's "Somewhere in Neverland" depicts the singer wanting to escape from a dull office job into a carefree childhood fantasy world. It uses a vintage filter and depicts the singer and other characters happily flying away from responsibilities. While mostly playful, the beginning realistically shows the stress of modern life contributing to suicidal thoughts for the singer and another character. The video aims to portray universal feelings of wanting to return to easier times and simpler pleasures in life.
Music video analysis
The music video for "Let it Go" by The Neighbourhood uses a black and white aesthetic throughout. It portrays a woman struggling in her relationship and with societal expectations. In the beginning, she appears happy doing household chores, but is revealed to be crying and distressed when the chorus hits. As the video progresses, it becomes clear her husband is greedy and selfish, while she listens to others' judgments. By the end, images of her alternating distress and forced happiness leave the viewer to interpret her ultimate fate.
A2 taylor swift mine deconstruction
The document provides an analysis of a music video in multiple paragraphs. It notes that the video tells the story of a young couple falling in love through narrative and flashbacks. Various lyrics from the song are synchronized with corresponding visuals in the video, such as the singer making a goodbye gesture when singing "goodbye." Throughout the video, there are many close-up shots of the singer, establishing her as the main focus and star. The document analyzes various technical and directorial elements of the video but does not find any intertextual references.
Similar texts new
The teaser trailer provides context about the plot of If I Stay, which follows a teenage girl named Mia who gets into a car accident and ends up in a coma. During an out-of-body experience, she must decide whether to wake up and live a life different than she imagined or let go. Scenes from the film show Mia's life before the accident, including playing cello, bonding with friends at a bonfire, and falling in love. The trailer uses narration and dialogue to set up Mia's backstory and hint at the choice she faces without revealing too many details.
Timeline
This document provides a transcript and description of shots in a music video. It describes various scenes that show a girl experiencing difficulties at home with her parents fighting, feeling depressed, and going for walks in the forest. Her friend comes to comfort her when she is crying on the street, hugs her, and they walk together in the forest holding hands. The documentary cuts between shots of the girl and the singer, with the singer shown singing lyrics that reflect on changes, not feeling the same, and not knowing where she went wrong.
Analysis of lyrics kate nash
The document provides details on the planned visuals and shots for a music video analyzing the lyrics of the song "Foundations" by Kate Nash. It describes establishing shots to set the scene for each verse and emphasizes linking the visuals to the lyrics through props and facial expressions. Various locations are mentioned like a party for one scene and an airport for the chorus. Arguments and emotions portrayed get more intense as the song progresses. Throughout, the document focuses on properly relating the visuals to the lyrics and developing the artist's image while avoiding sexualizing women.
Analysis of lyrics kate nash
The document provides details on the planned visuals and shots for a music video analyzing the lyrics of the song "Foundations" by Kate Nash. It describes establishing shots to set the scene for each verse and emphasizes linking the visuals to the lyrics through props and facial expressions. Various locations are mentioned like a party for one scene and an airport for the chorus. Arguments and emotions portrayed get more intense as the song progresses. Throughout, the document discusses applying Andrew Goodwin's music video theory of relating visuals to lyrics and developing the artist's identity, while avoiding sexualizing women.
Analysis of three music videos
The document analyzes the music video for "Young and Beautiful" by Lana Del Rey. It notes that the video has a 1920s vintage aesthetic created through Lana's makeup, costumes, and editing techniques. The video is performance-based, featuring many close-up shots of Lana singing. It uses dark colors and lighting to create a melancholy mood that matches the lyrics. Overall, the analysis finds the video successfully matches the song's lyrics through its visual storytelling and vintage style.
Pitch
The document provides the lyrics to the song "We Don't Talk Anymore" by Charlie Puth featuring Selena Gomez. The song lyrics tell the story of a couple who has broken up and struggles to move on, as they constantly think about their past relationship and no longer communicate with each other like they used to. Over the course of the song, the lyrics describe the pain of breaking up and not being able to get the other person out of their mind.
Lyrics breakdown
The document provides lyrics from the 5 Seconds of Summer song "Heartbreak Girl" over the course of its 3 minute and 20 second runtime. The lyrics describe a man singing to a girl who constantly calls him crying about her ex-boyfriend and thanks him for being a friend, but the singer wants her to realize he has feelings for her and can treat her better than her ex. The chorus reiterates that the singer dedicates the song to her and wants her to see that he can "take away [her] hurt" and be her "cure".
Music video
The music video for "Doing the Right Thing" by Daughter tells the story of two elderly men dealing with the loss of a close friend. It uses techniques like a blue-toned filter, natural lighting, and a narrative storyline to connect the visuals to the lyrics. The video shows the men alone in their homes and one walking through the neighborhood, relating directly to lyrics about sitting in silence, watching television, and enjoying the sunlight. The red coat belonging to their lost friend is a symbol of warmth and happiness for one of the men. The music and visuals build together to represent the men's grief and vulnerability after their loss.
Treatment
The document outlines the structure and timing of a music video along with descriptions of the accompanying music, lyrics, and visuals. It is divided into sections including an intro, verse, pre-chorus, chorus, and outro. The intro consists of slow motion footage of a girl finding photos and flashbacks. The verse shows the boy looking at the girl from his car and her looking through photos upset. In the chorus, there are flashbacks of them arguing and a first meeting as the singer expresses not being able to trust himself but having good intentions. The outro repeats the lyrics while continuing to show flashbacks.
Similar to Lyric breakdown - Hurricane (20)
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Shooting Schedule 2
This document contains a shooting schedule for the music video "Hurricane - JƎSSICΛ" with 39 shots listed. The shots include close-ups and medium shots of the actor lip syncing lyrics against projections of storms, space, crowds and nature scenes. Party scenes with guests are also scheduled to be filmed at different locations alongside shots of the actor with sparklers in a park. Each shot details the camera angle, action, visual effect and designated call sheet number.
Shooting Schedule 2
This document contains a shooting schedule for the music video "Hurricane - JƎSSICΛ" with 39 shots listed. The shots include close-ups and medium shots of the actor lip syncing lyrics and walking with different visual projections and filters overlaid. Location calls are also provided for shots taking place at a party, in a park, or on location.
Shooting Schedule
The shooting schedule outlines 90 shots over 3 days for the film "Hurricane - JƎSSICΛ". Shot 1 is a medium close-up of the actor looking into the camera with a storm projection at the Media Studio. Shot 2 is a medium still shot of the actor walking across the studio with a NYC street projection, requiring two shots for an overlay in post-production at the Media Studio.
Abstract Narrative
The document discusses the feedback received that the music video lacked a clear narrative. While some scenes did not make sense on their own, it was the creator's intent from the beginning for the video to not have a chronological story. The treatment sheet stated the key themes of youth and independence would be shown through scenes of a Halloween party. Most films have a beginning to end narrative, but some more experimental videos use a more abstract narrative. The creator tried to portray an abstract narrative through various scenes to match the dream-pop/indietronica genre of the song and artist. Research showed many similar videos in this genre intentionally lack a usual narrative to add to the abstract concept.
Lack of narrative
The feedback on the music video noted that it lacked a clear narrative, as some scenes did not make sense together without more context. However, the creator intended from the beginning for it not to have a chronological story. They tried to show themes of youth and independence through visuals linked to the lyrics, rather than a narrative. Narrative is a key part of most films, but some more experimental works have a more abstract narrative. The creator aimed for an abstract music video to match the alternative genre of the artist and song. Research showed many similar videos in this genre don't make logical sense but add to the concept through various unrelated scenes incorporating the themes.
Mediation Theory
James Baker discusses three ways that mediation of media works: selection, organization, and focus. In the editing process, shots are selected to convey a particular idea, organized into a narrative or certain positions to get a point across, and the editor must consider if the ideas and mediation have been successfully communicated to the audience. The document also discusses the filmmaker's goals for their project - to portray themes of independence, youth freedom, and ideas from the lyrics and sound of the song through carefully selecting, organizing, and focusing shots to represent their concepts.
Mediation Theory
James Baker discusses three ways that mediation of media works: selection, organization, and focus. In the editing process, shots are selected to convey a particular idea, organized into a narrative or certain positions to get a point across, and the editor must consider if the ideas and mediation have been successfully communicated to the audience. The document also discusses the filmmaker's goals for their project - to portray themes of independence, youth freedom, and ideas from the lyrics and sound of the song through carefully selecting, organizing, and focusing shots to represent their concepts.
Mediation Theory
James Baker discusses three ways that mediation of media works: selection, organization, and focus. In the editing process, shots are selected to convey a particular idea, organized into a narrative or certain positions to get a point across, and the editor must consider if the ideas and mediation have been successfully communicated to the audience. The document also discusses the filmmaker's goals for their project - to portray themes of independence, youth freedom, and ideas from the lyrics and sound of the song through carefully selecting, organizing, and focusing shots to represent their concepts.
Advert Draft
The document discusses conventions for magazine advertisements for solo artists. It notes that the advertisements usually feature a large dominant image of the artist with their name also prominently displayed. They prominently promote the artist's album title to make it clear the purpose is to promote the new album. The advertisements also include praise quotes from publications, information on where the album can be accessed, its release date and record label. Analyzing these examples will help the author design their own successful advertisement.
Call Sheet 3
The call sheet is for the music video of Halsey's song "Hurricane" directed by Sian Holland. It will be shot on November 23rd, 2014 at Rossmere Park in Hartlepool, England. Sian Holland will direct and produce. Jess McAllister will play the singer and must arrive dressed and ready at 1:50PM. Equipment needed includes a Canon camera, tripod, projector, iPhone 6 to sync the music, and sparklers as props.
Genre Theory
The document discusses David Buckingham's genre theory that genre is constantly changing through negotiation over time rather than being static. It applies this theory to analyze how music videos have evolved within genres, with changing forms and functions leading to new hybrid genres. The document also discusses how studying existing music videos within the chosen genre of indie helped the author develop ideas for their own music video project by identifying conventions and seeing successful techniques used by other directors. Analyzing recent and older music videos provided inspiration while ensuring the planned video would fit the genre conventions.
Digipak 2
The document discusses the creation of a digipak for an artist named Halsey. It notes that the creator wanted to take inspiration from Halsey's existing material and style to stay true to the artist's genre conventions. It also discusses how Halsey, like many artists, relies on digital distribution through websites and streaming services. Specifically, Halsey released an EP called Room 93 almost exclusively through digital means. The creator considers how to design their digipak based on Halsey's existing album artwork, colors, and digital promotion strategies to make it look professional.
Call Sheet 1
The call sheet is for a music video shoot for the song "Hurricane" by artist Halsey. It will be directed and produced by Sian Holland and shot on November 10th, 2014 at the Media Studio at Hartlepool Sixth Form College. The shoot will run from 1:50PM to 3:50PM and feature Jess McAllister as the singer in black and white clothing. Equipment needed includes a Canon camera, tripod, projector, and iPhone to sync the music.
Call Sheet 2
The call sheet is for a music video shoot for the song "Hurricane" by artist Halsey. The shoot will take place on November 7, 2014 at the Media Studio at Hartlepool Sixth Form College. Sian Holland will direct and produce the 3 minute and 43 second alternative/dream pop video. Ellie Dunnington is cast as the singer and must arrive at 1:50PM in black and white clothing. Equipment includes a Canon camera, tripod, projector, and iPhone 6 to sync the music.
Call Sheet 1
This call sheet provides details for filming Halsey's music video for "Hurricane" on October 31, 2014. Sian Holland will direct and produce the video. Filming will take place from 7-10:30 PM at 288 Stockton Road in Hartlepool and feature 11 actors playing partygoers. All actors are asked to arrive in Halloween attire. Equipment includes a Canon camera, tripod, and iPhone to sync the music.
HURRICANE treatment sheet
The document outlines Sian Holland's treatment plan for a music video for Halsey's song "Hurricane". The video will use projections of images and videos onto the actor to represent themes of change and independence. It will show a Halloween party to portray youth and will feature nature shots that are distorted to represent how people and nature can be corrupted. Projection, performance, and location shots will be used to tell the non-chronological narrative and convey the key themes of change.
Call sheet 2 - party
This call sheet provides details for the filming of a music video for the song "This Lonely Morning" by the indie pop/surf rock artist Best Coast. Sian Holland will direct and produce the shoot taking place on November 1st, 2014 at a location in Hartlepool, England. The call sheet lists Demi Newton as the actor playing Best Coast's lead singer and Daniel Gray as the male lead, both required from 7-10:30 PM along with director Sian Holland. Equipment and props needs are also noted.
Call Sheet - beach
Sian Holland will direct and produce a music video for the song "This Lonely Morning" by the indie pop/surf rock artist Best Coast. The 2 minute and 42 second video will be filmed on Wednesday, October 29th at Seaton Carew Beach in Hartlepool, North East England. Demi Newton will play Best Coast's lead singer with Daniel Gray starring as the male lead. Sian Holland, Demi Newton, and Daniel Gray are scheduled to be on set from 10am to 1pm.
Personal Skills Audit
This document is a personal skills audit for Sian Holland. It summarizes the digital technology, post-production, research and planning, and creativity skills she acquired and developed while creating a film production. She used various software like Final Cut, LiveType, and GarageBand to edit, add titles, and create music. Extensive research and planning helped ensure a smooth production process. Her analysis of conventions from films like Sweeney Todd and Se7en provided inspiration while allowing for some unconventional elements. She aims to further develop these skills for her next A2 project.
TREATMENT SHEET
The document provides a treatment sheet for a music video for the song "This Lonely Morning" by Best Coast. The concept is to use different weather conditions to represent the singer's moods - happiness when with her partner versus loneliness when alone. Scenes with both the singer and partner will have nice weather, while solo scenes will feature dull or stormy weather. The video will be shot on a beach and include performances, dancing, and split screens to tell the story and fit audience expectations for the artist.
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Tom Cruise is a name that resonates with global audiences for his iconic roles in blockbuster films and his dynamic presence in Hollywood. But, beyond his illustrious career, Tom Cruise's personal life. especially his relationship with his daughter has been a subject of public fascination and media scrutiny. This article delves deep into the life of Tom Cruise daughter, Suri Cruise. Exploring her upbringing, the influence of her parents, and her current life.
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Introduction: The Fame Surrounding Tom Cruise Daughter
Suri Cruise, the daughter of Tom Cruise and Katie Holmes, has been in the public eye since her birth on April 18, 2006. Thanks to the media's relentless coverage, the world watched her grow up. As the daughter of one of Hollywood's most renowned actors. Suri has had a unique upbringing marked by privilege and scrutiny. This article aims to provide a comprehensive overview of Suri Cruise's life. Her relationship with her parents, and her journey so far.
Early Life of Tom Cruise Daughter
Birth and Immediate Fame
Suri Cruise was born in Santa Monica, California. and from the moment she came into the world, she was thrust into the limelight. Her parents, Tom Cruise and Katie Holmes. Were one of Hollywood's most talked-about couples at the time. The birth of their daughter was a anticipated event. and Suri's first public appearance in Vanity Fair magazine set the tone for her life in the public eye.
The Impact of Celebrity Parents
Having celebrity parents like Tom Cruise and Katie Holmes comes with its own set of challenges and privileges. Suri Cruise's early life marked by a whirlwind of media attention. paparazzi, and public interest. Despite the constant spotlight. Her parents tried to provide her with an upbringing that was as normal as possible.
The Influence of Tom Cruise and Katie Holmes
Tom Cruise's Parenting Style
Tom Cruise known for his dedication and passion in both his professional and personal life. As a father, Cruise has described as loving and protective. His involvement in the Church of Scientology, but, has been a point of contention and has influenced his relationship with Suri. Cruise's commitment to Scientology has reported to be a significant factor in his and Holmes' divorce and his limited public interactions with Suri.
Katie Holmes' Role in Suri's Life
Katie Holmes has been Suri's primary caregiver since her separation from Tom Cruise in 2012. Holmes has provided a stable and grounded environment for her daughter. She moved to New York City with Suri to start a new chapter in their lives away from the intense scrutiny of Hollywood.
Suri Cruise: Growing Up in the Spotlight
Media Attention and Public Interest
From stylish outfits to everyday activities. Suri Cruise has been a favorite subject for tabloids and entertainment news. The constant media attention has shaped her childhood. Despite this, Suri has managed to maintain a level of normalcy, thanks to her mother's efforts.
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Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
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定制(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书原版一模一样
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
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三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
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◇回国时间很长，忘记办理；
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◇申请留学生创业基金
留信网认证的作用:
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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Anasuya Sengupta Cannes 2024 Award Winner
Anasuya Sengupta, an Indian actress and designer, won the Best Actress Award at the Cannes Film Festival for the Bulgarian film 'The Shameless'.
The Gallery of Shadows, In the heart of a bustling city
In the heart of a bustling city, hidden away from the modern chaos …
created with AI assistance…
Brian Peck Leonardo DiCaprio: A Unique Intersection of Lives and Legacies
Introduction
The world of Hollywood is vast and interconnected. filled with countless stories of collaboration, friendship, and influence. Among these tales are the notable narratives of Brian Peck and Leonardo DiCaprio. The keyword "Brian Peck Leonardo DiCaprio" might not immediately ring a bell for everyone. but the connection between these two figures in the entertainment industry is intriguing and significant. This article delves deep into their lives, careers, and the moments where their paths intersect. providing a comprehensive look at how their stories intertwine.
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Early Life and Career Beginnings
Brian Peck: The Early Years
Brian Peck was born in New York City on July 29, 1960. From a young age, Peck exhibited a passion for the performing arts. He attended the Professional Children's School. which has a history of nurturing young talent in the arts. Peck's early career marked by a series of roles in television and film that showcased his versatility as an actor.
Peck's breakthrough came with his role in the cult classic "The Return of the Living Dead" (1985). His performance as Scuz, one of the punk rockers who releases a toxic gas that reanimates the dead. earned him a place in the annals of horror cinema. This role opened doors for Peck. allowing him to explore various facets of the entertainment industry. including writing and directing.
Leonardo DiCaprio: From Child Star to Hollywood Icon
Leonardo DiCaprio was born in Los Angeles, California, on November 11, 1974. His career began at a young age with appearances in television commercials and educational films. DiCaprio's big break came when he joined the cast of the popular sitcom "Growing Pains" (1985-1992). where he played the character Luke Brower.
DiCaprio's transition from television to film was seamless. He gained recognition for his role in "This Boy's Life" (1993) alongside Robert De Niro. This performance began a series of acclaimed roles. establishing DiCaprio as one of the most talented actors of his generation. His portrayal of Jack Dawson in James Cameron's "Titanic" (1997) catapulted him to global stardom. solidifying his status as a Hollywood icon.
Brian Peck Leonardo DiCaprio: Their Paths Cross
Collaborations and Connections
The keyword "Brian Peck Leonardo DiCaprio" signifies more than two names; it represents a fascinating connection in Hollywood. While their careers took different trajectories, their paths crossed in the 1990s. Brian Peck worked with DiCaprio on the set of the 1990s sitcom "Growing Pains." where DiCaprio had a recurring role. Peck appeared in a few episodes. contributing to the comedic and dynamic environment of the show.
Their professional relationship extended beyond "Growing Pains." Peck directed DiCaprio in several educational videos for the "Disneyland Fun" series. where DiCaprio's youthful charm and energy were evident. These early collaborations offered DiCaprio valuable experience in front of the camera. he
一比一原版(mcmaste毕业证书)加拿大麦克马斯特大学毕业证如何办理
原版一模一样【微信：741003700 】【(mcmaste毕业证书)加拿大麦克马斯特大学毕业证成绩单】【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
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综上所述，办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
University of Western Sydney degree offer diploma Transcript
澳洲UWS毕业证书制作西悉尼大学假文凭定制Q微168899991做UWS留信网教留服认证海牙认证改UWS成绩单GPA做UWS假学位证假文凭高仿毕业证申请西悉尼大学University of Western Sydney degree offer diploma Transcript
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【网址🎉ac10.net🎉】欧洲杯赌球是独立的博彩公司。该公司最初专门从事在线体育博彩，现在合并了在线娱乐场。该公司最初成立时以其前董事长Victor Chandler的名字命名，之后更名为欧洲杯赌球。欧洲杯赌球现由商人和赛马主，迈克尔·塔博尔拥有，运营总部设在直布罗陀。平台拥有体育博彩（沙巴）、真人娱乐场、电子游戏、金融投注等游戏项目，支持手机投注，优惠活动很丰富。
The Future of Independent Filmmaking Trends and Job Opportunities
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
一比一原版(AUT毕业证)奥克兰理工大学毕业证如何办理
AUT毕业证假文凭【微信95270640】购买（奥克兰理工大学毕业证成绩单硕士学历）Q微信95270640代办AUT学历认证留信网伪造奥克兰理工大学学位证书精仿奥克兰理工大学本科/硕士文凭证书补办奥克兰理工大学 diplomaoffer,Transcript购买奥克兰理工大学毕业证成绩单购买AUT假毕业证学位证书购买伪造奥克兰理工大学文凭证书学位证书,专业办理雅思、托福成绩单，学生ID卡，在读证明，海外各大学offer录取通知书，毕业证书，成绩单，文凭等材料:1:1完美还原毕业证、offer录取通知书、学生卡等各种在读或毕业材料的防伪工艺（包括 烫金、烫银、钢印、底纹、凹凸版、水印、防伪光标、热敏防伪、文字图案浮雕，激光镭射，紫外荧光，温感光标）学校原版上有的工艺我们一样不会少，不论是老版本还是最新版本，都能保证最高程度还原，力争完美以求让所有同学都能享受到完美的品质服务。
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国外奥克兰理工大学奥克兰理工大学毕业证文凭证书办理过程：
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3毕业证成绩单电子版做好以后发送给您确认；
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5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。蜿蜒小溪一直都是山娃和小伙伴们盛夏的天然泳场水不深碎石底石缝里总有摸不尽的鱼虾活蹦乱跳的还有乌龟和王八贼头贼脑的倒也逗人喜爱日上三竿时山娃总爱窜进自家瓜棚里跟小伙伴们坐着聊天聊着聊着便忍不住往瓜田里逡巡一番抱起一只硕大的西瓜用石刀劈开抑或用拳头砸开每人抱起一大块就啃啃得满嘴满脸猴屁股般的红艳大家一个劲地指着对方吃吃地笑瓜裂得古怪奇形怪状却丝毫不影响瓜味甜丝丝的满嘴生津遍地都是瓜横七竖八的活像掷满这
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Lyric breakdown - Hurricane
- 1. LYRIC BREAKDOWN HALSEY - HURRICANE START LYRIC END 0:00 INSTRUMENTAL 0:01 0:01 There's a place way down in Bed Stuy 0:05 0:05 Where a boy lives behind bricks 0:09 0:09 He's got an eye for girls of eighteen 0:13 0:13 And he turns them out like tricks 0:17 0:17 I went down to a place in Bed Stuy 0:21 0:21 A little liquor on my lips 0:25 0:25 I let him climb inside my body 0:29 0:29 And held him captive in my kiss 0:33 0:33 And there's a storm you're starting now 0:36 0:37 And there's a storm you're starting now 0:40 0:40 And there's a storm you're starting 0:45 0:46 I'm a wanderess 0:48 0:48 I'm a one night stand 0:50 0:50 Don't belong to no city 0:52 0:52 Don't belong to no man 0:54 0:54 I'm the violence in the pouring rain 0:59 1:00 I'm a hurricane 1:02 1:02 INSTRUMENTAL WITH OH’S 1:08 1:08 I'm a hurricane 1:10 1:10 INSTRUMENTAL WITH OH’S 1:16 1:16 I'm a hurricane 1:19 1:17 I went down to a place in Brooklyn 1:21 1:21 Where you tripped on LSD 1:24 1:25 And I found myself reminded 1:29 1:29 To keep you far away from me 1:33 1:33 And there's a storm you're starting now 1:37 1:37 And there's a storm you're starting now 1:41 1:41 And there's a storm you're starting 1:44 1:45 I'm a wanderess 1:48 1:48 I'm a one night stand 1:50 1:50 Don't belong to no city 1:52 1:52 Don't belong to no man 1:54 1:54 I'm the violence in the pouring rain 1:59 2:00 I'm a hurricane 2:02 2:02 INSTRUMENTAL WITH OH’S 2:08 2:08 I'm a hurricane 2:10 2:10 INSTRUMENTAL WITH OH’S 2:16 2:16 I'm a hurricane 2:19 2:19 INSTRUMENTAL 2:32 2:33 He says, "Oh, baby, beggin' you to save me. 2:37
- 2. _____ = indicatesthe blendingof parts I interpret these lyrics to project ideas of independence and youth. Whilst it mentions ideas of a romantic partner, the message the song gives out is that this particular person isn’t important to the singer because they won’t allow themselves to become someone’s property, or the property of anything: ‘Don't belong to no city, don't belong to no man’. Within the concept of a video, I would take this to mean I would more than likely show the star alone but being content with this notion. Whilst a big part of the song does mention another person, I think not including them could suggest more of an independent mine than including them in techniques such as flashbacks. The links to youth is broadcast in the casual mentions of substance taking and in the general sound of the song. The genre which I identified as dream pop is relatively new in terms of how well people are aware of genres, or sub-genres, so to use a song of this category we can only assume it’ll be a youthful song. ‘I’m a wanderess’ gives me the impression of being young and able to travel without having connections to one particular place. In this instance, I will attempt to show youth in my video. My target audience is evidently young people so I hope I will be able to put this theme across successfully. The clear link to weather – ‘And there's a storm you're starting now … I'm the violence in the pouring rain … I'm a hurricane’ – suggests that I should aim to include a nod to this in my video. I think the weather conditions included in the lyrics are more on the violent side, perhaps linking to more of a wild youth idea. 2:38 Well lately, I like 'em crazy. 2:42 2:42 Oh, maybe, you could devastate me. 2:46 2:46 Little lady, come and fade me." 2:50 2:50 I'm a wanderess 2:52 2:52 I'm a one night stand 2:54 2:54 Don't belong to no city 2:56 2:56 Don't belong to no man 2:58 2:58 I'm the violence in the pouring rain 3:03 3:04 Come and fade me 3:06 3:06 INSTRUMENTAL 3:12 3:12 Come and fade me 3:14 3:14 INSTRUMENTAL 3:19 3:20 I’m a hurricane 3:23 3:23 INSTRUMENTAL, FADE OUT 3:42