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LUCY GRAY
William Wordsworth
"Lucy Gray" is a poem written by William
Wordsworth in 1799 and published in
his Lyrical Ballads. It describes the death of
a young girl named Lucy Gray, who went
out one evening into a storm.
Background
The poem was inspired by Wordsworth being surrounded by
snow, and his sister's memory of a real incident that happened
at Halifax. Wordsworth explained the origins when he wrote,
"Written at Goslar in Germany in 1799. It was founded on a
circumstance told me by my Sister, of a little girl who, not far
from Halifax in Yorkshire, was bewildered in a snow-storm. Her
footsteps were traced by her parents to the middle of the lock of
a canal, and no other vestige of her, backward or forward, could
be traced. The body however was found in the canal."Lucy
Gray was first published in Volume 2 of the 1800 edition
of Lyrical Ballads.
Lucy Gray is generally not included with
Wordsworth's "Lucy" poems,[4] even though it is a
poem that mentions a character named Lucy. The
poem is excluded from the series because the
traditional "Lucy" poems are uncertain about the
age of Lucy and her actual relationship with the
narrator, and Lucy Gray provides exact details on
both. Furthermore, the poem is different than the
"Lucy" poems in that it relies on narrative
storytelling and is a direct imitation of the
traditional 18th century ballad form.
The poem "Lucy Gray" tells the story of an innocent
child named Lucy Gray who lives far from society in
a cottage on the moors. One winter day, Lucy's
father sends her off to town with a lantern to meet
her mother. Unfortunately, Lucy gets lost in a
snowstorm and never reaches town. The next day,
Lucy's parents search for her throughout the
wilderness and end up following her footprints in
the snow. Lucy's parents track her footprints to a
wooden bridge where her footprints suddenly
disappear. Lucy's body is never recovered, but some
people still maintain that they see her spirit as they
walk through the forest.
Stanza 1
OFT I had heard of Lucy Gray:
And, when I crossed the wild,
I chanced to see at break of day
The solitary child.
This stanza provides the setting and the foreshadowing for
the rest of the poem. The reader knows that Lucy Gray has
been heard of before, and often. The speaker then claims
that he saw “the solitary child” right “at break of day”. At this
point, the speaker does not reveal why he has heard of Lucy
Gray. Nor does he reveal why seeing her is worth mentioning.
The first stanza simply strikes up curiosity about Lucy and
sets her up as an important figure.
Stanza 2
No mate, no comrade Lucy knew;
She dwelt on a wide moor,
–The sweetest thing that ever grew
Beside a human door!
This stanza continues to create curiosity about Lucy. The speaker says
that she has “no mate” and “no comrade”. The corresponds with his
description of her in the previous stanza as a “solitary child”. Then he
says that “she dwelt on a wide moor”. It is a strange thing to imagine a
child with no friends or family, alone, and living outside. One might begin
to think that he is describing some kind of feral child, but line three of this
stanza contradicts that idea entirely. The speaker says that she is “the
sweetest thing that ever grew beside a human door”. Now, the readers
can understand that Lucy is a sweet, darling child. The last line says that
she grew “beside a human door”. It seems strange that she did not grow
inside that door, since she is a human child. The speaker has already
mentioned that “she dwelt among the moor”. These two descriptions
cause the readers to wonder about Lucy and her strange identity.
Stanza 3
You yet may spy the fawn at play,
The hare upon the green;
But the sweet face of Lucy Gray
Will never more be seen.
Here, the speaker talks directly to the readers and says that
they may “spy the fawn at play” and that they may catch
sight of a “hare upon the green” but that “the sweet face of
Lucy Gray will never more be seen”. With this stanza, the
speaker reveals that something has happened to Lucy.
Stanza 4
“To-night will be a stormy night–
You to the town must go;
And take a lantern, Child, to light
Your mother through the snow.”
The quotes here indicate that the speaker is now
telling a story. This, perhaps is a story he has heard
from another. He begins to talk from another’s point
of view. This person apparently sent the child out in
the snow with a lantern to find her mother.
Stanza 5
“That, Father! will I gladly do:
‘Tis scarcely afternoon–
The minster-clock has just struck two,
And yonder is the moon!”
The speaker has already described Lucy as “the
sweetest thing” so it does not come as a surprise that
she should respond, “That, Father! Will I gladly do:”. This
also reveals that the speaker within the quotes is Lucy’s
father. The father sends his daughter out at two o’clock in
the afternoon. He asks her to take a lantern to her
mother. Lucy gladly goes.
Stanza 6
At this the Father raised his hook,
And snapped a faggot-band;
He plied his work;–and Lucy took
The lantern in her hand.
This stanza continues the story from the original
speaker’s point of view. He says that the father
returned to his work as Lucy went out with “the
lantern in her hand”.
Stanza 7
Not blither is the mountain roe:
With many a wanton stroke
Her feet disperse the powdery snow,
That rises up like smoke.
This stanza describes Lucy as walking along slowly and
carelessly, kicking up the “powdery snow” as she walks, and
watching it rise “like smoke”. These descriptions of Lucy help
to continue to paint a picture of a sweet and innocent child.
The more the reader gets to know Lucy, the more he feels
anxious about her, because the speaker has previously
stated that she is to be seen no more. The image of a little
girl, doing as her father asked, kicking up snow as she walks,
serves to attach the readers to Lucy.
Stanza 8
The storm came on before its time:
She wandered up and down;
And many a hill did Lucy climb:
But never reached the town.
With the first line of this stanza, the speaker reveals what
will happen to Lucy. “The storm came on before its time”
and Lucy “wandered up and down” and climbed “many a
hill…but never reached the town”. With this description, the
readers can imagine poor little Lucy, lost in the storm and
climbing hill after hill only to be lost in the storm.
Stanza 9
The wretched parents all that night
Went shouting far and wide;
But there was neither sound nor sight
To serve them for a guide.
This stanza reveals that at some point during the
night, Lucy’s mother returned home. When her
parents realized that Lucy had never made it to town
with the lantern, they were “wretched…all that night”
as any parent would be as they frantically search for
their child. They “went shouting far and wide” but
found nothing in the darkness and silence of the
night.
Stanza 10
At day-break on a hill they stood
That overlooked the moor;
And thence they saw the bridge of wood,
A furlong from their door.
Again, the speaker mentions day-break. This is a
significant time in the poem. This is the time of
day when the speaker mentions having seen Lucy
Gray. This is also the time of day when the
parents realize that Lucy has probably not made it
through the winter storm.
Stanza 11
They wept–and, turning homeward, cried,
“In heaven we all shall meet;”
–When in the snow the mother spied
The print of Lucy’s feet.
At this point, the parents weep and give up their
search for Lucy. They turn home and cling to the hope
that they would meet with their daughter again in
heaven. At that moment, “the mother spied the print of
Lucy’s feet”. She has been all night in the storm. She
is not likely to have survived. However, the sight of
her footprint gives hope.
Stanza 12
Then downwards from the steep hill’s edge
They tracked the footmarks small;
And through the broken hawthorn hedge,
And by the long stone-wall;
With this, the parents begin to follow her footprints. They
see that she walked “through the broken hawthorn hedge
and by the long stone-wall”. With hope in their hearts, they
continue to follow her footsteps. By now, the reader is
likely fully sympathizing with the parents. The feeling of
frantically searching, the weeping and accepting her
death, and the renewed hope at seeing her footsteps are
all feelings the readers can either relate to or at least
imagine.
Stanza 13
And then an open field they crossed:
The marks were still the same;
They tracked them on, nor ever lost;
And to the bridge they came.
The parents track her prints all the way across the
field and to a bridge. The readers can imagine the
way the parents must be feeling as they followed
their daughter’s footprints and were forced to
imagine her trudging through the snowstorm, lost
and afraid.
Stanza 14
They followed from the snowy bank
Those footmarks, one by one,
Into the middle of the plank;
And further there were none!
This stanza invokes the feeling of intense loss. While
the parents follow the footsteps of the child, there is
hope that she might be found alive at the end of those
footprints. Instead, the prints led the parents to the
“middle of the plank” on the bridge, and suddenly the
footprints stop. The only conclusion is that Lucy fell off
the bridge.
Stanza 15
–Yet some maintain that to this day
She is a living child;
That you may see sweet Lucy Gray
Upon the lonesome wild.
This stanza reveals to the readers that the body of little Lucy
was never found. Had it been found, people would not
continue to claim that “she is a living child”. But they do, and
furthermore they claim that she can still be seen “upon the
lonesome wild”. This suggest that it is the spirit of Lucy that
is alive and can still be seen. This also gives more insight
into the opening stanzas in which the speaker claims that he
saw her and that she was a “solitary child”. It was the spirit of
Lucy Gray which he had often heard of and which he claims
to have seen.
Stanza 16
O’er rough and smooth she trips along,
And never looks behind;
And sings a solitary song
That whistles in the wind.
The speaker repeats again that he has seen Lucy Gray, and he
describes her as she is now. He says that “she trips along and never
looks behind” as she “sings a solitary song”. This gives a peaceful
description of Lucy, and implies that she perhaps sang and skipped
along before the storm took her away. It suggests that she was not
terrified by the storm, but that she was taken suddenly and by surprise.
Essentially, it suggests that she died happy, skipping along in the
snow. This, of course, would be what the parents would have
desperately hoped for after realizing that their daughter was not alive.
The story perpetrated about Lucy Gray suggests that if her spirit lives
on, it is the happy spirit of a lively young child skipping along through
the snow.
Thank You

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Lucy Gray by wWlliam Wordsworth

  • 2. "Lucy Gray" is a poem written by William Wordsworth in 1799 and published in his Lyrical Ballads. It describes the death of a young girl named Lucy Gray, who went out one evening into a storm.
  • 3. Background The poem was inspired by Wordsworth being surrounded by snow, and his sister's memory of a real incident that happened at Halifax. Wordsworth explained the origins when he wrote, "Written at Goslar in Germany in 1799. It was founded on a circumstance told me by my Sister, of a little girl who, not far from Halifax in Yorkshire, was bewildered in a snow-storm. Her footsteps were traced by her parents to the middle of the lock of a canal, and no other vestige of her, backward or forward, could be traced. The body however was found in the canal."Lucy Gray was first published in Volume 2 of the 1800 edition of Lyrical Ballads.
  • 4. Lucy Gray is generally not included with Wordsworth's "Lucy" poems,[4] even though it is a poem that mentions a character named Lucy. The poem is excluded from the series because the traditional "Lucy" poems are uncertain about the age of Lucy and her actual relationship with the narrator, and Lucy Gray provides exact details on both. Furthermore, the poem is different than the "Lucy" poems in that it relies on narrative storytelling and is a direct imitation of the traditional 18th century ballad form.
  • 5. The poem "Lucy Gray" tells the story of an innocent child named Lucy Gray who lives far from society in a cottage on the moors. One winter day, Lucy's father sends her off to town with a lantern to meet her mother. Unfortunately, Lucy gets lost in a snowstorm and never reaches town. The next day, Lucy's parents search for her throughout the wilderness and end up following her footprints in the snow. Lucy's parents track her footprints to a wooden bridge where her footprints suddenly disappear. Lucy's body is never recovered, but some people still maintain that they see her spirit as they walk through the forest.
  • 6. Stanza 1 OFT I had heard of Lucy Gray: And, when I crossed the wild, I chanced to see at break of day The solitary child. This stanza provides the setting and the foreshadowing for the rest of the poem. The reader knows that Lucy Gray has been heard of before, and often. The speaker then claims that he saw “the solitary child” right “at break of day”. At this point, the speaker does not reveal why he has heard of Lucy Gray. Nor does he reveal why seeing her is worth mentioning. The first stanza simply strikes up curiosity about Lucy and sets her up as an important figure.
  • 7. Stanza 2 No mate, no comrade Lucy knew; She dwelt on a wide moor, –The sweetest thing that ever grew Beside a human door! This stanza continues to create curiosity about Lucy. The speaker says that she has “no mate” and “no comrade”. The corresponds with his description of her in the previous stanza as a “solitary child”. Then he says that “she dwelt on a wide moor”. It is a strange thing to imagine a child with no friends or family, alone, and living outside. One might begin to think that he is describing some kind of feral child, but line three of this stanza contradicts that idea entirely. The speaker says that she is “the sweetest thing that ever grew beside a human door”. Now, the readers can understand that Lucy is a sweet, darling child. The last line says that she grew “beside a human door”. It seems strange that she did not grow inside that door, since she is a human child. The speaker has already mentioned that “she dwelt among the moor”. These two descriptions cause the readers to wonder about Lucy and her strange identity.
  • 8. Stanza 3 You yet may spy the fawn at play, The hare upon the green; But the sweet face of Lucy Gray Will never more be seen. Here, the speaker talks directly to the readers and says that they may “spy the fawn at play” and that they may catch sight of a “hare upon the green” but that “the sweet face of Lucy Gray will never more be seen”. With this stanza, the speaker reveals that something has happened to Lucy.
  • 9. Stanza 4 “To-night will be a stormy night– You to the town must go; And take a lantern, Child, to light Your mother through the snow.” The quotes here indicate that the speaker is now telling a story. This, perhaps is a story he has heard from another. He begins to talk from another’s point of view. This person apparently sent the child out in the snow with a lantern to find her mother.
  • 10. Stanza 5 “That, Father! will I gladly do: ‘Tis scarcely afternoon– The minster-clock has just struck two, And yonder is the moon!” The speaker has already described Lucy as “the sweetest thing” so it does not come as a surprise that she should respond, “That, Father! Will I gladly do:”. This also reveals that the speaker within the quotes is Lucy’s father. The father sends his daughter out at two o’clock in the afternoon. He asks her to take a lantern to her mother. Lucy gladly goes.
  • 11. Stanza 6 At this the Father raised his hook, And snapped a faggot-band; He plied his work;–and Lucy took The lantern in her hand. This stanza continues the story from the original speaker’s point of view. He says that the father returned to his work as Lucy went out with “the lantern in her hand”.
  • 12. Stanza 7 Not blither is the mountain roe: With many a wanton stroke Her feet disperse the powdery snow, That rises up like smoke. This stanza describes Lucy as walking along slowly and carelessly, kicking up the “powdery snow” as she walks, and watching it rise “like smoke”. These descriptions of Lucy help to continue to paint a picture of a sweet and innocent child. The more the reader gets to know Lucy, the more he feels anxious about her, because the speaker has previously stated that she is to be seen no more. The image of a little girl, doing as her father asked, kicking up snow as she walks, serves to attach the readers to Lucy.
  • 13. Stanza 8 The storm came on before its time: She wandered up and down; And many a hill did Lucy climb: But never reached the town. With the first line of this stanza, the speaker reveals what will happen to Lucy. “The storm came on before its time” and Lucy “wandered up and down” and climbed “many a hill…but never reached the town”. With this description, the readers can imagine poor little Lucy, lost in the storm and climbing hill after hill only to be lost in the storm.
  • 14. Stanza 9 The wretched parents all that night Went shouting far and wide; But there was neither sound nor sight To serve them for a guide. This stanza reveals that at some point during the night, Lucy’s mother returned home. When her parents realized that Lucy had never made it to town with the lantern, they were “wretched…all that night” as any parent would be as they frantically search for their child. They “went shouting far and wide” but found nothing in the darkness and silence of the night.
  • 15. Stanza 10 At day-break on a hill they stood That overlooked the moor; And thence they saw the bridge of wood, A furlong from their door. Again, the speaker mentions day-break. This is a significant time in the poem. This is the time of day when the speaker mentions having seen Lucy Gray. This is also the time of day when the parents realize that Lucy has probably not made it through the winter storm.
  • 16. Stanza 11 They wept–and, turning homeward, cried, “In heaven we all shall meet;” –When in the snow the mother spied The print of Lucy’s feet. At this point, the parents weep and give up their search for Lucy. They turn home and cling to the hope that they would meet with their daughter again in heaven. At that moment, “the mother spied the print of Lucy’s feet”. She has been all night in the storm. She is not likely to have survived. However, the sight of her footprint gives hope.
  • 17. Stanza 12 Then downwards from the steep hill’s edge They tracked the footmarks small; And through the broken hawthorn hedge, And by the long stone-wall; With this, the parents begin to follow her footprints. They see that she walked “through the broken hawthorn hedge and by the long stone-wall”. With hope in their hearts, they continue to follow her footsteps. By now, the reader is likely fully sympathizing with the parents. The feeling of frantically searching, the weeping and accepting her death, and the renewed hope at seeing her footsteps are all feelings the readers can either relate to or at least imagine.
  • 18. Stanza 13 And then an open field they crossed: The marks were still the same; They tracked them on, nor ever lost; And to the bridge they came. The parents track her prints all the way across the field and to a bridge. The readers can imagine the way the parents must be feeling as they followed their daughter’s footprints and were forced to imagine her trudging through the snowstorm, lost and afraid.
  • 19. Stanza 14 They followed from the snowy bank Those footmarks, one by one, Into the middle of the plank; And further there were none! This stanza invokes the feeling of intense loss. While the parents follow the footsteps of the child, there is hope that she might be found alive at the end of those footprints. Instead, the prints led the parents to the “middle of the plank” on the bridge, and suddenly the footprints stop. The only conclusion is that Lucy fell off the bridge.
  • 20. Stanza 15 –Yet some maintain that to this day She is a living child; That you may see sweet Lucy Gray Upon the lonesome wild. This stanza reveals to the readers that the body of little Lucy was never found. Had it been found, people would not continue to claim that “she is a living child”. But they do, and furthermore they claim that she can still be seen “upon the lonesome wild”. This suggest that it is the spirit of Lucy that is alive and can still be seen. This also gives more insight into the opening stanzas in which the speaker claims that he saw her and that she was a “solitary child”. It was the spirit of Lucy Gray which he had often heard of and which he claims to have seen.
  • 21. Stanza 16 O’er rough and smooth she trips along, And never looks behind; And sings a solitary song That whistles in the wind. The speaker repeats again that he has seen Lucy Gray, and he describes her as she is now. He says that “she trips along and never looks behind” as she “sings a solitary song”. This gives a peaceful description of Lucy, and implies that she perhaps sang and skipped along before the storm took her away. It suggests that she was not terrified by the storm, but that she was taken suddenly and by surprise. Essentially, it suggests that she died happy, skipping along in the snow. This, of course, would be what the parents would have desperately hoped for after realizing that their daughter was not alive. The story perpetrated about Lucy Gray suggests that if her spirit lives on, it is the happy spirit of a lively young child skipping along through the snow.