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Lowell Mason
  The Song Garden
Its Background, Content,
and Comparison to a
Twentieth-Century Series.



 Colwell, Cynthia M., and George N. Heller. 2003
    Journal of Research in Music Education
                51 (3): 231-244
The Song Garden

This was the first music education
series for schoolchildren.

It was in print from 1864-1866
Purpose

The series was intended to be used in
schools or by families.

It was a systematic, thorough course
of vocal education.

Mason wrote introductions for each book
in which he emphasized the value of
music education.
Format

There was no teacher’s edition.
The student and teacher used the same
book.

Each book contained information and
instruction for teachers.

The books were arranged progressively.
Book One

Book One was intended for younger
students.

It contained simple, easy, and
beautiful songs.

It included elementary exercises
for beginners.
Book Two

This volume was intended for older
students or adults.

It made use of scales and exercises
in the form of rounds.

The use of rounds taught part singing to
the students.
Book Three

Book three reviewed material from
the previous level.

Mason wrote an essay entitled
“Vocal Culture” and used it as the
introduction to the book.

This volume was intended for private
vocal teachers and classroom teachers.
Audrey Snyder Series

The series, “The Sight-Singer”, by Audrey
Snyder, was published in 1993.



The authors compared this series with
Mason’s “The Song Garden” in terms of:
*Physical appearance

*Technical material

*Source of music

*Amount of music

*Sequential approach
Physical appearance

  The physical appearance is considerably different
considering differences in publishing technologies.
Mason’s books have small type, are single spaced and
have no pictures except for a few diagrams in Book
Three.

The Sight-Singer series has more white space,
cartoon-like graphics, a separate teacher’s edition,
and comes with audio recordings.
Technical Material

   Mason’s series contains a great deal of information on
music theory and singing procedures. Most of the theoretical
information is at the beginning of each book. Little
information is found with the individual exercises.


 “In The Sight-Singer, the theoretical information is on each
page of the student manual with information on singing
procedures included succinctly in the teacher’s edition.”
(Colwell)
Source of the Music

  “The source of the music for The Song Garden is translated
German literature with both secular and sacred text.” (Colwell)
It is found in a final section of each text.


   “The music found in The Sight-Singer is original material,
secular in nature, which Snyder wrote or borrowed from
International folk songs. The song material in The Sight-
Singer is interspersed within the individual lessons.”(Colwell)
Amount of Music

The Song Garden contains quite a bit more
musical material than The Sight Singer.
Sequential Approach

The two series are similar in approach.
Both series:
  *use a movable do solfege system.
  *advocate focusing on rhythmic development before
  pitch development.
  *introduce the solfege syllables in the same order.
  *introduce rhythmic notation in almost the same
  order.
  *share a focus on providing a positive environment,
  encouraging daily practice.
  *begin with rhythm before progressing to melody.
Format
The Snyder series was first published in 1993.
It has separate teacher and student editions.
The “Sight-Singer” series is still available.

Sight-Sing a Song, Set 1 teaches beat and do –
do’ in the keys of C and F major.

Sight-sing a song, Set 2A moves on the the
keys of D and G major.

The Rhythm Reader is designed for choirs,
bands, orchestras, and general music. Rhythms
Are presented sequentially.
Critique

    The article was well-written and provided an
interesting comparison of an early music series
with a current series. It is noteworthy that
Lowell Mason’s series includes many of the
concepts taught in the Kodaly Method. This
reviewer recommends the article to others
researching music education series.
Work Cited

Colwell, Cynthia M., and George N. Heller. 2003. Lowell Mason's
  The Song Garden (1864-66): Its Background, Content, and
  Comparison to a Twentieth-Century Series . Journal of Research
  in Music Education 51 (3): 231-244

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Lowell Mason

  • 1. Lowell Mason The Song Garden
  • 2. Its Background, Content, and Comparison to a Twentieth-Century Series. Colwell, Cynthia M., and George N. Heller. 2003 Journal of Research in Music Education 51 (3): 231-244
  • 3. The Song Garden This was the first music education series for schoolchildren. It was in print from 1864-1866
  • 4. Purpose The series was intended to be used in schools or by families. It was a systematic, thorough course of vocal education. Mason wrote introductions for each book in which he emphasized the value of music education.
  • 5. Format There was no teacher’s edition. The student and teacher used the same book. Each book contained information and instruction for teachers. The books were arranged progressively.
  • 6. Book One Book One was intended for younger students. It contained simple, easy, and beautiful songs. It included elementary exercises for beginners.
  • 7. Book Two This volume was intended for older students or adults. It made use of scales and exercises in the form of rounds. The use of rounds taught part singing to the students.
  • 8. Book Three Book three reviewed material from the previous level. Mason wrote an essay entitled “Vocal Culture” and used it as the introduction to the book. This volume was intended for private vocal teachers and classroom teachers.
  • 9. Audrey Snyder Series The series, “The Sight-Singer”, by Audrey Snyder, was published in 1993. The authors compared this series with Mason’s “The Song Garden” in terms of:
  • 10. *Physical appearance *Technical material *Source of music *Amount of music *Sequential approach
  • 11. Physical appearance The physical appearance is considerably different considering differences in publishing technologies. Mason’s books have small type, are single spaced and have no pictures except for a few diagrams in Book Three. The Sight-Singer series has more white space, cartoon-like graphics, a separate teacher’s edition, and comes with audio recordings.
  • 12. Technical Material Mason’s series contains a great deal of information on music theory and singing procedures. Most of the theoretical information is at the beginning of each book. Little information is found with the individual exercises. “In The Sight-Singer, the theoretical information is on each page of the student manual with information on singing procedures included succinctly in the teacher’s edition.” (Colwell)
  • 13. Source of the Music “The source of the music for The Song Garden is translated German literature with both secular and sacred text.” (Colwell) It is found in a final section of each text. “The music found in The Sight-Singer is original material, secular in nature, which Snyder wrote or borrowed from International folk songs. The song material in The Sight- Singer is interspersed within the individual lessons.”(Colwell)
  • 14. Amount of Music The Song Garden contains quite a bit more musical material than The Sight Singer.
  • 15. Sequential Approach The two series are similar in approach. Both series: *use a movable do solfege system. *advocate focusing on rhythmic development before pitch development. *introduce the solfege syllables in the same order. *introduce rhythmic notation in almost the same order. *share a focus on providing a positive environment, encouraging daily practice. *begin with rhythm before progressing to melody.
  • 16. Format The Snyder series was first published in 1993. It has separate teacher and student editions. The “Sight-Singer” series is still available. Sight-Sing a Song, Set 1 teaches beat and do – do’ in the keys of C and F major. Sight-sing a song, Set 2A moves on the the keys of D and G major. The Rhythm Reader is designed for choirs, bands, orchestras, and general music. Rhythms Are presented sequentially.
  • 17. Critique The article was well-written and provided an interesting comparison of an early music series with a current series. It is noteworthy that Lowell Mason’s series includes many of the concepts taught in the Kodaly Method. This reviewer recommends the article to others researching music education series.
  • 18. Work Cited Colwell, Cynthia M., and George N. Heller. 2003. Lowell Mason's The Song Garden (1864-66): Its Background, Content, and Comparison to a Twentieth-Century Series . Journal of Research in Music Education 51 (3): 231-244