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We bring you exquisite painting, the expression of ideas and emotions, with the creation of
certain aesthetic qualities, in a two-dimensional visual language. The elements of this
language—its shapes, lines, colors, tones, and textures—are used in various ways to produce
sensations of volume, space, movement, and light on a flat surface. These elements are
combined into expressive patterns in order to represent real or supernatural phenomena, to

2. interpret a narrative theme, or to create wholly abstract visual relationships. An artist’s decision
to use a particular medium, such as tempera, fresco, oil, acrylic, watercolor or other water-
based paints, ink, gouache, encaustic, or casein, as well as the choice of a particular form, such
as mural, easel, panel, miniature, manuscript illumination, scroll, screen or fan, panorama, or
any of a variety of modern forms, is based on the sensuous qualities and the expressive
possibilities and limitations of those options. The choices of the medium and the form, as well
as the artist’s own technique, combine to realize a unique visual image. This has been so for
many centuries now including paintings from the Sistine Chapel, papal chapel in the Vatican
Palace that was erected in 1473–81 by the architect Giovanni dei Dolci for Pope Sixtus IV (hence
its name). It is famous for its Renaissance frescoes by Michelangelo.
The Sistine Chapel is a rectangular brick building with six arched windows on each of the two
main (or side) walls and a barrel-vaulted ceiling. The chapel’s exterior is drab and unadorned,
but its interior walls and ceiling are decorated with frescoes by many Florentine Renaissance
masters. The frescoes on the side walls of the chapel were painted from 1481 to 1483. On the
north wall are six frescoes depicting events from the life of Christ as painted by Perugino,
Pinturicchio, Sandro Botticelli, Domenico Ghirlandaio, and Cosimo Rosselli. On the south wall
are six other frescoes depicting events from the life of Moses by Perugino, Pinturicchio,
Botticelli, Domenico and Benedetto Ghirlandaio, Rosselli, Luca Signorelli, and Bartolomeo della
Gatta. Above these works, smaller frescoes between the windows depict various popes. For
great ceremonial occasions the lowest portions of the side walls were covered with a series of
tapestries depicting events from the Gospels and the Acts of the Apostles. These were designed
by Raphael and woven in 1515–19 at Brussels. The most important artworks in the chapel are
the frescoes by Michelangelo on the ceiling and on the west wall behind the altar. The frescoes
on the ceiling, collectively known as the Sistine Ceiling, were commissioned by Pope Julius II in
1508 and were painted by Michelangelo in the years from 1508 to 1512. They depict incidents
and personages from the Old Testament. The Last Judgment fresco on the west wall was painted
by Michelangelo for Pope Paul III in the period from 1534 to 1541. These two gigantic frescoes
are among the greatest achievements of Western painting. A 10-year-long cleaning and
restoration of the Sistine Ceiling completed in 1989 removed several centuries’ accumulation of
dirt, smoke, and varnish. Cleaning and restoration of the Last Judgment was completed in 1994.