Loction recce
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The document discusses location scouting for a music video. It describes taking photos in a forest to film happy scenes of a couple running around on a sunny day, experimenting with lighting to contrast with moodier scenes. It also mentions using a beach in Bournemouth for romantic couple scenes on a sunny day, and filming sad solo scenes on stormy days to help set the mood.
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Analysing and features of a music video
1. Andrew Goodwin identified 6 key features of music videos in his book "Dancing in the Distraction Factory". These include relating the visuals to the lyrics, demonstrating genre characteristics, relating the music and visuals, developing motifs of the artist, using the "male gaze" including voyeurism of women, and making intertextual references.
2. Goodwin described 3 parts of the "male gaze" as men looking at women's bodies, women looking at themselves critically, and women looking at other women judgmentally.
3. Goodwin outlined 5 ways to analyze music videos including examining the structure and voice of the song, the narrative and artist's performance, developing the star's image, relating visual
Media language
This document discusses key concepts in media language and semiotics. It defines media language as how media producers create meaning through specific techniques in their chosen medium, and how audiences learn to interpret those meanings. It then outlines some technical elements used in media like mise-en-scene, camerawork, sound, and editing. It also discusses codes, signs, and semiotics - how meaning is constructed through visual, audio and written codes and signs in media texts. Semiotics is defined as the study of sign systems and how meaning is constructed and reconstructed in media texts. Key theorists like Saussure, Peirce and Barthes are mentioned for their contributions to understanding signs and myth-making in media.
Floor plan
The document briefly mentions several nouns including trees, a river, grass, a boy, an actor, a girl, an actor and a camera without providing additional context or connection between the words.
Floor plan
The document describes 3 scenes involving a person named Kieran. The first scene shows Kieran with his head down listening to music in close up. The second scene is a medium long shot of Kieran performing the same action and being the focus of the shot. The third scene is the same shot but focused on a wall where an Avicii logo is located. Additional scenes show Kieran and someone named Sam looking at a TV and playing a game from different camera angles and focuses.
Production schedule
This document outlines the pre-production, production, and post-production schedules for a music video project. Pre-production took place over 6 weeks and included music video analysis, genre and audience research, annotated lyrics, costumes/props planning, storyboards, and schedules. Production was carried out over 5 days in December and involved various scenes shot at different locations with the cast. Post-production will occur from January to February, including editing the footage, potential reshoots, and exporting the final video. Evaluation of the project will be done from February to March through designing packaging, answering evaluation questions, and uploading all materials to a blog.
Genre Theory
Genre theory categorizes texts into types based on common elements. It views texts not as unique entities but as examples of general categories or certain types. Genre is a dynamic process that is constantly negotiated and changing to reflect societal changes. While genres once had distinct conventions, theorists now argue that genres are progressive and constantly hybridizing, making them more difficult to categorize. The main strength of genre theory is that it provides a framework that is universally understood by media experts, industries, and audiences, allowing for common analysis of media texts across different domains. However, genres can also restrict creativity by forcing texts into rigid categories.
Andrew goodwin (1992)
1. There are six key features of music videos according to Andrew Goodwin: they demonstrate genre characteristics; show a relationship between lyrics and visuals; show a relationship between music and visuals; include close ups of the artist per record label demands; frequently reference looking through screens and mirrors and feature voyeuristic treatment of women; and include intertextual references to other media.
2. There are five ways to analyze a music video: examining the thought beats in the sound; analyzing the narrative and performance; considering the star image; relating the visuals to the song; and evaluating the technical aspects like camera work, editing, and effects.
3. Technical aspects are important for music videos, with elements like
Genre theory A2 MEDIA
Genre theory divides media texts into categories based on common elements to help study them and audience responses. Key theorists discuss genres as dynamic categories that change over time to reflect societal values. Genres are recognizable through repeated conventions in areas like iconography, narrative structure, character representations, and ideological themes. While genres provide a useful framework, they can also restrict creativity and limit experimentation as industries rely on formulas audiences expect.
Recommended
Analysing and features of a music video
1. Andrew Goodwin identified 6 key features of music videos in his book "Dancing in the Distraction Factory". These include relating the visuals to the lyrics, demonstrating genre characteristics, relating the music and visuals, developing motifs of the artist, using the "male gaze" including voyeurism of women, and making intertextual references.
2. Goodwin described 3 parts of the "male gaze" as men looking at women's bodies, women looking at themselves critically, and women looking at other women judgmentally.
3. Goodwin outlined 5 ways to analyze music videos including examining the structure and voice of the song, the narrative and artist's performance, developing the star's image, relating visual
Media language
This document discusses key concepts in media language and semiotics. It defines media language as how media producers create meaning through specific techniques in their chosen medium, and how audiences learn to interpret those meanings. It then outlines some technical elements used in media like mise-en-scene, camerawork, sound, and editing. It also discusses codes, signs, and semiotics - how meaning is constructed through visual, audio and written codes and signs in media texts. Semiotics is defined as the study of sign systems and how meaning is constructed and reconstructed in media texts. Key theorists like Saussure, Peirce and Barthes are mentioned for their contributions to understanding signs and myth-making in media.
Floor plan
The document briefly mentions several nouns including trees, a river, grass, a boy, an actor, a girl, an actor and a camera without providing additional context or connection between the words.
Floor plan
The document describes 3 scenes involving a person named Kieran. The first scene shows Kieran with his head down listening to music in close up. The second scene is a medium long shot of Kieran performing the same action and being the focus of the shot. The third scene is the same shot but focused on a wall where an Avicii logo is located. Additional scenes show Kieran and someone named Sam looking at a TV and playing a game from different camera angles and focuses.
Production schedule
This document outlines the pre-production, production, and post-production schedules for a music video project. Pre-production took place over 6 weeks and included music video analysis, genre and audience research, annotated lyrics, costumes/props planning, storyboards, and schedules. Production was carried out over 5 days in December and involved various scenes shot at different locations with the cast. Post-production will occur from January to February, including editing the footage, potential reshoots, and exporting the final video. Evaluation of the project will be done from February to March through designing packaging, answering evaluation questions, and uploading all materials to a blog.
Genre Theory
Genre theory categorizes texts into types based on common elements. It views texts not as unique entities but as examples of general categories or certain types. Genre is a dynamic process that is constantly negotiated and changing to reflect societal changes. While genres once had distinct conventions, theorists now argue that genres are progressive and constantly hybridizing, making them more difficult to categorize. The main strength of genre theory is that it provides a framework that is universally understood by media experts, industries, and audiences, allowing for common analysis of media texts across different domains. However, genres can also restrict creativity by forcing texts into rigid categories.
Andrew goodwin (1992)
1. There are six key features of music videos according to Andrew Goodwin: they demonstrate genre characteristics; show a relationship between lyrics and visuals; show a relationship between music and visuals; include close ups of the artist per record label demands; frequently reference looking through screens and mirrors and feature voyeuristic treatment of women; and include intertextual references to other media.
2. There are five ways to analyze a music video: examining the thought beats in the sound; analyzing the narrative and performance; considering the star image; relating the visuals to the song; and evaluating the technical aspects like camera work, editing, and effects.
3. Technical aspects are important for music videos, with elements like
Genre theory A2 MEDIA
Genre theory divides media texts into categories based on common elements to help study them and audience responses. Key theorists discuss genres as dynamic categories that change over time to reflect societal values. Genres are recognizable through repeated conventions in areas like iconography, narrative structure, character representations, and ideological themes. While genres provide a useful framework, they can also restrict creativity and limit experimentation as industries rely on formulas audiences expect.
Costumes, actors and props
This document discusses the costumes, actors, and props that will be used in a music video. It introduces the two main actors, Kieran Goodall and Sam Webb, who will portray friends going through a falling out. Their casual clothing and contrasting outfits will reflect their differing personalities and emotional states. Props like Avicii logos, a photograph of the two friends, and boxes for Sam's belongings will help tell the story of a friendship deteriorating over time as one friend moves away. The costumes, actors, and props are designed to create relatable characters and advance the narrative while maintaining elements common to Avicii's style of music videos.
Shot list
The document is a shot list for a video containing 30 shots in various locations. It describes the shots which include close-ups and medium shots of the subjects Kieran and Sam interacting, relaxing together in different settings like at the beach and arcade, playing video games, and lip syncing in a photography studio. It also includes establishing shots of Kieran walking alone through a neighborhood and countryside.
Audience theory
This document discusses several theories of audience:
1) The Frankfurt School's "effects model" viewed audiences as passive recipients of media messages.
2) The two-step flow theory developed in the 1940s-50s recognized that opinion leaders influence others through interpretation of media.
3) Uses and gratifications theory from the 1960s saw audiences as active consumers who use media for purposes like diversion, relationships, identity, and information.
4) David Morley's 1980s study identified dominant, negotiated, and oppositional readings that audiences can take from media based on their perspectives.
Narrative theory
This document discusses several narrative theories and theorists. It defines narrative as a chain of causally linked events with a beginning, middle, and end, and notes that narratives embody judgments. It outlines Vladimir Propp's idea of character archetypes and Roland Barthes' five codes that help readers make sense of narratives: action, referential, semantic, enigma, and symbolic. It also mentions Claude Levi-Strauss' concept of binary oppositions in narratives and Allan Cameron's modular narratives approach. As an example, it analyzes the Taylor Swift song "You Belong with Me" through the lenses of Todorov, Levi-Strauss, and Barthes.
Types of music videos
Performance-based videos focus primarily on simply showing the artist performing the song. They are the cheapest and easiest to make but risk becoming boring with only performance shots. Narrative-based videos contain footage that tells a story or multiple parallel storylines, sometimes featuring actors or the artists themselves acting out a story that relates to the song's lyrics or theme. Conceptual videos are based around an abstract concept or idea, making them the most difficult and expensive to film through editing and special effects rather than live-action. Most successful videos incorporate elements of performance, narrative, and conceptual styles to have broader appeal while maintaining interest, though balancing the multiple styles adds production complexity.
Production scheduel
This document contains a schedule for filming and editing a short film. It includes the dates, locations, equipment needed, and assignments for filming outdoor shots, indoor shots, pickup shots, editing, color grading, and touch ups between December 2016 and January 2017. Ross is assigned to film, edit, and complete post-production work, while his brother Aaron will assist with acting on filming dates. Locations include Sand Hills, Ringwood, Bournemouth, and their home. Equipment includes a camera, tripod, and SD cards.
Annotated lyrics
The best annotated lyrics ever, maybe, possibly not, probably not, definitely not, but they are quite good.
Costumes
The document discusses costume choices for a pop music performance. The performer wants bright, fashionable costumes to fit the pop genre. They choose black skinny jeans, a messy hairstyle similar to current men's trends, a black shirt with an unzipped grey hoodie to show abstract elements, and white shoes. The black and white color scheme is meant to convey the somber theme of the love song about not letting someone go.
Prop list
The document lists three props needed for a film project: a bed for bedroom scenes where the actor wakes up, a red Vauxhall Corsa car for interior shots due to budget constraints, and either a lighter or bonfire to reference the "burning" lyrics in the song being filmed.
Genre research
R&B originated in the 1940s as a genre of African American popular music. It combines elements of blues, gospel, soul and funk. Typical R&B bands include piano, guitar, bass, drums and saxophone with background vocals. Lyrics focus on relationships, freedom, aspirations and sex. The term R&B has evolved over time as the music incorporated different styles. Famous R&B artists include Beyoncé, Mariah Carey, Michael Jackson, and Rihanna. Key features of typical R&B music videos include locations like houses, clubs and streets, minimal clothing for female artists, and tattoos for male artists. Videos use various camera shots to tell a story.
Target audience
Target Audience: A target audience is a specific group that a business aims its marketing and advertising towards. For R&B music, the typical target age is 16-25 year olds, as the genre's themes are often explicit and most relatable to young adults. However, older audiences may still enjoy R&B that they listened to in their youth.
Gender: R&B attracts both male and female listeners, but skews more female. For females, love songs are relatable and male artists are seen as sexy. Female artists are portrayed as glamorous role models. Males are drawn to displays of wealth in male artists' videos.
Ethnicity: While R&B originated from African
Productionschedule
Ben Anderson has scheduled the pre-production, production, and evaluation phases of his project from November 2016 through March 2017. The schedule outlines the tasks, locations, people involved, and equipment needed on each date, with pre-production work including genre research, video analysis, drafting ideas, audience targeting, and floor planning. Ben will use a computer and SD card for tasks such as storyboarding, shot listing, recce, costuming, and digipak design. The final product will be presented at Ringwood School on January 29th, followed by evaluation questionnaires throughout March.
Actor
The document discusses casting decisions for a music video. The creator will use a male protagonist to express the emotions of the song from a male point of view, consistent with the genre. They will cast a close friend, Jack Stalker, who will have more availability and comfort during filming, enhancing the video's quality and relatability. Jack's personal style of flicked hair and slim build also reflect the indie folk genre of the music.
Costumes
The document summarizes the key aspects of the protagonist's costume for a project, including a green men's park coat, skinny black jeans, and skateboarding shoes. The coat is chosen to portray the protagonist as weathered and experiencing real emotions embedded in a song. Black skinny jeans are selected to relate to the target audience and make the protagonist more engaging. Skateboarding shoes are similar to those worn by artists in the genre and help achieve a casual look.
Floorplan1
This document appears to be a diagram or layout showing the setup of a stage or filming area, with labels for different objects including "SHELF", "DOOR", "CAMERA 1", "CAMERA 2", and "CHARACTER LIGHTS LIGHTS".
Lyric analysis
This document provides analysis and potential visual interpretations for the lyrics of the song "Haux - Caves". It suggests that the lyrics describe the pain caused by one's actions and the hurt felt by loved ones. It proposes shots of a person walking in a forest to represent facing the consequences of one's deeds. It also considers depicting tears using reversed footage of red paint and showing cut flowers floating in water to represent presenting the people affected. The analysis indicates the words may lead someone to a hidden place and that the song describes a fear of intimacy from past relationships.
Floorplan3
This short document appears to be notes related to a creative project involving a bridge, pathway, and camera. It lists three keywords: bridge, pathway, and character camera 1, but provides no other context or details about their relationship or purpose within the project.
Location shots
The document discusses two potential filming locations for a music video. The first, Burbush Trail car park in the New Forest, offers aesthetically pleasing scenery that would enhance the audience's experience and a wide range of shot opportunities among the trees. The second location, Highcliffe Beach, has a lot of open space that could be incorporated into the video, including shots of the sea meeting the land, and trees along the back of the beach that could provide backgrounds for album artwork.
Target audience research
Ben Anderson conducted research to identify the target audience for his indie folk media product. He surveyed 10 people (5 men and 5 women) and found that the target audience for men is those aged 17-23, while the target audience for women is aged 16-23. Research on the indie folk genre and demographics of an indie music magazine called NME showed that the target audience is aged 17-25 and predominantly white British.
Shots 14
The document discusses test shots taken at a beach and woodland location being considered for a music video. Shot 1 is an extreme low angle of trees that provides an alternative viewpoint and could work for positive sections of the song. Shot 2 was taken later in the day, creating dramatic shadows that could demonstrate emotion. Shot 3 combines the beach and woodland, providing a mystical atmosphere suitable for fantasy or mystery. Shot 4 frames part of the forest and beach to give a sense of mystery. Shot 5 plays with light patterns and calming colors. Shot 6 is a panorama showing the whole location, including the woods, beach and huts, creating a sense of isolation relating to the song's lyrics.
Location Recce
The document discusses the locations chosen to film a music video. These include a beach, an empty road in a forest, a studio, and a car. Scenes of a couple flirting and having fun will be filmed at the beach to depict a romantic summer setting. Footage on an isolated forest road will create the idea of a spontaneous road trip. Locations close to the filmmaker's home will also be used for convenience. Scenes of happiness at the beach and of an argument in the car, forest and at night aim to match the mood of the actors and music.
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Costumes, actors and props
This document discusses the costumes, actors, and props that will be used in a music video. It introduces the two main actors, Kieran Goodall and Sam Webb, who will portray friends going through a falling out. Their casual clothing and contrasting outfits will reflect their differing personalities and emotional states. Props like Avicii logos, a photograph of the two friends, and boxes for Sam's belongings will help tell the story of a friendship deteriorating over time as one friend moves away. The costumes, actors, and props are designed to create relatable characters and advance the narrative while maintaining elements common to Avicii's style of music videos.
Shot list
The document is a shot list for a video containing 30 shots in various locations. It describes the shots which include close-ups and medium shots of the subjects Kieran and Sam interacting, relaxing together in different settings like at the beach and arcade, playing video games, and lip syncing in a photography studio. It also includes establishing shots of Kieran walking alone through a neighborhood and countryside.
Audience theory
This document discusses several theories of audience:
1) The Frankfurt School's "effects model" viewed audiences as passive recipients of media messages.
2) The two-step flow theory developed in the 1940s-50s recognized that opinion leaders influence others through interpretation of media.
3) Uses and gratifications theory from the 1960s saw audiences as active consumers who use media for purposes like diversion, relationships, identity, and information.
4) David Morley's 1980s study identified dominant, negotiated, and oppositional readings that audiences can take from media based on their perspectives.
Narrative theory
This document discusses several narrative theories and theorists. It defines narrative as a chain of causally linked events with a beginning, middle, and end, and notes that narratives embody judgments. It outlines Vladimir Propp's idea of character archetypes and Roland Barthes' five codes that help readers make sense of narratives: action, referential, semantic, enigma, and symbolic. It also mentions Claude Levi-Strauss' concept of binary oppositions in narratives and Allan Cameron's modular narratives approach. As an example, it analyzes the Taylor Swift song "You Belong with Me" through the lenses of Todorov, Levi-Strauss, and Barthes.
Types of music videos
Performance-based videos focus primarily on simply showing the artist performing the song. They are the cheapest and easiest to make but risk becoming boring with only performance shots. Narrative-based videos contain footage that tells a story or multiple parallel storylines, sometimes featuring actors or the artists themselves acting out a story that relates to the song's lyrics or theme. Conceptual videos are based around an abstract concept or idea, making them the most difficult and expensive to film through editing and special effects rather than live-action. Most successful videos incorporate elements of performance, narrative, and conceptual styles to have broader appeal while maintaining interest, though balancing the multiple styles adds production complexity.
Production scheduel
This document contains a schedule for filming and editing a short film. It includes the dates, locations, equipment needed, and assignments for filming outdoor shots, indoor shots, pickup shots, editing, color grading, and touch ups between December 2016 and January 2017. Ross is assigned to film, edit, and complete post-production work, while his brother Aaron will assist with acting on filming dates. Locations include Sand Hills, Ringwood, Bournemouth, and their home. Equipment includes a camera, tripod, and SD cards.
Annotated lyrics
The best annotated lyrics ever, maybe, possibly not, probably not, definitely not, but they are quite good.
Costumes
The document discusses costume choices for a pop music performance. The performer wants bright, fashionable costumes to fit the pop genre. They choose black skinny jeans, a messy hairstyle similar to current men's trends, a black shirt with an unzipped grey hoodie to show abstract elements, and white shoes. The black and white color scheme is meant to convey the somber theme of the love song about not letting someone go.
Prop list
The document lists three props needed for a film project: a bed for bedroom scenes where the actor wakes up, a red Vauxhall Corsa car for interior shots due to budget constraints, and either a lighter or bonfire to reference the "burning" lyrics in the song being filmed.
Genre research
R&B originated in the 1940s as a genre of African American popular music. It combines elements of blues, gospel, soul and funk. Typical R&B bands include piano, guitar, bass, drums and saxophone with background vocals. Lyrics focus on relationships, freedom, aspirations and sex. The term R&B has evolved over time as the music incorporated different styles. Famous R&B artists include Beyoncé, Mariah Carey, Michael Jackson, and Rihanna. Key features of typical R&B music videos include locations like houses, clubs and streets, minimal clothing for female artists, and tattoos for male artists. Videos use various camera shots to tell a story.
Target audience
Target Audience: A target audience is a specific group that a business aims its marketing and advertising towards. For R&B music, the typical target age is 16-25 year olds, as the genre's themes are often explicit and most relatable to young adults. However, older audiences may still enjoy R&B that they listened to in their youth.
Gender: R&B attracts both male and female listeners, but skews more female. For females, love songs are relatable and male artists are seen as sexy. Female artists are portrayed as glamorous role models. Males are drawn to displays of wealth in male artists' videos.
Ethnicity: While R&B originated from African
Productionschedule
Ben Anderson has scheduled the pre-production, production, and evaluation phases of his project from November 2016 through March 2017. The schedule outlines the tasks, locations, people involved, and equipment needed on each date, with pre-production work including genre research, video analysis, drafting ideas, audience targeting, and floor planning. Ben will use a computer and SD card for tasks such as storyboarding, shot listing, recce, costuming, and digipak design. The final product will be presented at Ringwood School on January 29th, followed by evaluation questionnaires throughout March.
Actor
The document discusses casting decisions for a music video. The creator will use a male protagonist to express the emotions of the song from a male point of view, consistent with the genre. They will cast a close friend, Jack Stalker, who will have more availability and comfort during filming, enhancing the video's quality and relatability. Jack's personal style of flicked hair and slim build also reflect the indie folk genre of the music.
Costumes
The document summarizes the key aspects of the protagonist's costume for a project, including a green men's park coat, skinny black jeans, and skateboarding shoes. The coat is chosen to portray the protagonist as weathered and experiencing real emotions embedded in a song. Black skinny jeans are selected to relate to the target audience and make the protagonist more engaging. Skateboarding shoes are similar to those worn by artists in the genre and help achieve a casual look.
Floorplan1
This document appears to be a diagram or layout showing the setup of a stage or filming area, with labels for different objects including "SHELF", "DOOR", "CAMERA 1", "CAMERA 2", and "CHARACTER LIGHTS LIGHTS".
Lyric analysis
This document provides analysis and potential visual interpretations for the lyrics of the song "Haux - Caves". It suggests that the lyrics describe the pain caused by one's actions and the hurt felt by loved ones. It proposes shots of a person walking in a forest to represent facing the consequences of one's deeds. It also considers depicting tears using reversed footage of red paint and showing cut flowers floating in water to represent presenting the people affected. The analysis indicates the words may lead someone to a hidden place and that the song describes a fear of intimacy from past relationships.
Floorplan3
This short document appears to be notes related to a creative project involving a bridge, pathway, and camera. It lists three keywords: bridge, pathway, and character camera 1, but provides no other context or details about their relationship or purpose within the project.
Location shots
The document discusses two potential filming locations for a music video. The first, Burbush Trail car park in the New Forest, offers aesthetically pleasing scenery that would enhance the audience's experience and a wide range of shot opportunities among the trees. The second location, Highcliffe Beach, has a lot of open space that could be incorporated into the video, including shots of the sea meeting the land, and trees along the back of the beach that could provide backgrounds for album artwork.
Target audience research
Ben Anderson conducted research to identify the target audience for his indie folk media product. He surveyed 10 people (5 men and 5 women) and found that the target audience for men is those aged 17-23, while the target audience for women is aged 16-23. Research on the indie folk genre and demographics of an indie music magazine called NME showed that the target audience is aged 17-25 and predominantly white British.
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Similar to Loction recce
Shots 14
The document discusses test shots taken at a beach and woodland location being considered for a music video. Shot 1 is an extreme low angle of trees that provides an alternative viewpoint and could work for positive sections of the song. Shot 2 was taken later in the day, creating dramatic shadows that could demonstrate emotion. Shot 3 combines the beach and woodland, providing a mystical atmosphere suitable for fantasy or mystery. Shot 4 frames part of the forest and beach to give a sense of mystery. Shot 5 plays with light patterns and calming colors. Shot 6 is a panorama showing the whole location, including the woods, beach and huts, creating a sense of isolation relating to the song's lyrics.
Location Recce
The document discusses the locations chosen to film a music video. These include a beach, an empty road in a forest, a studio, and a car. Scenes of a couple flirting and having fun will be filmed at the beach to depict a romantic summer setting. Footage on an isolated forest road will create the idea of a spontaneous road trip. Locations close to the filmmaker's home will also be used for convenience. Scenes of happiness at the beach and of an argument in the car, forest and at night aim to match the mood of the actors and music.
Location
This document outlines location plans for an upcoming music video. It proposes five locations: 1) A blacked out room with neon lights to create a surreal rock concert atmosphere. 2) Holly's Diner to establish an 1950/60s aesthetic through its bright blue walls. 3) Bradwell Beach to convey images of fun and romance as seen in Grease. 4) A forest/park to add natural imagery and texture without distracting from the narrative of young love. 5) Southend-On-Sea pier and arcades as the setting for a third date, using the location's romantic connotations found in other iconic romance films.
Primary Photography
This document provides examples of photographs taken by the author in various locations and discusses how those settings could be used for different types of music videos based on the impressions and connotations created. The settings shown range from natural outdoor environments like beaches and forests to more urban locations. Specific music artists are suggested who may suit each environment based on the mood or message conveyed by the scenery. The author also notes limitations living in the UK poses for recreating some of the more exotic locales but discusses compromises that could match the intended feeling.
Treatment Sheet
Part I (Dawn) of Pendulum's song "The Island" will be summarized in the music video. Scenes will transition between a narrative performance by actors in black costumes and spontaneous footage from a nightclub. Illustrative shots of sunrises, clouds moving across the sky from dawn to dusk will connect the two parts of the song. The most impactful part of the video will be portraying the lyrics "what are you waiting for?" through editing techniques. Different settings like a green screen and local nightclubs will be used to film the performance and crowd atmosphere.
Location Mise-En-Scene
The document discusses the color scheme and setting for a music video. It will show two main characters - Andrei wearing darker colors like black, grey, maroon and navy blue to portray sadness, while Emily wears brighter colors like white, blue and pink to appear more joyful. The entire video will take place in different areas of the same location, the Rickmansworth Aquadrome, which has forests, a lake, trees and old buildings that fit the song lyrics, artistic vision, and story being portrayed.
Location Mise-En-Scene
The document discusses the color scheme and setting for a music video. It will show two main characters - Andrei wearing darker colors like black, grey, maroon and navy blue to portray sadness, while Emily wears brighter colors like white, blue and pink to appear more joyful. The entire video will take place in different areas of the same location, the Rickmansworth Aquadrome, which has forests, a lake, trees and old buildings that fit the song lyrics, artistic vision, and story being portrayed.
Locations
The document discusses potential filming locations for recreating scenes from a romantic song, including a beach, supermarket, living room, car, park, woods, and sea. The beach location would show a couple walking along the sand at sunset. Supermarkets are easy to access but difficult to clear of people. Living rooms could easily recreate the desired setting. Cars provide an intimate environment to show a couple's relationship. Parks could depict couples playing in a fun way. Woods could symbolize a relationship breaking down. The sea shot uses a long shot to make the water seem infinite.
Music video treatment sheet
The document provides a treatment sheet for a music video for the song "This Lonely Morning" by Best Coast. The concept is to use different weather conditions to represent the singer's moods - happiness when with her partner versus loneliness when alone. Scenes will alternate between the singer with her partner on a beach during nice weather, and alone during dull/hostile weather. The video will include dancing, split screens, and an ambiguous ending open to interpretation. Shooting will take place at Seaton Carew beach to match the artist's aesthetic and allow the planned shots and weather metaphors.
TREATMENT SHEET
The document provides a treatment sheet for a music video for the song "This Lonely Morning" by Best Coast. The concept is to use different weather conditions to represent the singer's moods - happiness when with her partner versus loneliness when alone. Scenes will alternate between the singer with her partner on a beach during nice weather, and alone during dull or stormy weather. The video will include dancing, lip syncing, and split screens to fit the song's style while telling the story of an uncertain relationship through changes in weather and the singer's company or solitude.
TREATMENT SHEET
The document provides a treatment sheet for a music video for the song "This Lonely Morning" by Best Coast. The concept is to use different weather conditions to represent the singer's moods - happiness when with her partner versus loneliness when alone. Scenes with both the singer and partner will have nice weather, while solo scenes will feature dull or stormy weather. The video will be shot on a beach and include performances, dancing, and split screens to tell the story and fit audience expectations for the artist.
In what ways does your media product use
The document summarizes the production of a music video for an EDM song. It discusses how the creator researched EDM music video conventions to incorporate themes and styles. While the video did not fully conform to conventions, it showed unique elements like telling a story line through changes in emotion, color, and location. Key elements discussed include an opening shot of the lonely main actor, lyrics displayed during the chorus, romantic scenes between actors at the beach and in bright sunlight, and an ending shot panning to a drawn love heart in the sand with a bold title.
question 2
The document summarizes the production of a music video for an EDM song. It discusses how the creator researched EDM music video conventions to incorporate themes and styles. While the video did not fully conform to conventions, it showed a unique perspective. Key elements discussed include starting with the lonely lead actor, incorporating locations, costumes, and scenes showing the relationship develop between the actors. Lyrics were also featured to connect to the music and story.
In what ways does your media product use
The document summarizes the production of a music video for an EDM song. It discusses how the creator researched EDM music video conventions to incorporate themes and styles. While the video did not fully conform to conventions, it showed uniqueness. The summary highlights key elements of the video like locations, costumes, and lip syncing to connect to the lyrics and story of a lonely man finding love.
Locations
The document discusses various location options for shooting a music video, including a beach, supermarket, living room, car, park, woods, and sea. It also discusses the use of blue screen technology and different lighting considerations for interior versus exterior shots. Performance shots from concerts are mentioned as examples. Overall, the document provides guidance on selecting appropriate locations and shots to effectively tell the story and create realism for a music video.
Your song’ Screen shots
This document provides screen shots and descriptions from the music video "Your Song" that the author likes and could incorporate into their own music video. The shots show a girl amid fallen leaves with lens flare, a hidden camera shot framing a girl at a piano, and close-ups of faces to convey emotion. The author indicates they will include shots of actors running together, lying in the grass, and sunsets to symbolize the end of a relationship.
Location Blackpool
This document discusses potential locations in Blackpool, England to film a music video. Several photos of the beach, pier, and surrounding areas are presented with descriptions of how each could be used. The beach is proposed as the main location, while other areas like the pier and walkways could be used for establishing shots or flashback scenes. Foggy weather and nighttime lights are seen as fitting the video's theme of a non-romantic story about lost love and lies.
Locations
The document outlines three locations to be used for filming a music video: 1) Each group member will film the sunrise and sunset from their homes to capture different times of day representing sections of the song. 2) Scenes will be filmed behind a river in a wooded/field area to connote naturalism and the performers' starting image. 3) A performance section will be filmed in an assembly room to follow genre conventions and accentuate the performers' star image rather than just showing them casually.
Location Blackpool
This document discusses potential locations in Blackpool, England to film a music video. Several photos of the beach, pier, and surrounding areas are presented with descriptions of how each could be used. The beach is proposed as the main location, while other areas like the pier and walkways could be used for establishing shots or flashback scenes. Foggy weather and nighttime lights are seen as fitting the video's theme of a non-romantic story about lost love and lies.
Location ~ Blackpool
This document discusses potential locations in Blackpool, England to film a music video. Several photos of the beach, pier, and surrounding areas are presented with descriptions of how each could be used. The beach is proposed as the main location, while other areas like the pier and walkways could be used for establishing shots or flashback scenes. Foggy weather and nighttime lights are noted as adding atmosphere that matches the song's theme of lost love rather than romance.
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This document analyzes the music video for Flume's song "Never Be Like You" based on Goodwin's theory of the six characteristics of music videos. It summarizes each characteristic and provides examples from the video to illustrate it. The characteristics discussed are that music videos demonstrate genre characteristics through stereotypes; there is a relationship between lyrics and visuals as well as between music and visuals; the demands of the record label are shown; and there are frequent references to notions of looking through scenes of the actress looking in the mirror. No intertextual references to other media are present due to the narrative story being the focus.
scheduel
This document contains a production schedule for a film project that includes pre-production, production, and post-production tasks. It lists the dates, locations, crew and cast needed, props, costumes, and equipment required for each task, such as storyboarding and filming scenes at different outdoor locations, and editing in the school media room. The production will involve filming scenes with two actors, Abbie and Charlie, using a camera and tripod at a street, forest, and beach over multiple dates in January.
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This shot list outlines 15 shots for a music video that will tell the story of a couple falling in love through a series of shots ranging from establishing shots of the beach and forest to close-ups of their eyes and faces as they dance, run around together and hug. Shots will sync with the song, panning and following the subjects as they are shown dancing, driving away together and hugging to bookend their story of falling in love.
Costumes, actors, props
Charlie Round will play the main boy actor in the video based on a couple's relationship. He studies media and drama and wants to pursue acting, regularly performing in front of audiences and cameras. He's played similar roles before and knows the song well.
Abbie Sutton will play the girl role. She has previous acting experience in school productions and one of the filmmaker's previous shorts. She's confident in front of the camera and friends with Charlie, so there will be no awkwardness between them. Her looks also fit the character.
The filmmaker will use a Canon 700D camera for its focusing abilities, touch screen, and ability to blur backgrounds. A tripod will be used to keep interviews static and
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Loction recce
- 1. Location Recce These are the photos of the location in the new forest, whereI will be filming part of my music video. I want to use the foreston a sunny day, for the scenes wherethe couple are running around together happy, laughing and having fun. I can experiment with the lighting and can create a happy mood with it, and contrastthis with the moodier scenes by darkening the lighting. The brightly coloured green of the trees and the bright blue sky will also add the mood.
- 2. I am also using Bournemouth beach as one of my main locations within my music video. This is becauseI think the scenes around are beautiful and would really fit into the ‘romantic’, couple theme I’m creating. I will also try and film the couple parts on a sunny, high lighting day so the mood created is happy and cheerful. Then I will film the parts wherethe actor is on his own sad on low, stormy, moody days and this will really help to add to the affect.