The document discusses three potential locations - The Maze music venue, The Shed venue in Leicester, and musician Martin Luke Brown's house - for filming a music production. Each location is described as conveying different aspects of independent music culture. The Maze and The Shed are both described as established music venues that help demonstrate the history and tight-knit community of independent music. Martin Brown's house is proposed to showcase the behind-the-scenes work of a musician and reflect his lifestyle on an unsigned artist's income. Across all three locations, the document aims to represent independent musicians and appeal to its target 16-25 year old audience.
Reprezent Essex x NHS - A Case Study by Break CommunicationsStephen Oakes
We’ve worked with Reprezent London on and off over recent years, so we were ecstatic when they brought us in to help deliver Reprezent Essex - a sister station to the capital's leading youth-led radio station - in collaboration with the NHS. The aim? To broaden awareness of mental health in young people, most of which were unsure of how to get support and learn more about the topic.
Working with Reprezent’s head of partnerships and content Kate Jaggers, project manager Alex Mashti, and some of the London-based presenters, we immersed ourselves within the county’s youth ecosystem, using relevant culture, language and insight, we engaged influencers to help us launch the station, recruited young people for 3 radio production training courses across the county, and delivered a series of events. Reprezent Essex was launched as a space where the county’s young people could campaign on important social matters in their own way, often leading the conversation by themselves setting the agenda and broadcasting packages exploring mental health and its facets on air.
INTRODUCING... is the theme of Creative Bedfordshire January networking. To kick off the new year you will be introduced to a new creative space in Bedford - The Basement at Bunyan, hear from some brave first time speakers, see teasers of new 2017 work submitted by the creative network and of course have the opportunity to introduce yourself and your creative business. James Stancombe from SEMLEP will join us to provide an introduction to VELOCITY and offer a brief run down on the kind of business support opportunities you can look to find at VELOCITY in 2017
The evening also includes the usual BIG BEDFORD chance to shout-out about your own work and needs, and to chat informally. Refreshments can be purchased from the team.
Come along. Find out what is happening in Creative Bedfordshire and get some ideas and new contacts for 2017.
Tom Barwood will be giving us an introduction to The Basement at Bunyan - a creative space, a community space + more
Our first time speakers...
Darrell and Charlotte Cannon - Ready Steady Roll
Enid Gill - Dance and movement
Anne-Marie Stijelja - Artist
If you work in the arts, run a creative business, are a freelance artist, actor, producer, maker or musician (or commission them), or are just curious, this network is for you. Creative Bedfordshire monthly events take place across Bedfordshire. Creative Bedfordshire is delivered by Bedford Creative Arts and is free of charge to attend thanks to the support of Central Bedfordshire Council and Bedford Borough Council.
Reprezent Essex x NHS - A Case Study by Break CommunicationsStephen Oakes
We’ve worked with Reprezent London on and off over recent years, so we were ecstatic when they brought us in to help deliver Reprezent Essex - a sister station to the capital's leading youth-led radio station - in collaboration with the NHS. The aim? To broaden awareness of mental health in young people, most of which were unsure of how to get support and learn more about the topic.
Working with Reprezent’s head of partnerships and content Kate Jaggers, project manager Alex Mashti, and some of the London-based presenters, we immersed ourselves within the county’s youth ecosystem, using relevant culture, language and insight, we engaged influencers to help us launch the station, recruited young people for 3 radio production training courses across the county, and delivered a series of events. Reprezent Essex was launched as a space where the county’s young people could campaign on important social matters in their own way, often leading the conversation by themselves setting the agenda and broadcasting packages exploring mental health and its facets on air.
INTRODUCING... is the theme of Creative Bedfordshire January networking. To kick off the new year you will be introduced to a new creative space in Bedford - The Basement at Bunyan, hear from some brave first time speakers, see teasers of new 2017 work submitted by the creative network and of course have the opportunity to introduce yourself and your creative business. James Stancombe from SEMLEP will join us to provide an introduction to VELOCITY and offer a brief run down on the kind of business support opportunities you can look to find at VELOCITY in 2017
The evening also includes the usual BIG BEDFORD chance to shout-out about your own work and needs, and to chat informally. Refreshments can be purchased from the team.
Come along. Find out what is happening in Creative Bedfordshire and get some ideas and new contacts for 2017.
Tom Barwood will be giving us an introduction to The Basement at Bunyan - a creative space, a community space + more
Our first time speakers...
Darrell and Charlotte Cannon - Ready Steady Roll
Enid Gill - Dance and movement
Anne-Marie Stijelja - Artist
If you work in the arts, run a creative business, are a freelance artist, actor, producer, maker or musician (or commission them), or are just curious, this network is for you. Creative Bedfordshire monthly events take place across Bedfordshire. Creative Bedfordshire is delivered by Bedford Creative Arts and is free of charge to attend thanks to the support of Central Bedfordshire Council and Bedford Borough Council.
Educators are invited to download the guide to the Minnesota Orchestra's Kinder Konzert for 2017-2018. This presentation is created by Katie Condon for the Friends of the Minnesota Orchestra.
Similar to Location connotations + target audience (20)
2. The Maze – By The Rivers
• The Maze is a well established music venue with an iconic atmosphere and theme
perfect for the mis-en-scene of our production. The walls are worked by band posters,
stickers and past signatures of people that have played there – we hope this connotes
history within the venue and how important smaller venues have been for big acts
when getting started within the industry. We also hope to convey personality and a
personal environment via this venue, we will do this by showing the various
iconography present within the venue – also how compact the crowd will be due to the
size of the room should demonstrate a sense of family within the venue.
• Within the maze there will be a range of our target audience present, from the E class
students to B class representatives of the music industry. This range from B-E is also
well shown by the audience carried by the band in general. The main age of the
audience will be 16-25 which is our target age range.
• There will be a range of different VAL TYPES present as even though there are some E
Class students, they are studying and therefore they are thinkers which is a primary
motivation.
• We hope all these qualities held by the venue will help demonstrate the honesty behind
independent music
3. The Shed – Jersey Budd
• The shed is perhaps Leicester's best music venue for independent artists, they guys there
really believe in promoting unsigned music, especially from younger artists and bands. This
venue really links in with BBC introducing which we will include a segment on within our
production. There are various homely elements to the venue, including the family which run
it. The wear within the venue is perfect for the mis-en-scene of our production showing the
DIY side to the industry. The walls are worked by band posters, stickers and past signatures of
people that have played there – we hope this connotes history within the venue and how
important smaller venues have been for big acts when getting started within the industry.
Within this venue we also hope to convey personality and a personal environment via this
venue, we will do this by showing the various iconography present within the venue – also
how compact the crowd will be due to the size of the room should demonstrate a sense of
family within the venue. Jersey Budd played his first gig at the Shed many years ago and
hasn’t been back since we hope the venue brings emotion into his performance and
interview.
• Within the Shed there will be a range of our target audience present, from the E class
students to B class representatives of the music industry. This range from B-E is also well
shown by the audience carried by the band in general. The main age of the audience will be
16-25 which is our target age range. The shed is a hub of young talent and often where
industry representatives search for acts such as BBC’s Dean Jackson, this will be where the
older and more sophisticated audience will be able to relate to the production. Due to the
venues age, we hope that an older audience can respect the venue as they may be able to
relate to it in terms of their past and gigs they attended when they were younger.
• There will be a range of different VAL TYPES present as even though there are some E Class
students, they are studying and therefore they are thinkers which is a primary motivation.
• We hope all these qualities held by the venue will help demonstrate the honesty behind
independent music
4. Martin Luke Brown’s - House
• The home is where music starts – its where you learn, practice and in most
cases write. We hope that Martin’s house will show all the hard work that
goes into music behind the scene.
• I know music has taken over martin’s house and it is surrounded with
instruments, we hope these shots connote the honesty and lifestyle of
music.
• Martin’s house will also demonstrate how an unsigned artists lives and it
will reflect upon his income bracket and VAL Type. This will hopefully be
what the younger audience of our product will be able to relate to.
• The Hierarchy of needs will be able to be assessed by the audience as they
can compare themselves to Martin.