This document provides instructions for creating a halftone effect in Photoshop using the Bitmap Image Mode in a few steps: 1) Create a base object in grayscale mode using bulky typefaces or simple shapes, 2) Blur and adjust brightness/contrast until the object is dense with blurry edges, 3) Convert the image to bitmap and specify settings like frequency and shape to determine dot size and pattern.
This document provides a step-by-step guide to adding title graphics in Adobe Premiere editing software. It explains how to open a project, select the section to add a title, create a new title graphic, rename the title, select font styles and placement on screen. Finally, it describes repeating the process to add the main film title at the end, choosing colors and styles to make it stand out and look dramatic for the target audience.
Making of iwasa house render by ferry sugiantoNomer Adona
This document summarizes the process of rendering an architectural model of Iwasa House using Vray and Sketchup. It describes: (1) Choosing the camera angle to focus on, (2) Setting up ambient lighting and HDRI to establish mood, (3) Texturing the walls, floors, and stairs by remodeling for realism, (4) Positioning IES lights, (5) Adding trees and accessories, (6) Setting render options and doing a raw render, (7) Applying post-production in Photoshop. The full process is explained over several sections to achieve a realistic final rendered image of the house.
This document defines key photography terminology:
Shutter speed determines exposure time, ISO controls light sensitivity, and aperture sets depth of field. Automatic exposure lets the camera control settings, while manual exposes requires photographer input. Color balance adjusts hue intensity. Composition positions the subject. The rule of thirds guides subject and horizon placement. Complementary colors contrast, and analogous colors blend smoothly.
The document provides instructions for creating a movie poster using Photoshop. It involves adding background images and layering pictures of characters, adding text for the title and credits, and applying effects like gradients and layer masks. The final poster is to be saved in both PSD and JPEG formats.
After modeling a bungalow house in 3D and texturing it, the document discusses setting up lighting and camera in the scene. It then explains material and texture settings used like concrete, wood and glass. The Vray render settings are listed, followed by post-production steps in Photoshop like adding sky, plants and color balancing. Vignette and lens effects are applied to make the image more realistic, before adding a frame and watermark for presentation.
This tutorial summarizes the process of creating a 3D bedroom scene in SketchUp and rendering it with VRay. Key steps include:
1. Importing models from 3ds Max into SketchUp and ensuring all faces are oriented correctly.
2. Positioning the camera and adding basic lighting before furnishing to improve performance.
3. Using an IES light for interior lighting plus a rectangular light from the window.
4. Applying various textures like wood, velvet, and transparency maps to furnishings.
5. Adjusting render settings and using post-processing in Photoshop to warm the scene.
The artist rendered an image for 14 hours, then made additional passes for ambient occlusion, depth of field, fog, and selecting letters. They used Photoshop to merge layers and apply filters to create effects like fog and depth. Several color correction, blur, and distortion adjustments were made through adjustment layers and masks to refine highlights, shadows, and add a film-like quality to the final rendered image.
This document provides instructions for creating a halftone effect in Photoshop using the Bitmap Image Mode in a few steps: 1) Create a base object in grayscale mode using bulky typefaces or simple shapes, 2) Blur and adjust brightness/contrast until the object is dense with blurry edges, 3) Convert the image to bitmap and specify settings like frequency and shape to determine dot size and pattern.
This document provides a step-by-step guide to adding title graphics in Adobe Premiere editing software. It explains how to open a project, select the section to add a title, create a new title graphic, rename the title, select font styles and placement on screen. Finally, it describes repeating the process to add the main film title at the end, choosing colors and styles to make it stand out and look dramatic for the target audience.
Making of iwasa house render by ferry sugiantoNomer Adona
This document summarizes the process of rendering an architectural model of Iwasa House using Vray and Sketchup. It describes: (1) Choosing the camera angle to focus on, (2) Setting up ambient lighting and HDRI to establish mood, (3) Texturing the walls, floors, and stairs by remodeling for realism, (4) Positioning IES lights, (5) Adding trees and accessories, (6) Setting render options and doing a raw render, (7) Applying post-production in Photoshop. The full process is explained over several sections to achieve a realistic final rendered image of the house.
This document defines key photography terminology:
Shutter speed determines exposure time, ISO controls light sensitivity, and aperture sets depth of field. Automatic exposure lets the camera control settings, while manual exposes requires photographer input. Color balance adjusts hue intensity. Composition positions the subject. The rule of thirds guides subject and horizon placement. Complementary colors contrast, and analogous colors blend smoothly.
The document provides instructions for creating a movie poster using Photoshop. It involves adding background images and layering pictures of characters, adding text for the title and credits, and applying effects like gradients and layer masks. The final poster is to be saved in both PSD and JPEG formats.
After modeling a bungalow house in 3D and texturing it, the document discusses setting up lighting and camera in the scene. It then explains material and texture settings used like concrete, wood and glass. The Vray render settings are listed, followed by post-production steps in Photoshop like adding sky, plants and color balancing. Vignette and lens effects are applied to make the image more realistic, before adding a frame and watermark for presentation.
This tutorial summarizes the process of creating a 3D bedroom scene in SketchUp and rendering it with VRay. Key steps include:
1. Importing models from 3ds Max into SketchUp and ensuring all faces are oriented correctly.
2. Positioning the camera and adding basic lighting before furnishing to improve performance.
3. Using an IES light for interior lighting plus a rectangular light from the window.
4. Applying various textures like wood, velvet, and transparency maps to furnishings.
5. Adjusting render settings and using post-processing in Photoshop to warm the scene.
The artist rendered an image for 14 hours, then made additional passes for ambient occlusion, depth of field, fog, and selecting letters. They used Photoshop to merge layers and apply filters to create effects like fog and depth. Several color correction, blur, and distortion adjustments were made through adjustment layers and masks to refine highlights, shadows, and add a film-like quality to the final rendered image.
This document provides 5 simple tips for improving listing photos using free online photo editors:
1) Use the tint tool to subtly adjust sky or lawn colors, but be careful not to make adjustments too unnatural
2) Adjust brightness to lighten or darken photos while maintaining detail, but avoid over-adjusting
3) Increase contrast to define light and dark areas but don't exaggerate the difference
4) Saturate colors to restore vibrancy but avoid making photos look cartoonish
5) Crop photos to focus on key areas and remove clutter but don't crop too much and reduce image quality
The document describes the process of using chromakeying to replace a green screen background in video footage using Adobe After Effects. The key steps are: 1) Applying the Keylight effect to select and remove the green screen color, 2) Adjusting the Clip Black and Clip White controls to isolate the subject, 3) Optionally using Spill Suppressor to remove any green screen edges, and 4) Adding a replacement background image and adjusting its position.
1. The document describes techniques for creating cross-processing effects in Photoshop that simulate the results of processing color negative film in E-6 chemicals or vice versa. This involves adjusting the color curves in individual channels to add blue or cyan casts to shadows and red/yellow casts to highlights.
2. Another technique uses the Lab color mode to enhance colors. The a and b channels of a duplicate image are adjusted separately before being copied back to the original as blended layers.
3. Adjusting the layer opacities and amounts of blur allows for variations in the results. Playing with different channel adjustments and layer settings lets the photographer experiment with colorful effects.
The document outlines 8 basic steps for photo editing in Adobe Photoshop Elements 6: 1) Rotate and crop the image, 2) Fix flaws using the clone stamp tool, 3) Expand the tonal range using levels, 4) Add contrast using curves, 5) Adjust color using levels, 6) Improve sharpness with unsharp mask, 7) Save the edited file, and 8) Compare the original and edited images. Each step provides instructions for using specific tools and adjustments to enhance the photo.
The document outlines 8 basic steps for photo editing in Adobe Photoshop Elements 6: 1) Rotate and crop the image, 2) Fix flaws using the clone stamp tool, 3) Expand the tonal range using levels, 4) Add contrast using curves, 5) Adjust color using levels, 6) Improve sharpness with unsharp mask, 7) Save the edited file, and 8) Compare the original and edited images. Each step provides instructions for using specific tools and adjustments to enhance the photo.
The document provides information about various photography and image editing concepts and tools. It defines terms like pixels, RAW and JPEG files, exposure value, auto exposure bracketing, histograms, white balance, aperture, levels, channels, saturation, sharpening, and more. It also provides links to online resources for free Photoshop textures, plugins, and tutorials to help users learn and improve their skills.
The document describes a 14-step process for optimizing photographs taken with an infrared 590nm color filter converted camera in Photoshop and other plugins. The process includes adjusting white balance and tone curves in Adobe Camera Raw, splitting tones, channel mixing to enhance blues and yellows, using layers and blending modes to increase contrast, and plugins to reduce noise, neutralize colors, and add detail and effects. The goal is to produce photos that look natural and could be mistaken for normal color photos.
This document provides an overview of camera controls and how to use Photoshop for editing digital photographs. It discusses camera settings like focus modes, self-timer, menus and histograms. It explains the differences between RAW and JPEG files and tips for using each format. The document also covers concepts like exposure value, automatic exposure bracketing, perspective and the rule of thirds for composition. Finally, it provides guidance on using Adobe Camera Raw and the fundamentals of editing and enhancing photos in Photoshop.
Gamma transformation is used to adjust image brightness and contrast by decreasing overall brightness and reducing darker area contrast with higher gamma values. Creating a histogram for an RGB image involves plotting the pixel intensity distribution for each color channel. Neighborhood operations like simple average and weighted average filtering can blur an image, while median and gaussian filters reduce noise and preserve edges. High-boost filtering and unsharp masking enhance edges and details while preserving image structure. Altering bitplanes by zeroing them out impacts image intensity levels and contrast, with more significant effects from the most versus least significant bitplane. Zooming via pixel replication can cause pixelation, loss of detail, and artifacts due to enlarged pixels.
1. The document provides instructions for using Photoshop to convert photographs into digital silkscreens based on Andy Warhol's techniques. It describes how to manipulate images, add layers and effects, and save work.
2. Key steps include using filters, modes, and adjustments to break continuous-tone images into high-contrast "line art" by applying effects like threshold, unsharp mask, and mezzotint.
3. Techniques for converting images to halftones and dithering patterns are described to simulate tones through patterns of dots for screenprinting. Testing printouts is advised to refine the effects.
Erin focused on photo editing and design work for their fanzine in Week 1. They experimented with Lightroom and Photoshop's camera raw filter to edit photos and adjust colors. Erin also selected a font family and compiled potential cover photos. In subsequent days, Erin continued photo editing, took inspiration from photographer Damon Baker for black and white photos, and started page layouts. Areas for improvement included incorporating more advanced editing effects. Overall, Erin was pleased with edits made to castle photos that made details stand out more.
The document provides information about night photography techniques. It discusses planning night shoots by scouting locations during the day and considering lighting conditions. Moonlight, flashlights, and torchlights can be used to illuminate subjects. Long exposures require a tripod, cable release, low ISO, and painting subjects with light sources. Trial and error is needed to get correct exposures. Essential gear includes a camera with bulb mode, tripod, and light sources.
In the previous SlideShare, you learned how to create a RAW timelapse using your DSLR. This lesson will walk you through the process of editing and processing your RAW images.
This document provides an overview of the basic functions in PaintShop Pro 7 for editing photos and creating graphics. It discusses how to open and save photos, make basic alterations like rotating and cropping images. It also explains how to adjust color balance, contrast, and saturation to enhance photos. Additionally, it covers removing defects, noise, and red-eye from images. Finally, it summarizes how to use layers to create and edit graphics by pasting, drawing, and adding text.
Image processing involves algorithms that take images as input and output other images. It is used to prepare digital images for viewing or analysis by enhancing structures within images. Common applications of image processing include adjusting properties like brightness, contrast, and gamma; detecting edges; blurring or sharpening; and performing operations like erosion and dilation. Principal component analysis (PCA) is a technique used to reduce the dimensionality of image data for analysis and recognition. Face recognition systems use PCA to extract feature vectors from images, then compare new images to the training set to identify faces.
This document provides instructions for using clipping masks, channel mixing for black and white images, adding color overlays, cloning and patching tools for corrections, and replacing colors in Photoshop. It demonstrates how to create a clipping mask to contain lines within an image, mix channels to achieve a balanced black and white result, overlay an orange layer at 50% opacity to add warmth, use the clone and patch tools to fix wrinkles in a backdrop, and precisely select and replace colors.
This document provides instructions for a lesson in Adobe Photoshop that teaches students how to retouch and edit photos. The lesson is divided into 5 sections that cover topics like cropping, adjusting tones, removing color casts, and replacing colors. The goal is for students to learn practical photo editing skills like choosing resolutions, repairing flaws, and sharpening images. Interactive activities are included to check understanding, and assignments apply the skills to designs like postcards and CD covers. Resources listed include Photoshop software, a CD, and internet access.
Why to edit the picture at a global level first?
It’s like arriving at work in the morning. You need to set up your desk, your computer, your mind, your calendar… to get a clear line of what will come to you in the next hours. To look at the big picture before entering into details.
How to get the perfect camera exposure with PTZOpticsPaul Richards
The document provides guidance on camera settings for live video streaming. It discusses key settings like shutter speed, aperture, gain/ISO, color balance, and noise reduction. It emphasizes starting with proper exposure by adjusting shutter speed, aperture, and gain. Color balancing and using tools like vectorscopes and waveform monitors are also covered. Example settings are provided for different shooting environments like conference spaces, production studios, live sports, and low-light conditions. The document stresses the importance of optimal settings for live streaming where there is no opportunity for post-production adjustments.
This tutorial explains the process of rendering a 3D kitchen model using Vray for Sketchup. It discusses the modeling of simple walls, doors, cabinets and fixtures. Key steps covered include lighting setup with Vray rectangular lights and IES lights, using a text sky map for GI and HDR image for BG, camera setup with physical camera and depth of field, and material setup for stainless steel using bump, diffuse and reflection maps. Test renders are shown to compare the Sketchup view with the final rendered results.
This document provides instructions for creating charts in Excel. It explains how to select data, insert a chart, choose a chart type like bar or pie, format chart elements, and change colors. Examples are given for making a simple bar chart with two bars and formatting the legend, plot area, axes, and chart area. The data used in the chart comes from the National Center for Education Statistics in 2006 and is cited at the end.
This document provides 5 simple tips for improving listing photos using free online photo editors:
1) Use the tint tool to subtly adjust sky or lawn colors, but be careful not to make adjustments too unnatural
2) Adjust brightness to lighten or darken photos while maintaining detail, but avoid over-adjusting
3) Increase contrast to define light and dark areas but don't exaggerate the difference
4) Saturate colors to restore vibrancy but avoid making photos look cartoonish
5) Crop photos to focus on key areas and remove clutter but don't crop too much and reduce image quality
The document describes the process of using chromakeying to replace a green screen background in video footage using Adobe After Effects. The key steps are: 1) Applying the Keylight effect to select and remove the green screen color, 2) Adjusting the Clip Black and Clip White controls to isolate the subject, 3) Optionally using Spill Suppressor to remove any green screen edges, and 4) Adding a replacement background image and adjusting its position.
1. The document describes techniques for creating cross-processing effects in Photoshop that simulate the results of processing color negative film in E-6 chemicals or vice versa. This involves adjusting the color curves in individual channels to add blue or cyan casts to shadows and red/yellow casts to highlights.
2. Another technique uses the Lab color mode to enhance colors. The a and b channels of a duplicate image are adjusted separately before being copied back to the original as blended layers.
3. Adjusting the layer opacities and amounts of blur allows for variations in the results. Playing with different channel adjustments and layer settings lets the photographer experiment with colorful effects.
The document outlines 8 basic steps for photo editing in Adobe Photoshop Elements 6: 1) Rotate and crop the image, 2) Fix flaws using the clone stamp tool, 3) Expand the tonal range using levels, 4) Add contrast using curves, 5) Adjust color using levels, 6) Improve sharpness with unsharp mask, 7) Save the edited file, and 8) Compare the original and edited images. Each step provides instructions for using specific tools and adjustments to enhance the photo.
The document outlines 8 basic steps for photo editing in Adobe Photoshop Elements 6: 1) Rotate and crop the image, 2) Fix flaws using the clone stamp tool, 3) Expand the tonal range using levels, 4) Add contrast using curves, 5) Adjust color using levels, 6) Improve sharpness with unsharp mask, 7) Save the edited file, and 8) Compare the original and edited images. Each step provides instructions for using specific tools and adjustments to enhance the photo.
The document provides information about various photography and image editing concepts and tools. It defines terms like pixels, RAW and JPEG files, exposure value, auto exposure bracketing, histograms, white balance, aperture, levels, channels, saturation, sharpening, and more. It also provides links to online resources for free Photoshop textures, plugins, and tutorials to help users learn and improve their skills.
The document describes a 14-step process for optimizing photographs taken with an infrared 590nm color filter converted camera in Photoshop and other plugins. The process includes adjusting white balance and tone curves in Adobe Camera Raw, splitting tones, channel mixing to enhance blues and yellows, using layers and blending modes to increase contrast, and plugins to reduce noise, neutralize colors, and add detail and effects. The goal is to produce photos that look natural and could be mistaken for normal color photos.
This document provides an overview of camera controls and how to use Photoshop for editing digital photographs. It discusses camera settings like focus modes, self-timer, menus and histograms. It explains the differences between RAW and JPEG files and tips for using each format. The document also covers concepts like exposure value, automatic exposure bracketing, perspective and the rule of thirds for composition. Finally, it provides guidance on using Adobe Camera Raw and the fundamentals of editing and enhancing photos in Photoshop.
Gamma transformation is used to adjust image brightness and contrast by decreasing overall brightness and reducing darker area contrast with higher gamma values. Creating a histogram for an RGB image involves plotting the pixel intensity distribution for each color channel. Neighborhood operations like simple average and weighted average filtering can blur an image, while median and gaussian filters reduce noise and preserve edges. High-boost filtering and unsharp masking enhance edges and details while preserving image structure. Altering bitplanes by zeroing them out impacts image intensity levels and contrast, with more significant effects from the most versus least significant bitplane. Zooming via pixel replication can cause pixelation, loss of detail, and artifacts due to enlarged pixels.
1. The document provides instructions for using Photoshop to convert photographs into digital silkscreens based on Andy Warhol's techniques. It describes how to manipulate images, add layers and effects, and save work.
2. Key steps include using filters, modes, and adjustments to break continuous-tone images into high-contrast "line art" by applying effects like threshold, unsharp mask, and mezzotint.
3. Techniques for converting images to halftones and dithering patterns are described to simulate tones through patterns of dots for screenprinting. Testing printouts is advised to refine the effects.
Erin focused on photo editing and design work for their fanzine in Week 1. They experimented with Lightroom and Photoshop's camera raw filter to edit photos and adjust colors. Erin also selected a font family and compiled potential cover photos. In subsequent days, Erin continued photo editing, took inspiration from photographer Damon Baker for black and white photos, and started page layouts. Areas for improvement included incorporating more advanced editing effects. Overall, Erin was pleased with edits made to castle photos that made details stand out more.
The document provides information about night photography techniques. It discusses planning night shoots by scouting locations during the day and considering lighting conditions. Moonlight, flashlights, and torchlights can be used to illuminate subjects. Long exposures require a tripod, cable release, low ISO, and painting subjects with light sources. Trial and error is needed to get correct exposures. Essential gear includes a camera with bulb mode, tripod, and light sources.
In the previous SlideShare, you learned how to create a RAW timelapse using your DSLR. This lesson will walk you through the process of editing and processing your RAW images.
This document provides an overview of the basic functions in PaintShop Pro 7 for editing photos and creating graphics. It discusses how to open and save photos, make basic alterations like rotating and cropping images. It also explains how to adjust color balance, contrast, and saturation to enhance photos. Additionally, it covers removing defects, noise, and red-eye from images. Finally, it summarizes how to use layers to create and edit graphics by pasting, drawing, and adding text.
Image processing involves algorithms that take images as input and output other images. It is used to prepare digital images for viewing or analysis by enhancing structures within images. Common applications of image processing include adjusting properties like brightness, contrast, and gamma; detecting edges; blurring or sharpening; and performing operations like erosion and dilation. Principal component analysis (PCA) is a technique used to reduce the dimensionality of image data for analysis and recognition. Face recognition systems use PCA to extract feature vectors from images, then compare new images to the training set to identify faces.
This document provides instructions for using clipping masks, channel mixing for black and white images, adding color overlays, cloning and patching tools for corrections, and replacing colors in Photoshop. It demonstrates how to create a clipping mask to contain lines within an image, mix channels to achieve a balanced black and white result, overlay an orange layer at 50% opacity to add warmth, use the clone and patch tools to fix wrinkles in a backdrop, and precisely select and replace colors.
This document provides instructions for a lesson in Adobe Photoshop that teaches students how to retouch and edit photos. The lesson is divided into 5 sections that cover topics like cropping, adjusting tones, removing color casts, and replacing colors. The goal is for students to learn practical photo editing skills like choosing resolutions, repairing flaws, and sharpening images. Interactive activities are included to check understanding, and assignments apply the skills to designs like postcards and CD covers. Resources listed include Photoshop software, a CD, and internet access.
Why to edit the picture at a global level first?
It’s like arriving at work in the morning. You need to set up your desk, your computer, your mind, your calendar… to get a clear line of what will come to you in the next hours. To look at the big picture before entering into details.
How to get the perfect camera exposure with PTZOpticsPaul Richards
The document provides guidance on camera settings for live video streaming. It discusses key settings like shutter speed, aperture, gain/ISO, color balance, and noise reduction. It emphasizes starting with proper exposure by adjusting shutter speed, aperture, and gain. Color balancing and using tools like vectorscopes and waveform monitors are also covered. Example settings are provided for different shooting environments like conference spaces, production studios, live sports, and low-light conditions. The document stresses the importance of optimal settings for live streaming where there is no opportunity for post-production adjustments.
This tutorial explains the process of rendering a 3D kitchen model using Vray for Sketchup. It discusses the modeling of simple walls, doors, cabinets and fixtures. Key steps covered include lighting setup with Vray rectangular lights and IES lights, using a text sky map for GI and HDR image for BG, camera setup with physical camera and depth of field, and material setup for stainless steel using bump, diffuse and reflection maps. Test renders are shown to compare the Sketchup view with the final rendered results.
Similar to Liven up your Photos with Special Effects (20)
This document provides instructions for creating charts in Excel. It explains how to select data, insert a chart, choose a chart type like bar or pie, format chart elements, and change colors. Examples are given for making a simple bar chart with two bars and formatting the legend, plot area, axes, and chart area. The data used in the chart comes from the National Center for Education Statistics in 2006 and is cited at the end.
Carol Bartz: Leader in Computer & Web Developmentcronegeek
Slide show about Carol Bartz, former CEO of Autodesk and Yahoo. Part of series by students in SCSU Women and Computers class about women's contributions to the development of computers and the web.
1) The document is a draft PowerPoint presentation about Ada Lovelace, the first computer programmer, created for a women and computing class.
2) It provides biographical details of Lovelace's life and education, and describes how she wrote the first computer program for Charles Babbage's Analytical Engine, a precursor to the modern computer.
3) The presentation uses maps and images to illustrate Lovelace's time and accomplishments, and the last slides warn against enlarging images too much which can distort them.
How androcentric norms (based on male interests & behavior) may deter women from the computer science major. Also androcentric norms in arithmetic software
Graphics in PowerPoint 2007 allows you to add callouts and graphics to slides. When using callouts, you must insert a textbox over the callout to type text, unlike in Word where you can type directly into a callout. You can insert clipart and then crop it to only show certain parts, or increase the size of clipart. You can also draw your own graphics using different shapes like rectangles, circles, and triangles to create original drawings.
Overview & selected highlights of Women and Computers course at St. Cloud State University. Gender, Race & Class Perspectives. How Social Justice Activists use the Web. Computer skills, free software & online Web tools.
How to import videos, trim/make clips (excerpts) from long videos, use the storyboard, difference between project files (MWSMM files) and actual movie (WMV files)
The document discusses the digital divide, defined as unequal access to computers and the internet. It presents data showing gaps between demographic groups in areas like home computer ownership, internet use, and access in schools. Specifically, people of color and those from low-income backgrounds often have less access. The document also examines how educational software and teaching styles can unintentionally favor boys over girls. This can contribute to the underrepresentation of women in computer science fields. Addressing these inequities could help reduce gaps in the digital divide.
The document provides tips for organizing notes in Microsoft Word using heading styles and the document map view. It recommends using heading styles to title each note and the document map view to display note titles in the left pane. Notes can then be grouped by similar topics using heading styles, with style 2 for main categories and style 3 for sub-categories. This allows easy searching and viewing of collected information by topic.
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The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
Heart Touching Romantic Love Shayari In English with ImagesShort Good Quotes
Explore our beautiful collection of Romantic Love Shayari in English to express your love. These heartfelt shayaris are perfect for sharing with your loved one. Get the best words to show your love and care.
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1. Be Creative: Liven up your Photos with Special Effects Infrared & Negative Image and Channel Swapping Demonstrated Here By Pat Samuel August 2008
2. Swap Color Channels Original Photo from Digital Camera Here I Swapped the Red and Green Channels See notes at end for how to
3. Custom Channel Swapping Green tail lights with green foliage maintained – Used Paint Shop Pro to change Red Channel Output to Green = 100, left others at default May be too garish for some, but an unusual effect. I swapped the Red & Green Channels, but in Blue Output Channel, set all 3 colors to Zero. See notes at end.
4. Compare “Infrared” vs Ordinary Black & White A Black & White version (Grayscale) of original color photo Here I created an Infrared effect (note white foliage) See notes at end for how to
5. Change Colors with Negative Image Here I applied the “Negative Image” command to original color photo. See Slides at End for How To After creating the “Negative Image” above, I converted to Grayscale
6. Negative Image – More Color Choices These Pics created using Microsoft Photo Editor where have many choices with Negative Image command. Top Left created by using Red & Green Channels only. Bottom Right created by using the Blue Channel only.
7. Sweet Puppy changes to Fierce Bulldog - using Negative Image Top Left – Original color photo Bottom Right – Created using Negative Image Command
9. Hide Your Sins with Negative Image Original Photo Beautiful Tulips, but gardener never did her Fall cleanup (see brown foliage on left). All the mess is rendered invisible on next slide using Negative Image.
11. How To : Simple Channel Swapping – Slide #2 Many simple, free photo-editing apps like XnView and IrfanView allow you to swap channels with just a click of the mouse. This screenshot illustrates XnView. RGB (Red Green Blue) is the normal channel shorthand for an ordinary color photo. If you want to swap the Red & Green channels as I did on the auto pic in Slide #2, just click RGB > GRB. If you click RGB > BGR (swapping the red & blue channels), the result will be Blue tail lights, Orange sky & Green foliage. See next slide for Channel Swapping in more sophisticated photo editing programs & some understanding of what the one-click process in XnView is doing.
12.
13. Channel Mixer Settings – Normal Color Photo Default Color Channel Settings in PaintShop Pro
14.
15. How To : Create a B/W Infrared Image Although purists use specially adapted Infrared Cameras, you can create an Infrared effect using software only. You will need a Photo Editing app that includes a Channel Mixer function.** I used PaintShop Pro where I chose Adjust > Color Balance > Channel Mixer. Be sure to check the Monochrome only box at bottom. Then set Red=100, Green=200, and Blue = Minus 200. See Screen Shot on next slide. The fake Infrared images on Slide #4 and #8 were made with the above settings. Both illustrate the characteristic white foliage of an Infrared photo (also known as the “Woods effect”). You can experiment with different settings – one photographer recommends setting Red to Minus 20, Green to 200, and Blue to Minus 80 and then applying a Gaussian blur to increase the Woods effect. ** Other software with a Channel Mixer function : Adobe Photoshop ($600), Adobe Photo Elements ($100), and the free GIMP.
16. Channel Mixer Settings for Infrared Pics Use these settings in the Channel Mixer to produce a black & white (grayscale) Infrared type image. Red = 100 Green = 200 Blue = ‑200 Be sure you check off the Monochrome box at bottom. What Image will look like with these settings Original Image PaintShop Pro
17.
18. Negative Image Choices in Microsoft Photo Editor Placing a check mark by all 3 colors in the Effects > Negative dialog box will result in the same Negative Image you get in other photo editing programs (see Slides #5 and #7). But you can Check Off just one of the colors OR Check Off any combination of two colors. Each will result in a different effect. In Slide #6, I created purple sky & blue house by checking off the Red & Green only. The yellow and blue people pic in Slide #6 was created by checking off only Blue.
19. More Info & Examples At http://www.flickr.com/groups/technique/discuss/61255/ we find directions and samples of how to take a photo from a regular camera and make it look like an Infrared photo. Be sure to read the comments and follow the links for more examples. PaintShop Pro tutorial includes varied settings for the Color Channels, use of Gaussian blur and Pantones at http://blog.georgegumpert.com/2007/05/07/photoshop-tutorial-faking-infrared-photography/ Sample infrared pictures at http://www.aspexdesign.co.uk/infrared.htm created with PaintShop Pro and use of the Clarify command. If you want to convert your digital camera to a true Infrared camera, Lifepixel.com can do this for you. For prices, sample infrared pics, and tutorials, visit http://www.lifepixel.com For print articles, with pictures, focusing on how to take pictures with a digital camera converted to Infrared, see Bob Krist, “My Conversion” in Outdoor Photographer, Nov. 2007 & Dan Richards, “The New Infrared Revolution” in Popular Photography, Jan. 2008.
Editor's Notes
Based on “BeCreative-Ori2nd.ppt” which I opened in PP 2003 and compressed individually the 4 photos on Slides 8, 9, & 10 (since such awful pic quality when uploaded to Slideshare). Set compression at Print = 200ppi and Delete all Cropped material. This Ori2nd version worked on only in PowerPoint 2003 (so no compression when saving). Main change is switching out screen shots - deleting the original JPG versions and substituting GIF versions – in an attempt to get better quality when upload to Web. I also added the “More Info & Tips” slide at end (as appears in the “BeCreative-19slidesBackupPC.ppt” version of slide show) Also added color background to Title slide.