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“Close Reading:
Analyzing Poetry and
 Passages of Fiction”
   The Keys to the AP English Lit. Exam!
Close Reading


a. small details suggest larger ideas
b. HOW does the meaning of a piece come about
Close Reading


Follow Guiding Documents for Annotations--Active Reading
“Unlocking Poetry” & “Deciphering Prose”
Close Reading


1. First Impressions: QCCs
2. Stylistic Elements: Diction, Figurative Language, Imagery,
Syntax, Tone and Mood
Diction
author’s word choice
LEAD
L=level of diction-formal, neutral or informal
E=description of level i.e. elevated, colloquial, slang, jargon,
dialect, etc.
A=abstract or concrete words
D=denotations and connotations
Figurative Language

simile, metaphor, personification, analogy, conceit (extended
metaphor), hyperbole (overstatement), paradox, irony
allegory, apostrophe, cliche, idiom, metonymy, synecdoche,
pun
Imagery


appeals to the five senses
synesthesia
Syntax
arrangement of words, phrases, clauses, sentences
long or short sentences (telegraphic, short, medium, long)
simple, complex, compound, compound-complex
interrogative, declarative, imperative, exclamatory, rhetorical
question, rhetorical fragment
cumulative, periodic, balanced, asyndeton, polysyndeton
natural s-v-o, inverted
parallelism, chiasmus/antimetabole, zeugma
Tone and Mood


Tone: speaker’s attitude or author’s attitude toward subject
of work DIDS: D=diction, I=imagery, D=details, S=syntax
Mood: feeling readers get because of the tone
Questions for Close Reading


Pages 23 and 24
Close Reading: Poetry


More to consider when actively reading and analyzing poetry
Rhyme, Meter, Form, Poetic Syntax, Sound
Rhyme

free verse or rhyming
types of rhyme-internal, end, near, eye, slant, feminine,
masculine,
rhyme scheme
Meter

pattern of stressed and unstressed syllables (feet)
iambic, trochaic, spondaic, pyrrhic, anapestic, dactyllic
monometer, dimeter, trimeter, tetrameter, pentameter,
hexameter, heptameter, octometer
blank verse
Form
HOW does structure reinforce meaning?

narrative (epic, ballad)

lyric (elegy, ode, idyll, sonnet, villanelle)

song (dirge, ballad, hymn, rap, blues)

light (limerick, epigram)

cause-effect, patterns, chronological, question and answer, dramatic
monologue

open (free verse, projective verse) or closed (blank verse, couplet, tercet,
quatrain, cinquain, sestet, septet, octet or octave)
Poetic Syntax


end-stopped, enjambment, caesura, long/short lines,
projective verse
Sound
musical quality
rhyme, enjambment, caesura, cadence, alliteration,
assonance, onomatopoeia
in text citations for poetry spanning two lines “word / word”
use l. for one line and ll. for more than one line in
parenthetical citations
Questions for Close Reading: Poetry



Pages 29 and 30
Tools for Close Reading
Annotations: “Unlocking Poetry,” “Deciphering Prose,”
Dramatic Situation Chart, Questions from 23, 24, 29, & 30,
and Graphic Organizers
1. Find devices
2. Analyze their effect
(Don’t forget to consider titles)
Analytical Writing
Break literature down into parts to figure out how those
parts tie to a whole (theme, tone, attitude, etc.)
ABTATO, PETs, TOO
Thesis must briefly answer the prompt, page 45
Determine Points and support before writing--organize body
by literary devices
Two readings-organize by reading or literary device
Text must be woven into your sentences, not stand alone

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Lit and comp chapter two copy

  • 1. “Close Reading: Analyzing Poetry and Passages of Fiction” The Keys to the AP English Lit. Exam!
  • 2. Close Reading a. small details suggest larger ideas b. HOW does the meaning of a piece come about
  • 3. Close Reading Follow Guiding Documents for Annotations--Active Reading “Unlocking Poetry” & “Deciphering Prose”
  • 4. Close Reading 1. First Impressions: QCCs 2. Stylistic Elements: Diction, Figurative Language, Imagery, Syntax, Tone and Mood
  • 5. Diction author’s word choice LEAD L=level of diction-formal, neutral or informal E=description of level i.e. elevated, colloquial, slang, jargon, dialect, etc. A=abstract or concrete words D=denotations and connotations
  • 6. Figurative Language simile, metaphor, personification, analogy, conceit (extended metaphor), hyperbole (overstatement), paradox, irony allegory, apostrophe, cliche, idiom, metonymy, synecdoche, pun
  • 7. Imagery appeals to the five senses synesthesia
  • 8. Syntax arrangement of words, phrases, clauses, sentences long or short sentences (telegraphic, short, medium, long) simple, complex, compound, compound-complex interrogative, declarative, imperative, exclamatory, rhetorical question, rhetorical fragment cumulative, periodic, balanced, asyndeton, polysyndeton natural s-v-o, inverted parallelism, chiasmus/antimetabole, zeugma
  • 9. Tone and Mood Tone: speaker’s attitude or author’s attitude toward subject of work DIDS: D=diction, I=imagery, D=details, S=syntax Mood: feeling readers get because of the tone
  • 10. Questions for Close Reading Pages 23 and 24
  • 11. Close Reading: Poetry More to consider when actively reading and analyzing poetry Rhyme, Meter, Form, Poetic Syntax, Sound
  • 12. Rhyme free verse or rhyming types of rhyme-internal, end, near, eye, slant, feminine, masculine, rhyme scheme
  • 13. Meter pattern of stressed and unstressed syllables (feet) iambic, trochaic, spondaic, pyrrhic, anapestic, dactyllic monometer, dimeter, trimeter, tetrameter, pentameter, hexameter, heptameter, octometer blank verse
  • 14. Form HOW does structure reinforce meaning? narrative (epic, ballad) lyric (elegy, ode, idyll, sonnet, villanelle) song (dirge, ballad, hymn, rap, blues) light (limerick, epigram) cause-effect, patterns, chronological, question and answer, dramatic monologue open (free verse, projective verse) or closed (blank verse, couplet, tercet, quatrain, cinquain, sestet, septet, octet or octave)
  • 15. Poetic Syntax end-stopped, enjambment, caesura, long/short lines, projective verse
  • 16. Sound musical quality rhyme, enjambment, caesura, cadence, alliteration, assonance, onomatopoeia in text citations for poetry spanning two lines “word / word” use l. for one line and ll. for more than one line in parenthetical citations
  • 17. Questions for Close Reading: Poetry Pages 29 and 30
  • 18. Tools for Close Reading Annotations: “Unlocking Poetry,” “Deciphering Prose,” Dramatic Situation Chart, Questions from 23, 24, 29, & 30, and Graphic Organizers 1. Find devices 2. Analyze their effect (Don’t forget to consider titles)
  • 19. Analytical Writing Break literature down into parts to figure out how those parts tie to a whole (theme, tone, attitude, etc.) ABTATO, PETs, TOO Thesis must briefly answer the prompt, page 45 Determine Points and support before writing--organize body by literary devices Two readings-organize by reading or literary device Text must be woven into your sentences, not stand alone

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