Lighting research
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The document discusses the lighting techniques used in two music videos. In the first video, bright lights were used inside a house to make the singer stand out against her surroundings. Outside scenes also used lighting to match the brightness inside. In the second video, a character's silhouette is created by filming in front of a bright background without lighting on her. Scenes outdoors use natural light, while indoor scenes like a bathroom use artificial lighting to illuminate the characters without shadows. Throughout both videos, the lighting remains consistent to give the videos a cohesive look.
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2 shot locations
The document outlines four potential shot locations for a film:
1) The main character's patio, where they will appear confused and injured with sirens in the background.
2) The New Forest during early evening, where dim light and climbable trees will create a sense of danger as the character runs through the trees.
3) The staircase outside the filmmaker's house at night, which will be lit only by a torch as heavy breathing and music play alongside the narrative.
4) The filmmaker's garden, where trees and a lake will provide a peaceful contrast to the character's inner chaos, shown through short clips of them by the water set to voiceover and music.
Music video pre-production recce
The document discusses pre-production plans for filming a music video in a field and wooded area to represent the isolation and loneliness felt by the main character. Filming in the evening darkness will emphasize their emptiness and growing void from society. Interior shots in a broken and uninviting home are intended to further symbolize the character's isolation and subvert expectations of home as warm and welcoming. Dark lighting and mysterious woods are chosen to visually convey themes of sadness, darkness, and the unknown cause of their loneliness.
Music video mood board
The document discusses music videos for Birdy's "Wings" and songs by Rihanna, Fergie, and Lia. It notes that the Birdy video features her in a bedroom with warm colors, exaggerated highlights and shadows, and blurry in-and-out focus that create a calm, dreamlike effect. For Rihanna and Fergie's videos, sunlight highlights them against dark backgrounds, offering a calm backdrop. Lia is surrounded by fairy lights and curtains capturing the light, with blur giving a calm effect. Both videos use the artist as the focus of the shot but use light interestingly to illuminate them.
Jcs discos slideshow
This document discusses lighting and audio equipment rental for events, including professional sound equipment for music, uplighting for ambiance, and customizable gobo and dance floor lighting with LEDs.
Outside Acoustics
Being outside for the recording caused the voice to sound quieter due to the open space allowing sound to escape more easily. The sound was clear with no interference from background noise like people speaking. The brick walls absorbed sound rather than reflecting it, further reducing the volume and creating a quieter recording.
Storyboard media
The storyboard describes the opening scenes of a film featuring the song "Every Breath You Take" playing while the main character hums along in a dark bedroom setting. It then transitions to daylight scenes filmed in a quiet housing estate, with dark lighting used in the bedroom to create mystery and focus audience attention on the main character.
Theatre Portfolio 2
Rebecca Bartle is a lighting designer with experience designing lights for over 30 productions at Bob Jones University, various theaters, and as a freelancer in Chicago. Her designs utilize techniques like gobos, LEDs, fog, and snow machines to enhance productions. She strives to use lighting creatively to set moods and advance plots while overcoming technical challenges posed by different performance spaces.
Peebles
Peebles Natural Daylight created a double glazed roof light as part of a refurbishment project to bring more natural light into the building. The double glazed roof light allows light to enter from above while maintaining insulation. The refurbishment project included installing a double glazed roof light to improve energy efficiency and lighting.
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2 shot locations
The document outlines four potential shot locations for a film:
1) The main character's patio, where they will appear confused and injured with sirens in the background.
2) The New Forest during early evening, where dim light and climbable trees will create a sense of danger as the character runs through the trees.
3) The staircase outside the filmmaker's house at night, which will be lit only by a torch as heavy breathing and music play alongside the narrative.
4) The filmmaker's garden, where trees and a lake will provide a peaceful contrast to the character's inner chaos, shown through short clips of them by the water set to voiceover and music.
Music video pre-production recce
The document discusses pre-production plans for filming a music video in a field and wooded area to represent the isolation and loneliness felt by the main character. Filming in the evening darkness will emphasize their emptiness and growing void from society. Interior shots in a broken and uninviting home are intended to further symbolize the character's isolation and subvert expectations of home as warm and welcoming. Dark lighting and mysterious woods are chosen to visually convey themes of sadness, darkness, and the unknown cause of their loneliness.
Music video mood board
The document discusses music videos for Birdy's "Wings" and songs by Rihanna, Fergie, and Lia. It notes that the Birdy video features her in a bedroom with warm colors, exaggerated highlights and shadows, and blurry in-and-out focus that create a calm, dreamlike effect. For Rihanna and Fergie's videos, sunlight highlights them against dark backgrounds, offering a calm backdrop. Lia is surrounded by fairy lights and curtains capturing the light, with blur giving a calm effect. Both videos use the artist as the focus of the shot but use light interestingly to illuminate them.
Jcs discos slideshow
This document discusses lighting and audio equipment rental for events, including professional sound equipment for music, uplighting for ambiance, and customizable gobo and dance floor lighting with LEDs.
Outside Acoustics
Being outside for the recording caused the voice to sound quieter due to the open space allowing sound to escape more easily. The sound was clear with no interference from background noise like people speaking. The brick walls absorbed sound rather than reflecting it, further reducing the volume and creating a quieter recording.
Storyboard media
The storyboard describes the opening scenes of a film featuring the song "Every Breath You Take" playing while the main character hums along in a dark bedroom setting. It then transitions to daylight scenes filmed in a quiet housing estate, with dark lighting used in the bedroom to create mystery and focus audience attention on the main character.
Theatre Portfolio 2
Rebecca Bartle is a lighting designer with experience designing lights for over 30 productions at Bob Jones University, various theaters, and as a freelancer in Chicago. Her designs utilize techniques like gobos, LEDs, fog, and snow machines to enhance productions. She strives to use lighting creatively to set moods and advance plots while overcoming technical challenges posed by different performance spaces.
Peebles
Peebles Natural Daylight created a double glazed roof light as part of a refurbishment project to bring more natural light into the building. The double glazed roof light allows light to enter from above while maintaining insulation. The refurbishment project included installing a double glazed roof light to improve energy efficiency and lighting.
Theatre 1331
The document discusses the lighting design for three scenes in the play "The Woolgatherer". The lighting in the first scene floods around the characters and draws attention to dying plants. In the second scene, the late night lighting provides visibility while making the mood gloomy. In the third and final scene, the bright lighting suggests a happy ending after previous gloomy scenes, flooding the entire apartment to bring the characters to life.
Digipack inspiration
This document discusses album cover designs that inspire the author. It summarizes three album covers: [1] James Blake - The Wilhelm Scream, which features a blurred face in white and blue tones against a similarly colored background; [2] Wilco - A Ghost Is Born, which uses contrasting tones of the same color to make the band and album names stand out simply and effectively; [3] Miami Horror - Illumination, which draws the eye to a salmon pink dot in a pink-filtered desert photograph, creating a tonal color scheme that evokes isolation.
Week 6 Critique
This document is a critique for Justin Crawford's Week 6 Interior Design project. It summarizes that the designer used accent lighting under the mantel and couch to draw attention to the wall décor. This accent lighting breaks up the white washed feeling of the room, creating a relaxing atmosphere. There is also natural light from a large window, and the fireplace provides ambient lighting that illuminates the stone wall textures and décor, instantly inspiring tranquility.
Planning
This document provides planning details for a film scene involving a character named Jake who has a mental disability. It outlines that the setting will be in abandoned areas and busy places, and the camera will switch between long shots, medium shots, and extreme close-ups of Jake to emphasize his mental disability. The music will start slow to create intensity and then gradually get faster. Split scene openings and black or white credits are also planned.
This album cover of nico
This album cover uses soft, mood-setting colors and an image of an elephant to set a calming atmosphere. The large title is at the top with the elephant representing peacefulness. The document discusses using aspects of this cover for its calming effect achieved through color choice and overall appearance.
Media homework camera and editing
This document discusses three pictures and their camera techniques. The first picture uses a low key exposure and wide shot to show a dark, gloomy bedroom setting. The second picture uses high key exposure to emphasize the beauty of a park at night for filming a thriller. It highlights different shades of green from the trees and glistening water. The third picture also uses high key exposure and key lighting to make the colors of plants pop and emphasize the vibrant picture.
Cd sound effect 5
The ReaVerbate effect from Cockos smoothes out the rough noise and static texture added by the Battery Acid effect, making the sound on the audio clip clearer. By adjusting the room size tool and dials, the author was able to reduce echoing and lower the jaggedness of the added noise. The combined effects helped further smooth out the sound.
D coridor
ReaVerbate is a reverb plugin that uses dials for "Wet", "Dry", and "Room Size" to manipulate echo effects. Sliding the "Dry" dial down makes the voice lower pitched than the original. Dub Delay is a delay plugin where adjusting the "Damp", "Resonance", and "Low Cut" dials enhances the echo sound, and the "L Delay R" dials create different delays for the left and right headphones. It also has orange buttons that increase volume.
Blog
The document provides information and recommendations for improving the visual elements of a music video to better appeal to the target audience. It discusses techniques like using projectors, lighting, shot types, and color palettes to set mood. Location shots and close-ups of the artist are suggested to make them the clear focus. Ending on a memorable note that leaves audiences questioning is also advised.
Clip 4
Through various lighting techniques like infrared and flashlights, the different scenes in the cave are revealed, from dark and vague to clearer views of the character and surroundings. The characters travel through different parts of the cave, which was actually built for the film rather than a real cave, in an attempt to escape. Juno wears more sporty cave attire compared to the others, like Beth in simpler suitable clothing. Props like helmets, headlamps, climbing gear and flashlights are used for the caving activity and to provide light. Diegetic sounds include water dripping, character speech and movement, while non-diegetic sounds are minimized to maintain realism since music wouldn't actually be heard in a cave.
Behind the scenes
The document provides details about the filming and production of a music video. It summarizes the makeup, lighting, filming of different actors and instruments, and adjustments that were made during the process. The production utilized a white backdrop and LED lighting. Shots were filmed from various angles to provide diversity. During filming it was discovered that an actor did not know how to play his instrument, so roles were swapped. Editing of the video then began.
Presentation2
Rihanna's "California King Bed" music video depicts a love struggle between two former lovers trying to rekindle lost feelings. Scenes show Rihanna in a bedroom surrounded by nature with soft, natural lighting to create a dreamlike atmosphere. The video focuses solely on Rihanna and uses camera techniques like close-ups and profile shots to emphasize her.
Music Video Analysis
The document analyzes the music video for Rihanna's song "California King Bed." It discusses several elements of the video including nature scenes that create a natural impression, soft lighting that gives a dream-like feel, Rihanna's minimal white outfits suggesting purity, and locations focused on a single bedroom surrounded by curtains blowing in the wind. It also analyzes Taylor Swift's "Mine" video, which tells a love story narrative through performance and realistic scenes that her fans can relate to, following her life as a fly on the wall. The Gabrielle Aplin video "Never Fade" uses natural lighting and locations outside in fields and woods, with props representing a stereotypical romance video.
Music Video Analysis
This document analyzes the music video for Rihanna's song "California King Bed." The video tells a story of two former lovers trying to rekindle lost feelings. It features natural scenery and soft lighting to create a dreamlike atmosphere. Rihanna wears minimal, pure white clothing to portray the idea of a "perfect girl." The video focuses closely on Rihanna and uses camera techniques like close-ups and profile shots to emphasize her as the artist.
Music Video Analysis
The document analyzes the music video for Rihanna's song "California King Bed." It discusses several elements of the video including nature scenes that create a natural impression, soft lighting that gives a dream-like feel, Rihanna's minimal white outfits suggesting purity, and locations that focus on a single room with a bed surrounded by curtains blowing in the wind. It also analyzes Taylor Swift's "Mine" video, which tells a love story narrative through performance and realistic scenes that followers her life and fans can relate to.
Conventions
This document discusses how the media product follows and challenges conventions of real music videos. It follows conventions by using similar camera shots, a plain background to focus on the artist, and keeping costumes simple. It challenges conventions by using a long shot to show more of the setting and using different camera angles not typically seen. The goal is to create a sense of loneliness while still relating to the original video's theme and storytelling techniques.
Music Video Analysis
The video for "California King Bed" by Rihanna shows her struggling with a broken relationship. Scenes cut between Rihanna singing alone and interacting with her love interest. Nature imagery and soft lighting create a dreamlike atmosphere. The focus remains on Rihanna and establishing the song's theme of lost love.
Question 1
My group's music video follows many conventions of Avril Lavigne's original music video for her song "When You're Gone" to create a similar style. We use similar camera shots, costumes, settings, and storylines to portray loneliness and isolation. However, we also challenge some conventions by adding long shots and medium close-ups of the artist not looking at the audience to develop a sadder atmosphere. Overall, the video draws from real music video conventions but also adapts them to suit our narrative.
Construction of mise en-scene
The document discusses plans for constructing the mise-en-scene for a music video to depict isolation and a psychedelic aesthetic. Several locations were chosen and modified to illustrate themes and focus attention on the main character. Specific lighting, props, and extras were used to transform settings like a desk area and dark room into scenes that establish the desired mood and genre without lyrics. Planning focused on careful framing, natural lighting, and post-production color correction to create a dream-like and eye-catching mise-en-scene.
Binte's 5 video analysis
The document provides an analysis of 5 music videos through their mise-en-scene elements including décor, lighting, costumes, camera angles, and editing techniques. It summarizes the concept and key visual elements of videos by Poets of the Fall, Green Day, Ali Azmat, Mika, and E.P. including their use of lighting, locations, costumes, and editing styles to convey the themes and stories of the songs.
Evaluation: Question 7
The document summarizes improvements made from a preliminary film task to the full film product. For the preliminary task, sound issues arose from separate voice recordings that didn't match well. Lighting was inconsistent due to filming in a glass room. A script was accidentally left visible.
For the main task, sound quality was better with no dubbing needed. Fade effects were added to music. Lighting issues were addressed by boarding windows and using torch lights. Atmospheric props like old dolls were added. Overall, lessons from the preliminary task helped avoid repeat mistakes and improved technical skills for the final product.
Film location shots
The document outlines location shots planned for a horror film set in a normal looking house. Establishing shots of the front of the house will be taken from the street. Subsequent shots include Lucy in the bathroom suggesting vulnerability, and Danny entering through the back door in POV shots adding tension. The bright yellow bathroom is intended to contrast later with scary events, disturbing the audience.
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Theatre 1331
The document discusses the lighting design for three scenes in the play "The Woolgatherer". The lighting in the first scene floods around the characters and draws attention to dying plants. In the second scene, the late night lighting provides visibility while making the mood gloomy. In the third and final scene, the bright lighting suggests a happy ending after previous gloomy scenes, flooding the entire apartment to bring the characters to life.
Digipack inspiration
This document discusses album cover designs that inspire the author. It summarizes three album covers: [1] James Blake - The Wilhelm Scream, which features a blurred face in white and blue tones against a similarly colored background; [2] Wilco - A Ghost Is Born, which uses contrasting tones of the same color to make the band and album names stand out simply and effectively; [3] Miami Horror - Illumination, which draws the eye to a salmon pink dot in a pink-filtered desert photograph, creating a tonal color scheme that evokes isolation.
Week 6 Critique
This document is a critique for Justin Crawford's Week 6 Interior Design project. It summarizes that the designer used accent lighting under the mantel and couch to draw attention to the wall décor. This accent lighting breaks up the white washed feeling of the room, creating a relaxing atmosphere. There is also natural light from a large window, and the fireplace provides ambient lighting that illuminates the stone wall textures and décor, instantly inspiring tranquility.
Planning
This document provides planning details for a film scene involving a character named Jake who has a mental disability. It outlines that the setting will be in abandoned areas and busy places, and the camera will switch between long shots, medium shots, and extreme close-ups of Jake to emphasize his mental disability. The music will start slow to create intensity and then gradually get faster. Split scene openings and black or white credits are also planned.
This album cover of nico
This album cover uses soft, mood-setting colors and an image of an elephant to set a calming atmosphere. The large title is at the top with the elephant representing peacefulness. The document discusses using aspects of this cover for its calming effect achieved through color choice and overall appearance.
Media homework camera and editing
This document discusses three pictures and their camera techniques. The first picture uses a low key exposure and wide shot to show a dark, gloomy bedroom setting. The second picture uses high key exposure to emphasize the beauty of a park at night for filming a thriller. It highlights different shades of green from the trees and glistening water. The third picture also uses high key exposure and key lighting to make the colors of plants pop and emphasize the vibrant picture.
Cd sound effect 5
The ReaVerbate effect from Cockos smoothes out the rough noise and static texture added by the Battery Acid effect, making the sound on the audio clip clearer. By adjusting the room size tool and dials, the author was able to reduce echoing and lower the jaggedness of the added noise. The combined effects helped further smooth out the sound.
D coridor
ReaVerbate is a reverb plugin that uses dials for "Wet", "Dry", and "Room Size" to manipulate echo effects. Sliding the "Dry" dial down makes the voice lower pitched than the original. Dub Delay is a delay plugin where adjusting the "Damp", "Resonance", and "Low Cut" dials enhances the echo sound, and the "L Delay R" dials create different delays for the left and right headphones. It also has orange buttons that increase volume.
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Similar to Lighting research
Blog
The document provides information and recommendations for improving the visual elements of a music video to better appeal to the target audience. It discusses techniques like using projectors, lighting, shot types, and color palettes to set mood. Location shots and close-ups of the artist are suggested to make them the clear focus. Ending on a memorable note that leaves audiences questioning is also advised.
Clip 4
Through various lighting techniques like infrared and flashlights, the different scenes in the cave are revealed, from dark and vague to clearer views of the character and surroundings. The characters travel through different parts of the cave, which was actually built for the film rather than a real cave, in an attempt to escape. Juno wears more sporty cave attire compared to the others, like Beth in simpler suitable clothing. Props like helmets, headlamps, climbing gear and flashlights are used for the caving activity and to provide light. Diegetic sounds include water dripping, character speech and movement, while non-diegetic sounds are minimized to maintain realism since music wouldn't actually be heard in a cave.
Behind the scenes
The document provides details about the filming and production of a music video. It summarizes the makeup, lighting, filming of different actors and instruments, and adjustments that were made during the process. The production utilized a white backdrop and LED lighting. Shots were filmed from various angles to provide diversity. During filming it was discovered that an actor did not know how to play his instrument, so roles were swapped. Editing of the video then began.
Presentation2
Rihanna's "California King Bed" music video depicts a love struggle between two former lovers trying to rekindle lost feelings. Scenes show Rihanna in a bedroom surrounded by nature with soft, natural lighting to create a dreamlike atmosphere. The video focuses solely on Rihanna and uses camera techniques like close-ups and profile shots to emphasize her.
Music Video Analysis
The document analyzes the music video for Rihanna's song "California King Bed." It discusses several elements of the video including nature scenes that create a natural impression, soft lighting that gives a dream-like feel, Rihanna's minimal white outfits suggesting purity, and locations focused on a single bedroom surrounded by curtains blowing in the wind. It also analyzes Taylor Swift's "Mine" video, which tells a love story narrative through performance and realistic scenes that her fans can relate to, following her life as a fly on the wall. The Gabrielle Aplin video "Never Fade" uses natural lighting and locations outside in fields and woods, with props representing a stereotypical romance video.
Music Video Analysis
This document analyzes the music video for Rihanna's song "California King Bed." The video tells a story of two former lovers trying to rekindle lost feelings. It features natural scenery and soft lighting to create a dreamlike atmosphere. Rihanna wears minimal, pure white clothing to portray the idea of a "perfect girl." The video focuses closely on Rihanna and uses camera techniques like close-ups and profile shots to emphasize her as the artist.
Music Video Analysis
The document analyzes the music video for Rihanna's song "California King Bed." It discusses several elements of the video including nature scenes that create a natural impression, soft lighting that gives a dream-like feel, Rihanna's minimal white outfits suggesting purity, and locations that focus on a single room with a bed surrounded by curtains blowing in the wind. It also analyzes Taylor Swift's "Mine" video, which tells a love story narrative through performance and realistic scenes that followers her life and fans can relate to.
Conventions
This document discusses how the media product follows and challenges conventions of real music videos. It follows conventions by using similar camera shots, a plain background to focus on the artist, and keeping costumes simple. It challenges conventions by using a long shot to show more of the setting and using different camera angles not typically seen. The goal is to create a sense of loneliness while still relating to the original video's theme and storytelling techniques.
Music Video Analysis
The video for "California King Bed" by Rihanna shows her struggling with a broken relationship. Scenes cut between Rihanna singing alone and interacting with her love interest. Nature imagery and soft lighting create a dreamlike atmosphere. The focus remains on Rihanna and establishing the song's theme of lost love.
Question 1
My group's music video follows many conventions of Avril Lavigne's original music video for her song "When You're Gone" to create a similar style. We use similar camera shots, costumes, settings, and storylines to portray loneliness and isolation. However, we also challenge some conventions by adding long shots and medium close-ups of the artist not looking at the audience to develop a sadder atmosphere. Overall, the video draws from real music video conventions but also adapts them to suit our narrative.
Construction of mise en-scene
The document discusses plans for constructing the mise-en-scene for a music video to depict isolation and a psychedelic aesthetic. Several locations were chosen and modified to illustrate themes and focus attention on the main character. Specific lighting, props, and extras were used to transform settings like a desk area and dark room into scenes that establish the desired mood and genre without lyrics. Planning focused on careful framing, natural lighting, and post-production color correction to create a dream-like and eye-catching mise-en-scene.
Binte's 5 video analysis
The document provides an analysis of 5 music videos through their mise-en-scene elements including décor, lighting, costumes, camera angles, and editing techniques. It summarizes the concept and key visual elements of videos by Poets of the Fall, Green Day, Ali Azmat, Mika, and E.P. including their use of lighting, locations, costumes, and editing styles to convey the themes and stories of the songs.
Evaluation: Question 7
The document summarizes improvements made from a preliminary film task to the full film product. For the preliminary task, sound issues arose from separate voice recordings that didn't match well. Lighting was inconsistent due to filming in a glass room. A script was accidentally left visible.
For the main task, sound quality was better with no dubbing needed. Fade effects were added to music. Lighting issues were addressed by boarding windows and using torch lights. Atmospheric props like old dolls were added. Overall, lessons from the preliminary task helped avoid repeat mistakes and improved technical skills for the final product.
Film location shots
The document outlines location shots planned for a horror film set in a normal looking house. Establishing shots of the front of the house will be taken from the street. Subsequent shots include Lucy in the bathroom suggesting vulnerability, and Danny entering through the back door in POV shots adding tension. The bright yellow bathroom is intended to contrast later with scary events, disturbing the audience.
Question 1
The document contains evaluation questions for a product and the responses from a candidate. The questions ask how the product uses, develops, or challenges existing conventions; how effective the combination of the main product and ancillary texts are; what was learned from audience feedback; and how media technologies were used in development. The candidate explains that their planning process involved uploading materials to a blog for organization. They also analyze conventions of soap operas and evaluate two examples in their blog to demonstrate how their trailer conforms to conventions through techniques like minimal makeup, close-up shots, and natural lighting to create realism.
Lighting(add screen cap)
The music video was animated so the creators had no control over traditional lighting but chose to set all scenes during the daytime to reflect the positive mood and themes from the male character's perspective of cheering up the upset female character, avoiding any nighttime or darkened shots. Some lighting effects were incorporated, including zooming into an extreme closeup of the sun with a lens flare to transition to a new scene and adding a lens flare in the last scene as the sun descends to shine on a seed, brightening the scene to make it seem like the sun is shining.
Run this town essay
The 5 minute 23 second music video for "Run This Town" by Jay Z, Kanye West, and Rihanna features close-ups of the artists against a dark, natural setting to portray the song's rough theme. Throughout the video, torch lighting emphasizes costumes and facial features while representing the song's lyrics. The video is quickly paced to match the beat, cutting between artists in different outfits across the abandoned set. Rihanna portrays a sexy, carefree image through her revealing clothing and attitude, helping establish her growing star iconography.
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More from sarahbiswell
In what ways does your media product use
Our video meets many typical music video conventions such as including the main protagonist lip syncing to the song and featuring supporting characters, but also challenges conventions. We use diverse camera shots and angles to portray the protagonist's emotions, including high shots to show isolation and low shots to depict her decision. While our storyline is simple and uses flashbacks, it challenges theories of narrative structure by having constant disruption and no resolution.
Neil and barthes
Roland Barthes developed the theory of semiotics, which is the study of signs and their interpretation. Signs can include words, numbers, colors, logos, and more that take on different meanings in different contexts. Barthes was interested in how semiotics could deepen our understanding of language, literature, and society. Steve Neale argued that genres rely on repetition of conventions but also difference, as difference is essential to how genres evolve over time. Both theorists looked at how signs like fonts, clothing, music, and other visual elements convey genre and meaning to media audiences.
Evaluation 4
Several programs were used during the construction, research, planning, and evaluation of a music video project. Research was conducted online using YouTube and Google to find inspiration. A Canon camcorder and tripod were used to film the music video. Adobe Premiere Elements was used to edit the video footage. Ancillary tasks were created using a Canon DSLR camera, flash, and lamps for photography, and Adobe Photoshop to edit the photos. The project and evaluation were presented using Blogger, Microsoft Publisher, SlideShare, Prezi, MindMeister, and Glogster to make the blogs and presentations more engaging.
Digipak eval
The digipak uses and develops conventions of real music products through consistent fonts, color schemes, and placement of typical information like the artist's name and album title. It challenges conventions by editing images in a way that emphasizes the eyes and lips and including a message from the artist on the inside cover. Overall, the digipak draws from typical conventions to appear professional while incorporating some original design choices.
Digipak eval
The digipak meets many conventions of real music products through consistent fonts, colors, and emphasis on the artist's name and album title. It challenges conventions by cutting off parts of images and including the artist's social media instead of producer details. While mostly conventional, elements like a handwritten font and messages from the artist aim to feel authentic yet distinctive. Overall, the design draws from typical digipak styles but incorporates some original elements.
Inside covers
This document analyzes and compares the inside covers of albums by Rihanna and Kesha. It notes that Rihanna's cover shows her in a casual smoking pose that provides insight into the album's songs. Kesha's album cover says "it's party time" indicating upbeat party songs. A single by Kesha similarly shows her in an interesting pose and includes the song name, maintaining consistency with the rest of the packaging. Both covers give a sense of the albums' styles through the artists' poses and messages.
Inside covers
The document discusses and compares the inside covers of albums by Rihanna, Kesha, and another Kesha single. It analyzes Rihanna's casual smoking pose as creative and insightful into the album's songs. Kesha's cover conveys a party theme through multicolored glittery letters matching the digipak's bright colors and Kesha's lively personality. The other Kesha single similarly features an interesting carefree pose and includes the song name, with a consistent pattern linking it to the rest of the packaging.
Lighting research
The document discusses the lighting techniques used in two music videos. In the first video, bright lights were used inside a house to make the singer stand out against her surroundings. Outside scenes also used lighting to match the brightness inside. In the second video, a character's silhouette is created by filming in front of a bright background without lighting on her. Scenes outdoors use natural light, while indoor scenes likely use artificial lighting to illuminate the characters without shadows. Throughout both videos, the lighting remains consistent to give the videos a cohesive look.
Lighting research
The document discusses the lighting techniques used in two music videos. In the first video, bright lights were used inside a house to make the singer stand out against her surroundings. Outside scenes also used lighting to match the brightness inside. In the second video, a character's silhouette is created by filming in front of a bright background without lighting on her. Scenes outdoors use natural light, while indoor scenes likely use artificial lighting to illuminate the characters without shadows. Throughout both videos, the lighting remains consistent to give the videos a cohesive appearance.
Evaluation q1
Our music video both meets and challenges conventions of typical music videos. It incorporates common features like a protagonist character and lip syncing to appear professional, but tells a more complex story that flashes between past and present using different color filters. While including standard editing techniques like cross dissolves and cutting to the beat, the storyline does not follow typical narrative structures and leaves the disruption unresolved. Feedback showed the video successfully portrayed the story and emotions despite challenging traditional theories of narrative.
Evaluation q1
Our music video both meets and challenges conventions of typical music videos. It incorporates common features like a protagonist character and lip syncing to appear professional, but tells a more complex story that flashes between past and present using different color filters. While including standard editing techniques like cross dissolves and cutting to the beat, the storyline does not follow typical narrative structures and leaves the disruption unresolved. Feedback showed the video successfully portrayed the story and emotions through creative camerawork and editing despite diverging from some theoretical models.
Media Feedback
The feedback received was positive overall, praising the signature-like font used for the artist's name, the consistent use of red lips throughout, and how the song font matches the lip color to link the colors well. The basic background was also praised for making the artist image stand out as the main focus to catch audience attention. One area for improvement noted was making the behind the CD part less plain.
Locations
The document discusses potential locations for filming a film project and analyzes the suitability of each location for different scenes. It proposes Ellie's house in Hextable for the first two locations because they require sitting on the same wall. Sarah Brushett's house in Eynsford is suggested for the third location which involves flashback scenes in a different house. Eynsford Castle or a country lane in Sutton-at-Hone are put forward for the fourth isolated location.
Locations
Ellie's house in Hextable would be suitable for the 1st and 2nd locations as it is on a main road and has a wall featured in both scenes. Sarah Brushett's house in Eynsford would work for the 3rd location flashback scenes as it provides a different setting than the first house. Eynsford Castle or a country lane in Sutton-at-Hone would serve as the 4th location as both offer secluded areas needed for that scene.
Locations
Ellie's house in Hextable would be suitable for the 1st and 2nd locations as it is on a main road and has a wall featured in both scenes. Sarah Brushett's house in Eynsford would work for the 3rd location flashback scenes as it provides a different setting than the first house. Eynsford Castle or a country lane in Sutton-at-Hone could be used for the 4th location as they are secluded areas suitable for the character's activities in that scene.
Target Audience
The lyrics summarize a situation where a teenager feels treated like a stranger by someone else, who has now made ignorance their new best friend. The teenager says it was nice to meet this person but that they will now take their leave and go away.
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永久可查学历认证【微信：A575476】【(QMUE毕业证书)英国爱丁堡玛格丽特女王大学毕业证成绩单Offer】【微信：A575476】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
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三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
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3:国家专业人才认证中心颁发入库证书
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一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
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我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
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选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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[To download this presentation, visit:
https://www.oeconsulting.com.sg/training-presentations]
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McKinsey’s Ten Guiding Principles of Digital Transformation
Forrester’s Digital Transformation Framework
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Accenture’s Digital Strategy & Enterprise Frameworks
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Lighting research
- 1. MUSIC VIDEO 1 On the left is a very bright scene, making the singer stand out as she is darker than her surroundings. This effectively makes her the main focus; it is likely that the lighting in this scene was created with bright lights positioned the other side of the window, making it appear natural light while more would have faced the singer to prevent shadows over her front. This next clip is also from in side the house and clearly shows there are lights on the left of the stairs, to make the staircase (probably a naturally dark area) brighter. The position of the lights is shown from the shadow of the singer on the wall but once again does not appear artificial and just creates a summery, happy setting to contrast with her attitude after waking up. On the left, the same video shows the signer outside, cycling along. However, the lighting is clearly the same brightness as inside the house, suggesting the director planned this to keep the lighting throughout the video consistent. There may have been additional lights in this scene too, to avoid shadows on her face but it is likely the lighting inside was planned to match this natural light.
- 2. MUSIC VIDEO 2 At the start of the music video, the character appears quite mysterious as we can only see her silhouette; this would have been created by filming her in front of a brighter background without light any light facing her from the where the camera is positioned. A few scenes within this music video show the characters outdoors. As with the previous music video, I believe natural light was used in these scenes as it is a light environment anyway. However, lighting may have been used to prevent any shadows but if so would have been fairly dull to meet the cloudy, dull appearance of the setting they are in and to avoid it looking unrealistic. This clip shows the two characters indoors. The lighting in the bathroom is probably naturally dark as no windows can be so and so it likely artificial lighting was used to make both characters easy to see without shadows being over them. As with the previous video, the lighting both inside and outside has been carefully controlled to look similar and keep it consistent throughout the video.