This document provides an introduction to relational aesthetics, an artistic movement focused on human interactions and social contexts rather than private spaces. It discusses Nicolas Bourriaud's theories on relational aesthetics, including his view that 1990s art has been misunderstood due to a lack of theoretical perspective. The document lists some key ideas from Bourriaud's work and provides examples of artworks by several artists that exemplify relational aesthetics, focusing on how the works engage audiences in social interactions and experiences.
This document provides guidelines for a mid-term paper assignment for a course on site-specific public art. Students must write a 5-page research paper on an artist or artist group related to one of five topics: earthworks, urban landscape, process and social practices, people's participation, or art and activism. The paper should discuss the artist's ideas of public and audience, information on commissions, and legacy. Students must present their paper to the class and submit it by email in PDF format by December 16th.
Water. as tears of love site specific art installation by angelo bucarelli ...Fausto Capurro
The document summarizes an art installation project titled "Water. Like Tears of Love" by Italian artist Angelo Bucarelli. The installation will take place from September 15 to October 14, 2013 at the historic Küçük Mustafa Paşa Hamami in Istanbul. It is organized by the Italian Institute of Culture in Istanbul and the ITA Italian Turkish Association, under the patronage of various Italian and Turkish institutions. The installation explores the theme of water and its importance to Istanbul through a site-specific multimedia work inspired by an Ottoman poet and will enrich the cultural dialogue between Italy and Turkey.
Metro mag editor Simon Wilson and curator Mary Jane Jacob address the debate surrounding public art and what it means for becoming the world’s most liveable city. View the entire event online at aucklandcouncil.govt.nz/conversations
Mary Jane Jacob is a pioneer in the areas of public, site-specific and socially engaged art. A professor at the School of the Art Institute of Chicago, Mary Jane has held posts at Chief Curator at the Museum of Contemporary Art, Los Angeles and at the Museum of Contemporary Art, Chicago. In 2012 she was awarded the Curatorial Research Fellowship from the Andy Warhol Foundation, to support her investigation of the history of site-specific art from 1900’s to today. Through hundreds exhibitions, site-specific and community-based projects, and public programs, Mary Jane has worked with artists to expand the practice and public discourse on art as a shared process. Professor Jacob is also the author and editor of many key texts including Conversations at the Castle: Changing Audiences and Contemporary Art (1996) and Culture in Action: New Public Art in Chicago (1993).
Def case histories from today public art in spain-politecnico milanoo_costanzo
This document summarizes presentations given by Domenico Berardinelli on case studies of public art in Spain. It discusses several projects including the INTERFERENCIA festival in Barcelona that featured artistic interventions and citizen participation. It also profiles Spanish artists Lara Almarcegui and Santiago Cirugeda, covering their works exploring urban landscapes and architectures that activate public spaces. Observatori Nomada and other initiatives are mentioned that take a walking approach to studying and experiencing cities.
The document discusses the definition and characteristics of new genre public art. It is distinguished from traditional public art in that it uses both traditional and non-traditional media to directly engage broad audiences about issues relevant to their lives. New genre public art favors temporary collaborative projects that actively involve marginalized communities. It addresses important social issues and redefines the role of artists and audiences. The examples provided illustrate new genre public art's emphasis on participation, collaboration, and addressing social and political issues through temporary interactive installations and performances.
The document outlines an agenda for a public art practice workshop held in Dublin. It includes sessions on current commissioning approaches, case studies, and proposals. Artists will present on considering audience and context in proposals. There will be discussions on realizing commissions and navigating organizational relationships. The workshop aims to explore public art practices and challenges in Ireland.
This document provides an introduction to relational aesthetics, an artistic movement focused on human interactions and social contexts rather than private spaces. It discusses Nicolas Bourriaud's theories on relational aesthetics, including his view that 1990s art has been misunderstood due to a lack of theoretical perspective. The document lists some key ideas from Bourriaud's work and provides examples of artworks by several artists that exemplify relational aesthetics, focusing on how the works engage audiences in social interactions and experiences.
This document provides guidelines for a mid-term paper assignment for a course on site-specific public art. Students must write a 5-page research paper on an artist or artist group related to one of five topics: earthworks, urban landscape, process and social practices, people's participation, or art and activism. The paper should discuss the artist's ideas of public and audience, information on commissions, and legacy. Students must present their paper to the class and submit it by email in PDF format by December 16th.
Water. as tears of love site specific art installation by angelo bucarelli ...Fausto Capurro
The document summarizes an art installation project titled "Water. Like Tears of Love" by Italian artist Angelo Bucarelli. The installation will take place from September 15 to October 14, 2013 at the historic Küçük Mustafa Paşa Hamami in Istanbul. It is organized by the Italian Institute of Culture in Istanbul and the ITA Italian Turkish Association, under the patronage of various Italian and Turkish institutions. The installation explores the theme of water and its importance to Istanbul through a site-specific multimedia work inspired by an Ottoman poet and will enrich the cultural dialogue between Italy and Turkey.
Metro mag editor Simon Wilson and curator Mary Jane Jacob address the debate surrounding public art and what it means for becoming the world’s most liveable city. View the entire event online at aucklandcouncil.govt.nz/conversations
Mary Jane Jacob is a pioneer in the areas of public, site-specific and socially engaged art. A professor at the School of the Art Institute of Chicago, Mary Jane has held posts at Chief Curator at the Museum of Contemporary Art, Los Angeles and at the Museum of Contemporary Art, Chicago. In 2012 she was awarded the Curatorial Research Fellowship from the Andy Warhol Foundation, to support her investigation of the history of site-specific art from 1900’s to today. Through hundreds exhibitions, site-specific and community-based projects, and public programs, Mary Jane has worked with artists to expand the practice and public discourse on art as a shared process. Professor Jacob is also the author and editor of many key texts including Conversations at the Castle: Changing Audiences and Contemporary Art (1996) and Culture in Action: New Public Art in Chicago (1993).
Def case histories from today public art in spain-politecnico milanoo_costanzo
This document summarizes presentations given by Domenico Berardinelli on case studies of public art in Spain. It discusses several projects including the INTERFERENCIA festival in Barcelona that featured artistic interventions and citizen participation. It also profiles Spanish artists Lara Almarcegui and Santiago Cirugeda, covering their works exploring urban landscapes and architectures that activate public spaces. Observatori Nomada and other initiatives are mentioned that take a walking approach to studying and experiencing cities.
The document discusses the definition and characteristics of new genre public art. It is distinguished from traditional public art in that it uses both traditional and non-traditional media to directly engage broad audiences about issues relevant to their lives. New genre public art favors temporary collaborative projects that actively involve marginalized communities. It addresses important social issues and redefines the role of artists and audiences. The examples provided illustrate new genre public art's emphasis on participation, collaboration, and addressing social and political issues through temporary interactive installations and performances.
The document outlines an agenda for a public art practice workshop held in Dublin. It includes sessions on current commissioning approaches, case studies, and proposals. Artists will present on considering audience and context in proposals. There will be discussions on realizing commissions and navigating organizational relationships. The workshop aims to explore public art practices and challenges in Ireland.
This document discusses how every website tells a story through the user's experience and journey on the site. It emphasizes creating personas and characters to guide users towards their goals without dead ends, and using signposts, suggestions and options to keep users engaged at each step. The narrative should have a clear purpose for why users are on the site and what is wanted from them, with every element justifying its own existence to maintain the user's progress to a happy ending.
Site-specific art is created for and linked to a specific location. It emerged in the 1960s and 1970s and includes land art, ephemeral art, public art, and monuments. Examples discussed include Spiral Jetty by Robert Smithson, Ice Piece by Andy Goldsworthy, The Ice Cube Project by Marco Evaristti, and The Lightning Field by Walter De Maria.
Debates around the idea that the interrelation or the interaction between artwork and viewers has been modified with the practice of Relational Aesthetics.
Extraordinary Spaces: Site-Specific Collections and Their ChallengesWest Muse
Historic and other site-specific spaces open to the public offer a genuine and comprehensive look into a particular collection and time period. The site is part of that experience. However, for better or worse these sites are not set up as conventional exhibition spaces. One of the main questions we will address is where to draw the line between retaining the authenticity of the experience vs. protecting the objects, the site, and the visitors? In this session we will discuss topics such as housing collections in non-climate controlled spaces, object displays, balancing visitor access with the preservation of the collection and the site, how to incorporate signage, working with a limited or volunteer staff, and on-going conservation and restoration needs. A variety of unique spaces will be presented to address these issues and more as each site has a host of specific circumstances particular to each place that standard exhibition spaces do not have to worry about.
This document discusses different types of site-specific performance art such as happenings, flash mobs, silent discos, and improv events. It provides definitions and examples of these art forms, including quotes about happenings from Allan Kaprow and links to video examples. The document also briefly describes how flash mobs and silent discos are organized through social media and mass communication.
Slides of the first lesson on Site specific Public Art at School of Architecture and Society- Campus Piacenza (Politecnico di Milano).
Prof. Ornella Costanzo
Installation art emerged as a central practice in contemporary art in the late 20th century. It is defined not by traditional media but by the message conveyed through various means. Artists create immersive, interactive environments that often involve the viewer directly and blur boundaries between art and participant. New technologies further expand possibilities for installation works, allowing ideas from prior decades to be realized through computer and electronic components that respond to viewers in real time.
Performance art is a type of artistic production that focuses on actions done in specific locations over a particular period of time. It has its roots in avant-garde movements of the early 20th century like Futurism and Dadaism. Some trace its origins back even further to ancient rituals and rites of passage. Key early performance artists include Chris Burden, Carolee Schneemann, and Vito Acconci, whose body-based works explored taboo and transformative themes. Performance art incorporates concepts and techniques from various genres including visual arts, music, and theater.
This exhibition features works from various artists exploring ideas around post-autonomy in art and moving away from Eurocentric frameworks. The exhibition seeks to open up discussion, debate new terms and taxonomies, and consider art that addresses political and social issues differently than traditional models allow. It includes pieces using language, flags, sound, video and paper dresses to conceptualize alternative art spaces and communities.
This document discusses how social media has turned people's online activities and interactions into a form of art. It explores the concept of a "total work of art" or Gesamtkunstwerk where all of society is sculpted through human interactions and media. Some view social media as a threat to traditional art, but it has opened new opportunities for artists by providing an open platform and the ability to reach vast audiences. The document examines several social media art projects and argues that if online data and social networks stimulate emotions or intellect, then social media can be considered a new canvas for art.
Time in place: New genre public art a decade latercharlesrobb
The document summarizes a reading about how public art has evolved from earlier forms to new genre public art, which focuses on community engagement and social issues. It discusses key terms like dialogic art, civic art, and relation aesthetics. Case studies of public art projects are presented that highlight history, engage communities, and tackle social issues. The reading argues new genre public art is process-based and dependent on audience interaction over long periods. This relates to the Botanica project, which aims to engage communities through interactive art and raise awareness of social issues.
Kp temporal intervention-the city innovation for public arts in bangkokSarit Tiyawongsuwan
This document summarizes research on innovations in public art in Bangkok, Thailand over the past decade. It finds that concepts of temporality, transience, and fun have been employed in two types of public art interventions: participatory art in commercial areas like shopping malls, and community art in local neighborhoods. These new forms of public art are more interactive and aim to engage the public directly, addressing past issues of art being detached from everyday life. The innovations represent an opportunity to reinvigorate Thai artistic traditions and reconnect urban and local communities through art.
The ST.ART project aimed to increase students' awareness and understanding of street art through an innovative virtual learning environment. Over six months, 177 students and 20 teachers from 5 schools participated in e-learning courses and activities in the 3D virtual world of Metropolis. Students developed projects and engaged in discussions around street art. Teachers played an active role by guiding students through the online materials and activities. While language barriers posed some challenges, the project helped foster collaborative learning among students and cross-curricular skills.
The document discusses urban intervention and tactical media art. It provides examples of artists who use public spaces and media to raise awareness of social and political issues. These include the Red Ball Project, which placed giant red balls in cities, and The Yes Men, who create fake news stories to draw attention to important topics. The document also discusses influential groups like the Situationists who created experimental art experiences in public settings and the rise of tactical media in the 1990s which allowed users to more easily spread messages through mainstream outlets.
A Cartography Of Research In Graphic DesignWendy Belieu
This document provides information about an exhibition titled "A Cartography of Research in Graphic Design" that was presented from October 17th to November 30th, 2017 at the Galerie NaMiMa of the École nationale supérieure d'art et de design de Nancy in France. The exhibition aimed to map out and provide an overview of the current landscape of research in graphic design, dividing it into six major territories. It notes that graphic design research examines topics like the social world, politics, images, writing, typography, and digital media/visualization and how they relate to graphic design.
To Govern Artfully. Linking contemporary public art to political participationLaura Iannelli
This document summarizes research on participatory public art and urban governance. The research involved interviewing 10 artists and analyzing 85 art projects in Italy. Key findings include:
1) Most projects occurred in the last 4 years and focused on environmental and "subpolitical" issues. Artists worked in collectives to foster social and political change through individual participation.
2) Projects primarily used consultation, deliberation, and mobilization models of citizen engagement. Case studies in Rome and Sassari effectively transformed cities and engaged performative audiences.
3) Most projects received public funding, with differing views among artists on the benefits and risks of this. The research aims to further explore relationships between participatory art and urban governance through
The document discusses various topics related to public art including:
- The marginalization of artists in public art projects
- Different levels of engagement artists can have, from individual technical work to long-term community embeddedness
- Issues of representation, gentrification, and the commodification of place through public art
- The broad definition of what constitutes public art
- International examples of organizations taking critical approaches to art and urbanism
Abstract
This research attempts to analyze the importance of a Public Park and the social responsibility as the lung and center of life and activities that provide people the tools to find their role and place within the community. The research also attempts to find out how the local identity influences the success of the such Public Park, as the diversity of customs and cultures, could present potential challenges in accommodating everyone in an environment that would make each individual feel included, part of, and even with a certain pride of belonging to a place versus disrespected and excluded.
The proposal for an Inclusive Public park would attempt to offer sustainable solutions, and is validated by research into five parks around the world that had attempted to include the needs and interests of the different ages throughout the human life, as well as to ensure accessible routes and alternatives on each case. However, the research related to the identity of place and culture is analyzed locally in observance of the uniqueness of San Antonio, TX.
This document discusses the history and evolution of popular music and media technologies. It explores how recording technologies in the late 19th/early 20th century commodified music by separating the listener from the live performance. New technologies like radio broadcasting further changed listening experiences. The document then outlines the development of formats like records, tapes, MP3s, and streaming services and how they shaped music consumption. It also examines debates around how media/technologies deterministically shape culture or are shaped by social forces.
This document discusses how every website tells a story through the user's experience and journey on the site. It emphasizes creating personas and characters to guide users towards their goals without dead ends, and using signposts, suggestions and options to keep users engaged at each step. The narrative should have a clear purpose for why users are on the site and what is wanted from them, with every element justifying its own existence to maintain the user's progress to a happy ending.
Site-specific art is created for and linked to a specific location. It emerged in the 1960s and 1970s and includes land art, ephemeral art, public art, and monuments. Examples discussed include Spiral Jetty by Robert Smithson, Ice Piece by Andy Goldsworthy, The Ice Cube Project by Marco Evaristti, and The Lightning Field by Walter De Maria.
Debates around the idea that the interrelation or the interaction between artwork and viewers has been modified with the practice of Relational Aesthetics.
Extraordinary Spaces: Site-Specific Collections and Their ChallengesWest Muse
Historic and other site-specific spaces open to the public offer a genuine and comprehensive look into a particular collection and time period. The site is part of that experience. However, for better or worse these sites are not set up as conventional exhibition spaces. One of the main questions we will address is where to draw the line between retaining the authenticity of the experience vs. protecting the objects, the site, and the visitors? In this session we will discuss topics such as housing collections in non-climate controlled spaces, object displays, balancing visitor access with the preservation of the collection and the site, how to incorporate signage, working with a limited or volunteer staff, and on-going conservation and restoration needs. A variety of unique spaces will be presented to address these issues and more as each site has a host of specific circumstances particular to each place that standard exhibition spaces do not have to worry about.
This document discusses different types of site-specific performance art such as happenings, flash mobs, silent discos, and improv events. It provides definitions and examples of these art forms, including quotes about happenings from Allan Kaprow and links to video examples. The document also briefly describes how flash mobs and silent discos are organized through social media and mass communication.
Slides of the first lesson on Site specific Public Art at School of Architecture and Society- Campus Piacenza (Politecnico di Milano).
Prof. Ornella Costanzo
Installation art emerged as a central practice in contemporary art in the late 20th century. It is defined not by traditional media but by the message conveyed through various means. Artists create immersive, interactive environments that often involve the viewer directly and blur boundaries between art and participant. New technologies further expand possibilities for installation works, allowing ideas from prior decades to be realized through computer and electronic components that respond to viewers in real time.
Performance art is a type of artistic production that focuses on actions done in specific locations over a particular period of time. It has its roots in avant-garde movements of the early 20th century like Futurism and Dadaism. Some trace its origins back even further to ancient rituals and rites of passage. Key early performance artists include Chris Burden, Carolee Schneemann, and Vito Acconci, whose body-based works explored taboo and transformative themes. Performance art incorporates concepts and techniques from various genres including visual arts, music, and theater.
This exhibition features works from various artists exploring ideas around post-autonomy in art and moving away from Eurocentric frameworks. The exhibition seeks to open up discussion, debate new terms and taxonomies, and consider art that addresses political and social issues differently than traditional models allow. It includes pieces using language, flags, sound, video and paper dresses to conceptualize alternative art spaces and communities.
This document discusses how social media has turned people's online activities and interactions into a form of art. It explores the concept of a "total work of art" or Gesamtkunstwerk where all of society is sculpted through human interactions and media. Some view social media as a threat to traditional art, but it has opened new opportunities for artists by providing an open platform and the ability to reach vast audiences. The document examines several social media art projects and argues that if online data and social networks stimulate emotions or intellect, then social media can be considered a new canvas for art.
Time in place: New genre public art a decade latercharlesrobb
The document summarizes a reading about how public art has evolved from earlier forms to new genre public art, which focuses on community engagement and social issues. It discusses key terms like dialogic art, civic art, and relation aesthetics. Case studies of public art projects are presented that highlight history, engage communities, and tackle social issues. The reading argues new genre public art is process-based and dependent on audience interaction over long periods. This relates to the Botanica project, which aims to engage communities through interactive art and raise awareness of social issues.
Kp temporal intervention-the city innovation for public arts in bangkokSarit Tiyawongsuwan
This document summarizes research on innovations in public art in Bangkok, Thailand over the past decade. It finds that concepts of temporality, transience, and fun have been employed in two types of public art interventions: participatory art in commercial areas like shopping malls, and community art in local neighborhoods. These new forms of public art are more interactive and aim to engage the public directly, addressing past issues of art being detached from everyday life. The innovations represent an opportunity to reinvigorate Thai artistic traditions and reconnect urban and local communities through art.
The ST.ART project aimed to increase students' awareness and understanding of street art through an innovative virtual learning environment. Over six months, 177 students and 20 teachers from 5 schools participated in e-learning courses and activities in the 3D virtual world of Metropolis. Students developed projects and engaged in discussions around street art. Teachers played an active role by guiding students through the online materials and activities. While language barriers posed some challenges, the project helped foster collaborative learning among students and cross-curricular skills.
The document discusses urban intervention and tactical media art. It provides examples of artists who use public spaces and media to raise awareness of social and political issues. These include the Red Ball Project, which placed giant red balls in cities, and The Yes Men, who create fake news stories to draw attention to important topics. The document also discusses influential groups like the Situationists who created experimental art experiences in public settings and the rise of tactical media in the 1990s which allowed users to more easily spread messages through mainstream outlets.
A Cartography Of Research In Graphic DesignWendy Belieu
This document provides information about an exhibition titled "A Cartography of Research in Graphic Design" that was presented from October 17th to November 30th, 2017 at the Galerie NaMiMa of the École nationale supérieure d'art et de design de Nancy in France. The exhibition aimed to map out and provide an overview of the current landscape of research in graphic design, dividing it into six major territories. It notes that graphic design research examines topics like the social world, politics, images, writing, typography, and digital media/visualization and how they relate to graphic design.
To Govern Artfully. Linking contemporary public art to political participationLaura Iannelli
This document summarizes research on participatory public art and urban governance. The research involved interviewing 10 artists and analyzing 85 art projects in Italy. Key findings include:
1) Most projects occurred in the last 4 years and focused on environmental and "subpolitical" issues. Artists worked in collectives to foster social and political change through individual participation.
2) Projects primarily used consultation, deliberation, and mobilization models of citizen engagement. Case studies in Rome and Sassari effectively transformed cities and engaged performative audiences.
3) Most projects received public funding, with differing views among artists on the benefits and risks of this. The research aims to further explore relationships between participatory art and urban governance through
The document discusses various topics related to public art including:
- The marginalization of artists in public art projects
- Different levels of engagement artists can have, from individual technical work to long-term community embeddedness
- Issues of representation, gentrification, and the commodification of place through public art
- The broad definition of what constitutes public art
- International examples of organizations taking critical approaches to art and urbanism
Abstract
This research attempts to analyze the importance of a Public Park and the social responsibility as the lung and center of life and activities that provide people the tools to find their role and place within the community. The research also attempts to find out how the local identity influences the success of the such Public Park, as the diversity of customs and cultures, could present potential challenges in accommodating everyone in an environment that would make each individual feel included, part of, and even with a certain pride of belonging to a place versus disrespected and excluded.
The proposal for an Inclusive Public park would attempt to offer sustainable solutions, and is validated by research into five parks around the world that had attempted to include the needs and interests of the different ages throughout the human life, as well as to ensure accessible routes and alternatives on each case. However, the research related to the identity of place and culture is analyzed locally in observance of the uniqueness of San Antonio, TX.
This document discusses the history and evolution of popular music and media technologies. It explores how recording technologies in the late 19th/early 20th century commodified music by separating the listener from the live performance. New technologies like radio broadcasting further changed listening experiences. The document then outlines the development of formats like records, tapes, MP3s, and streaming services and how they shaped music consumption. It also examines debates around how media/technologies deterministically shape culture or are shaped by social forces.
This document discusses the history and evolution of popular music and media technologies. It traces how recording technologies in the late 19th/early 20th century separated the listener from the live performance and commodified music. New media like radio and television further changed listening experiences. Digital technologies in the late 20th century enabled new forms of music distribution and personalized listening. Theories around how media technologies determine culture are also examined.
Miguel Jaime summarized his activities during his visiting position at Harvard University's Graduate School of Design for the 1996-1997 academic year. He attended courses on architectural theory, symposiums on architectural education, and lectures on various topics. He also visited architectural sites, exhibitions, and participated in a design studio review. The position helped expand his research and teaching experience to implement the conclusions of his doctoral thesis on using specialized knowledge in design education and practice.
Introduction Needs to be 2-3 pages max. It would help if anyon.docxjesssueann
Introduction:
Needs to be 2-3 pages max. It would help if anyone went to the exhibit in the museum please help thanksss need a good grade on this
From the Guggenheim Website on the exhibition:
“Art and China after 1989 presents work by 71 key artists and groups active across China and worldwide whose critical provocations aim to forge reality free from ideology, to establish the individual apart from the collective, and to define contemporary Chinese experience in universal terms. Bracketed by the end of the Cold War in 1989 and the Beijing Olympics in 2008, it surveys the culture of artistic experimentation during a time characterized by the onset of globalization and the rise of a newly powerful China on the world stage. The exhibition’s subtitle, Theater of the World, comes from an installation by the Xiamen-born, Paris-based artist Huang Yong Ping: a cage-like structure housing live reptiles and insects that coexist in a natural cycle of life, an apt spectacle of globalization’s symbiosis and raw contest.
For art and China, the year 1989 was both an end and a beginning. The June Fourth Tiananmen Incident signaled the end of a decade of relatively open political, intellectual, and artistic exploration. It also marked the start of reforms that would launch a new era of accelerated development, international connectedness, and individual possibility, albeit under authoritarian conditions. Artists were at once catalysts and skeptics of the massive changes unfolding around them. Using the critical stance and open-ended forms of international Conceptual art, they created performances, paintings, photography, installations, and video art, and initiated activist projects to engage directly with society. Their emergence during the 1990s and early 2000s coincided with the moment the Western art world began to look beyond its traditional centers, as the phenomenon of global contemporary art started to take shape. Chinese artists were crucial agents in this evolution.
Art and China after 1989 is organized in six chronological, thematic sections throughout the rotunda and on Tower Levels 5 and 7. For all the diversity the exhibition encompasses, the artists here have all sought to think beyond China’s political fray and simple East-West dogmas. This freedom of a “third space” has allowed for a vital distance, and a particular insight, as they contend with the legacies of Chinese history, international modernism, and global neoliberalism of the 1990s. Their rambunctious creativity can expand our ever-widening view of contemporary art and inspire new thinking at a moment when the questions they have faced—of identity, equality, ideology, and control—have pressing relevance.”
Main Issue and Question:
This show traces the social and political history of China from 1989 until 2008 and Chinese artists’ engagement with issues of globalization, identity, equality, ideology and state control. More specifically, and most troubling, is the co ...
Reaction Papers toward Theories of Architecture & UrbanismJoyeeLee0131
The document summarizes four reaction papers written by a student for an architecture course. The first paper discusses Jane Jacobs' book "The Death and Life of Great American Cities" and her criticism of urban planning theories of the time. The second paper examines semiotics in architecture and how buildings can signify cultural meanings. The third paper discusses Juhani Pallasmaa's book "The Geometry of Feeling" and how architectural beauty is experienced emotionally rather than just visually. The fourth paper analyzes Kenneth Frampton's theory of Critical Regionalism and how it seeks a middle ground between modernism and preserving local culture and context.
Slides "Anti-Social Sculptures". 2012. Paolo Cirio
Anti-Social Sculptures are artworks created by Paolo Cirio that appropriate individuals' personal data and online interactions without consent. They are deliberate exploitations intended as provocative spectacles. By sorting and arranging personal information, the artist can mold social forms and comment on contemporary issues like mass surveillance. These conceptual artworks configure online and offline spaces using people's data as material, creating performances that reveal complicity with social control enabled by personal media. They aim to uncover alienating social conventions and engage excluded publics in socio-critical discourse.
The social role of graffiti of protesters of 2019د. صبا الياسري
Artistic achievements over time have links to the human being and his
basic needs. Freedom and demanding rights are among the most
important human needs. What happened in Tahrir Square in the centre
of the Iraqi capital, Baghdad, was a cry of freedom and an expression
of my opinion with drawings simulating events. On political and social
life, close to the Monument of Freedom, youthful cartoons were
embodied in a peaceful manner that raises controversy through artistic
expressions in contemporary formulations that challenge reality. As a
result of repression and fear of losing documenting these drawings, the
study attempted to document this special period in the life of Iraq,
which demonstrated the culture of this generation and their awareness
of their rights and duties towards the homeland. It is evident in the
graffiti there is a cultural and artistic awareness and a clear interest in
the cultural heritage. Through analysing the models, there is a focus
on basic concepts indicating the maturity of the demonstrators and
their awareness by emphasizing the martyr through the icon of the
revolution (Safaa al-Saray) and the white shirt to denote peace and the
student majority for the revolution.The emergence of marginalized or
poor strata of society in the common struggle.
Key words: The social role, graphical drawings, Revolution, October 2019
How to Setup Warehouse & Location in Odoo 17 InventoryCeline George
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
How to Build a Module in Odoo 17 Using the Scaffold Method
Lesson 6
1. Course of Site Specific Public Art
Lesson #6
LIVING AS FORM
SOCIALLY ENGAGED ART FROM 1991-2011
By Nato Thompson
And
GUIDELLINES FOR THE EXAM
JANUARY 22nd 2013
1
Politecnico di Milano (Campus di Piacenza) School of Architecture and Society
2. Course of Site Specific Public Art
Lesson #6
THE COURSE ON THE WEB
Instructions to follow the course:
-Blog http://art-as-playground.blogspot.it/
Facebook page: Course of site specific public
art Politecnico di Milano- Campus Piacenza
#publicartpiacenza
I send you a reading in pdf format.
This is my adress: ornellacostanzopolipc@gmail.com
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Politecnico di Milano (Campus di Piacenza) School of Architecture and Society
3. Course of Site Specific Public Art
Lesson #6
EXAM 18° FEBRUARY 2013 H 10.15
ORAL DISCUSSION OF YOUR CHOICE ON ONE OF THE
FOLLOWING TOPICS AND ESSAYS:
From MAPPING THE TERRAIN-NEW GENRE PUBLIC ART (SUSANNE
LACY)
-An unfashionable audience by Mary Jane Jacobs p.50-59
-Success and failure when art changes by Allan Kaprow p.152-
158
- Selected Artistic projects : Vito Acconci, Judith Baca, Joseph
Beuys, Judy Chicago, Christo and Jeanne Claude, Group
Material, Jenny Holzer, Allan Kaprow, Barbara Kruger, Susanne
Lacy.
3
Politecnico di Milano (Campus di Piacenza) School of Architecture and Society
4. Course of Site Specific Public Art
Lesson #6
EXAM 18° FEBRUARY 2013 H 10.15
From RELATIONAL AESTHETICS BY NICOLAS BOURRIAUD
- L’arte degli anni novanta p. 25-42 versione italiana)//Art in
the 90’s (second chapter english version)
- Gli spazi-tempo dello scambio p. 43-49)//Time-spaces of
exchanges (second chapter english version)
-Artists selected: Rirkrit Tiravanija, Vanessa Beecroft, Maurizio
Cattelan, Brinch and Jacobsen, Christine Hill, Andrea Zittel,
Carsten Holler.
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Politecnico di Milano (Campus di Piacenza) School of Architecture and Society
5. Course of Site Specific Public Art
Lesson #6
EXAM 18° FEBRUARY 2013 H 10.15
From LIVING AS FORM-SOCIALLY ENGAGED ART FROM 1991-
2011 by Nato Thompson.
- Living as form by Nato Thompson p. 17-33
-Selected artists: Ala Plastica, Jennifer Allora and Guillermo
Calzadilla, Basurama, Tania Bruguera, Election night, Fritz
Haeg, Complaint Choir, Land Foundation, Park Fiction, Pedro
Reyes, Laurie Jo Reynolds, Tahrir Square, Women on waves, The
Yes Men, Rick Lowe.
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Politecnico di Milano (Campus di Piacenza) School of Architecture and Society
6. Course of Site Specific Public Art
Lesson #6
KEYWORDS:
LIFE- FORM – LOCAL – GLOBAL – CULTURAL PRACTICES –
PARTICIPATION – NEW SOCIAL ORDER – POLITICAL REALM
– TYPES OF COMMUNICATION -
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Politecnico di Milano (Campus di Piacenza) School of Architecture and Society
7. Course of Site Specific Public Art
Lesson #6
A speech on his work for the anthology Living as form by Nato
Thompson
https://vimeo.com/27289754
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Politecnico di Milano (Campus di Piacenza) School of Architecture and Society
8. Course of Site Specific Public Art
Lesson #6
Key points of Nato Thompson’s study:
-Difficulty to categorize these types of projects, they testify to
the growing array of complex cultural productions all over the
world
- common background: socially engaged art that goes
beyond the traditional border of art
- It is not an art movement in the traditional meaning of the
term
- They are cultural practices that indicate a new social
order( concerning participation, challenge power, dealing
with different disciplines from urban planning and community
work to theatre and visual art
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Politecnico di Milano (Campus di Piacenza) School of Architecture and Society
9. Course of Site Specific Public Art
Lesson #6
Key points of Nato Thompson’s study:
-Not only related to the world of contemporary art but includes
various cultural phenomena (i.e critical mass, guerrilla
gardening, micro-granting community etc) ;
- desire to merge art and life ( see all the previous movements
of the last century) ;
- to look at them not only through the lens of western art history
but considering also specific historical and local entities ;
-It describes the temperature of what is happening around
public practices worldwide in the last two decades ;
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Politecnico di Milano (Campus di Piacenza) School of Architecture and Society
10. Course of Site Specific Public Art
Lesson #6
Key points of Nato Thompson’s study:
- The meaning of LIFE within the Living as form research:
-anti-representational: participation and sociality on one hand
and genuine interpersonal human relationships;
- a reaction to the two-dimensional state of the art;
- a reaction to the alienating state caused by the society of
the spectacle;
- participation;
- a work situated into the “real” world: intendend as a spatial
place or public realm;
- operating in the political sphere;
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Politecnico di Milano (Campus di Piacenza) School of Architecture and Society
11. Course of Site Specific Public Art
Lesson #6
Key points of Nato Thompson’s study:
- The meaning of FORM within the Living as form research:
-People coming together is a form as well;
- Affinities in methodology and political issues they face;
- Focusing on how the work approaches the social issues;
- Type of gatherings;
- Type of media manipulation: media stunts as part of political
realm;
-Research and its presentation: share your knowledge also in a
performative way;
- Structural alternatives: DIY ethic, slow food, critical mass,
community garden, all the forms of new civic life, alternative
economics, schools and work as well;
- Types of communication: the art of listening instead of
speaking;
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Politecnico di Milano (Campus di Piacenza) School of Architecture and Society