CONTEMPORARY AMERICAN POETRY
formalism versus free verse, academic versus
experimental
American poetry broke free from constraints
such as rhyme
meter and flung itself heart-first into new dimensions alongside the
abstract expressionists in American painting
Recall the era’s
blindness to issues of
race and gender
Writing programs
flourish at all levels
Their contributions
present a rich
cornucopia with a
genuinely popular
base
Brisk poetic
exchanges zip over
the internet, and
universities
magazines, web
sites
Provide support
and critiques, and
reading clubs
proliferate
Generate
camaraderie among
beginning writers,
informal writing
groups
Look forward to
freedoms
Present is a vast territory of free imagination, a
pot on the boil, a dynamic work in progress.
Makes the field decentralized and
hard to define
Begin with copious disclaimers and dwell on its disparate
impulses: postmodernism, the expansion of the canon,
ethnicities, immigration
The influence of
specific teachers or
writing programs or
regional impulses
The role of the poet
as the lone
individual voice
Raised against the
din of
commercialism and
conformity
Poets themselves
struggle to make
sense of the flood of
poetry
Poetry of the speaking self
tends to focus on vivid
expression and exploration of
deep
Detail
Context
It sets careful
scenes
Tends to build
up meaning
from
narrative
drive
Contemporary
American Poets
Charles Bukowski,
Gary Soto
Donal Hall, Arthur Sze
Alice Walker,
Jean Valentine
John Williams,
Richard Wilbur
Emanuel Xavier,
Cecilia Woloch
POETRY OF SELF
Tends toward
direct adress or
monologue
It is
Psychological r
spiritual
Undercut spiritual
certainty by
referring all
meaning back to
language
Main Author:
Jorie Graham
POETRY OF VOICE
Break the monolithic
idea of self into
fragments and
characters
Takes subjects from
myth and popular
culture
Typically seeing modern
relationships as
redefinitions or versions
of older patterns.
Usually is written in the
first person.
Main Author: Louise
Gluck
POETRY OF THE
BEAUTIFUL
Celebrates beauty
despite mordern life
in all its suffering and
confusion
Use imagery not as
decoration,
but to expllore new
subjects and terrain
Poems shows
mediations on art
and relationships.
Main Author: Mark
Doty
POETRY OF SPIRIT
Focus on the
deepest
relationship
between
The individual and
a timeless essence
beyond.
Related with the
human sensibility
Shows the mind of
indirection
Main Author: Jane
Hirshfield
POETRY OF place
They are nationwide
tendencies
It finds deep inspiration
in specific landscapes
Is not based on
landscape description,
rether, the land, and its
history
It is a generative force
implicated in the way its
people, including the
poet, live and think.
Main Author: Charles
Wright
POETRY OF
NATURE
Focus on the
flora and fauna
Shows
envioronmental
concerns
inform a
powerful strain
of ecologically
Rooted in a
natural vision.
Main Author:
Mary Oliver
POETRY OF WIT
On the spectrum
from poetry of self to
poetry of the world
Including humor, a
sense of the
incongrous
Includes flights of
fancy, lies to close
world
Depends on the
inresection of frames
of reference and on
acute discrimination.
Main Author: Billy
Collins
THE POETRY OF
HISTORY
Inspirated by
history
Shows the most
difficult and
ambitious side of
the world
The faith of these
poets is experience
Related with
politics, economics,
social conflicts,etc
Main Author:
Robert Pinsky
POETRY OF WORLD
Presided over by
the spirit of
Elizabeth Bishop
Is downbeat,
outcast
At first reading
seems anti-poetical
Understands
suffering from
ethical perspective.
Main Author: Yusef
Komunyakaa
CYBER POETRY
Computer-based
literature took place
with the advent od
the World Wide Web
Include self-reflexive
critiques of
technologically
driven work.
Proliferate in multiple
directions
Sometimes created
by multiplle and
unknown authors

Learning activity 2.3 almeida eliana

  • 1.
    CONTEMPORARY AMERICAN POETRY formalismversus free verse, academic versus experimental American poetry broke free from constraints such as rhyme meter and flung itself heart-first into new dimensions alongside the abstract expressionists in American painting
  • 2.
    Recall the era’s blindnessto issues of race and gender Writing programs flourish at all levels Their contributions present a rich cornucopia with a genuinely popular base Brisk poetic exchanges zip over the internet, and universities magazines, web sites Provide support and critiques, and reading clubs proliferate Generate camaraderie among beginning writers, informal writing groups Look forward to freedoms
  • 3.
    Present is avast territory of free imagination, a pot on the boil, a dynamic work in progress. Makes the field decentralized and hard to define Begin with copious disclaimers and dwell on its disparate impulses: postmodernism, the expansion of the canon, ethnicities, immigration
  • 4.
    The influence of specificteachers or writing programs or regional impulses The role of the poet as the lone individual voice Raised against the din of commercialism and conformity Poets themselves struggle to make sense of the flood of poetry Poetry of the speaking self tends to focus on vivid expression and exploration of deep
  • 5.
    Detail Context It sets careful scenes Tendsto build up meaning from narrative drive
  • 6.
  • 7.
    Alice Walker, Jean Valentine JohnWilliams, Richard Wilbur Emanuel Xavier, Cecilia Woloch
  • 8.
    POETRY OF SELF Tendstoward direct adress or monologue It is Psychological r spiritual Undercut spiritual certainty by referring all meaning back to language Main Author: Jorie Graham POETRY OF VOICE Break the monolithic idea of self into fragments and characters Takes subjects from myth and popular culture Typically seeing modern relationships as redefinitions or versions of older patterns. Usually is written in the first person. Main Author: Louise Gluck
  • 9.
    POETRY OF THE BEAUTIFUL Celebratesbeauty despite mordern life in all its suffering and confusion Use imagery not as decoration, but to expllore new subjects and terrain Poems shows mediations on art and relationships. Main Author: Mark Doty POETRY OF SPIRIT Focus on the deepest relationship between The individual and a timeless essence beyond. Related with the human sensibility Shows the mind of indirection Main Author: Jane Hirshfield
  • 10.
    POETRY OF place Theyare nationwide tendencies It finds deep inspiration in specific landscapes Is not based on landscape description, rether, the land, and its history It is a generative force implicated in the way its people, including the poet, live and think. Main Author: Charles Wright POETRY OF NATURE Focus on the flora and fauna Shows envioronmental concerns inform a powerful strain of ecologically Rooted in a natural vision. Main Author: Mary Oliver
  • 11.
    POETRY OF WIT Onthe spectrum from poetry of self to poetry of the world Including humor, a sense of the incongrous Includes flights of fancy, lies to close world Depends on the inresection of frames of reference and on acute discrimination. Main Author: Billy Collins THE POETRY OF HISTORY Inspirated by history Shows the most difficult and ambitious side of the world The faith of these poets is experience Related with politics, economics, social conflicts,etc Main Author: Robert Pinsky
  • 12.
    POETRY OF WORLD Presidedover by the spirit of Elizabeth Bishop Is downbeat, outcast At first reading seems anti-poetical Understands suffering from ethical perspective. Main Author: Yusef Komunyakaa CYBER POETRY Computer-based literature took place with the advent od the World Wide Web Include self-reflexive critiques of technologically driven work. Proliferate in multiple directions Sometimes created by multiplle and unknown authors