Laurie Baker was a British-born Indian architect who worked in India for over 50 years. He is known for his low-cost and sustainable architectural designs that used local materials and techniques. Some key aspects of his work included using indigenous construction methods, improvising designs based on each site, focusing on cost-effective designs suited to lower income groups, and promoting simplicity. A notable project was the Centre for Development Studies in Trivandrum, which used many of Baker's signature design elements like filler slabs, rat trap bond masonry, and brick screens.
LAURENCE WILFRED BAKER
British born Indian Architect
Born in Birmingham,UK (March 2,1917).
Educated at King Edwards Grammar School & The Birmingham School of Architecture.
He moved to India in 1945 in part as a missionary.
He obtained Indian citizenship in 1989 and resided in Tiruvananthapuram(Trivandrum), Kerala
ARTIST, ARCHITECT, CARTOONIST etc.,
LAURENCE WILFRED BAKER
British born Indian Architect
Born in Birmingham,UK (March 2,1917).
Educated at King Edwards Grammar School & The Birmingham School of Architecture.
He moved to India in 1945 in part as a missionary.
He obtained Indian citizenship in 1989 and resided in Tiruvananthapuram(Trivandrum), Kerala
ARTIST, ARCHITECT, CARTOONIST etc.,
Uttam Chand was born in 1934 in Melwara, Rajasthan. He completed his schooling at jodhpur Rajasthan. He graduated in architecture with I class honors in 1958 at Indian institute of technology, Kharagpur where he was a merit scholar throughout.
For more information on UC Jain and other legendary architects, visit us at www.archistudent.net
Baker studied architecture in Birmingham and graduated in 1937, aged 20, in a period of political unrest for Europe.During the Second World War, he served in the Friends Ambulance Unit in China and Burma.He worked as an architect for an international and interdenominational Mission dedicated to the care of those suffering from leprosy. He focused on converting or replacing asylums once used to house the ostracized sufferers of the disease - "lepers".He Used indigenous architecture and methods of these places as means to deal with his once daunting problems.
Baker's designs invariably have traditional Indian sloping roofs and terracotta Mangalore tile shingling with gables and vents allowing rising hot air to escape curved walls to enclose more volume at lower material cost than straight walls.Designing and building low cost, high quality, beautiful homes
Suited to or built for lower-middle to lower class clients.
Irregular, pyramid-like structures on roofs, with one side left open and tilting into the wind.Brick jali walls, a perforated brick screen which utilises natural air movement to cool the home's interior and create intricate patterns of light and shadow.
Auroville, City of dawn is located in state of Tamil Nadu, India, near Pondicherry in South India. .Auroville was founded as a project on experimental basis of the ‘Sri Arbindo Society’ on Wednesday 28 February 1968. The basic idea originated from Mirra Alfassa ‘The Mother ‘who was spiritually related to India.
Ma envisaged Auroville as an international township for 50,000 residents on the shape of a flower. Architect Roger Anger refined the planning and designed it in shape of Universe.He placed Matrimandir at the center of this city.
Mary Alfassa in her first message regarding the town stated that, "Auroville is meant to be a universal town where men and women of al countries are able to live in peace and progressive harmony, above all creeds, all politics and all nationalities”
.
Achyut prakash kanvinde
Born in 1916 in a small village on the konkan coast of Maharashtra.
Attended Sir.J.J.School of Architecture.
Indian government sent him to Harvard school of design in 1945.
Was a student of Walter Gropius in Harvard.
Gropius’s insistence for “using space as a tool for expressing universal human values” left a most lasting influence on Kanvinde’s mind
Lawrence Wilfred "Laurie" Baker (2 March 1917 – 1 April 2007) was a British-born Indian architect, renowned for his initiatives in cost-effective energy-efficient architecture and designs that maximized space, ventilation and light and maintained an uncluttered yet striking aesthetic sensibility. Influenced by Mahatma Gandhi and his own experiences in the remote Himalayas, he promoted the revival of regional building practices and use of local materials; and combined this with a design philosophy that emphasized a responsible and prudent use of resources and energy. He was a pioneer of sustainable architecture as well as organic architecture, incorporating in his designs even in the late 1960s, concepts such as rain-water harvesting, minimizing usage of energy-inefficient building materials, minimizing damage to the building site and seamlessly merging with the surroundings. Due to his social and humanitarian efforts to bring architecture and design to the common man, his honest use of materials, his belief in simplicity in design and in life, and his staunch Quaker belief in non-violence, he has been called the "Gandhi of architecture".[1]
He moved to India in 1945 in part as an architect associated with a leprosy mission and continued to live and work in India for over 50 years. He became an Indian citizen in 1989 and resided in Thiruvananthapuram (Trivandrum), Kerala from 1969 and served as the Director of COSTFORD (Centre of Science and Technology for Rural Development), an organisation to promote low-cost housing.Baker was born into a staunch Methodist family, the youngest son of Birmingham Gas Department's chief accountant, Charles Frederick Baker and Millie Baker. His early schooling was at King Edwards Grammar School. His elder brothers, Leonard and Norman studied law, and he had a sister, Edna who was the oldest of them all. In his teens Baker began to question what religion meant to him and decided to become a Quaker, since it was closer to what he believed in. Baker studied architecture at Birmingham Institute of Art and Design, Birmingham, and graduated in 1937, aged 20, in a period of political unrest in Europe.Throughout his practice, Baker developed a signature style in designing and building low cost, high quality, beautiful homes, with a great portion of his work suited to or built for lower-middle to lower class clients. He derived creatively from pre-existing local culture and building traditions while keeping his designs minimal with judicious and frugal use of resources.[13] [14] His buildings tend to emphasise prolific – at times virtuosic – masonry construction, instilling privacy and evoking history with brick jali walls, a perforated brick screen which invites a natural air flow to cool the buildings' interior, in addition to creating intricate patterns of light and shadow. Another significant Baker feature is irregular, pyramid-like structures on roofs, with one side left open and tilting into the wind. Baker's designs
Uttam Chand was born in 1934 in Melwara, Rajasthan. He completed his schooling at jodhpur Rajasthan. He graduated in architecture with I class honors in 1958 at Indian institute of technology, Kharagpur where he was a merit scholar throughout.
For more information on UC Jain and other legendary architects, visit us at www.archistudent.net
Baker studied architecture in Birmingham and graduated in 1937, aged 20, in a period of political unrest for Europe.During the Second World War, he served in the Friends Ambulance Unit in China and Burma.He worked as an architect for an international and interdenominational Mission dedicated to the care of those suffering from leprosy. He focused on converting or replacing asylums once used to house the ostracized sufferers of the disease - "lepers".He Used indigenous architecture and methods of these places as means to deal with his once daunting problems.
Baker's designs invariably have traditional Indian sloping roofs and terracotta Mangalore tile shingling with gables and vents allowing rising hot air to escape curved walls to enclose more volume at lower material cost than straight walls.Designing and building low cost, high quality, beautiful homes
Suited to or built for lower-middle to lower class clients.
Irregular, pyramid-like structures on roofs, with one side left open and tilting into the wind.Brick jali walls, a perforated brick screen which utilises natural air movement to cool the home's interior and create intricate patterns of light and shadow.
Auroville, City of dawn is located in state of Tamil Nadu, India, near Pondicherry in South India. .Auroville was founded as a project on experimental basis of the ‘Sri Arbindo Society’ on Wednesday 28 February 1968. The basic idea originated from Mirra Alfassa ‘The Mother ‘who was spiritually related to India.
Ma envisaged Auroville as an international township for 50,000 residents on the shape of a flower. Architect Roger Anger refined the planning and designed it in shape of Universe.He placed Matrimandir at the center of this city.
Mary Alfassa in her first message regarding the town stated that, "Auroville is meant to be a universal town where men and women of al countries are able to live in peace and progressive harmony, above all creeds, all politics and all nationalities”
.
Achyut prakash kanvinde
Born in 1916 in a small village on the konkan coast of Maharashtra.
Attended Sir.J.J.School of Architecture.
Indian government sent him to Harvard school of design in 1945.
Was a student of Walter Gropius in Harvard.
Gropius’s insistence for “using space as a tool for expressing universal human values” left a most lasting influence on Kanvinde’s mind
Lawrence Wilfred "Laurie" Baker (2 March 1917 – 1 April 2007) was a British-born Indian architect, renowned for his initiatives in cost-effective energy-efficient architecture and designs that maximized space, ventilation and light and maintained an uncluttered yet striking aesthetic sensibility. Influenced by Mahatma Gandhi and his own experiences in the remote Himalayas, he promoted the revival of regional building practices and use of local materials; and combined this with a design philosophy that emphasized a responsible and prudent use of resources and energy. He was a pioneer of sustainable architecture as well as organic architecture, incorporating in his designs even in the late 1960s, concepts such as rain-water harvesting, minimizing usage of energy-inefficient building materials, minimizing damage to the building site and seamlessly merging with the surroundings. Due to his social and humanitarian efforts to bring architecture and design to the common man, his honest use of materials, his belief in simplicity in design and in life, and his staunch Quaker belief in non-violence, he has been called the "Gandhi of architecture".[1]
He moved to India in 1945 in part as an architect associated with a leprosy mission and continued to live and work in India for over 50 years. He became an Indian citizen in 1989 and resided in Thiruvananthapuram (Trivandrum), Kerala from 1969 and served as the Director of COSTFORD (Centre of Science and Technology for Rural Development), an organisation to promote low-cost housing.Baker was born into a staunch Methodist family, the youngest son of Birmingham Gas Department's chief accountant, Charles Frederick Baker and Millie Baker. His early schooling was at King Edwards Grammar School. His elder brothers, Leonard and Norman studied law, and he had a sister, Edna who was the oldest of them all. In his teens Baker began to question what religion meant to him and decided to become a Quaker, since it was closer to what he believed in. Baker studied architecture at Birmingham Institute of Art and Design, Birmingham, and graduated in 1937, aged 20, in a period of political unrest in Europe.Throughout his practice, Baker developed a signature style in designing and building low cost, high quality, beautiful homes, with a great portion of his work suited to or built for lower-middle to lower class clients. He derived creatively from pre-existing local culture and building traditions while keeping his designs minimal with judicious and frugal use of resources.[13] [14] His buildings tend to emphasise prolific – at times virtuosic – masonry construction, instilling privacy and evoking history with brick jali walls, a perforated brick screen which invites a natural air flow to cool the buildings' interior, in addition to creating intricate patterns of light and shadow. Another significant Baker feature is irregular, pyramid-like structures on roofs, with one side left open and tilting into the wind. Baker's designs
Difference between Traditional and Vernacular architecture Ar. Prerna Chouhan
lessons from traditional buildings _ semester 1 of masters of architecture from Chandigarh College of Architecture.
what do you understand by traditional architecture?
characteristics of traditional architecture,
what do you understand by vernacular architecture?
difference and similarities between traditional and vernacular architecture
Post modernist Architect: Ar.Vinu Daniel.
Biography: Vinu Daniel completed his B. Arch in 2005 from The College of Engineering, Trivandrum, following which he worked with Auroville Earth Institute for the UNDP (United Nations Development Programme) Post-Tsunami construction.
Indian Islai School, Abu Dhabi
On returning from Pondicherry in 2007 he started 'Wallmakers' which was christened thus by others, as the first project was just a compound wall.
By 2008 he had received an award for a low cost, eco-friendly house from the ‘Save Periyar’ Pollution Control Committee for the house which was constructed for a cancer patient.
Many such eye-openers in the course of his practice prompted him to resolve to devote his energies towards the cause of sustainable and cost-effective architecture.
Architect Laurie baker has been my major inspiration because he combines sustainability and art. For me also, the motivation for my architectural works is the responsibility of using materials with very less embodied energy.
PHILOSOPHY: A design should speak the language of the site and the materials and while the design takes form of architecture, the buildings should be reasonable to the maker, the user and to the natural setting.
Optimise the use of natural resources in a way that the creation is an amalgam of sustainability, art and functionality.
I have always believed in being true to materials in designs. It’s an art to use natural properties of materials to our advantage rather than covering up and destroying its natural appearance and qualities.
INTRODUCTION:
AWARDS AND FELLOWSHIPS:
2008: Received award for low cost eco-friendly house from ‘Save Periyar’ Pollution Control Committee.
2009: Received 'India Today eco-friendly house of the year' (South Zone) for Valsala Cottage, Mavelikkara, India
2014: Received the NDTV Award for ‘Weekend Home for Asif Ahmed’ at Kakkathurth
2014: Won the competition to build the Kochi-Muziris Biennale Pavilion. The pavilion is the largest Conoid ever built using ferrocrete.
2015: Received NDTV award for St. George Orthodox Church, Mattancherry.
2016: Winner of IIA National award for St. George Orthodox Church, Mattancherry (Institutional category)
2016: Received Vanitha Verdi Architectural Awards for Best Home (Residence for Mrs. & Mr. Kurian Philip) and Best Public Space (St. George Orthodox Church, Mattancherry).
2017: Commendation Prize of HUDCO DESIGN AWARDS, 2016 for St. George Orthodox Church, Mattancherry (Green Buildings category)
2018: Second Award for "Chirath Residence” in the International Sustainability Award 2018.
1)Project :Debris House
2)Project: Kurian Philip Residence / Wallmakers
3)Project: Chirath Residence In Pala Kerala
4)Project: St. George Orthodox Church Mattancherry Architecture
White wonder, Work developed by Eva TschoppMansi Shah
White Wonder by Eva Tschopp
A tale about our culture around the use of fertilizers and pesticides visiting small farms around Ahmedabad in Matar and Shilaj.
Hello everyone! I am thrilled to present my latest portfolio on LinkedIn, marking the culmination of my architectural journey thus far. Over the span of five years, I've been fortunate to acquire a wealth of knowledge under the guidance of esteemed professors and industry mentors. From rigorous academic pursuits to practical engagements, each experience has contributed to my growth and refinement as an architecture student. This portfolio not only showcases my projects but also underscores my attention to detail and to innovative architecture as a profession.
Transforming Brand Perception and Boosting Profitabilityaaryangarg12
In today's digital era, the dynamics of brand perception, consumer behavior, and profitability have been profoundly reshaped by the synergy of branding, social media, and website design. This research paper investigates the transformative power of these elements in influencing how individuals perceive brands and products and how this transformation can be harnessed to drive sales and profitability for businesses.
Through an exploration of brand psychology and consumer behavior, this study sheds light on the intricate ways in which effective branding strategies, strategic social media engagement, and user-centric website design contribute to altering consumers' perceptions. We delve into the principles that underlie successful brand transformations, examining how visual identity, messaging, and storytelling can captivate and resonate with target audiences.
Methodologically, this research employs a comprehensive approach, combining qualitative and quantitative analyses. Real-world case studies illustrate the impact of branding, social media campaigns, and website redesigns on consumer perception, sales figures, and profitability. We assess the various metrics, including brand awareness, customer engagement, conversion rates, and revenue growth, to measure the effectiveness of these strategies.
The results underscore the pivotal role of cohesive branding, social media influence, and website usability in shaping positive brand perceptions, influencing consumer decisions, and ultimately bolstering sales and profitability. This paper provides actionable insights and strategic recommendations for businesses seeking to leverage branding, social media, and website design as potent tools to enhance their market position and financial success.
You could be a professional graphic designer and still make mistakes. There is always the possibility of human error. On the other hand if you’re not a designer, the chances of making some common graphic design mistakes are even higher. Because you don’t know what you don’t know. That’s where this blog comes in. To make your job easier and help you create better designs, we have put together a list of common graphic design mistakes that you need to avoid.
1. LAURIE BAKERLAURIE BAKER
British-born Indian architectBritish-born Indian architect
•He worked in India for over 50 years
•He obtained Indian citizenship in 1989 and resided in Trivandrum,
Kerala.
•In 1990, the Government of India awarded him with the Padma Shri in
recognition of his meritorious service in the field of architecture.
•Baker studied architecture in Birmingham and graduated in 1937.
(March 2March 2,, 19171917 –– April 1April 1,, 20072007)
• Worked as an architect for an international and interdenominational
Mission dedicated to the care of those suffering from leprosy.
• Focused on converting or replacing asylums once used to house the
ostracized sufferers of the disease - "lepers".
• Used indigenous architecture and methods of these places as means to
deal with his once daunting problems.
Contribution to IndiaContribution to India
2. Initial work
• Baker lived in Kerala with Doctor P.J. Chandy,
while Laurie continued his architectural work and research accommodating the medical needs of the
community through his constructions of various hospitals and clinics.
• Baker sought to enrich the culture in which he participated by promoting simplicity and home-grown
quality in his buildings.
• His emphasis on cost-conscious construction,
• An ideal that the Mahatma expressed as the only means to revitalize and liberate an impoverished India
• Baker sought to enrich the culture in which he participated by promoting simplicity and home-grown
quality in his buildings.
• His emphasis on cost-conscious construction,
• An ideal that the Mahatma expressed as the only means to revitalize and liberate an impoverished India
• Baker was often seen rummaging through salvage heaps looking for suitable building materials, door and
window frames.
• Baker's architectural method is of improvisation.
• Initial drawings have only an idealistic link to the final construction, with most of the accommodations
and design choices being made on-site by the architect himself
• His respect for nature led him to let the idiosyncrasies of a site inform his architectural improvisations,
rarely is a topography line marred or a tree uprooted.
• This saves construction cost as well, since working around difficult site conditions is much more cost-
effective than clear-cutting
• His responsiveness to never-identical site conditions quite obviously allowed for the variegation that
permeates his work.
3. Architectural style
• Designing and building low cost, high quality,
beautiful homes
• Suited to or built for lower-middle to lower class
clients.
• Irregular, pyramid-like structures on roofs, with
one side left open and tilting into the wind.
• Baker's designs invariably have traditional Indian
sloping roofs and terracotta Mangalore tile
shingling with gables and vents allowing rising hot
air to escape.
• Curved walls to enclose more volume at lower
material cost than straight walls.
• Baker created a cooling system by placing a high,
latticed, brick wall near a pond that uses air
pressure differences to draw cool air through the
building
4. LOW COST CONSTRUCTION
Filler slab
Jack Arch
• 20-35% Less materials
• Decorative, Economical & Reduced self-
load
• Almost maintenance free
• 25-30% Cost Reduction
• Energy saving & Eco-Friendly compressive
roofing.
• Decorative & Highly Economical
• Maintenance free
5. Masonry Dome
•Energy saving eco-friendly compressive
roof.
•Decorative & Highly Economical for
larges spans.
•Maintenance free
Funnicular shell
• Energy saving eco-friendly
compressive roof.
• Decorative & Economical
• Maintenance free
LOW COST CONSTRUCTION
6. Masonry Arches
• Traditional spanning system.
• Highly decorative & economical
• Less energy requirement.
LOW COST CONSTRUCTION
7. Awards
• 1981: D.Litt conferred by the Royal University of
Netherlands for outstanding work in the Third World
• 1983: Order of the British Empire, MBE
• 1987: Received the first Indian National Habitat Award
• 1988: Received Indian Citizenship
• 1989: Indian Institute of Architects Outstanding
Architect of the Year
• 1990: Received the Padma Sri
• 1990: Great Master Architect of the Year
• 1992: UNO Habitat Award & UN Roll of Honour
• 1993: International Union of Architects (IUA) Award
8. • 1993: Sir Robert Matthew Prize for Improvement of Human
Settlements
• 1994: People of the Year Award
• 1995: Awarded Doctorate from the University of Central England
• 1998: Awarded Doctorate from Sri Venkateshwara University
• 2001: Coinpar MR Kurup Endowment Award
• 2003: Basheer Puraskaram
• 2003: D.Litt from the Kerala University
• 2005: Kerala Government Certificate of Appreciation
• 2006: L-Ramp Award of Excellence
• 2006: Nominated from the Pritzker Prize
9.
10. The Hamlet
• This is Baker's home in Trivandrum.
• This is remarkable and unique house built on a plot of land along the slope of a rocky hill, with limited
access to water:
• However Baker's genius has created a wonderful home for his family
• Material used from unconventional sources
• Family eats in kitchen
• Electrical cabling is not concealed
16. USE OF NATURAL LIGHT
INNER COURTYARD …CLOSE TO NATURE
NEVER CUT TREES INSTEAD ADAPTED HIS
DESIGN ACCORDINGLY
17. Brick House in Wada
Project Title: Brick House
Location: Wada, Thane, Maharashtra
Client: Mr. V G Dupare
Architects: iSTUDIO architecture
Design Team: Prashant Dupare, Shriya Patil, Amit Patil
Site Area: 2 Acres
Built Area: 2500sqft
Civil Contractors: Local Masons supervised by iSTUDIO
Carpentry Contractors: Mr. Jayprakash Sharma
Project Estimate: Rs 20 lacs
Initiation Year: 2009
Completion Year: 2013
North Side Elevation
18. • Designed by iStudio Architecture, the architects were inspired by the creations of architects Laurie Baker and Nari Gandhi.
• The fascinating brick façade of the house is harmoniously integrated into the natural environment.
• Its curvaceous form takes on the form of a plant that organically emerges from the ground and opens up to the sky.
North Side Elevation
19. • The house has a very organic plan that defines spaces through small gestures – walls, openings, pivots, change in levels and
textures.
• A set of curved walls creates a fluid enclosure at the center of which stands a tree in a court.
• Composed of oxide floors, brick and stone walls, free-standing timber columns, timber and split-bamboo ceilings and a set of
warped ferro-cement roofs;
Main Entrance
The two bedrooms
are scooped out of
the plan and
separated by
complementing walls.
While the living and kitchen
are composed of a
continuously curving wall
around a court
-1.2 m
-0.4 m
-0.8 m
-0.4 m
0.0 m
0.0 m
-0.4 m
0.0 m
20. As one enters into the structure, one is greeted by the
soft sunlight falling to the central body of water and the
coolness within the structure.
The interior space is dominated by the two huge arches
of brick and stone, opening to vistas of farms and hills.
The furniture seems to rise and fall from the walls or
floor dramatically leading one's eyes to play of materials
against each other.
21. Main door is made of wooden planks which are tiled at differing angles so that
it fits in place and merge the flow of adjoining walls and roof.
Each space flows into another along
curved lines, leading into a seamless
space held by the central courtyard with
cooling water feature and a tree planting
The observer begins his journey along the
curved jali brick wall offering tantalizing
glimpses of the interior, thus drawing him
into dramatic compositions of light and
shadows.
. The open-plan space is surrounded by a
living room and kitchen with a raised
platform painted teal to create the
illusion of an extended water pool
22. The interior is organized around a
central courtyard with a cooling water
feature and tree planting.
23. • A staircase leads up from
the central space to an
upstairs study and bedroom.
• Zoning of activities
responding to the climatic
conditions and views was
achieved with the use of
levels leading to a single yet
distinct living room, kitchen
and dining. South-west
position of first floor
bedroom provides shade to
courtyard and keeps water
body cool.
24. Metal grilles which follow
the language of the house
and ensure safety.
Wooden louvered shutters
are used for bedroom
windows which ensure
safety and provide
flexibility regarding light,
ventilation and privacy.
A staircase leads up from the
central space to an upstairs
study and bedroom. The master
bedroom is located behind the
staircase through a large
wooden door decorated with a
tree detail.
26. Articulation of junctions – a glass-mosaic and a MS grille. Articulation of forms – the corner opening and louvers
that ventilate the bath.
27. • The roof of the building is a unique composition.
•Built mostly by using ferrocement in conjunction with bamboo( teqnique used in Auroville), parts of the roof have been cast as filler
slab (in-situ) with earthen pots occupying the filler space. The seemingly amorphous roof sits lightly on the structure.
•Bamboo as structural tensile material
•Many ideas were explored on site and complex conflicts like fenestrations, movements and connections were resolved through changes
in materials and textures.
•At some places, heavy timber logs take the weight of the roof while in instances; the load is taken by a twisting brick column. Walls are
made in Laurie Bakers’ rat-trap bond – one of the rare instances where walls in this bond are curved.
28. • At some places, heavy timber logs take the
weight of the roof while in instances; the
load is taken by a twisting brick column.
Walls are made in Laurie Bakers’ rat-trap
bond – one of the rare instances where
walls in this bond are curved.
• bricks are placed in vertical position instead
of conventional horizontal position and thus
creating a cavity (hollow space) within the
wall. Rest of construction method remains
same as any other conventional brick
masonry. Curve is achieved by varying the
gaps between bricks in outer and internal
face.
Pouring concrete for the filler-slab around inverted earthen pots.
Rat-trap bond
29.
30.
31.
32.
33.
34. LAURIE BAKER’S CENTRE FOR DEVELOPMENT STUDIES (CDS), TRIVANDRUM
The 10-acre research institute campus, stretching across a heavily wooded site
houses the Library, Computer Centre, Auditorium, hostels, guesthouses and
residential units for the staff., is Baker’s masterpiece, located in a residential area
on the northern outskirts of Trivandrum.
Filler slabs, rat trap bond, the brick lintels, and brick screen walls.