El documento describe las esculturas que se exhiben en el Museo d'Orsay en París. El museo se encuentra en una antigua estación de tren del siglo XIX que se transformó en un museo de arte en la década de 1980. El museo alberga una colección de esculturas que van desde la Edad de Bronce hasta el siglo XX, incluidas obras de artistas como Rodin, Maillol, Carpeaux y otros.
This document summarizes Japanese art from prehistoric times through the Kamakura period (1392). It describes early pottery figures from the Jomon period as well as keyhole-shaped burial mounds from the Kofun period. It highlights the development of Buddhist art and architecture, including the gilt bronze Buddha triads of Horyuji temple and Yakushi-ji temple. The document also discusses the illustrated handscrolls of the Heian period, including scenes from The Tale of Genji, and the development of kana phonograms to write Japanese.
El documento describe las esculturas que se exhiben en el Museo d'Orsay en París. El museo se encuentra en una antigua estación de tren del siglo XIX que se transformó en un museo de arte en la década de 1980. El museo alberga una colección de esculturas que van desde la Edad de Bronce hasta el siglo XX, incluidas obras de artistas como Rodin, Maillol, Carpeaux y otros.
This document summarizes Japanese art from prehistoric times through the Kamakura period (1392). It describes early pottery figures from the Jomon period as well as keyhole-shaped burial mounds from the Kofun period. It highlights the development of Buddhist art and architecture, including the gilt bronze Buddha triads of Horyuji temple and Yakushi-ji temple. The document also discusses the illustrated handscrolls of the Heian period, including scenes from The Tale of Genji, and the development of kana phonograms to write Japanese.
Esta pintura representa a Anunciação, com a Virgem Maria sentada num trono dourado entre dois anjos sob três arcos góticos. Foi pintada em 1333 por Simone Martini e localiza-se na Galeria Uffizi em Florença. A obra reflete os temas e estilo da escola pictórica de Siena do século XIV, com formas sensíveis e roupas magníficas nas figuras alongadas.
The document discusses the Protestant Reformation that began in the 1500s as people grew dissatisfied with corruption in the Catholic Church. Martin Luther was particularly troubled by the selling of indulgences and wrote his 95 Theses calling for church reform. This sparked the Protestant Reformation and religious conflicts like the Thirty Years' War. The Counter Reformation was the Catholic Church's response to try to stem Protestantism. The Baroque period saw dramatic artistic works used by both Protestants and Catholics to persuade people. Key artists discussed include Bernini, Caravaggio, and their highly dramatic works capturing decisive moments.
The document discusses Romanesque sculpture from the 11th-12th centuries found on church portals and other architectural elements. It notes that while Romanesque architecture drew from Roman influences, sculpture style drew from illuminated manuscripts with exaggerated gestures and expression. Common themes in portal sculpture included the Theophany of Christ and the Last Judgement. The portal at Autun is highlighted for its vivid carvings by Gislebertus depicting the separation of souls by St. Michael and their fate as the blessed or damned as shown through their body language and reactions. The graphic imagery warned pilgrims of their need for salvation through the church.
El documento resume las características de la pintura de los primitivos flamencos del siglo XV. Destacan su realismo y detalle en la representación de objetos y texturas, el uso pionero de la técnica del óleo, y temas que incluyen lo religioso y lo costumbrista para una nueva clientela burguesa en ciudades flamencas prósperas. Artistas clave fueron los hermanos Van Eyck, Campin, Van der Weyden y obras maestras como El políptico de San Bavón y Arnolfini
The three major Bronze Age civilizations in the Aegean region were the Cycladic civilization based on the Cyclades islands, the Minoan civilization centered on Crete, and the Mycenaean civilization on the Greek mainland. The Minoans built impressive palaces like Knossos with its central courtyard and frescoes, suggesting an advanced society with prominent female roles. However, Minoan culture declined around 1450 BCE while the Mycenaeans erected fortified hilltop citadels and tombs containing rich artifacts. These civilizations preceded Archaic Greece and influenced later Greek culture, architecture, and religion.
O documento descreve a arte romana, desde suas origens históricas até suas principais características. Os romanos foram influenciados pelos gregos e etruscos e desenvolveram estilos próprios, dando ênfase ao realismo. Sua arquitetura criou amplos espaços internos em construções como basílicas, termas, circos, teatros e anfiteatros. A escultura romana priorizou o realismo nos retratos.
Tema 11.3 el arte barroco. tercera parte. pintura (2)Marta López
El documento resume la pintura barroca italiana de Caravaggio y los Carracci. 1) Caravaggio fue el máximo exponente del realismo, representando temas religiosos de forma naturalista con modelos comunes. 2) Usó fuertes contrastes de luz y sombra ("tenebrismo") para dar énfasis dramático. 3) Sus obras más famosas incluyen La vocación de San Mateo, La cena en Emaús y el Martirio de San Mateo.
Michelangelo was a renowned Italian sculptor and painter of the High Renaissance who reluctantly took on the commission to paint the ceiling of the Sistine Chapel. Despite complaining that painting was not his talent as a sculptor, he went on to create one of the most famous and influential artworks in history on the Sistine Chapel ceiling between 1511-1512, including his iconic fresco of the Creation of Adam. The document then provides information on some of Michelangelo's other major works, including the David, Pieta, and paintings and sculptures created for the Sistine Chapel and other locations in Italy.
El documento describe la vida y obra del artista renacentista Leonardo da Vinci. Se detalla su enfoque científico y perfeccionista que se refleja en obras maestras como La Gioconda y La última cena. Leonardo revolucionó la pintura a través de técnicas como el claroscuro y el sfumato para lograr efectos de profundidad, volumen y expresividad en sus retratos y figuras.
Esta pintura representa a Anunciação, com a Virgem Maria sentada num trono dourado entre dois anjos sob três arcos góticos. Foi pintada em 1333 por Simone Martini e localiza-se na Galeria Uffizi em Florença. A obra reflete os temas e estilo da escola pictórica de Siena do século XIV, com formas sensíveis e roupas magníficas nas figuras alongadas.
The document discusses the Protestant Reformation that began in the 1500s as people grew dissatisfied with corruption in the Catholic Church. Martin Luther was particularly troubled by the selling of indulgences and wrote his 95 Theses calling for church reform. This sparked the Protestant Reformation and religious conflicts like the Thirty Years' War. The Counter Reformation was the Catholic Church's response to try to stem Protestantism. The Baroque period saw dramatic artistic works used by both Protestants and Catholics to persuade people. Key artists discussed include Bernini, Caravaggio, and their highly dramatic works capturing decisive moments.
The document discusses Romanesque sculpture from the 11th-12th centuries found on church portals and other architectural elements. It notes that while Romanesque architecture drew from Roman influences, sculpture style drew from illuminated manuscripts with exaggerated gestures and expression. Common themes in portal sculpture included the Theophany of Christ and the Last Judgement. The portal at Autun is highlighted for its vivid carvings by Gislebertus depicting the separation of souls by St. Michael and their fate as the blessed or damned as shown through their body language and reactions. The graphic imagery warned pilgrims of their need for salvation through the church.
El documento resume las características de la pintura de los primitivos flamencos del siglo XV. Destacan su realismo y detalle en la representación de objetos y texturas, el uso pionero de la técnica del óleo, y temas que incluyen lo religioso y lo costumbrista para una nueva clientela burguesa en ciudades flamencas prósperas. Artistas clave fueron los hermanos Van Eyck, Campin, Van der Weyden y obras maestras como El políptico de San Bavón y Arnolfini
The three major Bronze Age civilizations in the Aegean region were the Cycladic civilization based on the Cyclades islands, the Minoan civilization centered on Crete, and the Mycenaean civilization on the Greek mainland. The Minoans built impressive palaces like Knossos with its central courtyard and frescoes, suggesting an advanced society with prominent female roles. However, Minoan culture declined around 1450 BCE while the Mycenaeans erected fortified hilltop citadels and tombs containing rich artifacts. These civilizations preceded Archaic Greece and influenced later Greek culture, architecture, and religion.
O documento descreve a arte romana, desde suas origens históricas até suas principais características. Os romanos foram influenciados pelos gregos e etruscos e desenvolveram estilos próprios, dando ênfase ao realismo. Sua arquitetura criou amplos espaços internos em construções como basílicas, termas, circos, teatros e anfiteatros. A escultura romana priorizou o realismo nos retratos.
Tema 11.3 el arte barroco. tercera parte. pintura (2)Marta López
El documento resume la pintura barroca italiana de Caravaggio y los Carracci. 1) Caravaggio fue el máximo exponente del realismo, representando temas religiosos de forma naturalista con modelos comunes. 2) Usó fuertes contrastes de luz y sombra ("tenebrismo") para dar énfasis dramático. 3) Sus obras más famosas incluyen La vocación de San Mateo, La cena en Emaús y el Martirio de San Mateo.
Michelangelo was a renowned Italian sculptor and painter of the High Renaissance who reluctantly took on the commission to paint the ceiling of the Sistine Chapel. Despite complaining that painting was not his talent as a sculptor, he went on to create one of the most famous and influential artworks in history on the Sistine Chapel ceiling between 1511-1512, including his iconic fresco of the Creation of Adam. The document then provides information on some of Michelangelo's other major works, including the David, Pieta, and paintings and sculptures created for the Sistine Chapel and other locations in Italy.
El documento describe la vida y obra del artista renacentista Leonardo da Vinci. Se detalla su enfoque científico y perfeccionista que se refleja en obras maestras como La Gioconda y La última cena. Leonardo revolucionó la pintura a través de técnicas como el claroscuro y el sfumato para lograr efectos de profundidad, volumen y expresividad en sus retratos y figuras.
30. Hablingbon kirkko, portaali, 1100-l. viimeinen
kolmannes (nyk. 1300-luvulla rakennetun kirkon pohjoisportaalina), ns.
Majestatis-mestari, Gotlanti, Ruotsi.
31. • Korppoon
madonna,
1200/1225. Romaanisia piirteitä,
mutta tyylillisesti liittyy lähinnä
Chartres'n katedraalin
varhaisgoottilaisen
länsiportaalin veistoksiin,
(Kansallismuseo).