The document discusses the emergence of secular portraiture as a popular genre in 15th century Netherlands and Italy. During the Renaissance, wealthy patrons commissioned portraits to commemorate their accomplishments and express pride and self-worth, as individuals were not considered important enough to be depicted in art during the Middle Ages. Typical characteristics of Flemish portraits included realistic details of clothing and settings to convey wealth, as well as solemn expressions that communicated seriousness and piety. Jan van Eyck was renowned for his innovative portrait of Giovanni Arnolfini and his wife, which included symbolic details and innovative use of perspective that created an impressively convincing sense of space.
The document discusses the emergence of secular portraiture as a popular genre in 15th century Netherlands and Italy. During the Renaissance, wealthy patrons commissioned portraits to commemorate their accomplishments and express pride and self-worth, as individuals were not considered important enough to be depicted in art during the Middle Ages. Typical characteristics of Flemish portraits included realistic details of clothing and settings to convey wealth, as well as solemn expressions that communicated seriousness and piety. Jan van Eyck was renowned for his innovative portrait of Giovanni Arnolfini and his wife, which included symbolic details and innovative use of perspective that created an impressively convincing sense of space.
El documento describe numerosas obras pictóricas de artistas impresionistas y postimpresionistas como Monet, Renoir, Pissarro, Sisley, Manet, Degas, Van Gogh, Cézanne, Toulouse-Lautrec, Gauguin, Denis, Vuillard, Seurat, Signac, Valtat y Bonnard. Las obras incluyen paisajes, retratos y escenas de la vida cotidiana, y abarcan desde 1867 hasta alrededor de 1900, destacando el desarrollo del impresionismo y sus movim
The document provides context and analysis of Édouard Manet's 1863 painting "Le Déjeuner sur l'herbe". It discusses how the painting broke conventions by depicting nude women in a modern setting with clothed men, which shocked viewers. It summarizes the painting's composition and style, and notes that while Manet drew inspiration from classical works, he presented the scene and figures in a bold, unconventional manner that rendered it almost obscene to contemporary audiences. The document also compares the painting to other works that influenced Manet or responded to the controversy around his work.
5. Museo Hermitage. San Petersburgo.Pintura española.Emilio Fernández
El documento describe las obras de arte españolas expuestas en el Museo Hermitage de San Petersburgo, Rusia. Incluye pinturas de los siglos XVI-XVII de artistas como El Greco, Velázquez, Murillo y Ribera. Se detalla información sobre cada obra como el título, el artista, los materiales y las dimensiones.
A slideshow connected to a lecture of Northern Renaissance Art available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Christina McCollum.
Este cuadro de Piet Mondrian de 1920 representa su estilo neoplástico mediante rectángulos de color rojo, amarillo, azul y negro separados por líneas verticales y horizontales negras. Mondrian redujo la pintura a sus elementos básicos de línea y color para expresar relaciones abstractas y universales.
El documento describe numerosas obras pictóricas de artistas impresionistas y postimpresionistas como Monet, Renoir, Pissarro, Sisley, Manet, Degas, Van Gogh, Cézanne, Toulouse-Lautrec, Gauguin, Denis, Vuillard, Seurat, Signac, Valtat y Bonnard. Las obras incluyen paisajes, retratos y escenas de la vida cotidiana, y abarcan desde 1867 hasta alrededor de 1900, destacando el desarrollo del impresionismo y sus movim
The document provides context and analysis of Édouard Manet's 1863 painting "Le Déjeuner sur l'herbe". It discusses how the painting broke conventions by depicting nude women in a modern setting with clothed men, which shocked viewers. It summarizes the painting's composition and style, and notes that while Manet drew inspiration from classical works, he presented the scene and figures in a bold, unconventional manner that rendered it almost obscene to contemporary audiences. The document also compares the painting to other works that influenced Manet or responded to the controversy around his work.
5. Museo Hermitage. San Petersburgo.Pintura española.Emilio Fernández
El documento describe las obras de arte españolas expuestas en el Museo Hermitage de San Petersburgo, Rusia. Incluye pinturas de los siglos XVI-XVII de artistas como El Greco, Velázquez, Murillo y Ribera. Se detalla información sobre cada obra como el título, el artista, los materiales y las dimensiones.
A slideshow connected to a lecture of Northern Renaissance Art available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Christina McCollum.
Este cuadro de Piet Mondrian de 1920 representa su estilo neoplástico mediante rectángulos de color rojo, amarillo, azul y negro separados por líneas verticales y horizontales negras. Mondrian redujo la pintura a sus elementos básicos de línea y color para expresar relaciones abstractas y universales.