Keaton Doyle 4.4 final ppp slide show
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This document contains a series of photos taken and designed by Keaton Doyle that advertise the services of HungryMann Studios. The photos promote HungryMann Studios' ability to help artists bring their musical passions to life through production and engineering services, allowing clients to create quality music across many genres and achieve finished products to be proud of through hard work.
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The digipak for Arctic Monkeys' album "WhateverPeople Say I Am, That's What I'm Not" prominently features smoking themes. On the front cover, a man stares at the camera with a cigarette in his mouth, emphasizing the cockiness associated with alternative music genres where smoking is commonly depicted. The back cover again shows the man with a cigarette, but his body language appears distressed and exhausted in stark contrast to his smug look on the front. While a narrative seems to be portrayed between the covers, it remains an enigma as the viewer is left wanting to know more about what happened to cause the man's change in demeanor.
Props, Costume, Equipment and Filming/ Photography Plans
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E q1
The document discusses conventions of the pop music genre that were considered when creating a music video. It analyzes Vernallis's theory of four key concepts in music video production: narrative, editing, camera movement/framing, and diegesis. It also draws from Goodwin's theory of amplification, using colorful clothing, locations, and beats to match this convention. Overall, the document aims to faithfully replicate pop music genre conventions rather than challenge them in the music video and other media products.
E q1
The document discusses conventions of the pop music genre that were considered when creating a music video. It analyzes Vernallis's theory of four key concepts in music video production: narrative, editing, camera movement/framing, and diegesis. It also draws from Goodwin's theory of amplification, using colorful clothing, locations, and beats to match this convention. Overall, the document aims to faithfully replicate pop music genre conventions rather than challenge them in the music video and other media products.
Evaluation question 1
The student analyzed their music video and how it followed conventions of the indie music genre. They took inspiration from music videos by Oasis, Arctic Monkeys, and others. While their video was a simple performance with few effects like others, they did not include a story or location due to budget. They also created a album cover and ad that drew from styles of indie albums like The Vaccines and Talking Heads to have a simple, square-patterned design. Overall, they followed many conventions but also took some risks with uncommon methods.
Evaluation question 1
The student analyzed their music video and how it followed conventions of the indie music genre. They took inspiration from music videos by Oasis, Arctic Monkeys, and others. While their video was a simple performance with few effects like others, they did not include a story or location due to budget. They also created a album cover and advert that followed conventions of indie albums through a simple design that drew attention to the image.
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The digipak for Arctic Monkeys' album "WhateverPeople Say I Am, That's What I'm Not" prominently features smoking themes. On the front cover, a man stares at the camera with a cigarette in his mouth, emphasizing the cockiness associated with alternative music genres where smoking is commonly depicted. The back cover again shows the man with a cigarette, but his body language appears distressed and exhausted in stark contrast to his smug look on the front. While a narrative seems to be portrayed between the covers, it remains an enigma as the viewer is left wanting to know more about what happened to cause the man's change in demeanor.
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The student analyzed their music video and how it followed conventions of the indie music genre. They took inspiration from music videos by Oasis, Arctic Monkeys, and others. While their video was a simple performance with few effects like others, they did not include a story or location due to budget. They also created a album cover and ad that drew from styles of indie albums like The Vaccines and Talking Heads to have a simple, square-patterned design. Overall, they followed many conventions but also took some risks with uncommon methods.
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Evaluation Question 3
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Evaluation 2
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Cd research
From researching existing album packaging, the author found several conventions:
1) Front covers typically feature the band/artist name and album title along with a dominant image, while back covers list the tracklist and include a band photo.
2) Inside covers sometimes include additional photos or images.
3) Spines usually contain the band/artist name, album title, and a number for manufacturing identification.
4) CDs and DVDs commonly feature images or patterns to distinguish them visually and include copyright information.
Cd research
From researching existing album packaging, the author found several conventions:
1) Front covers typically feature the band/artist name and album title along with a dominant image, while back covers list the tracklist and include a band photo.
2) Inside covers sometimes include additional photos or images.
3) Spines usually contain the band/artist name, album title, and a number for manufacturing identification.
4) CDs and DVDs commonly feature images or patterns to distinguish them visually and include copyright information.
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The document discusses potential album cover designs for a music video project. It considers using close-up shots of the main character Jake from the opening scene or other shots that portray the narrative well. Inspiration is drawn from the intimate close-up shots on Bloc Party's "Intimacy" album cover. The front cover may use the opening shot of Jake opening his eyes, while the back could have his eyes closed to show a cyclical structure. Another favorite shot captures Jake's emotions well through color and links to the song's lyrics and location of filming in Camden.
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The document discusses the conventions used and challenged in a student-created music video. It begins by explaining the research conducted on music video conventions. While the video includes conventions like lip syncing and including the artist's name and song title, it challenges the convention of featuring the artist for most of the video. Instead, other people are shown singing along. Nature scenes are included to follow the conventions of previous videos by the same artist. The video aims to have a feel-good vibe, sticking to conventions of the genre and artist. In summary, the video mainly follows conventions but challenges the standard of centering on the artist.
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From researching existing album packaging, the author found several conventions:
1) Front covers typically feature the band/artist name and album title along with a dominant image, while back covers list the tracklist and include a band photo.
2) Inside covers sometimes include additional photos or images.
3) Spines usually contain the band/artist name, album title, and a number for manufacturing identification.
4) CDs and DVDs commonly feature images or patterns to distinguish them visually and include copyright information.
Cd research
From researching existing album packaging, the author found several conventions:
1) Front covers typically feature the band/artist name and album title along with a dominant image, while back covers list the tracklist and include a band photo.
2) Inside covers sometimes include additional photos or images.
3) Spines usually contain the band/artist name, album title, and a number for manufacturing identification.
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The document discusses potential album cover designs for a music video project. It considers using close-up shots of the main character Jake from the opening scene or other shots that portray the narrative well. Inspiration is drawn from the intimate close-up shots on Bloc Party's "Intimacy" album cover. The front cover may use the opening shot of Jake opening his eyes, while the back could have his eyes closed to show a cyclical structure. Another favorite shot captures Jake's emotions well through color and links to the song's lyrics and location of filming in Camden.
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metrics, including an impressive global accuracy of 99.286%, a high-class accuracy of 82.191%, a mean intersection over union (IoU) of 79.900%, a weighted
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- Gain actionable insights into AWS IAM policies and roles, using hands on approach.
#Prerequisites:
- Basic understanding of AWS services and architecture
- Familiarity with cloud security concepts
- Experience using the AWS Management Console or AWS CLI.
- For hands on lab create account on [killercoda.com](https://killercoda.com/cloudsecurity-scenario/)
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- Objective: Create an S3 bucket with least privilege IAM policy and validate access.
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- Attach least privilege policy to IAM user.
- Validate access.
- Exploiting IAM PassRole Misconfiguration
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- Objective: Demonstrate how a PassRole misconfiguration can grant unauthorized access.
- Steps:
- Allow user to pass IAM role to EC2.
- Exploit misconfiguration for unauthorized access.
- Access sensitive resources.
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- Objective: Show how overly permissive IAM roles can lead to privilege escalation.
- Steps:
- Create role with administrative privileges.
- Allow user to assume the role.
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- Differentiation between PassRole vs AssumeRole
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Rainfall intensity duration frequency curve statistical analysis and modeling...
Using data from 41 years in Patna’ India’ the study’s goal is to analyze the trends of how often it rains on a weekly, seasonal, and annual basis (1981−2020). First, utilizing the intensity-duration-frequency (IDF) curve and the relationship by statistically analyzing rainfall’ the historical rainfall data set for Patna’ India’ during a 41 year period (1981−2020), was evaluated for its quality. Changes in the hydrologic cycle as a result of increased greenhouse gas emissions are expected to induce variations in the intensity, length, and frequency of precipitation events. One strategy to lessen vulnerability is to quantify probable changes and adapt to them. Techniques such as log-normal, normal, and Gumbel are used (EV-I). Distributions were created with durations of 1, 2, 3, 6, and 24 h and return times of 2, 5, 10, 25, and 100 years. There were also mathematical correlations discovered between rainfall and recurrence interval.
Findings: Based on findings, the Gumbel approach produced the highest intensity values, whereas the other approaches produced values that were close to each other. The data indicates that 461.9 mm of rain fell during the monsoon season’s 301st week. However, it was found that the 29th week had the greatest average rainfall, 92.6 mm. With 952.6 mm on average, the monsoon season saw the highest rainfall. Calculations revealed that the yearly rainfall averaged 1171.1 mm. Using Weibull’s method, the study was subsequently expanded to examine rainfall distribution at different recurrence intervals of 2, 5, 10, and 25 years. Rainfall and recurrence interval mathematical correlations were also developed. Further regression analysis revealed that short wave irrigation, wind direction, wind speed, pressure, relative humidity, and temperature all had a substantial influence on rainfall.
Originality and value: The results of the rainfall IDF curves can provide useful information to policymakers in making appropriate decisions in managing and minimizing floods in the study area.
IEEE Aerospace and Electronic Systems Society as a Graduate Student Member
IEEE Aerospace and Electronic Systems Society as a Graduate Student Member
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