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Jolene	Brushes	Paint
Today	I	saw	Jolene	at	the	easel.	By	the	time	I	got	there	with	my	camera	she	had	
already	applied	bold	areas	of	each	color	in	vertical	stripes	at	the	top	of	the	page.		
I	thought,	“Hmmm.	This	is	interesting.	Look	at	how	carefully	she	moves	the	
brush.”
Jolene	painted	the	vertical	areas	of	color,	up	and	down,	but	there	still	was	white	
around	the	blue.	She	then	carefully	covered	the	white	spaces	with	more	blue	in	
upward	strokes	of	the	brush.		
Now	there	was	no	more	white	in	between	the	colors.
She	continued	to	use	the	blue,	sweeping	downward.
The	brush	ran	out	of	paint	and	Jolene	continued	to	stroke	downward	with	a	
broom-like	sweep	of	her	hand.		
The	dry	brush	effect	was	strong.	It	seemed	to	interest	her	as	she	did	the	same	
stroke	again	and	again.
She	dipped	the	brush	back	into	the	blue	paint	cup	and	filled	the	dry	areas	with	
more	paint.
Then,	surprisingly,	she	stopped.	She	put	down	the	brush	and	stood	there	with	her	
arms	spread	wide.	Something	was	going	on	in	her	mind,	but	I	didn’t	know	what	it	
could	be.		
Maybe	it	could	be,	“What	should	I	do	now?”	Maybe	it	could	be,	“Ahhh,	look	what	I	
did.”	Maybe	it	could	be	another	idea	for	the	remaining	white	space.
She	chose	a	brush	filled	with	green.		
She	began	to	move	her	brush	in	a	circle.	No	more	stripes.	Round	and	round	in	the	
same	spot	she	moved	the	brush,	using	her	wrist	and	fingers	in	a	smooth	and	clever	
way.
Then	she	moved	the	brush	to	a	clear	space,	and	round	and	round	she	went	again.
And	again.
And	again.
And	again!	
Her	hand	moved	with	graceful	ease	each	time.
I	thought,	“She	is	discovering	how	a	brush	works!”
She	completed	the	final	round	green	spot.
Then	she	painted	green	over	all	those	spots.		
Goodbye,	round	and	round	spots!
All	the	spots	except	one	were	covered.	They	were	gone.	No	one	would	ever	see	
those	other	spots	again.		
That	was	the	end	of	her	painting.	She	put	down	her	brush	and	left	the	painting	
sitting	on	the	easel.
I	took	a	picture	of	Jolene’s	painting.		
It	has	broad	bands	of	brown,	indigo	
blue,	green	and	red	filling	the	page.	
Three	areas	of	white	are	left.		
All	the	brush	strokes	go	up	and	
down	except	that	one	remaining	
circle	on	the	right.		
It	reminds	me	of	waterfalls	in	a	
forest.	I	feel	relaxed,	calm	and	
happy	looking	at	it.
What	it	means…
Jolene,	your	way	of	moving	the	brush	is	interesting	to	watch.	Your	hand	moves	as	
gracefully	as	a	squirrel.		
You	are	finding	a	way	to	say	things	and	express	feelings	with	paint	that	no	one	
can	say	in	words.	Paint	can	say	things	you	don’t	even	realize	you	feel	until	they	
emerge	on	the	paper.	
Painting	is	something	people	do	all	by	themselves.	A	painter	tries	new	things,	
sees	and	feels	what	happens,	and	tries	something	else.	
		
That	is	what	you	did.	You	do,	then	you	see,	then	you	build	on	that.	It	is	like	talking	
back	and	forth	to	yourself	without	words.
Opportunities…
Jolene	is	interested	in	effects	of	what	she	does	with	expressive	materials	that	are	at	
hand,	so	we	will	make	sure	to	provide	more	means	for	doing	that	kind	of	
exploration.		
We	will	provide	more	colors	of	paint,	more	sizes	of	brushes,	and	watercolor,	too.	
It	would	be	wonderful	to	make	it	possible	for	others	to	join	Jolene	so	more	children	
could	discover	the	joys	of	artistic	expression.
Possibilities…
Fluid	hand	movement,	exploration,	and	reflection	seem	to	be	life-long	
possibilities	for	Jolene.		
Art	offers	the	possibility	for	people	to	come	to	understand	not	only	ways	of	
expression	but	also	who	they	are.	Such	discoveries	cannot	be	said	in	words.		
The	more	we	closely	attend,	the	more	we	see,	and	the	more	we	learn.	In	this	one	
story	of	painting,	all	of	us	are	reminded	of	the	possibility	of	listening	more	deeply	
to	each	unique	human	being.
Jolene	Brushes	Paint	
Tom	Drummond	
Green	Tree	Early	Childhood	Center	
Seattle,	Washington	
Holly	Koehler,	teacher

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Jolene Brushes Paint