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The Japanese Period
of Philippine
Literature
(1941-1945)
Historical Background Between 1941-1945,
Philippine Literature was interrupted in its
development when the Philippines was again
conquered by another foreign country,
Japan.
Philippine literature in English came to a
halt. Except for the TRIBUNE and the
PHILIPPINE REVIEW, almost all newspapers
in English were stopped by the Japanese.
This had an advantageous effect on
Filipino Literature, which
experienced renewed attention
because writers in English turned to
writing in Filipino. Juan Laya, who
use to write in English turned to
Filipino because of the strict
prohibitions of the Japanese
regarding any writing in English.
The weekly LIWAYWAY was placed
under strict surveillance until it was
managed by Japanese named
ISHIWARA In other words, Filipino
literature was given a break during
this period. Many wrote plays,
poems, short stories, etc. Topics
and themes were often about life in
the provinces.
Filipino Literature
 POETRY
 FILIPINO DRAMA
 FILIPINO SHORT STORIES
 PHILIPPINE LITERATURE IN ENGLISH
A. FILIPINO POETRY DURING THIS
PERIOD
The common theme of most poems
during the Japanese occupation
was nationalism, country, love, and
life in the barrios, faith, religion and
the arts.
Three types of poems emerged
during this period.
They were:
1. Haiku – a poem of free verse
that the Japanese like. It was made
up of 17 syllables divided into three
lines. The first line had 5 syllables,
the second, 7 syllables, and the
third, five. The Haiku is allegorical
in meaning, is short and covers a
wide scope in meaning.
2.Tanaga – like the Haiku, is
short but it had measure and
rhyme. Each line had 17
syllables and it’s also
allegorical in meaning.
3. Karaniwang Anyo
(Usual Form) – like those
mentioned earlier in the
beginning chapters of this
book. It is the usual and
Common Form of Poetry.
B. FILIPINO DRAMA DURING THE
JAPANESE PERIOD
The drama experienced a lull during
the Japanese period because movie
houses showing American films
were closed. The big movie houses
were just made to show stage
shows. Many of the plays were
reproductions of English plays to
Tagalog. The translators were
Francisco Soc Rodrigo, Alberto
Concio, and Narciso Pimentel. They
also founded the organization of
Filipino players named Dramatic
Philippines.
A few of playwriters were:
1. Jose Ma. Hernandez
– wrote PANDAY PIRA
2. Francisco Soc Rodrigo
– wrote sa PULA, SA PUTI
3. Clodualdo del Mundo
– wrote BULAGA (an expression in
the game Hide and Seek).
4. Julian Cruz Balmaceda
– wrote SINO BA KAYO?, DAHIL SA
ANAK, and HIGANTE NG PATAY.
C. THE FILIPINO SHORT
STORY DURING THE
JAPANESE PERIOD
The field of the short story
widened during the Japanese
Occupation. Many wrote short
stories.
Among them were:
Brigido Batungbakal, Macario
Pineda, Serafin Guinigindo,
Liwayway Arceo, Narciso Ramos.,
NVM Gonzales, Alicia Lopez Lim,
Ligaya Perez, and Gloria Guzman.
The best writings in 1945 were
selected by a group of judges
composed of Francisco Icasiano,
Jose Esperanza Cruz, Antonio
Rosales, Clodualdo del Mundo and
Teodoro Santos. As a result of this
selection, the following got the first
three prizes:
First Prize: Narciso Reyes with his
LUPANG TINUBUAN
Second Prize: Liwayway Arceo’s
UHAW ANG TIGANG NA LUPA
Third Prize: NVM Gonzales’
LUNSOD NAYON AT DAGAT-
DAGATAN
D. PHILIPPINE LITERATURE IN
ENGLISH (1941-1945)
Because of the strict prohibitions
imposed b the Japanese in the writing
and publishing of works in English,
Philippine literature in English
experienced a dark period. The few who
dared to write did so for their bread and
butter or for propaganda. Writings that
came out during this period were
journalistic in nature. Writers felt
suppressed but slowly, the spirit of
nationalism started to seep into their
consciousness. While some continued
to write, the majority waited for a better
climate to publish their works.
Noteworthy writer of the period was
Carlos P. Romulo who won the Pulitzer
Prize for his bestsellers I SAW THE
FALL OF THE PHILIPPINES, I SEE THE
PHILIPPINES RISE and his MOTHER
AMERICA AND MY BROTHER
AMERICANS.
Journalists include Salvador P. Lopez,
Leon Ma. Geurrero, Raul Manglapuz and
Carlos Bulosan. Nick Joaquin produced
THE WOMAN WHO LOOKED LIKE
LAZARUS. Fred Ruiz Castro wrote a few
poems. F.B. Icasino wrote essays in The
Philippine Review
Carlos Bulosan’s works included
• THE LAUGHTER OF MY FATHER
(1944)
• THE VOICE OF BATAAN (1943)
• SIX FILIPINO POETS (1942)
among others Alfredo Litiatco
published With Harp and Sling and in
1943, Jose P. Laurel published Forces
that Make a Nation Great. The
Commonwealth Literary Awards gave
prizes to meritorious writers.
The Japanese Period
Of Philippine Literature
Presented By:
Dianne Kristine C. Padua
BEED/1A (Summer Class 2018)
Prof. Ivy Sanggalang
Thank You.

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Japanese Period of Philippine Literature

  • 1. The Japanese Period of Philippine Literature (1941-1945)
  • 2. Historical Background Between 1941-1945, Philippine Literature was interrupted in its development when the Philippines was again conquered by another foreign country, Japan. Philippine literature in English came to a halt. Except for the TRIBUNE and the PHILIPPINE REVIEW, almost all newspapers in English were stopped by the Japanese.
  • 3. This had an advantageous effect on Filipino Literature, which experienced renewed attention because writers in English turned to writing in Filipino. Juan Laya, who use to write in English turned to Filipino because of the strict prohibitions of the Japanese regarding any writing in English.
  • 4. The weekly LIWAYWAY was placed under strict surveillance until it was managed by Japanese named ISHIWARA In other words, Filipino literature was given a break during this period. Many wrote plays, poems, short stories, etc. Topics and themes were often about life in the provinces.
  • 5.
  • 6.
  • 7. Filipino Literature  POETRY  FILIPINO DRAMA  FILIPINO SHORT STORIES  PHILIPPINE LITERATURE IN ENGLISH
  • 8. A. FILIPINO POETRY DURING THIS PERIOD The common theme of most poems during the Japanese occupation was nationalism, country, love, and life in the barrios, faith, religion and the arts.
  • 9. Three types of poems emerged during this period. They were: 1. Haiku – a poem of free verse that the Japanese like. It was made up of 17 syllables divided into three lines. The first line had 5 syllables, the second, 7 syllables, and the third, five. The Haiku is allegorical in meaning, is short and covers a wide scope in meaning.
  • 10.
  • 11. 2.Tanaga – like the Haiku, is short but it had measure and rhyme. Each line had 17 syllables and it’s also allegorical in meaning.
  • 12.
  • 13. 3. Karaniwang Anyo (Usual Form) – like those mentioned earlier in the beginning chapters of this book. It is the usual and Common Form of Poetry.
  • 14. B. FILIPINO DRAMA DURING THE JAPANESE PERIOD The drama experienced a lull during the Japanese period because movie houses showing American films were closed. The big movie houses were just made to show stage shows. Many of the plays were reproductions of English plays to Tagalog. The translators were Francisco Soc Rodrigo, Alberto Concio, and Narciso Pimentel. They also founded the organization of Filipino players named Dramatic Philippines.
  • 15. A few of playwriters were: 1. Jose Ma. Hernandez – wrote PANDAY PIRA 2. Francisco Soc Rodrigo – wrote sa PULA, SA PUTI 3. Clodualdo del Mundo – wrote BULAGA (an expression in the game Hide and Seek). 4. Julian Cruz Balmaceda – wrote SINO BA KAYO?, DAHIL SA ANAK, and HIGANTE NG PATAY.
  • 16.
  • 17. C. THE FILIPINO SHORT STORY DURING THE JAPANESE PERIOD The field of the short story widened during the Japanese Occupation. Many wrote short stories.
  • 18. Among them were: Brigido Batungbakal, Macario Pineda, Serafin Guinigindo, Liwayway Arceo, Narciso Ramos., NVM Gonzales, Alicia Lopez Lim, Ligaya Perez, and Gloria Guzman. The best writings in 1945 were selected by a group of judges composed of Francisco Icasiano, Jose Esperanza Cruz, Antonio Rosales, Clodualdo del Mundo and Teodoro Santos. As a result of this selection, the following got the first three prizes:
  • 19. First Prize: Narciso Reyes with his LUPANG TINUBUAN Second Prize: Liwayway Arceo’s UHAW ANG TIGANG NA LUPA Third Prize: NVM Gonzales’ LUNSOD NAYON AT DAGAT- DAGATAN
  • 20.
  • 21. D. PHILIPPINE LITERATURE IN ENGLISH (1941-1945) Because of the strict prohibitions imposed b the Japanese in the writing and publishing of works in English, Philippine literature in English experienced a dark period. The few who dared to write did so for their bread and butter or for propaganda. Writings that came out during this period were journalistic in nature. Writers felt suppressed but slowly, the spirit of nationalism started to seep into their consciousness. While some continued to write, the majority waited for a better climate to publish their works.
  • 22. Noteworthy writer of the period was Carlos P. Romulo who won the Pulitzer Prize for his bestsellers I SAW THE FALL OF THE PHILIPPINES, I SEE THE PHILIPPINES RISE and his MOTHER AMERICA AND MY BROTHER AMERICANS. Journalists include Salvador P. Lopez, Leon Ma. Geurrero, Raul Manglapuz and Carlos Bulosan. Nick Joaquin produced THE WOMAN WHO LOOKED LIKE LAZARUS. Fred Ruiz Castro wrote a few poems. F.B. Icasino wrote essays in The Philippine Review
  • 23. Carlos Bulosan’s works included • THE LAUGHTER OF MY FATHER (1944) • THE VOICE OF BATAAN (1943) • SIX FILIPINO POETS (1942) among others Alfredo Litiatco published With Harp and Sling and in 1943, Jose P. Laurel published Forces that Make a Nation Great. The Commonwealth Literary Awards gave prizes to meritorious writers.
  • 24.
  • 25. The Japanese Period Of Philippine Literature Presented By: Dianne Kristine C. Padua BEED/1A (Summer Class 2018) Prof. Ivy Sanggalang Thank You.