Jake nava
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Jake Nava is an English music video and film director known for directing videos for artists like Beyoncé, Usher, Britney Spears, and Destiny's Child. Some of his most famous videos include "Crazy in Love" by Beyoncé and "Single Ladies" by Beyoncé. Nava tends to direct dark videos that feature close-ups and showcase the artist's style through elements like Usher's sunglasses or Beyoncé's dancing.
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Jake nava
Jake Nava is a British music video and film director who has directed videos for artists like Beyoncé, Spice Girls, Usher, and Britney Spears. His video for Beyoncé's "Single Ladies" popularized its iconic dance and inspired the researcher to learn more about his body of work. Nava grew up in London and now lives in the United States where he directs videos across many genres in addition to commercials.
Jake nava
1) Jake Nava is an accomplished British music video and commercial director who has worked with major artists like Beyoncé, Lana Del Rey, and Adele.
2) He is best known for his iconic collaborations with Beyoncé, directing videos for "Crazy in Love" and "Single Ladies," the latter of which was listed as one of the most influential music videos ever.
3) Nava creates visually exciting and dynamic music videos through his use of colors, lighting, and styles to convey moods and emphasize an artist's branding across their work.
Applying Goodwin's theory to music videos - Beyonce single ladies
This document applies Goodwin's theory of music video analysis to Beyoncé's "Single Ladies" music video. It analyzes various elements of the video including voyeurism through its focus on the dancers' bodies, close-ups of Beyoncé to promote her music, and how the lyrics and visuals reinforce each other. It also examines genre characteristics like the makeup, fashion, and setting that identify the video as R&B. The document concludes by noting how this analysis will inform the creation of the author's own music video.
Ok go case study
Ok Go is an alternative band from Chicago formed in 1998. Their early music videos were a mix of live performance and conceptual ideas, featuring the band singing along with the music while also revolving around a single obscure theme in each video. Throughout their career, Ok Go has maintained the tradition of using a single continuous shot for their entire music videos, as seen in their first video from 2009 and most recent from 2016, though their newer videos incorporate more complex elements like paint explosions and slow motion compared to their simpler early videos featuring dancing on treadmills.
The purpose of music videos
The document discusses the purpose of music videos and provides several examples. Music videos can tell a story that promotes a band's song or album, as seen in the two-part video by Trivium that continued a narrative across both songs. Music videos can also promote films, like the one by Chris Cornell that featured scenes from the James Bond film Casino Royale while also promoting his single. Music videos may also bring awareness to issues, as Linkin Park's video did by depicting various world problems. Finally, the document notes that music videos impact sales by exposing viewers to songs and driving purchases of digital downloads and CDs, as well as generating revenue for record labels.
Andrew goodwins theory
The document discusses how music videos demonstrate the characteristics of different genres. It provides Andrew Goodwin's seven features of music videos as an example of how genres are defined by their characteristics. The document then analyzes the music video for "Young and Beautiful" by Lana Del Rey, noting that while it is an indie pop song, it also features jazz and blues influences. The video follows conventions of indie videos through its dark setting with bright lighting and spotlight effects. It tells a narrative through Lana's performance of a woman wondering if a man will always love her.
Function of music videos
Queen's "Bohemian Rhapsody" is considered the first music video, created when the band was unable to perform on TV and made a video to promote the song. The launch of MTV in 1981 offered 24/7 music videos and helped establish the format. Michael Jackson's "Thriller" in 1983 was hugely influential as one of the first long-form videos, acting like a mini film. Modern music videos aim to promote the artist, help audiences understand and engage with the song visually and audibly, and showcase the talents of the performer.
Production diary week 2
We have chosen the song "We don't have to take our clothes off" by Ella Eyre for our production. The song has a mix of fast and slow beats that will allow us to cut between different shots in various locations like the beach and London. We aim to oppose the male gaze theory and support the song's message of empowerment through the use of different filming techniques. By next week, we plan to finalize locations for shooting and continue planning for the production.
Recommended
Jake nava
Jake Nava is a British music video and film director who has directed videos for artists like Beyoncé, Spice Girls, Usher, and Britney Spears. His video for Beyoncé's "Single Ladies" popularized its iconic dance and inspired the researcher to learn more about his body of work. Nava grew up in London and now lives in the United States where he directs videos across many genres in addition to commercials.
Jake nava
1) Jake Nava is an accomplished British music video and commercial director who has worked with major artists like Beyoncé, Lana Del Rey, and Adele.
2) He is best known for his iconic collaborations with Beyoncé, directing videos for "Crazy in Love" and "Single Ladies," the latter of which was listed as one of the most influential music videos ever.
3) Nava creates visually exciting and dynamic music videos through his use of colors, lighting, and styles to convey moods and emphasize an artist's branding across their work.
Applying Goodwin's theory to music videos - Beyonce single ladies
This document applies Goodwin's theory of music video analysis to Beyoncé's "Single Ladies" music video. It analyzes various elements of the video including voyeurism through its focus on the dancers' bodies, close-ups of Beyoncé to promote her music, and how the lyrics and visuals reinforce each other. It also examines genre characteristics like the makeup, fashion, and setting that identify the video as R&B. The document concludes by noting how this analysis will inform the creation of the author's own music video.
Ok go case study
Ok Go is an alternative band from Chicago formed in 1998. Their early music videos were a mix of live performance and conceptual ideas, featuring the band singing along with the music while also revolving around a single obscure theme in each video. Throughout their career, Ok Go has maintained the tradition of using a single continuous shot for their entire music videos, as seen in their first video from 2009 and most recent from 2016, though their newer videos incorporate more complex elements like paint explosions and slow motion compared to their simpler early videos featuring dancing on treadmills.
The purpose of music videos
The document discusses the purpose of music videos and provides several examples. Music videos can tell a story that promotes a band's song or album, as seen in the two-part video by Trivium that continued a narrative across both songs. Music videos can also promote films, like the one by Chris Cornell that featured scenes from the James Bond film Casino Royale while also promoting his single. Music videos may also bring awareness to issues, as Linkin Park's video did by depicting various world problems. Finally, the document notes that music videos impact sales by exposing viewers to songs and driving purchases of digital downloads and CDs, as well as generating revenue for record labels.
Andrew goodwins theory
The document discusses how music videos demonstrate the characteristics of different genres. It provides Andrew Goodwin's seven features of music videos as an example of how genres are defined by their characteristics. The document then analyzes the music video for "Young and Beautiful" by Lana Del Rey, noting that while it is an indie pop song, it also features jazz and blues influences. The video follows conventions of indie videos through its dark setting with bright lighting and spotlight effects. It tells a narrative through Lana's performance of a woman wondering if a man will always love her.
Function of music videos
Queen's "Bohemian Rhapsody" is considered the first music video, created when the band was unable to perform on TV and made a video to promote the song. The launch of MTV in 1981 offered 24/7 music videos and helped establish the format. Michael Jackson's "Thriller" in 1983 was hugely influential as one of the first long-form videos, acting like a mini film. Modern music videos aim to promote the artist, help audiences understand and engage with the song visually and audibly, and showcase the talents of the performer.
Production diary week 2
We have chosen the song "We don't have to take our clothes off" by Ella Eyre for our production. The song has a mix of fast and slow beats that will allow us to cut between different shots in various locations like the beach and London. We aim to oppose the male gaze theory and support the song's message of empowerment through the use of different filming techniques. By next week, we plan to finalize locations for shooting and continue planning for the production.
Music Video Analysis Young Guns
The music video for the song "Bones" by the band Young Guns is considered a contradictory video according to Goodwin's theory of music video relationships. While the video mainly shows the band playing their instruments in a warehouse, there are also shots added of a female character that do not relate to the song lyrics. Some images, like the character looking down the end of a road, amplify the lyrics by showing a distressed emotional state rather than directly illustrating the words. The video emphasizes the band and their instruments but also pieces together shots that bring together the full band performance.
Goodwin 7 hwk
The document discusses the Goodwin Seven, which are seven features that most music videos contain. The Goodwin Seven are: (1) demonstrating genre characteristics, (2) relating lyrics to visuals, (3) relating music to visuals, (4) including close-ups of the artist per record label demands, (5) developing recurring motifs, (6) referencing the notion of "looking" and voyeurism of the female body, and (7) including intertextual references to film, TV and pop culture. Two examples are provided of music videos demonstrating the first and third Goodwin Seven features - a Rise Against video showing the band playing, and a Delta Heavy video synchronizing visuals like a Rub
F for you
This document analyzes a music video by Disclosure using Goodwin's (1992) conventions for music videos. It finds that:
1) The video is a performance video focusing on the artists and instruments with unique lighting effects.
2) There is no visible link between the lyrics or music and the visuals, denoting disjuncture.
3) Close ups focus on the singer and instruments to show synchronization, and the Disclosure symbol flashes throughout.
R&B Music Videos
R&B music videos typically reflect the music and lyrics in several ways. Narrative videos tell a story that relates directly to the lyrics, while up-tempo songs with strong beats feature choreography unrelated to the lyrics. Artists like Usher, Chris Brown, and Neyo are known for incorporating complex dance routines into their videos. Videos also commonly feature expensive displays of wealth like luxury cars, mansions, and private jets to glamorize the artist's lifestyle and attract audiences. Models are often included to play romantic partners and enhance the artist's appearance.
Presentation1media star pro
Beyonce Knowles was born in 1981 in Houston, Texas. She began her career in the 1990s as the lead singer of Destiny's Child. Some of her most popular songs include "Crazy in Love", "Single Ladies", and "Halo". Her music videos often feature elaborate choreography and costumes. While her earlier videos emphasized visual effects and editing, her more recent videos focus more on her performance skills and dancing ability. Beyonce is now known worldwide for her musical talents and energetic stage presence.
Presentation1media star pro
Beyonce Knowles is an American singer born in 1981 in Houston, Texas. She began her career in the 1990s as the lead singer of Destiny's Child. Some of her most popular solo albums include Dangerously in Love (2003), B'Day (2006), and I Am... Sasha Fierce (2008). Her music videos often feature elaborate choreography and have evolved from primarily performance-based to more conceptual over time. Beyonce is now known worldwide for her musical talents and energetic stage presence.
Music directors
A.R. Rahman is an Indian composer and musician who has integrated Eastern classical music with electronic sounds and world music genres in his film compositions. He has won two Academy Awards, two Grammy Awards, and numerous other awards. Rahman has directed music in several Bollywood films and popular albums. Trudy Bellinger is a British music video director affiliated with Merge @ Crossroads Films who has also directed television advertisements. In 2007, she directed music videos for songs by Sugababes vs. Girls Aloud, Shapeshifters, Bodyrockers, Therese, Girls Aloud, Dima Bilan, and Madu.
1960s music
The document discusses the evolution of music videos over different decades from the 1920s to the 2000s. In the 1920s, early music videos were experimental films that featured artists like Louis Armstrong and Bessie Smith. Television exposure in the 1950s increased music popularity and allowed new artists like Elvis Presley to gain fame through live performance videos. The 1960s saw more choreographed music videos and the rise of shows like "Top of the Pops" featuring dancer performances. Major artists of the 1970s like The Beatles had music videos that were typically live studio performances. The 1980s brought more conceptual music videos to MTV with artists like Michael Jackson creating short films, and the 1990s saw increased popularity for artists like Notorious B
Question 1
- Andrew Goodwin's theory describes three types of relationships between songs and music videos: illustration, amplification, and disjuncture. Carol Vernallis discusses how music videos attract audiences through techniques like breaking continuity editing rules, using jump cuts and special effects, and matching camera movement and edits to the music.
- The summarized music video follows Goodwin's "amplification" concept by adding extra layers of meaning through a metaphor in the video that does not contradict the lyrics. It also uses Vernallis' ideas of editing to the beat to link the video and song. However, it challenges her theory by not using techniques like swipes to attract audiences.
History of medium/ history of music video
Music videos began in the 1950s-60s as promotional films for artists like Elvis and The Beatles. In the 1970s, Queen's "Bohemian Rhapsody" established music video conventions and showed their commercial potential. The 1980s saw the rise of MTV and the emergence of music videos as a key marketing tool, popularizing artists like Madonna. Today, music videos are most commonly distributed through YouTube, which allows for massive global audiences, though traditional conventions of performance, narrative, and visual style established decades ago still largely persist.
Q2 evaluation
In what ways does your media product use, develop or challenge forms and conventions of real media products?
History of music videos
Music videos have evolved from early promotional films set to music in the 1930s-1950s. Early forms included illustrated songs in the 1890s, Soundies musical films of the 1940s, and musical shorts that filled time between films. In the 1960s, Scopitones and early music videos known as "lip dubs" emerged. Video Concert Hall in 1979 was one of the first TV networks to feature music videos. Finally, MTV launched in 1981 and became the first channel dedicated solely to music videos, popularizing the format.
Goodwin Everybody's Fool
The music video for Evanescence's "Everybody's Fool" synchronizes the music and visual elements, with cuts coinciding with drops in the beat. Scenes of the artist, who plays the main character, are shown when the lyrics mention "Everybody's Fool" and she bows down when it says "bow down". Close ups of the lead singer throughout, and her as the protagonist, demonstrate the record label's influence over crafting her image. The character is portrayed as voyeuristic through tight clothing and looking through mirrors in different personas.
Genre theories
This document discusses genre theories in music and music videos. It defines key terms related to genre such as genre, sub-genre, and hybridization. It also discusses concepts like intertextuality, pastiche, and parody that are used in genre analysis. The document summarizes theories from scholars like John Hartley, Robert Hodge and Gunther Kress, John Fiske, and Rick Altman on how genres influence and change over time based on popular trends, audience expectations, and the evolving nature of genre conventions.
Messed up kids
The document discusses the music video for Jake Bugg's song "Messed Up Kids". It notes that the black and white video emphasizes Jake Bugg's organic qualities and background. Scenes show rundown areas and interviews with Jake discussing how he had to earn everything himself. The lyrics and visuals match each other, showing stereotypical "chav" clothing and boys running from the camera in poor areas. The video highlights that Jake Bugg's target audience is similar to the band discussed, attracting both teenagers and adults for his mature music. It also notes similarities between Jake Bugg's indie/folk rock style and the discussed band's planned indie rock sound.
Music Video Presentation
The front cover of the music video features Michael Jackson singing and dancing in the center with the word "ONES" in bold red and black writing above him. His outfit matches the colors of the word to emphasize the theme of "one". The spine lists the record label, album name, and artist. The back cover shows a mixture of fast and slow tempo songs from different albums highlighted in one shade of red to represent they are all number one hits. It runs approximately 91 minutes and includes producer and website information.
A2 Media Question 1-In what ways does your media product use, develop or chal...
The document discusses how a media product (a music video) was influenced by conventions from real music videos. It researched many music videos to get ideas for camera angles, scenes, costumes, and lighting. Specific videos influenced the raised platform from "Oceans", postcards/boards from "All About the Money", and close-ups of instruments from "I Feel So". The video aimed to balance lighting between happy and sad lyrics. Costumes and large room/black background settings matched genres like rock. Theories by Andrew Goodwin about relationships between songs/videos and genre characteristics were also applied.
Creative Critical Reflection Q1
Our music video uses conventions of the pop-rock genre, including depicting the band's performance in casual clothing and light makeup. It follows typical pop-rock music video conventions like using wide angle shots, close-ups of the artists and instruments during the performance. While the song is originally in English, our target audience is within Pakistan, so the video focuses on a western-style performance to represent social issues within our country. It highlights the divide between rich and poor by showing a domestic helper develop an unrequited love for the woman of the house he works for, who is getting married without knowing his feelings due to their difference in social class.
Evaluation no scrubs update right one
The document summarizes the evaluation of a media project creating a music video for the fictional girl band "Scarlett Divas". It discusses how the music video fits conventions of the R&B genre like costume changes and location shots, while challenging conventions like portraying the girls as in control rather than for the male gaze. Feedback was received from the target demographic that liked the outfits and pacing but felt the chorus needed to be faster. New media technologies like Final Cut Pro, Photoshop, and social media were used to construct, promote, and evaluate the project.
Micronics Mobility
The document discusses the evolution of mobile computing and wireless technologies. It describes how convergence of the internet, wireless technologies, and mobile devices has created new opportunities for organizations. It also discusses challenges like interoperability, security, and battery life that still need to be addressed for mobile computing. The future of mobile computing looks promising as technologies continue to advance and more applications are developed.
LEDA2016BP-STEM
LEDAGroup is anon-profit economic development organization that believes entrepreneurship fuels innovation, job creation, and economic growth. It engages in scientific and technological innovations through collaborations to position knowledge, technology, entrepreneurship, leadership, and innovation as the five pillars of a modernized economy. LEDA aims to fuel entrepreneurship by designing strategic programs that will strengthen the STEM workforce through education and training to ensure competitiveness in a global economy.
mobile computing
The document discusses the evolution of mobile computing and wireless technologies. It describes how convergence of the internet, wireless technologies, and mobile devices has created new opportunities for organizations. It also discusses challenges like interoperability, security, and battery life that still need to be addressed for mobile computing. The future of mobile computing looks promising as technologies continue to advance and more applications are developed.
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Music Video Analysis Young Guns
The music video for the song "Bones" by the band Young Guns is considered a contradictory video according to Goodwin's theory of music video relationships. While the video mainly shows the band playing their instruments in a warehouse, there are also shots added of a female character that do not relate to the song lyrics. Some images, like the character looking down the end of a road, amplify the lyrics by showing a distressed emotional state rather than directly illustrating the words. The video emphasizes the band and their instruments but also pieces together shots that bring together the full band performance.
Goodwin 7 hwk
The document discusses the Goodwin Seven, which are seven features that most music videos contain. The Goodwin Seven are: (1) demonstrating genre characteristics, (2) relating lyrics to visuals, (3) relating music to visuals, (4) including close-ups of the artist per record label demands, (5) developing recurring motifs, (6) referencing the notion of "looking" and voyeurism of the female body, and (7) including intertextual references to film, TV and pop culture. Two examples are provided of music videos demonstrating the first and third Goodwin Seven features - a Rise Against video showing the band playing, and a Delta Heavy video synchronizing visuals like a Rub
F for you
This document analyzes a music video by Disclosure using Goodwin's (1992) conventions for music videos. It finds that:
1) The video is a performance video focusing on the artists and instruments with unique lighting effects.
2) There is no visible link between the lyrics or music and the visuals, denoting disjuncture.
3) Close ups focus on the singer and instruments to show synchronization, and the Disclosure symbol flashes throughout.
R&B Music Videos
R&B music videos typically reflect the music and lyrics in several ways. Narrative videos tell a story that relates directly to the lyrics, while up-tempo songs with strong beats feature choreography unrelated to the lyrics. Artists like Usher, Chris Brown, and Neyo are known for incorporating complex dance routines into their videos. Videos also commonly feature expensive displays of wealth like luxury cars, mansions, and private jets to glamorize the artist's lifestyle and attract audiences. Models are often included to play romantic partners and enhance the artist's appearance.
Presentation1media star pro
Beyonce Knowles was born in 1981 in Houston, Texas. She began her career in the 1990s as the lead singer of Destiny's Child. Some of her most popular songs include "Crazy in Love", "Single Ladies", and "Halo". Her music videos often feature elaborate choreography and costumes. While her earlier videos emphasized visual effects and editing, her more recent videos focus more on her performance skills and dancing ability. Beyonce is now known worldwide for her musical talents and energetic stage presence.
Presentation1media star pro
Beyonce Knowles is an American singer born in 1981 in Houston, Texas. She began her career in the 1990s as the lead singer of Destiny's Child. Some of her most popular solo albums include Dangerously in Love (2003), B'Day (2006), and I Am... Sasha Fierce (2008). Her music videos often feature elaborate choreography and have evolved from primarily performance-based to more conceptual over time. Beyonce is now known worldwide for her musical talents and energetic stage presence.
Music directors
A.R. Rahman is an Indian composer and musician who has integrated Eastern classical music with electronic sounds and world music genres in his film compositions. He has won two Academy Awards, two Grammy Awards, and numerous other awards. Rahman has directed music in several Bollywood films and popular albums. Trudy Bellinger is a British music video director affiliated with Merge @ Crossroads Films who has also directed television advertisements. In 2007, she directed music videos for songs by Sugababes vs. Girls Aloud, Shapeshifters, Bodyrockers, Therese, Girls Aloud, Dima Bilan, and Madu.
1960s music
The document discusses the evolution of music videos over different decades from the 1920s to the 2000s. In the 1920s, early music videos were experimental films that featured artists like Louis Armstrong and Bessie Smith. Television exposure in the 1950s increased music popularity and allowed new artists like Elvis Presley to gain fame through live performance videos. The 1960s saw more choreographed music videos and the rise of shows like "Top of the Pops" featuring dancer performances. Major artists of the 1970s like The Beatles had music videos that were typically live studio performances. The 1980s brought more conceptual music videos to MTV with artists like Michael Jackson creating short films, and the 1990s saw increased popularity for artists like Notorious B
Question 1
- Andrew Goodwin's theory describes three types of relationships between songs and music videos: illustration, amplification, and disjuncture. Carol Vernallis discusses how music videos attract audiences through techniques like breaking continuity editing rules, using jump cuts and special effects, and matching camera movement and edits to the music.
- The summarized music video follows Goodwin's "amplification" concept by adding extra layers of meaning through a metaphor in the video that does not contradict the lyrics. It also uses Vernallis' ideas of editing to the beat to link the video and song. However, it challenges her theory by not using techniques like swipes to attract audiences.
History of medium/ history of music video
Music videos began in the 1950s-60s as promotional films for artists like Elvis and The Beatles. In the 1970s, Queen's "Bohemian Rhapsody" established music video conventions and showed their commercial potential. The 1980s saw the rise of MTV and the emergence of music videos as a key marketing tool, popularizing artists like Madonna. Today, music videos are most commonly distributed through YouTube, which allows for massive global audiences, though traditional conventions of performance, narrative, and visual style established decades ago still largely persist.
Q2 evaluation
In what ways does your media product use, develop or challenge forms and conventions of real media products?
History of music videos
Music videos have evolved from early promotional films set to music in the 1930s-1950s. Early forms included illustrated songs in the 1890s, Soundies musical films of the 1940s, and musical shorts that filled time between films. In the 1960s, Scopitones and early music videos known as "lip dubs" emerged. Video Concert Hall in 1979 was one of the first TV networks to feature music videos. Finally, MTV launched in 1981 and became the first channel dedicated solely to music videos, popularizing the format.
Goodwin Everybody's Fool
The music video for Evanescence's "Everybody's Fool" synchronizes the music and visual elements, with cuts coinciding with drops in the beat. Scenes of the artist, who plays the main character, are shown when the lyrics mention "Everybody's Fool" and she bows down when it says "bow down". Close ups of the lead singer throughout, and her as the protagonist, demonstrate the record label's influence over crafting her image. The character is portrayed as voyeuristic through tight clothing and looking through mirrors in different personas.
Genre theories
This document discusses genre theories in music and music videos. It defines key terms related to genre such as genre, sub-genre, and hybridization. It also discusses concepts like intertextuality, pastiche, and parody that are used in genre analysis. The document summarizes theories from scholars like John Hartley, Robert Hodge and Gunther Kress, John Fiske, and Rick Altman on how genres influence and change over time based on popular trends, audience expectations, and the evolving nature of genre conventions.
Messed up kids
The document discusses the music video for Jake Bugg's song "Messed Up Kids". It notes that the black and white video emphasizes Jake Bugg's organic qualities and background. Scenes show rundown areas and interviews with Jake discussing how he had to earn everything himself. The lyrics and visuals match each other, showing stereotypical "chav" clothing and boys running from the camera in poor areas. The video highlights that Jake Bugg's target audience is similar to the band discussed, attracting both teenagers and adults for his mature music. It also notes similarities between Jake Bugg's indie/folk rock style and the discussed band's planned indie rock sound.
Music Video Presentation
The front cover of the music video features Michael Jackson singing and dancing in the center with the word "ONES" in bold red and black writing above him. His outfit matches the colors of the word to emphasize the theme of "one". The spine lists the record label, album name, and artist. The back cover shows a mixture of fast and slow tempo songs from different albums highlighted in one shade of red to represent they are all number one hits. It runs approximately 91 minutes and includes producer and website information.
A2 Media Question 1-In what ways does your media product use, develop or chal...
The document discusses how a media product (a music video) was influenced by conventions from real music videos. It researched many music videos to get ideas for camera angles, scenes, costumes, and lighting. Specific videos influenced the raised platform from "Oceans", postcards/boards from "All About the Money", and close-ups of instruments from "I Feel So". The video aimed to balance lighting between happy and sad lyrics. Costumes and large room/black background settings matched genres like rock. Theories by Andrew Goodwin about relationships between songs/videos and genre characteristics were also applied.
Creative Critical Reflection Q1
Our music video uses conventions of the pop-rock genre, including depicting the band's performance in casual clothing and light makeup. It follows typical pop-rock music video conventions like using wide angle shots, close-ups of the artists and instruments during the performance. While the song is originally in English, our target audience is within Pakistan, so the video focuses on a western-style performance to represent social issues within our country. It highlights the divide between rich and poor by showing a domestic helper develop an unrequited love for the woman of the house he works for, who is getting married without knowing his feelings due to their difference in social class.
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A2 Media Question 1-In what ways does your media product use, develop or chal...
A2 Media Question 1-In what ways does your media product use, develop or chal...
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Evaluation no scrubs update right one
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The document discusses the evolution of mobile computing and wireless technologies. It describes how convergence of the internet, wireless technologies, and mobile devices has created new opportunities for organizations. It also discusses challenges like interoperability, security, and battery life that still need to be addressed for mobile computing. The future of mobile computing looks promising as technologies continue to advance and more applications are developed.
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The document discusses the evolution of mobile computing and wireless technologies. It describes how convergence of the internet, wireless technologies, and mobile devices has created new opportunities for organizations. It also discusses challenges like interoperability, security, and battery life that still need to be addressed for mobile computing. The future of mobile computing looks promising as technologies continue to advance and more applications are developed.
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The document discusses the evaluation of a media project creating a music video for the fictional girl band "Scarlett Divas". It examines how the music video fits conventions of the R&B genre while challenging some, such as portraying the women in more sophisticated clothing with control over men. Feedback was received from the target audience which led to faster pacing, especially in the chorus. New media technologies were used in researching, constructing through editing software, and evaluating the project by gathering feedback on social media.
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Jake Nava Research
Jake Nava is an English music video and film director who studied at the University of Westminster. He has directed many influential music videos for major artists like Beyoncé, Lana Del Rey, and Adele. Nava is known for focusing on women's bodies in his videos and using techniques like dim lighting, close-ups, and sensual portrayals of artists to create an atmosphere of voyeurism and sexuality. He has a signature style that emphasizes the artist and creates a mood of coolness and sexiness through visual elements.
Director Study
Jake Nava is an English music video and film director who is signed with production companies in the UK and US. He began his career directing videos for girl groups but now works primarily with solo artists. One of his most iconic videos is Beyoncé's "Single Ladies", which was inspired by a Bob Fosse dance routine and shot on a minimal budget. Nava's videos often feature dark lighting and voyeuristic portrayals of female bodies.
Music Director: Jake Nava
Jake Nava is an English music video, advertising, and feature film director. He directed Beyoncé's iconic music video for "Single Ladies (Put a Ring on It)" in 2008, which was inspired by the Bob Fosse choreography in "Mexican Breakfast" and shot on a low budget in black and white. Nava's signature directorial style often features women being viewed for their bodies while men are portrayed as more dominant, with many of his videos using dark lighting and being shot in black and white. He began working more with solo artists like Beyoncé and Pink in the 2000s compared to earlier work with girl groups.
Jake Nava
Jake Nava is an English music video, advertising, and feature film director. He directed Beyoncé's iconic "Single Ladies" music video in 2008, which was inspired by the Bob Fosse choreography in "Mexican Breakfast" and shot on a low budget in black and white. Nava's signature directorial style often features women being viewed for their bodies while men are portrayed as more dominant. He has worked with many popular artists over the years, transitioning in the 2000s from directing for girl groups to solo artists in more sophisticated videos aimed at older audiences.
Jake Nava
Jake Nava is an English music video and film director who is signed with production companies in the UK and US. He is known for directing Beyonce's iconic "Single Ladies" music video in 2008, as well as videos for other major artists like Britney Spears, Mariah Carey, and Robbie Williams. His early work with girl groups featured dance routines, while later solo artist videos used darker lighting and more sophisticated styles.
Music video directors
The document discusses several prominent music video directors:
- Colin Tilley is known for directing videos for Chris Brown, Justin Bieber, and Nicki Minaj and winning awards for videos like "Look At Me Now" and "U Smile".
- Hype Williams is renowned for videos featuring 2Pac, Kanye West, and Beyoncé, winning awards including Video Vanguard. His signature style uses fisheye lenses and split screens.
- Anthony Mandler frequently collaborates with Rihanna on emotional, narrative videos like "Unfaithful" and "Diamonds", also directing videos for Jay-Z, Beyoncé, and Taylor Swift.
Director
Jake Nava is an English music video and film director who specializes in pop and R&B genres. He has worked with many high-profile artists such as Beyoncé, Britney Spears, Shakira, and Usher. Nava won an MTV Video Music Award for Best Director for Beyoncé's "Crazy in Love" music video. His videos typically feature close-up shots of the artists and choreographed dance routines to enhance the song lyrics and tell a story. Though he mainly works with female artists, portraying them as powerful, he has also directed videos for rock stars like The Rolling Stones.
Music Video Directors
Jake Nava is a British music video director who has worked with many famous artists such as Beyoncé, Ciara, Destiny's Child, Usher, and Shakira. He is considered one of the most successful music video directors and his video for Beyoncé's "Single Ladies" is one of the most famous videos shown worldwide. Philip Andelman is an American music video director who studied art and film and has directed videos for Jay-Z, Westlife, and Kelly Rowland. The document discusses these two directors to provide examples of successful music video directors and insights into the portrayal of female artists in R&B music videos.
Music Video Directors
Jake Nava is a successful British music video and film director who has worked with many famous artists such as Beyoncé, Ciara, Destiny's Child, Usher, and Shakira. He directed Beyoncé's iconic "Single Ladies" music video. Philip Andelman is an American music video director born in Thailand who studied art and photography in Paris and film in New York. He has directed videos for artists like Jay-Z, Westlife, and Kelly Rowland spanning different genres. Comparing the two directors provided insight into the portrayal of female artists in R&B music videos.
Music director
Jake Nava is an English music video director known for directing Beyoncé's iconic "Single Ladies" music video. The video's simple choreography and focus on Beyoncé's dancing made it massively influential. Nava used lengthy shots to allow viewers to connect with Beyoncé's impressive dance moves. The video was inspired by a 1960s dance routine from "The Ed Sullivan Show". Nava is known for his dark, seductive directing style that amplifies the mood of artist's lyrics. He has worked with many top female artists like Beyoncé, Shakira, and Britney Spears.
Paul hunter
Paul Hunter is a renowned music video director known for working with popular artists across many music genres. Some of his earliest videos from the 1990s featured storylines and scenes of dancing against colorful backgrounds or in vehicles. More recently, his videos have had sleeker urban styles while still featuring dancing scenes that match the lyrics. He continues experimenting with techniques like effects, locations, and visuals that connect to the music.
Paul hunter
Paul Hunter is a renowned music video director known for working with popular artists across many music genres. Some of his earliest videos from the 1990s featured storylines and scenes of dancing against colorful backgrounds or in vehicles. More recently, his videos have had sleeker urban styles while still featuring dancing scenes that match the lyrics. He continues experimenting with techniques like effects, locations, and visuals that connect to the music.
Paul hunter
Paul Hunter is a renowned music video director known for working with popular artists across many music genres. Some of his earliest videos from the 1990s featured storylines and scenes of dancing against colorful backgrounds or in vehicles. More recently, his videos have had sleeker urban styles while still featuring dancing scenes that match the lyrics. He continues experimenting with techniques like effects, locations, and visuals that connect to the music.
Paul hunter
Paul Hunter is a renowned music video director known for working with popular artists across many music genres. Some of his earliest videos from the 1990s featured storylines and scenes of dancing against colorful backgrounds or in vehicles. More recently, his videos have had sleeker urban styles while still featuring dancing scenes that match the lyrics. He continues experimenting with techniques like effects, locations, and visuals that connect to the music.
Paul hunter
Paul Hunter is a renowned music video director known for working with popular artists across many music genres. Some of his earliest videos from the 1990s featured storylines and scenes of dancing against colorful backgrounds or in vehicles. More recently, his videos have had sleeker urban styles while still featuring dancing scenes that match the lyrics. He continues experimenting with techniques like effects and intertextual references to artists' other works to keep the videos engaging.
Video analysis
This document analyzes the music video for "F*cked Up World" by the band The Pretty Reckless. It discusses how the band sticks to conventions of rock and metal genres in the video. Key elements analyzed include Taylor Momsen being the central focus, visual correlations between lyrics and images, and references to the song's lyrics through the mise-en-scene. The setting contains sexual and social commentary references.
Codes&Conventions
This document discusses several codes and conventions that are commonly used in music videos. It covers the use of narrative, performance, notions of looking, mise-en-scene, editing techniques, costumes, props, and more. It provides examples for each convention from various popular music videos. The narrative section explains that most videos correspond with the song's lyrics and tell a story. Performance is discussed as being more common in female artists' videos. Notions of looking focus on stereotypes through dress, eye contact, and gender roles. Mise-en-scene considers lighting, setting, characters and how they relate to the genre and message. Editing is crucial for special effects and drawing in viewers. Costumes and props are also
Media Evaluation 1
The document discusses conventions used in acoustic music videos and how the media product challenges or develops those conventions. It analyzes conventions related to camera shots, locations/settings, lighting, costumes, props, music video structure, and editing. It discusses using conventions like close-ups, outdoor natural settings, casual clothing, and incorporating both a narrative and performance sections. It also discusses challenging conventions like using tracking shots atypical for acoustic videos. The goal was to create a media product that was recognizably of the acoustic genre while also being interesting.
Andrew Goodwin’s Theory and Analysis of Music Videos
This document outlines Andrew Goodwin's theory for analyzing music videos based on codes and conventions. It discusses several elements:
1) Seeing the sounds - how the visuals relate to the music through illustration, amplification, or contradiction. Faster songs use quick cuts while slower songs use longer shots.
2) Narrative and performance - videos need a storyline and performance element to engage viewers. Artists typically act as both performer and narrator.
3) Star image - videos promote the artist as the main subject and increase their profile through close-ups and screen time. Artists develop signature styles of representation.
4) Relation of visuals to song - videos can disjuncture, amplify, or illustrate
Andrew Goodwin’s Theory & Analysis of Music Videos
This document outlines Andrew Goodwin's theory for analyzing music videos based on codes and conventions. It discusses several elements:
1) Seeing the sounds - how the visuals in a video relate to the music through illustration, amplification, or contradiction. Faster songs typically use quicker cuts while slower songs use longer shots.
2) Narrative and performance - videos tell a story and feature artist performance to engage viewers. Artists are usually the main subject.
3) Star image - videos promote the artist and their development. Artists have signature styles of representation.
4) Relation of visuals to song - visuals can disjuncture, amplify, or illustrate the song's meaning.
5)
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Andrew Goodwin’s Theory and Analysis of Music Videos
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
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The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
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Jake nava
- 1. Jake nava Music Video Director
- 2. Some of Jake Nava’s work. Lulu – ‘Goodbye Baby and Amen’ (1994) Beverley Knight – Greatest Day (1999) Spice Girls – Holler (2000) Atomic Kitten – The Tide is High (2002) Mis-teeq – Be With Me (2002) Kelis – Milkshake (2003) Beyonce – Crazy in Love (2003) Usher – Burn (2004) Britney Spears – My Prerogative (2004) Destiny’s Child – Cater 2 U (2005) Beyonce – If I Were A Boy (2008)
- 3. Why I Chose Jake Nava. I chose to research Jake Nava as the first video I thought to look at was Beyonce’s ‘Single Ladies (Put A Ring On It), and found he directed this music video. The dance in this video is now iconic, and I was interested to find out what other videos he has directed. I am a fan of this video and wanted to find out if the songs he directed were of the same genre, or if he directed a range of different music videos.
- 4. Jake Nava’s biography. Jake Nava is an English-born music video and film director. He grew up in Hackney, London, and attended the University of Westminster. He now lives in the United States where he is signed to a film production company both in the U.K and the U.S. Alongside directing a number of music videos, he has also directed commercials for many companies including HSBC, L’Oreal, Rimmel and Armani.
- 5. Jake nava’s signature style Jake Nava’s music video tend to be quite dark, sometimes showing half of a persons face before you actually see them. As many of his videos are R&B songs, the faces you see in the video seem to give quite ‘sexy’ looks at the camera. His videos also include lots of close-ups of the artist. The artist’s particular style is also involved in the video. For example, Usher wearing his sunglasses, Beyonce’s ‘booty shake’.