The document identifies several features of postmodernism seen in the "Jack Rabbit Slims" sequence from the film Pulp Fiction. These include intertextuality through references to Grease and Marilyn Monroe, parody through Travolta's character imitating his younger self, and pastiche shown in the recreation of Monroe's iconic scene from The Seven Year Itch. The sequence also exhibits reflexivity when Uma Thurman's character draws attention to the film screen, as well as bricolage through its mixing of different eras within one scene. There are examples of self-referentiality too, with nods to Travolta's previous work in Grease and the director's other films.