Introduction to MYTHOLOGY.pdf
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Mythology plays a central role in modern literature, as many modern writers derive ideas from existing mythologies. Greek mythology in particular has had a significant impact on modern societies and culture. It can be seen influencing language, art, literature and popular culture. For example, characters from Greek myths like Hercules, Venus and Hades are commonly known in modern culture through movies, television shows, books and famous works of art that retell or reference these mythical figures and stories.
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This document provides an overview of Greek mythology, including its origins and influence. It discusses how Greek myths attempted to explain the origins of the world and detailed the lives of gods, heroes, and mythological creatures. Key figures and stories from mythology are mentioned, such as Zeus, Apollo, and the abduction of Europa. The document also outlines how Greek mythology influenced Western art and literature over centuries and continues to provide inspiration today.
Introduction to Modern Literature 1900-1950
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This document summarizes a class lecture on modernism that included discussion of the poet Hilda Doolittle (H.D.), the short story "Odour of Chrysanthemums" by D.H. Lawrence, and an author presentation on James Joyce.
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Romanticism focuses on emotions, the soul, and rebellion against social norms rather than love. Mary Shelley's Frankenstein reflects this movement. The creation of Victor Frankenstein's monster symbolizes Shelley's own life experiences of losing her mother at a young age and being thrust into an unaccepting world. Raw emotions convey Romanticism, like Victor's fascination with life's secrets and quest for godlike power. Nature also influences emotions in the story, such as storms complementing feelings of wrath. Dramatic events include Victor bringing the eight-foot tall monster to life and having a nightmare where the monster kills Elizabeth.
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This document discusses the characteristics of modernist literature and the modern age. It notes that modernism involved a break with tradition and an emphasis on individual perspectives over absolute truths. Modernist literature explored interiority and stream of consciousness. The modern age saw experimentation in literature and was influenced by the chaos of World War I and II. It was a period of anxiety, disillusionment, and fragmented meaning.
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Romanticism was a literary movement that emerged in the late 18th century valuing emotion, individualism, and nature. It rejected the rationalism and structure of previous Neoclassical works. The first generation of Romanticists embraced the democratic ideals of the French Revolution but later generations saw man as isolated from nature. While most early Romanticists were men, some women also wrote Romantic works. Feminine Romanticism valued domestic life over radical social change and suggested a balanced system with both maternal and paternal influences was needed.
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1. Virginia Woolf was interested in depicting the complex inner thoughts and memories of characters through techniques like stream of consciousness and shifting between past and present.
2. In Mrs. Dalloway, she connects the characters of Clarissa and Septimus through their similar sensitivity and reliance on partners, though their stories do not directly intersect until Septimus' death is announced at Clarissa's party.
3. As utopian visions of the future declined, dystopian novels emerged depicting perfect but tyrannical or oppressive societies as a warning against the misuse of technology and unchecked modernity.
Modernist period in english
Modernist literature originated in the late 19th and early 20th centuries as writers felt they needed a new form to express their ideologies. Modernist works experimented with form and style, using techniques like stream of consciousness and irony. Modernism is characterized by a break from tradition and a denial of absolute truth, emphasizing individual experience over history and institutions. Some key modernist authors included Virginia Woolf, Ezra Pound, Richard Aldington, and Katherine Anne Porter.
Realism
The Realistic Period in literature began in the mid-19th century and focused on representing reality faithfully, particularly through depicting the lives of ordinary middle-class people and exploring personal themes and psychological examinations of characters. Realist literature is defined as occurring between 1840-1890 in Europe and the US, beginning with Gustave Flaubert and Guy de Maupassant in France. It was also represented by Russian writer Anton Chekhov, English novelist George Eliot, and American pioneers Mark Twain and William Dean Howells. Realism aimed to provide faithful representations of common life.
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paper no.8:- culture studies in practice:-Frankenstein
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Greek mythology has profoundly influenced Western culture. References to Greek myths are found throughout modern language, from the names of gods like Nike and characters like Helen of Troy to common expressions derived from myths. Greek myths also shape modern storytelling in films and books. Science continues Greek mythology's legacy, with constellations and planetary names drawn from ancient tales. While some modern connections to Greek mythology are tenuous, overall its impact on Western civilization remains deeply embedded in language, culture, and our imagination.
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In linguistics, X-bar theory is a model of phrase-structure grammar and a theory of syntactic category formation[1] that was first proposed by Noam Chomsky in 1970[2] reformulating the ideas of Zellig Harris (1951,[3]) and further developed by Ray Jackendoff (1974,[4] 1977a,[5] 1977b[6]), along the lines of the theory of generative grammar put forth in the 1950s by Chomsky.[7][8] It attempts to capture the structure of phrasal categories with a single uniform structure called the X-bar schema, basing itself on the assumption that any phrase in natural language is an XP (X phrase) that is headed by a given syntactic category X. It played a significant role in resolving issues that phrase structure rules had, representative of which is the proliferation of grammatical rules, which is against the thesis of generative grammar.
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Modern poetry emerged between 1900-1930 as a rebellious movement that allowed new concepts and writing forms. Modernism arose from transformations in Western society like modern industrialization and World War 1. It rejected religious and Enlightenment thinking. Modern poetry uses techniques like foregrounding to emphasize certain ideas or themes. It explores themes like the decline of tradition, poets as social outcasts, pessimism, and reduced interest in nature compared to earlier eras.
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ARTICLESAcknowledging Things of DarknessPostcolonial Cr.docx
ARTICLES
Acknowledging Things of Darkness:
Postcolonial Criticism of The Tempest
Duke Pesta
Published online: 31 July 2014
# Springer Science+Business Media New York 2014
Over the last forty years, postcolonial criticism has become a dominant
mode of critical discourse for the profession of literature and Renaissance
studies in particular, with The Tempest serving as terminus a quo for many
such discussions across historical periods and academic disciplines.1 During
this time—not counting courses in Shakespeare, Renaissance drama, or early
modern literature—The Tempest has been taught in English departments at
the undergraduate or graduate level in freshman seminars; surveys of Great
Books; capstone courses; writing and composition courses; seminars on
literary theory, Marxism, postcolonialism, and race, gender, queer theory;
early American literature and transatlantic literature courses; surveys of
American literature; and courses on Romanticism, modernism, modern drama,
Third World literatures, postmodernism, Chicano/a literatures, Afro-Caribbean
literatures, and diaspora literatures. Outside English departments, the play has
been taught in such varied disciplines as African American studies, American
studies, anthropology, comparative literature, cultural studies, education,
environmental studies, film studies, history, linguistics, modern languages,
Native American studies, oppression studies, peace studies, philosophy,
Acad. Quest. (2014) 27:273–285
DOI 10.1007/s12129-014-9433-4
1The tradition viewing The Tempest through colonialist lenses has a long history outside the West, dating to the
nineteenth century. Writers from the Caribbean, Africa, and Central and South America have associated the play with the
gamut of evils linked to colonialism. For a sampling of this criticism, see Emir Rodríguez Monegal, “The
Metamorphoses of Caliban,” Diacritics 7, no. 3 (Fall 1977): 78–83; Richard Rodriguez, Hunger of Memory: The
Education of Richard Rodriguez: An Autobiography (Boston: David R. Godine, 1982); Roberto Fernández Retamar,
Caliban and Other Essays, trans. Edward Baker (Minneapolis: University of Minnesota Press, 1989); Roberta Fernández,
“(Re)vision of an American Journey,” in In Other Words: Literature by Latinas of the United States, ed. Roberta
Fernández (Houston, TX: Arte Publico Press, 1994), 282–98; and Antonio C. Márquez, “Voices of Caliban: From Curse
to Discourse,” Confluencia: Revista Hispánica de Cultura y Literatura 13, no. 1 (1997): 158–69.
Duke Pesta is associate professor of English at the University of Wisconsin, Oshkosh, Oshkosh, WI
54901; [email protected] He is associate editor of Milton Quarterly.
political science, psychology, religious studies, sociology, theater, and
women’s studies.
Surely no other work of literature has been as assigned, deconstructed,
interdisciplinized, revisioned, trivialized, and ventriloquized as The Tempest.
Overwhelmingly, those who have included a reading of .
All Themes of Victorian Era Literature
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Lit mov booklet part-4
1. The document outlines four major literary movements: Neoclassicism, Romanticism, Realism, and Naturalism.
2. It provides a brief overview of the historical context and origins of each movement, from Neoclassicism originating in 1660 to Naturalism emerging in the late 19th century.
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on
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- 1. • “Myth is the foundation of life; it is the timeless pattern, the religious formula to which life shapes itself…” (Mann 1936). The echo of mythology in modern literature, especially in the works considered as World Literature is completely far away from negligence. In conclusion, Mythology plays a central role in contemporary literature because a majority of the modern writers derive their ideas from existing mythologies. Mythology plays a great role in transforming the world. Greek mythology's impact on modern societies cannot be understated. Modern language, industry, arts and culture all demonstrate the impact of Greek mythology in today's world. For example, most people who have no formal knowledge of Greek mythology still know that Hercules was a strongman and that Venus (the Roman version of the Greek Aphrodite) is the goddess of love. Cultural Impact of Greek Mythology in the West Greek mythology's impact on modern societies is often seen in the arts and popular culture. In the 1980s, the all-female rock band The Bangles had a top ten hit with the single Venus. Television shows and movies, such as Disney's Hercules, have also reintroduced mythological figures to new generations, including characters such as Hades, the Lord of the Underworld. In fact, movies have been retelling versions of Hercules story since the 1950s. Some of the most famous works of art and literature demonstrate the impact of Greek mythology on western culture. Botticelli's The Birth of Venus is one of the world's most recognizable paintings. Operas often delve into Greek mythology, as well. Offenbach's Orpheus in the Underworld is one of the most famous examples. Great writers such as Dante, Shakespeare and Milton make frequent references to Greek mythology, so much so that an understanding of Greek myths is necessary to truly appreciate their works. American writer Nathaniel Hawthorne's Tanglewood Tales is a collection of rewritten Greek myths.