Initial location reconnaissance report by tom ross
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The document provides location reconnaissance reports for filming a music video based on a script. It discusses 5 potential locations - a cabin that can represent a prison cell, HM Prison Manchester which the video is based on, Eccles Sixth Form Centre for shots inside a radio station, and NortonsHiab Services Ltd for corridor shots of the band walking. Each location is described in terms of what scenes from the script will be filmed there and why it was chosen to suit the video's needs.
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Locations Research
The document lists various potential filming locations for a music video in and around Northampton, including:
1. The exterior of Northampton Train Station for shots featuring the color purple.
2. Several streets in Northampton's town center for shots inspired by Jake Bugg, requiring permission for filming on roundabouts.
3. Abandoned buildings for establishing shots and band profile shots.
4. Open spaces like the racecourse, park, and abbey for establishing shots, band profiles, and water-themed shots given the song's theme.
Recce photos
This document provides location scouting information for filming scenes for a music video involving actors Emma and Jacob. It describes Bournemouth Airport, where Emma will board a flight to leave her partner Jacob, and the entrance where Jacob will try to stop her. It also mentions the A31 road that Jacob will drive down quickly to reach the airport. Finally, it identifies a beach for the opening scene and the filmmaker's house, which offers a convenient kitchen space to film scenes of Emma and Jacob at home throughout the video.
Location Reconnaissance
My house and Bournemouth train station will be the two main locations. The kitchen and living room of the house will represent Sarah's house because it will be easy to film there and make the child actor feel comfortable. Bournemouth train station was chosen because it is close, familiar, and the platform is nonspecific enough for the film's needs. Footage will also be captured inside a train.
Plan
We would like to book a camera from October 11-13 to film multiple stages of a music video including scenes of girls in school uniforms around a house and college, dancing, and in hipster gear around Cambridge, capturing stills and photos of a dance routine. Additional filming includes sections of the song with the girls on a long road and members of the public at various points in the video needing rearrangement.
The Trojan Complex Location Research
Short document showing the research done for our locations and the thoughts we had when deciding what location suited our short film.
Location and Actor Planning
This document discusses potential filming locations for a music video. It analyzes several locations in Bristol and the surrounding area, including their pros and cons. Bristol City Centre is mentioned as being locally accessible but busy. Severn Beach offers variety with a river, bridge, and abandoned structures. Gloucester Docks has matching dock buildings but is farther. Bedminster has art but limited scenery. Weston-Super-Mare has a beach and pier but is also farther. The Downs has nice scenery but may not fit the genre. The document notes they will start filming farther locations first and use closer ones later as needed, ruling out those without much variety. Permission must also be considered for private lands.
Recce report a2
This document summarizes various filming locations used for a horror trailer project. It describes shots filmed at a college to introduce characters, a field where three characters were filmed walking, and shots inside and outside a house. An alleyway location featured shots of the first glimpse of the killer and characters together. A church location showed the religious aspects of the killer. Finally, a beach location featured an action shot chase scene using the landscape of sand dunes.
Q7
This document discusses the development of filmmaking skills from a preliminary task to a final film project. It addresses applying rules like the 180-degree rule and matching shots. While the preliminary task had some issues like audio cutting off, the final film showed progress with better editing, added sound effects, and a larger variety of shots like canted angles and tracking shots to provide different perspectives. Overall, completing this project helped expand filmmaking skills and knowledge of media from the start.
Recommended
Locations Research
The document lists various potential filming locations for a music video in and around Northampton, including:
1. The exterior of Northampton Train Station for shots featuring the color purple.
2. Several streets in Northampton's town center for shots inspired by Jake Bugg, requiring permission for filming on roundabouts.
3. Abandoned buildings for establishing shots and band profile shots.
4. Open spaces like the racecourse, park, and abbey for establishing shots, band profiles, and water-themed shots given the song's theme.
Recce photos
This document provides location scouting information for filming scenes for a music video involving actors Emma and Jacob. It describes Bournemouth Airport, where Emma will board a flight to leave her partner Jacob, and the entrance where Jacob will try to stop her. It also mentions the A31 road that Jacob will drive down quickly to reach the airport. Finally, it identifies a beach for the opening scene and the filmmaker's house, which offers a convenient kitchen space to film scenes of Emma and Jacob at home throughout the video.
Location Reconnaissance
My house and Bournemouth train station will be the two main locations. The kitchen and living room of the house will represent Sarah's house because it will be easy to film there and make the child actor feel comfortable. Bournemouth train station was chosen because it is close, familiar, and the platform is nonspecific enough for the film's needs. Footage will also be captured inside a train.
Plan
We would like to book a camera from October 11-13 to film multiple stages of a music video including scenes of girls in school uniforms around a house and college, dancing, and in hipster gear around Cambridge, capturing stills and photos of a dance routine. Additional filming includes sections of the song with the girls on a long road and members of the public at various points in the video needing rearrangement.
The Trojan Complex Location Research
Short document showing the research done for our locations and the thoughts we had when deciding what location suited our short film.
Location and Actor Planning
This document discusses potential filming locations for a music video. It analyzes several locations in Bristol and the surrounding area, including their pros and cons. Bristol City Centre is mentioned as being locally accessible but busy. Severn Beach offers variety with a river, bridge, and abandoned structures. Gloucester Docks has matching dock buildings but is farther. Bedminster has art but limited scenery. Weston-Super-Mare has a beach and pier but is also farther. The Downs has nice scenery but may not fit the genre. The document notes they will start filming farther locations first and use closer ones later as needed, ruling out those without much variety. Permission must also be considered for private lands.
Recce report a2
This document summarizes various filming locations used for a horror trailer project. It describes shots filmed at a college to introduce characters, a field where three characters were filmed walking, and shots inside and outside a house. An alleyway location featured shots of the first glimpse of the killer and characters together. A church location showed the religious aspects of the killer. Finally, a beach location featured an action shot chase scene using the landscape of sand dunes.
Q7
This document discusses the development of filmmaking skills from a preliminary task to a final film project. It addresses applying rules like the 180-degree rule and matching shots. While the preliminary task had some issues like audio cutting off, the final film showed progress with better editing, added sound effects, and a larger variety of shots like canted angles and tracking shots to provide different perspectives. Overall, completing this project helped expand filmmaking skills and knowledge of media from the start.
Location report form
Battle train station is proposed as a filming location for its alleyway, country road, open train crossing, and station architecture. Most of the music video for the song "A Drop in the Ocean" will be filmed in Battle to capture shots fitting the song. Battle Abbey is also proposed for its visually pleasing ruins and architecture to relate to the lyrics and planned visuals. Benches will be incorporated into shots there. Additional shots are proposed in Brighton at the sea front for its ability to express oneself and relate to starting university, capturing the tide rolling in and sunlight reflecting on waves to tie in with lyrics.
Filming session 1-2
The document summarizes two filming sessions for a short film called "The Apprentice". In the first session, the filmmakers captured an over-the-shoulder, high angle shot of three actors discussing their mission. They used a tripod-mounted camera to get the shot. They note that the classroom location was not ideal and they will change locations for the next draft. In the second session, they captured an establishing panoramic shot of a new outdoor location and a close-up, high angle shot of fake blood and an actor laying on the ground pretending to be dead. They discuss improvements that could be made in editing to make the blood more visible.
Dhaffer L'Abidine - Tunisian actor
This document expresses love for several Tunisian film directors and actors like Dhaffer L'Abidine, Nour Guiga, and Hichem Rostom because their films reflect reality and make the viewer feel like they are living life. It also mentions enjoying French, Tunisian, and English films because watching movies makes the viewer more thoughtful and careful.
Opening of films back to the future
The opening scene of Back to the Future uses various camera shots to set the scene and hint at important elements of the film. It begins with close-ups of clocks to emphasize the importance of time, then pans across a newspaper about a blown up mansion and TV news about stolen plutonium. When the main character enters and calls for Einstein, low angle shots show his skateboard and a box under the table. As he plays guitar, there are extreme close-ups and point-of-view shots. The opening ends with establishing shots of his house, the street as he runs to school, and a wide shot of the school to establish the setting.
Recce 2
The document summarizes locations being scouted for filming a music video. It describes filming in a forest for shots 27-29 and 32, choosing the forest because it is quiet and allows for long takes of an actor lip syncing. It also describes a small part of town that would be used for shots 9-13, where the actor walks past two people, but there is a risk of people unintentionally walking into shots. Multiple locations are being used rather than just one spot, though the same time of day is being kept consistent.
Location reece
The document discusses the locations chosen for various scenes in a short film. Locations were selected based on practical considerations like having enough space to film planned shots without extras or background disturbances. One location near a cast member's home was chosen for a scene using their family dog. Another location at the filmmaker's college was used for two scenes, after most people had left and with purchased props from a nearby shop to aid realism. A cast member's bedroom provided suitable lighting and background for an intimate scene. Continuity of narrative was an important factor in location choices.
Rory kramer
Rory Kramer is a director who has created music videos for artists like Avicii and Justin Bieber. Bieber's "I'll Show You" video, filmed in Iceland, features amazing scenic shots that Kramer found simple yet beautiful. Kramer's upcoming music video will capture shots of landscapes in London like Primrose Hill and Edmonton Green that hold many memories for him, with the goal of reminiscing on aspects of a past relationship through a unique cinematic style using wide angle shots and color film.
Recce shots
Michael Wells chose several locations to film shots for a music video. The locations included open areas to get great shots, remote places for extra footage in different environments, areas with signs in the shot, roads for shots of the actor walking and being filmed from a vehicle, secluded yet public roads, and a house where the actor would walk into and the band would play. Wells planned to film at each location in different weather conditions to vary the backgrounds while keeping the actor in the same place, and to use various locations to make the video visually impressive while acknowledging the challenge of transporting actors between sites.
Location ~ Worsley Nature Reserve
The document discusses potential locations within Worsley Nature Reserve to film a music video. It provides photos of various areas like a bridge, trees, and a canal that could work with the song's lyrics. Specific shots are proposed, like filming two people meeting under a tree or walking along the bridge. While some areas like the canal may not be suitable, overall the nature reserve seems to offer good options for the video's setting and shots that could help tell the story and engage viewers.
Christopher Taylor Film CV
Chris Taylor is a cinematographer, photographer and editor based in Toronto. He has over a decade of experience working on both short films and television shows in roles such as director of photography, grip, electric and art department. He received a Bachelor of Fine Arts in film production from Ryerson University in 2011. Chris has extensive knowledge and skills in photography, cinematography, post-production and software such as Final Cut Pro, Photoshop and Premiere Pro.
Production shots
This document discusses the filming locations and scenes for a music video. Scenes 1 and 4 as well as most of the guitar playing were filmed at the same outdoor location. Scene 2 was filmed at a different location where the first verse was shot. The pictures provide details on setup and filming at each location.
Location Reeces
The document discusses the locations chosen for scenes in a short film about a character named Sam. It describes choosing Sam's bedroom to show how he is restless and no longer finds comfort in his room. A bus stop was used to show Sam coping through transportation. Scenes on a school bus aimed to portray Sam's instability through constant movement. Filming in a busy town allowed populated scenes while avoiding too much attention. The beach was selected as a place for thought and contemplation, with Lee-on-the-Solent chosen for its quietness and natural lighting. Sam's parents' kitchen was intentionally changed in setting, atmosphere and lighting to show where Sam feels most uncomfortable.
Coursework - Location Reece 4
The document summarizes the choice of Junk Yard Golf Course as a filming location for a dance music video. The indoor golf course has neon colors that fit the theme of the song. Pictures online show the modern, vibrant neon colors and abstract figures throughout the space. These visual elements will complement the other footage and help make the video as good as possible.
Final edit evaluation task 7
The document summarizes edits made to a music video. It discusses changing clip order to better suit the song, lighting adjustments to make scenes lighter except for darker beginning and ending, and rotating sideways shots for different effects. Shots of graves, walking between graves, and slow walking were well-shot and clear. Editing techniques like cutting were used to assemble scenes to the song's tempo. Minor difficulties during shooting included fragile graves and people passing by.
Task 5 music video production photo diary
The photographs document the production of a music video shot in a graveyard. They show the camera operator, Isis, capturing different shots from various angles to get wide views of the graveyard and close-ups of graves to clearly show details. The photos also depict the camera operator practicing shots for the final scene where the artist and Isis sit on a wall, and another camera operator shooting the last scene of the video. The pictures provide an overview of the areas used to film the music video.
Performance shots - real life examples
This document discusses examples of shots from two music videos and how they can be applied to the creator's own music video. It analyzes various shots including long shots, mid shots, and close ups. It notes how elements like head space, rule of thirds, scenery, and camera angles were used effectively in the example videos. The creator intends to apply these techniques and styles of shots but may rearrange the order or change specific details for their own video. Analyzing example music videos provides a visual plan and guidance on how to construct intentional and professionally-made shots.
Location recceimproved
The document discusses and describes several potential filming locations for a narrative about a character who commits suicide. It describes Thornford Train Station which will be used for the suicide scene, showing the character walking down to the station and getting ready to kill himself. It also mentions the Millennium Bench outside of Thornford where shots of the character will be taken to show his feelings of loneliness and isolation. Additionally, it discusses using the bus station on Lyde Road in Yeovil to film the character drinking vodka and sitting at the bus stop. Other locations mentioned include a barn to show a flashback scene, a townhouse in Yeovil to film a confrontation with his girlfriend, and a garage that will be used for
Recce report
This document provides details on 11 locations that will be used to film scenes for a music video. The locations include: 1) High Petergate for mid and long shots of the band and starting a chase scene, 2) The Theatre Royal for its architecture and a chase scene, 3) York Library to link lyrics to shots of a band member and subtly smiling girl, 4) by the river for scenery and another chase, 5) Bar Walls for a long shot of the band, 6) Coney Street and St. Helen's Square for the band walking and a chase, 7) the A64 for a shot with car headlights, 8) Walmgate for shots of the band in different outfits, 9
Our film dairy
The document summarizes a film group's work on Saturday November 26th filming scenes for a trailer where characters enter a pub. They took photos throughout the process and experimented with camera angles and shots to best capture the actors entering the pub. As it got dark, they used car headlights to light the exterior shots of characters entering the pub at night to portray them going out.
Our film dairy
The document summarizes a film group's work filming scenes at a pub. They filmed characters entering the pub from various angles to get the best shots. They also included an existing character at the bar to represent normal pub patrons. Finally, they filmed exterior shots of characters entering after dark using car headlights for lighting to imply the characters were on a night out.
Task 1 ways of realism
The group created a drama film about bullying. They filmed at a pond near the college to portray the bullying realistically. The sunny weather helped the dialogue. As an editor, the filmmaker added realism through sound and acting. The film included bullies and their victim, but excluded people who may have helped. Better shots and lighting could have improved realism. The pond location and dramatic music helped portray the bullying realistically.
Task 1
1) The document discusses filming various shots for a music video, including drumming in a college room, different areas of an old prison, and various camera angles in a backyard to achieve different effects.
2) The footage was then imported to editing software to assemble the music video, which tells a story of a prison break.
3) Additional color correction and black-and-white effects were added in After Effects since the effect in Premiere was not strong enough across different shots with varying lighting. The completed video was then exported and uploaded to YouTube.
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Location report form
Battle train station is proposed as a filming location for its alleyway, country road, open train crossing, and station architecture. Most of the music video for the song "A Drop in the Ocean" will be filmed in Battle to capture shots fitting the song. Battle Abbey is also proposed for its visually pleasing ruins and architecture to relate to the lyrics and planned visuals. Benches will be incorporated into shots there. Additional shots are proposed in Brighton at the sea front for its ability to express oneself and relate to starting university, capturing the tide rolling in and sunlight reflecting on waves to tie in with lyrics.
Filming session 1-2
The document summarizes two filming sessions for a short film called "The Apprentice". In the first session, the filmmakers captured an over-the-shoulder, high angle shot of three actors discussing their mission. They used a tripod-mounted camera to get the shot. They note that the classroom location was not ideal and they will change locations for the next draft. In the second session, they captured an establishing panoramic shot of a new outdoor location and a close-up, high angle shot of fake blood and an actor laying on the ground pretending to be dead. They discuss improvements that could be made in editing to make the blood more visible.
Dhaffer L'Abidine - Tunisian actor
This document expresses love for several Tunisian film directors and actors like Dhaffer L'Abidine, Nour Guiga, and Hichem Rostom because their films reflect reality and make the viewer feel like they are living life. It also mentions enjoying French, Tunisian, and English films because watching movies makes the viewer more thoughtful and careful.
Opening of films back to the future
The opening scene of Back to the Future uses various camera shots to set the scene and hint at important elements of the film. It begins with close-ups of clocks to emphasize the importance of time, then pans across a newspaper about a blown up mansion and TV news about stolen plutonium. When the main character enters and calls for Einstein, low angle shots show his skateboard and a box under the table. As he plays guitar, there are extreme close-ups and point-of-view shots. The opening ends with establishing shots of his house, the street as he runs to school, and a wide shot of the school to establish the setting.
Recce 2
The document summarizes locations being scouted for filming a music video. It describes filming in a forest for shots 27-29 and 32, choosing the forest because it is quiet and allows for long takes of an actor lip syncing. It also describes a small part of town that would be used for shots 9-13, where the actor walks past two people, but there is a risk of people unintentionally walking into shots. Multiple locations are being used rather than just one spot, though the same time of day is being kept consistent.
Location reece
The document discusses the locations chosen for various scenes in a short film. Locations were selected based on practical considerations like having enough space to film planned shots without extras or background disturbances. One location near a cast member's home was chosen for a scene using their family dog. Another location at the filmmaker's college was used for two scenes, after most people had left and with purchased props from a nearby shop to aid realism. A cast member's bedroom provided suitable lighting and background for an intimate scene. Continuity of narrative was an important factor in location choices.
Rory kramer
Rory Kramer is a director who has created music videos for artists like Avicii and Justin Bieber. Bieber's "I'll Show You" video, filmed in Iceland, features amazing scenic shots that Kramer found simple yet beautiful. Kramer's upcoming music video will capture shots of landscapes in London like Primrose Hill and Edmonton Green that hold many memories for him, with the goal of reminiscing on aspects of a past relationship through a unique cinematic style using wide angle shots and color film.
Recce shots
Michael Wells chose several locations to film shots for a music video. The locations included open areas to get great shots, remote places for extra footage in different environments, areas with signs in the shot, roads for shots of the actor walking and being filmed from a vehicle, secluded yet public roads, and a house where the actor would walk into and the band would play. Wells planned to film at each location in different weather conditions to vary the backgrounds while keeping the actor in the same place, and to use various locations to make the video visually impressive while acknowledging the challenge of transporting actors between sites.
Location ~ Worsley Nature Reserve
The document discusses potential locations within Worsley Nature Reserve to film a music video. It provides photos of various areas like a bridge, trees, and a canal that could work with the song's lyrics. Specific shots are proposed, like filming two people meeting under a tree or walking along the bridge. While some areas like the canal may not be suitable, overall the nature reserve seems to offer good options for the video's setting and shots that could help tell the story and engage viewers.
Christopher Taylor Film CV
Chris Taylor is a cinematographer, photographer and editor based in Toronto. He has over a decade of experience working on both short films and television shows in roles such as director of photography, grip, electric and art department. He received a Bachelor of Fine Arts in film production from Ryerson University in 2011. Chris has extensive knowledge and skills in photography, cinematography, post-production and software such as Final Cut Pro, Photoshop and Premiere Pro.
Production shots
This document discusses the filming locations and scenes for a music video. Scenes 1 and 4 as well as most of the guitar playing were filmed at the same outdoor location. Scene 2 was filmed at a different location where the first verse was shot. The pictures provide details on setup and filming at each location.
Location Reeces
The document discusses the locations chosen for scenes in a short film about a character named Sam. It describes choosing Sam's bedroom to show how he is restless and no longer finds comfort in his room. A bus stop was used to show Sam coping through transportation. Scenes on a school bus aimed to portray Sam's instability through constant movement. Filming in a busy town allowed populated scenes while avoiding too much attention. The beach was selected as a place for thought and contemplation, with Lee-on-the-Solent chosen for its quietness and natural lighting. Sam's parents' kitchen was intentionally changed in setting, atmosphere and lighting to show where Sam feels most uncomfortable.
Coursework - Location Reece 4
The document summarizes the choice of Junk Yard Golf Course as a filming location for a dance music video. The indoor golf course has neon colors that fit the theme of the song. Pictures online show the modern, vibrant neon colors and abstract figures throughout the space. These visual elements will complement the other footage and help make the video as good as possible.
Final edit evaluation task 7
The document summarizes edits made to a music video. It discusses changing clip order to better suit the song, lighting adjustments to make scenes lighter except for darker beginning and ending, and rotating sideways shots for different effects. Shots of graves, walking between graves, and slow walking were well-shot and clear. Editing techniques like cutting were used to assemble scenes to the song's tempo. Minor difficulties during shooting included fragile graves and people passing by.
Task 5 music video production photo diary
The photographs document the production of a music video shot in a graveyard. They show the camera operator, Isis, capturing different shots from various angles to get wide views of the graveyard and close-ups of graves to clearly show details. The photos also depict the camera operator practicing shots for the final scene where the artist and Isis sit on a wall, and another camera operator shooting the last scene of the video. The pictures provide an overview of the areas used to film the music video.
Performance shots - real life examples
This document discusses examples of shots from two music videos and how they can be applied to the creator's own music video. It analyzes various shots including long shots, mid shots, and close ups. It notes how elements like head space, rule of thirds, scenery, and camera angles were used effectively in the example videos. The creator intends to apply these techniques and styles of shots but may rearrange the order or change specific details for their own video. Analyzing example music videos provides a visual plan and guidance on how to construct intentional and professionally-made shots.
Location recceimproved
The document discusses and describes several potential filming locations for a narrative about a character who commits suicide. It describes Thornford Train Station which will be used for the suicide scene, showing the character walking down to the station and getting ready to kill himself. It also mentions the Millennium Bench outside of Thornford where shots of the character will be taken to show his feelings of loneliness and isolation. Additionally, it discusses using the bus station on Lyde Road in Yeovil to film the character drinking vodka and sitting at the bus stop. Other locations mentioned include a barn to show a flashback scene, a townhouse in Yeovil to film a confrontation with his girlfriend, and a garage that will be used for
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This document provides details on 11 locations that will be used to film scenes for a music video. The locations include: 1) High Petergate for mid and long shots of the band and starting a chase scene, 2) The Theatre Royal for its architecture and a chase scene, 3) York Library to link lyrics to shots of a band member and subtly smiling girl, 4) by the river for scenery and another chase, 5) Bar Walls for a long shot of the band, 6) Coney Street and St. Helen's Square for the band walking and a chase, 7) the A64 for a shot with car headlights, 8) Walmgate for shots of the band in different outfits, 9
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The document summarizes a film group's work on Saturday November 26th filming scenes for a trailer where characters enter a pub. They took photos throughout the process and experimented with camera angles and shots to best capture the actors entering the pub. As it got dark, they used car headlights to light the exterior shots of characters entering the pub at night to portray them going out.
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The document summarizes a film group's work filming scenes at a pub. They filmed characters entering the pub from various angles to get the best shots. They also included an existing character at the bar to represent normal pub patrons. Finally, they filmed exterior shots of characters entering after dark using car headlights for lighting to imply the characters were on a night out.
Task 1 ways of realism
The group created a drama film about bullying. They filmed at a pond near the college to portray the bullying realistically. The sunny weather helped the dialogue. As an editor, the filmmaker added realism through sound and acting. The film included bullies and their victim, but excluded people who may have helped. Better shots and lighting could have improved realism. The pond location and dramatic music helped portray the bullying realistically.
Task 1
1) The document discusses filming various shots for a music video, including drumming in a college room, different areas of an old prison, and various camera angles in a backyard to achieve different effects.
2) The footage was then imported to editing software to assemble the music video, which tells a story of a prison break.
3) Additional color correction and black-and-white effects were added in After Effects since the effect in Premiere was not strong enough across different shots with varying lighting. The completed video was then exported and uploaded to YouTube.
Locations
The document discusses potential filming locations for scenes in a thriller film around Taverham and Thorpe Marriott. It analyzes photos taken of an urban road, alleyway, woods, open fields, and an abandoned mental asylum that could be used to introduce characters and create a sense of fear through isolated and dark settings. Concerns about filming at night due to lighting are addressed. Maps show the distances between locations being considered.
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This document outlines the opening sequence of a drama/action film. James will play the main character seeking revenge for his girlfriend's death by tracking down her killer upon his release from prison. Anthony will play the killer. They will film in locations around Caterham On The Hill and Reigate that can be used for a car chase and fight scenes. The plot involves newspaper clippings of the girlfriend's murder and the killer's release. Quick editing, close-ups, and graphics will be used to convey emotion, engage the audience, and establish the fast-paced and dark tone.
Finial locations
The document discusses location choices for three scenes in a film:
1) A cemetery scene where the outskirts cemetery was chosen over the in-town cemetery because the landscape and headstones were better suited to the scene.
2) A town scene where a street with a corner was needed, and one location was chosen because it had a long yellow line that could relate to song lyrics.
3) A bedroom scene where a room with an overhead window was needed to relate to lyrics in the film.
Finial locations
The document discusses location options for three different scenes in a film:
1) A cemetery scene where they chose the outskirts cemetery over the town cemetery because the landscape and headstones suited the scene better.
2) A town scene where they chose a street with a corner to film two characters walking towards each other and a yellow line in the street to relate to lyrics.
3) A bedroom scene where they required a room with an overhead window to relate to lyrics in the film.
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The document discusses research and planning for the opening sequence of the film "Missing Slice." It outlines that the sequence will take place at the Hurtwood House location and involve 3 main locations - the car park, lobby, and one of the girl's rooms. Details are provided about lighting, colors, angles, and props that will be used. Specifically, it is planned to have low lighting in the car park to create suspense. Props will include a luggage bag, earrings, a pizza box with one slice removed, phones, and two similar cars. The goal is for the opening sequence to be 1 minute 20 seconds to 2 minutes long and set the suspenseful tone for the film.
Day 5 filming plan
The document outlines 5 scenes to be filmed for a music video. Scene 1 will refilm footage from Piccadilly Circus due to bad weather and acting in the original. Scene 2 will film in Neil's Yard, known for its colorful houses and plants. Scene 3 will take place in the colorful South Bank Skate Park. Scene 4 will film in St. James Park for joyful footage. Scene 5 is the final scene and will be filmed in the light tunnel at King's Cross Station, known for its changing colored screens.
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- Challenges included uncontrolled elements like people walking into shots, unfavorable lighting conditions, and busy locations.
- Scenes were re-shot to improve focus and lighting when initial takes did not meet expectations.
- By the final day of filming, all planned scenes had been captured along with pickup shots, completing principal photography.
Main Locations
The document discusses locations for scenes in a film. One scene takes place in a bathtub, showing a character who has committed suicide. It will be darkly lit to convey the somber mood. Another scene is set in a dance studio that was rented for an hour to get multiple shots. The lighting will be monotone to contrast with a later scene set outdoors with bright lighting. The document also proposes using fields near Caistor for a main shot due to the beautiful scenery providing contrast from other monotone scenes and helping create a dream-like world.
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This document summarizes the key elements of a film title sequence, including how it establishes the title, setting, costumes, camerawork, editing, fonts, story, genre, and character introduction. Screenshots are provided of frames from the sequence that show the title reveal, setting, props, camera angles, editing techniques, fonts, and a shot suggesting the character will go missing, setting up the story and thriller genre.
Filming process final
The group decided to create a soap opera trailer centered around a football club. They reached out to the general manager of Staines Town FC, who agreed to let them do a location scout of the stadium and film there. During the location scout and filming, the manager provided helpful advice about optimal filming times. The group then filmed scenes at the local post office, a character's house, and his grandfather's house near the stadium. They also filmed pickup shots at the stadium before a match. Additional filming at a character's house went smoothly with drama student actors. A bedroom scene was later refilmed from a different angle for continuity.
The pitch
The document discusses plans for a horror film trailer project. It will be filmed in Hyde Park due to the dark lighting from trees. Sounds used will include screams, slashes, and ambient noises to set an intimidating tone. Close-up and wide shots will be used to show emotions and groups of people. Fades and transitions will move between scenes dramatically. Actors will dress normally but use props like knives and blood. Good sound, filming, editing, expressions, location, and sticking to the plan are needed to achieve a successful trailer.
The pitch
The document discusses plans for a horror film trailer project. It will be filmed in Hyde Park due to the dark lighting from trees. Sounds used will include screams, slashes, and ambient noises to set an intimidating tone. Close-up and wide shots will be used to show emotions and groups of people. Fades and transitions will move between scenes dramatically. Actors will dress normally but use props like knives and blood. Achieving the project will require good sound, filming, editing, appropriate location, expressions, and sticking to the plan.
(A2 Media Studies - Megan Smith) The Chosen Locations (Planning)
The document discusses potential filming locations for a school-based film trailer, including photographs of areas in the author's school that could be used. It describes plans to film scenes in the school courtyard, in front of the stage, in a classroom used for studying, the music room where the band practices, the common room where the main character's friend group hangs out, and outside a local music shop relevant to one of the film's themes. The locations were selected because they fit the storylines and themes of the film and capture the realistic school environment.
3. research (1)
This video documentary traces the origins and evolution of jungle music from its roots in hardcore, hip hop, and Jamaican soundsystem culture in the 1950s-1980s to its rise in popularity in the UK rave scene in the early 1990s. The documentary discusses early jungle artists who incorporated ragga influences like Rebel MC and Ragga Twins. It profiles many classic early jungle tracks and artists. It also addresses negative media portrayals of jungle music and how the genre achieved mainstream success with hits like General Levy's "Incredible" and Shy FX's "Original Nuttah." The documentary concludes by discussing how jungle music continues to live on today.
3. research final
This video documentary traces the origins and evolution of jungle music from its roots in Jamaican soundsystem culture through hardcore and ragga in the UK to becoming a mainstream genre. It discusses early influential artists who incorporated Jamaican influences like ragga into UK breakbeat music in the late 80s/early 90s. Footage of oldschool raves from this era is shown. The documentary then explains how certain classic tracks like "Incredible" and "Original Nuttah" helped jungle break into the mainstream charts in the mid-90s despite some negative media portrayals. It concludes by discussing how jungle continues to live on today with new artists carrying on the tradition.
Similar to Initial location reconnaissance report by tom ross (20)
(A2 Media Studies - Megan Smith) The Chosen Locations (Planning)
(A2 Media Studies - Megan Smith) The Chosen Locations (Planning)
More from CallumWallace
Iain magazine secondary research
The document summarizes what the author learned from reviewing film reviews in two issues of the magazine Empire. In the first issue from October 2011, the author read a review of the crime film Sherlock Holmes: A Game of Shadows that discussed how the film needed to have its own style rather than copying the popular TV show. The second issue from May 2012 reviewed the action/thriller The Dark Knight Rises and also focused on how it would live up to its predecessor and couldn't rely on the same formula as fans would notice. The main lessons for the author's own project were about the importance of originality and bold new ideas rather than conventions or sticking to set formulas.
Proposal
The document is a proposal form for a crime film opening project. The student proposes creating an opening scene inspired by favorite films like "The Departed." The scene will introduce a character in debt who turns to petty crime and plans to kidnap the prime minister's niece. The target audience is mainly working class males ages 15-30, as crime films traditionally appeal to this demographic. The project will meet audience needs by following crime film conventions while adding original elements, and having a relatable main character in a typical "rags to riches" plot. Production techniques like memorable voiceovers, establishing shots, tracking shots, and iconic music will be used.
_ig5 assignment final major project 2014 to 2015
This document outlines the tasks and assessment criteria for a student's final major project. The project requires the student to:
1) Independently devise and manage a creative media production from pre-production to post-production. The project must relate to at least one discipline such as video, audio, motion graphics, photography or graphic design.
2) Develop initial ideas using techniques like mind maps and pitch a proposal for their chosen project.
3) Conduct research and pre-production planning including risk assessments, storyboards, schedules and test materials.
4) Produce the final media product according to their proposal and brief.
5) Evaluate their work by gathering audience feedback and analyzing the technical
Index
This document is a production diary for a student's final major creative media project. It consists of weekly progress updates over several months, beginning with establishing a project schedule and researching briefs, then including tasks like generating ideas, writing proposals and scripts, conducting pre-production, recording, editing, exporting, and finally evaluation. Each entry outlines what was done the prior week and the plan for the following week, with contingencies in case of problems.
Iain magazine secondary research
The author looked through film magazine Empire to find reviews of films similar to their project genre of crime/action thriller in order to learn what to include and avoid. They reviewed Sherlock Holmes: A Game of Shadows and The Dark Knight Rises, both crime genre direct sequels that had to live up to the original films. The reviews discussed how the sequels made their films bigger and better, providing advice the author could apply to their own project.
Other film openings secondary research
The document discusses elements from the openings of two films that provide inspiration for the author's own project. It notes that the opening of "The Departed" effectively uses Jack Nicholson's memorable voiceover dialogue, establishing shots setting the style, tracking shots, iconic music, and title credits. The lighting is also described as low-key. For the opening of "Pulp Fiction", the document highlights the memorable dialogue of Tarantino and how the non-linear narrative reveals this opening to also be the ending, with satisfaction found in seeing how elements are tied together.
Film survey analysis
The survey asked several questions about crime films to gather information for a film project. 50% of respondents said they liked crime films, showing the genre's popularity. When asked for their favorite crime/action/thriller film, no two answers were the same, demonstrating the diversity of tastes within the genre. The most commonly cited favorite films were "Goodfellas" and "The Godfather". When asked which element of crime films they most enjoy, 33% cited the storyline. Trailers and word-of-mouth recommendations were the most influential factors for deciding to watch a new film.
Codes and conventions
There are several codes and conventions that film producers follow when making openings for crime films. For example, Martin Scorsese's films often feature voiceovers, freeze frames, and settings in New York City. Crime films generally take place in large cities with alleys, as that is where crime occurs. The characters typically originate from Italy but live in America and join the mafia. Their pride often leads to their downfall by the end of the film, with few happy endings. Iconic credit sequences open many crime films, and Saul Bass designed famous openings like Goodfellas. The editing in openings is usually slow at first and gets more exciting as an enticing incident occurs near the end.
Evaluation survey
- 50% of people felt the project was near professional standard, while 13% felt it was not. This shows that the majority found it to be professional.
- When asked if the opening made them want to watch more, 63% said yes and 88% found it at least intriguing.
- When asked if the unclear plot was intriguing, 63% said yes and the same percentages were found as the last question, indicating unclear plots intrigued viewers.
- The intended genres of crime, thriller and action seemed to come across based on audience responses about the genre.
- 75% liked the opening credits and 63% liked the transition from a quiet scene to music/titles.
- 50% rated the project
Evaluation
Callum created the opening to a crime thriller film for his final major project. His footage was captured using a Canon DSLR camera in HD at 720p and 24 frames per second. He created title credits in black and white inspired by Saul Bass using After Effects. While his project differed from his original intentions of a dialogue-driven story due to limitations, he developed skills in editing, camerawork, and creating credits. He encountered constraints like a lack of actors but overcame challenges through planning and organization. Going forward, he would plan more based on his limitations and stay on top of scheduling.
Bioshock magazine article
- The original Bioshock was developed by Irrational Games and published by 2K Games. The sequel was handed to another studio and failed to capture the magic of the original.
- For Bioshock Infinite, development returned to Irrational Games. They moved the setting from the underwater city of Rapture to the floating city of Columbia in the early 1900s.
- Bioshock Infinite featured a complex story with twists and foreshadowing that engaged audiences and sparked online discussions. Its art style and soundtrack also received praise.
Bioshock magazine article
The document discusses possibilities for a sequel to the popular video game Bioshock Infinite. It provides background on the development of the original Bioshock and Bioshock 2 by different studios. The creator of Bioshock, Ken Levine, explains that his team did not make Bioshock 2 because they felt they had said what they wanted about the underwater city of Rapture. Bioshock Infinite was successful in moving the setting to the floating city of Columbia and featuring a complex, twisting story with hidden references to the original. Many fan theories for a sequel focus on the enigmatic Lutece twins as protagonists or returning to Columbia, though Levine has said he prefers new settings unless there is a story
Review
I completed a focus group for a radio show class and received feedback on my three stories. My strongest story was a copy-only sports story about Manchester United's exit from the FA Cup, which I delivered clearly without coughing or other issues from my cold. My weakest story was a serious news story about a migrant capsize in the Mediterranean due to stutters and sounding weird from a blocked nose. Overall, the program had varying audio levels between stories that were difficult to fully remedy, but generally had good story structures and content suitable for the college student audience.
Essay
The exit poll results for the new comedy film 'Get Hard' showed that the majority of audience members heard about the film through word of mouth or from seeing the trailer. Many people wanted to see the film because of the star power of Will Ferrell and Kevin Hart or because the trailers intrigued them. However, most respondents said the film did not live up to their expectations raised by the marketing campaign and that they would not recommend it. This demonstrates how effective marketing, trailers, and hype can be at driving box office success even for a film that ultimately disappoints audiences.
Page layout and design
The document analyzes the target audiences and styles of two magazines - NME and Empire. NME targets 20-35 year old males, as seen from the advertisements for phones, laptops, and networks. Empire also targets males aged 15-24, as seen from its Blu-ray and DVD ads. Both magazines use minimalist designs and iconic stars on the covers to draw in audiences.
Page layout and design
The document analyzes the target audiences and design elements of the magazines NME and Empire. NME targets 20-35 year old males, as evidenced by the advertisements for phones, laptops, and networks. Empire also targets males aged 15-24, who would be able to afford the advertised Blu-ray players and DVDs. Both magazines use minimalist designs and iconic stars on the covers to draw in audiences for their respective music and film genres.
Essay
The document provides information about the marketing campaigns for the films Cinderella and Avengers: Age of Ultron. For Cinderella, the producers utilized traditional fairy tale motifs in the trailer, poster and social media marketing. They focused on iconic imagery like the glass slipper. For Avengers, the producers had a large budget and released multiple trailers and posters over many months to build anticipation among the target male audience demographic interested in superhero films. Both films had extensive marketing campaigns across different media to attract and intrigue their target audiences.
Pr5
Films are often remade due to improvements in technology, trends in genres, or financial factors seen by production companies. Technology allows films that were previously restricted to achieve their vision, as seen with Dredd using CGI. Trends, like the success of superhero films, led to the Man of Steel remake. Financial factors and seeing the money made by other films prompts remakes, as with Screen Gems remaking Rec for American audiences. Other reasons include changes in social attitudes that allow issues like in Lolita to be depicted differently in a later remake. War of the Worlds was remade partially due to exploiting contemporary fears around issues like the Cold War and 9/11. Remakes allow films to benefit from various production
Essay
The document discusses Callum Wallace's favorite genre of action/superhero films. It specifically analyzes three films: Captain America: The Winter Soldier (2014), Guardians of the Galaxy (2014), and The Dark Knight (2008). For each film, a brief synopsis is provided. The document then discusses what draws Callum to this genre, including character engagement, action sequences, references to other films, and the importance of technical elements in trailers. While star power may be less important for these films, characters are a major selling point.
Risk Assessment
This document provides a template for conducting a risk assessment for a film production shoot. It lists potential hazards like tripping over wires, water damage to equipment from outdoor shoots, traffic accidents, being mugged during outdoor shoots, and dropping expensive equipment. For each hazard, the template evaluates the area of risk, those who may be harmed, equipment that could be damaged, existing risk controls, and a risk assessment level. Further actions are recommended based on the risk level. A risk assessment chart is also included to define the risk levels.
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My other free eBooks can be obtained from the following Links:
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快速办理(PU毕业证书)普渡大学毕业证文凭证书一模一样
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The forces involved in this witchcraft spell will re-establish the loving bond between you and help to build a strong, loving relationship from which to start anew. Despite any previous hardships or problems, the spell work will re-establish the strong bonds of friendship and love upon which the marriage and relationship originated. Have faith, these stop divorce and stop separation spells are extremely powerful and will reconnect you and your partner in a strong and harmonious relationship.
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Call/WhatsApp +27836633417 for more info.Heartfulness Magazine - June 2024 (Volume 9, Issue 6)
Dear readers,
This month we continue with more inspiring talks from the Global Spirituality Mahotsav that was held from March 14 to 17, 2024, at Kanha Shanti Vanam.
We hear from Daaji on lifestyle and yoga in honor of International Day of Yoga, June 21, 2024. We also hear from Professor Bhavani Rao, Dean at Amrita Vishwa Vidyapeetham University, on spirituality in action, the Venerable BhikkuSanghasena on how to be an ambassador for compassion, Dr. Tony Nader on the Maharishi Effect, Swami Mukundananda on the crossroads of modernization, Tejinder Kaur Basra on the purpose of work, the Venerable GesheDorjiDamdul on the psychology of peace, the Rt. Hon. Patricia Scotland, KC, Secretary-General of the Commonwealth, on how we are all related, and world-renowned violinist KumareshRajagopalan on the uplifting mysteries of music.
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Trusting God's Providence.
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Initial location reconnaissance report by tom ross
- 1. Location Reconnaissance Report NortonsHiab Services Ltd, Manchester This relates to the script as we will use this cabin to bring across the effect of a prison cell as we can’t actually film in one. This is relevant to the scenes in the script 1, 2,3,4,5 and 6 this section is being filmed inside and this will be for nearly all of the video. The reason we chose this place as it is as close as we can get to a prison cell for the music video. H.M. Prison Manchester, Southall Street, Manchester
- 2. H.M. Prison Manchester, Southall Street, Manchester This relates to a massive part of the video as the picture is of strange ways prison. The reason it is massive is because the video is based off strange ways prison and the lyrics in the song are also based off it. This picture is relevant to scene 1 and 7 of the script. The reason for the second picture is because this will be a good angle and one we will use probably for the start of the prison. Eccles Sixth Form CentreChatsworth RoadEcclesM30 9FJ
- 3. This image is relevant to the start of the script and end in scenes 1 and 7. The specific scene will be of a red switch which will make the music fade in and start the song. It is a good image as we will need to go inside a radio station to get the shot that we need. NortonsHiab Services Ltd, Manchester The reason I have chosen this picture is because in the scene 5 and 6 we will use a wide shot of a corridor and the band are walking down it. This picture is also a good likeness to the actual place we will film.