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THE LITERATURE BETWEEN THE TWO WARS
The Modern Novel
1
Francesco Colangelo VD
The Modern Novel
EZRA POUND had an
important role at the
beginning of 20 𝑡ℎ
century: he
was considerated a forerunner
of this movement. He was a
poet. An important facet of
Pound’s literary activity was
his tireless promotion of other
writers and artists, like T.S.
Eliot and J. Joyce.
2
Francesco Colangelo VD
The Modern Novel
Francesco Colangelo VD
3
The structure of English novel remained unalterated
till the second decade of the 20 𝑡ℎ century. The
novelists was expected to mediate between his
characters and the reader. , relating in a more or less
objective way significant events and incidents in a
cronological order.
The Modern Novel
Francesco Colangelo VD
4
The shift from the Victorian to
modern novel was caused by a
gradual but substantial
transformation of British
society. The novelists had a
new role, which consisted in
mediating between the solid
and unquestioned values of the
past and the confused present.
The Modern Novel
Francesco Colangelo VD
5
The modern novelists rejected
omniscent narration; the
viewpoint shifted from the
external world to the
character’s mind. The analysis
of a character’s consciouness
was influenced by the theories
about the simultaneous
existence of different levels of
consciousness and sub-
consciousness.
T.S. Eliot
The Modern Novel
Francesco Colangelo VD
6
Their treatement of time was also
different. Time was subjective.
The story might unfold in the
course of a single day, as in James
Joyce’s Ulysses and in Virginia
Woolf’s Mrs Dalloway.
The Modern Novel
Francesco Colangelo VD
7
The narrative technique that
the modern novelists mainly
employed was the strem-of-
consciousness technique
or the interior
monologue. The stream-of-
consciousness is the
continuous flow of thoughts
and sensations that
characterise the human
mind.
The Modern Novel
Francesco Colangelo VD
8
Joseph Conrad
 «Heart of Darkness» (1902)
«Nostromo» (1904)
«The Secret Agent» (1907)
 Conrad set his novels and short
stories at sea or in exotic latitude
 He found chronological sequence
inadequate, and broke the normal
time-sequence
 Conrad is concerned with the
conflict between personal feelings
and professional duties.
The Modern Novel
Francesco Colangelo VD
9
Edward Morgan Forster
 «A passage to India» (1924)
 The novel is told by an omniscent
narrator, whose voice intrudes from
time to time to comment on the
situation, while the point of view
shifts from character to character.
 The novel deals with the dissolution
of British dominion over India.
The Modern Novel
Francesco Colangelo VD
10
James Joyce
 «Dubliners» (1914)
« A portrait of the Artist as a
young man» (1916)
«Ulysses» (1922)
 Language broke down into a
succession of word without
punctuation or grammatical
connections.
 The use of epifany
 The paralysis : physical and moral
 Interior Monologue
The Modern Novel
Francesco Colangelo VD
11
Virginia Woolf
 «Mrs Dalloway» (1925)
«To the lighthouse» (1927)
« Orlando» (1928)
 Woolf was interested in giving
voice to the complex inner world of
feeling and memory and conceived
the human personality as a
continuos shift of impressions and
emotions
 Subjective reality came to be
identified with the technique called
stream-of-consciousness

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Inglese

  • 1. THE LITERATURE BETWEEN THE TWO WARS The Modern Novel 1 Francesco Colangelo VD
  • 2. The Modern Novel EZRA POUND had an important role at the beginning of 20 𝑡ℎ century: he was considerated a forerunner of this movement. He was a poet. An important facet of Pound’s literary activity was his tireless promotion of other writers and artists, like T.S. Eliot and J. Joyce. 2 Francesco Colangelo VD
  • 3. The Modern Novel Francesco Colangelo VD 3 The structure of English novel remained unalterated till the second decade of the 20 𝑡ℎ century. The novelists was expected to mediate between his characters and the reader. , relating in a more or less objective way significant events and incidents in a cronological order.
  • 4. The Modern Novel Francesco Colangelo VD 4 The shift from the Victorian to modern novel was caused by a gradual but substantial transformation of British society. The novelists had a new role, which consisted in mediating between the solid and unquestioned values of the past and the confused present.
  • 5. The Modern Novel Francesco Colangelo VD 5 The modern novelists rejected omniscent narration; the viewpoint shifted from the external world to the character’s mind. The analysis of a character’s consciouness was influenced by the theories about the simultaneous existence of different levels of consciousness and sub- consciousness. T.S. Eliot
  • 6. The Modern Novel Francesco Colangelo VD 6 Their treatement of time was also different. Time was subjective. The story might unfold in the course of a single day, as in James Joyce’s Ulysses and in Virginia Woolf’s Mrs Dalloway.
  • 7. The Modern Novel Francesco Colangelo VD 7 The narrative technique that the modern novelists mainly employed was the strem-of- consciousness technique or the interior monologue. The stream-of- consciousness is the continuous flow of thoughts and sensations that characterise the human mind.
  • 8. The Modern Novel Francesco Colangelo VD 8 Joseph Conrad  «Heart of Darkness» (1902) «Nostromo» (1904) «The Secret Agent» (1907)  Conrad set his novels and short stories at sea or in exotic latitude  He found chronological sequence inadequate, and broke the normal time-sequence  Conrad is concerned with the conflict between personal feelings and professional duties.
  • 9. The Modern Novel Francesco Colangelo VD 9 Edward Morgan Forster  «A passage to India» (1924)  The novel is told by an omniscent narrator, whose voice intrudes from time to time to comment on the situation, while the point of view shifts from character to character.  The novel deals with the dissolution of British dominion over India.
  • 10. The Modern Novel Francesco Colangelo VD 10 James Joyce  «Dubliners» (1914) « A portrait of the Artist as a young man» (1916) «Ulysses» (1922)  Language broke down into a succession of word without punctuation or grammatical connections.  The use of epifany  The paralysis : physical and moral  Interior Monologue
  • 11. The Modern Novel Francesco Colangelo VD 11 Virginia Woolf  «Mrs Dalloway» (1925) «To the lighthouse» (1927) « Orlando» (1928)  Woolf was interested in giving voice to the complex inner world of feeling and memory and conceived the human personality as a continuos shift of impressions and emotions  Subjective reality came to be identified with the technique called stream-of-consciousness