Slideshow to accompany Christopher J Smith presentation on "Improvisation in the Lecture Classroom", Texas Tech University Musicology Colloquium series, Feb 4 2010.
This document outlines the course overview, goals, topics and requirements for MUHL5321, an ethnomusicology course. It provides definitions of ethnomusicology from reference texts and the course website. The study of music in cultural and social contexts is discussed. Historical influences including linguistics, anthropology and musicology are reviewed. Examples of early ethnomusicological fieldwork are presented to illustrate studying music within cultures. Students will observe and analyze a musical community firsthand for a practice fieldwork assignment. The course will also discuss historiography, methodologies, and conceptualizing fieldwork to define musical communities.
Every day, every conversation we have is improvisation. But it’s more than just being able to think quickly on your feet. The basics of improv are all about relationship building, problem solving, and more effective communication overall. How can you put improv to work in your business life?
Access, Advocacy, Inclusivity: Campus Roles in Building Musical CommunityChristopher Smith
Dr Christopher J Smith (associate professor & Chair of Musicology and director of the Vernacular Music Center at Texas Tech University); keynote address Jan 27 2011 at Texas Association of Music Schools Annual Convention
This document discusses using role-playing games in musicology teaching and research. It proposes modeling investigative processes and pattern recognition through incremental activities. This allows framing history as contingent rather than inevitable, and resists canonical approaches. The author details using role-playing in his "Music of the Long 20th Century" course, dividing students into characters to experience pivotal events like premieres. Students research characters to stage watershed moments, seeing history as imaginative rather than memorization. This practice-based approach engages students and challenges presumptions.
Team Sauron on Yezget Nas1lsinez's "The Myth of the Eagles"Christopher Smith
The document discusses Yezget Nas1lsinez's piece "The Myth of the Eagles", which premiered in Paris in 1922. The music of the piece was described as "hideous" by one critic but Nas1lsinez said it was best understood by children and animals. It is seen as influential on modernism and had an impact on Aaron Copland's American ballet works of the late 1930s through his connection with Nadia Boulanger, who knew both composers. The piece drew from primitivism, nationalism, and folklore but also caused some controversy.
Slideshow from presentation by Dr Christopher Smith (christopher.smith@ttu.edu) on ways in which Study Abroad ("overseas study") can facilitate music-academic scholarship, and practical tools for making it happen.
This document outlines the course overview, goals, topics and requirements for MUHL5321, an ethnomusicology course. It provides definitions of ethnomusicology from reference texts and the course website. The study of music in cultural and social contexts is discussed. Historical influences including linguistics, anthropology and musicology are reviewed. Examples of early ethnomusicological fieldwork are presented to illustrate studying music within cultures. Students will observe and analyze a musical community firsthand for a practice fieldwork assignment. The course will also discuss historiography, methodologies, and conceptualizing fieldwork to define musical communities.
Every day, every conversation we have is improvisation. But it’s more than just being able to think quickly on your feet. The basics of improv are all about relationship building, problem solving, and more effective communication overall. How can you put improv to work in your business life?
Access, Advocacy, Inclusivity: Campus Roles in Building Musical CommunityChristopher Smith
Dr Christopher J Smith (associate professor & Chair of Musicology and director of the Vernacular Music Center at Texas Tech University); keynote address Jan 27 2011 at Texas Association of Music Schools Annual Convention
This document discusses using role-playing games in musicology teaching and research. It proposes modeling investigative processes and pattern recognition through incremental activities. This allows framing history as contingent rather than inevitable, and resists canonical approaches. The author details using role-playing in his "Music of the Long 20th Century" course, dividing students into characters to experience pivotal events like premieres. Students research characters to stage watershed moments, seeing history as imaginative rather than memorization. This practice-based approach engages students and challenges presumptions.
Team Sauron on Yezget Nas1lsinez's "The Myth of the Eagles"Christopher Smith
The document discusses Yezget Nas1lsinez's piece "The Myth of the Eagles", which premiered in Paris in 1922. The music of the piece was described as "hideous" by one critic but Nas1lsinez said it was best understood by children and animals. It is seen as influential on modernism and had an impact on Aaron Copland's American ballet works of the late 1930s through his connection with Nadia Boulanger, who knew both composers. The piece drew from primitivism, nationalism, and folklore but also caused some controversy.
Slideshow from presentation by Dr Christopher Smith (christopher.smith@ttu.edu) on ways in which Study Abroad ("overseas study") can facilitate music-academic scholarship, and practical tools for making it happen.
Spaces of encounter: artists, conversations and meaning-makingGraham Jeffery
Keynote presentation for North East Scotland Visual Arts Research Network: summer school for doctoral researchers at Grays School of Art, August 2010. Exploring issues of conversation, collaboration and learning in artistic projects/interventions.
This document provides an overview of design education standards and sample dance activities for K-4 students. It discusses how design is now a required element in arts education standards and focuses on designing functional objects, systems, structures, places and events. Sample dance activities are provided to help teachers align their curriculum with the standards, including having students: 1) observe and mimic gestures to communicate messages and transform them into dance movements; 2) explore locomotor movements and create a dance sequence; and 3) design nature-inspired or story-based dances incorporating design elements. The goal is to expose students to the design process and provide challenging problems to solve as their skills grow.
The document outlines Dr. Nadine Wills' teaching philosophy for a Film Studies professor position. It discusses her approach to effective teaching which includes reflecting on her own practice, understanding student diversity, and stimulating student interest and participation. It also covers treating students as professionals, incorporating different learning styles, emphasizing clarity and making real-world connections, and using varied assessment methods to achieve learning outcomes.
This document discusses using clickers (audience response systems) in humanities and social science classes. It examines the rationale for using clickers to develop critical thinking skills. Some key benefits mentioned are increasing student engagement, attendance, and participation. The document also provides strategies and best practices for clicker use, such as relating clicker questions to learning objectives and using the responses to guide discussion. Examples of clicker question types from an East Asian studies class are also presented, along with a template for designing effective clicker questions.
The document discusses key concepts in Content and Language Integrated Learning (CLIL), including the 4Cs framework of content, cognition, communication, and culture. It outlines vocabulary and grammar objectives for CLIL as well as the importance of functional language skills. Examples of CLIL tasks and activities are provided to integrate content learning with language acquisition.
The document discusses key concepts in Content and Language Integrated Learning (CLIL), including the 4Cs framework of content, cognition, communication, and culture. It outlines vocabulary and grammar objectives for CLIL as well as the importance of functional language skills. Examples of CLIL tasks and activities are provided to integrate content learning with language skills development.
Unawe evaluation session thursday 10th october 2013gemkimble
The document provides information about the UNAWE evaluation approach, including:
1) The session aims to explain the UNAWE evaluation approach, show evaluation handbook materials, and provide examples of evaluation evidence.
2) Examples of evidence are presented for different evaluation objectives, such as developing scientific skills and awareness of the universe, drawn from case studies of teacher training responses.
3) Case studies from Germany, the Netherlands, and Spain provide quotes from teachers on skills developed and improvement in student understanding of astronomy concepts over time.
This document provides guidance for 21st century teaching and learning with digital media. Teachers are asked to complete three lesson plans and have students create three multimedia projects by the end of the school year. It encourages revisiting an Edmodo teacher group and planning standards-based lessons that engage students through essential questions. A list of instructional strategies is provided, along with goals to emphasize 21st century skills and higher-order thinking. Teachers are guided to begin project planning, build resources, and create rubrics to support student work.
This document outlines a lesson plan for 2nd grade students that integrates arts and other subjects. The lesson involves students planning, practicing, and performing tableaus based on texts they have read to depict suggestions for improving their school. Students will write opinion letters with their suggestions and critique each other's performances. The goals are for students to demonstrate comprehension, develop creative skills through an artistic medium, and connect their learning across subjects.
The document discusses principles of interpretation and provides guidance on developing interpretive activities and presentations. It defines interpretation as an educational activity that reveals meanings and relationships through objects and experiences to help people understand and appreciate the world. Effective interpretation is relevant, organized, and thematic. It also addresses the whole person and different learning styles. The document provides tips for writing objectives, choosing themes, scripting presentations, using props, and evaluating activities.
This drama course introduces students to the elements of theater through a variety of activities focused on self-awareness, awareness of others, and awareness of their environment. The course covers theater history, acting techniques, and culminates in a final performance for local theater professionals. The first week focuses on developing self-awareness through warmups, partner activities like mirroring, and group improvisation games. Students write reflections on their experiences and discuss connections to professional theater practices and life skills.
This document provides an overview of the structure and content of an elementary education certification exam. It describes the five sections of the exam which cover language arts and reading, social science, physical education and arts, science and technology, and mathematics. For each section, it lists the competencies and skills that will be assessed, provides sample questions testing those skills, and gives the answers. The document is intended to help examinees prepare for the test by familiarizing them with what will be covered.
This research proposal aims to investigate effective methods for elementary school students to appreciate art. The current art curriculum focuses on aesthetic perception, application of art, creative expression, and appreciation of art. However, students lack skills and confidence in appreciating art. This study will examine if using big books can help students apply Feldman's four elements of art criticism: description, formal analysis, interpretation, and judgment. It will use a quantitative method with a pre-test and post-test design to assess students' verbal and written art appreciation before and after using big books. The findings could provide insights on developing students' art appreciation abilities.
The document outlines the values and assessment criteria for the Island School Theatre drama program. It emphasizes collaboration, readiness to learn, embracing failure and reflection. The values include actively creating and communicating with others, being altruistic and inclusive, and adding value through work. Assessment criteria focuses on collaboration, dramatic literacy, synthesis and reflection.
Drama Techniques: A Powerful Tool in Language LearningMonica Mulholland
This document discusses using drama techniques in language learning. It begins by outlining the traditional teacher-centered foreign language teaching approach focused on grammar drills and memorization, versus a more contemporary student-centered approach emphasizing communication. The document then introduces drama techniques, which engage students physically, emotionally, and mentally in language learning. Examples of drama warm-up games are provided, followed by steps for creating improvised role plays. The document argues that drama techniques promote higher-order thinking skills and confidence, while avoiding the boredom and pain of traditional methods.
Creative Destruction: An 'Open Textbook' disrupting personal and institutiona...Janice K. Jones
This document summarizes Dr. Janice K. Jones' experience creating an open textbook project at the University of Southern Queensland. It describes how the initial plan was to create an open WordPress site with open educational resources for teaching the arts. However, the site was hacked, forcing Dr. Jones to rethink the project. She transformed it into a blog site called ArtsSpace that shares artistic works and stories beyond traditional textbooks. The project aims to disrupt boundaries and start conversations around arts education. Overall, the document outlines the challenges and transformations in Dr. Jones' process of developing this open educational resource.
Access, Advocacy, Inclusivity: Campus Roles in Building Musical CommunitiesChristopher Smith
Dr Christopher J Smith (associate professor & Chair of Musicology and director of the Vernacular Music Center at Texas Tech University); keynote address Jan 27 2011 at Texas Association of Music Schools Annual Convention
Spaces of encounter: artists, conversations and meaning-makingGraham Jeffery
Keynote presentation for North East Scotland Visual Arts Research Network: summer school for doctoral researchers at Grays School of Art, August 2010. Exploring issues of conversation, collaboration and learning in artistic projects/interventions.
This document provides an overview of design education standards and sample dance activities for K-4 students. It discusses how design is now a required element in arts education standards and focuses on designing functional objects, systems, structures, places and events. Sample dance activities are provided to help teachers align their curriculum with the standards, including having students: 1) observe and mimic gestures to communicate messages and transform them into dance movements; 2) explore locomotor movements and create a dance sequence; and 3) design nature-inspired or story-based dances incorporating design elements. The goal is to expose students to the design process and provide challenging problems to solve as their skills grow.
The document outlines Dr. Nadine Wills' teaching philosophy for a Film Studies professor position. It discusses her approach to effective teaching which includes reflecting on her own practice, understanding student diversity, and stimulating student interest and participation. It also covers treating students as professionals, incorporating different learning styles, emphasizing clarity and making real-world connections, and using varied assessment methods to achieve learning outcomes.
This document discusses using clickers (audience response systems) in humanities and social science classes. It examines the rationale for using clickers to develop critical thinking skills. Some key benefits mentioned are increasing student engagement, attendance, and participation. The document also provides strategies and best practices for clicker use, such as relating clicker questions to learning objectives and using the responses to guide discussion. Examples of clicker question types from an East Asian studies class are also presented, along with a template for designing effective clicker questions.
The document discusses key concepts in Content and Language Integrated Learning (CLIL), including the 4Cs framework of content, cognition, communication, and culture. It outlines vocabulary and grammar objectives for CLIL as well as the importance of functional language skills. Examples of CLIL tasks and activities are provided to integrate content learning with language acquisition.
The document discusses key concepts in Content and Language Integrated Learning (CLIL), including the 4Cs framework of content, cognition, communication, and culture. It outlines vocabulary and grammar objectives for CLIL as well as the importance of functional language skills. Examples of CLIL tasks and activities are provided to integrate content learning with language skills development.
Unawe evaluation session thursday 10th october 2013gemkimble
The document provides information about the UNAWE evaluation approach, including:
1) The session aims to explain the UNAWE evaluation approach, show evaluation handbook materials, and provide examples of evaluation evidence.
2) Examples of evidence are presented for different evaluation objectives, such as developing scientific skills and awareness of the universe, drawn from case studies of teacher training responses.
3) Case studies from Germany, the Netherlands, and Spain provide quotes from teachers on skills developed and improvement in student understanding of astronomy concepts over time.
This document provides guidance for 21st century teaching and learning with digital media. Teachers are asked to complete three lesson plans and have students create three multimedia projects by the end of the school year. It encourages revisiting an Edmodo teacher group and planning standards-based lessons that engage students through essential questions. A list of instructional strategies is provided, along with goals to emphasize 21st century skills and higher-order thinking. Teachers are guided to begin project planning, build resources, and create rubrics to support student work.
This document outlines a lesson plan for 2nd grade students that integrates arts and other subjects. The lesson involves students planning, practicing, and performing tableaus based on texts they have read to depict suggestions for improving their school. Students will write opinion letters with their suggestions and critique each other's performances. The goals are for students to demonstrate comprehension, develop creative skills through an artistic medium, and connect their learning across subjects.
The document discusses principles of interpretation and provides guidance on developing interpretive activities and presentations. It defines interpretation as an educational activity that reveals meanings and relationships through objects and experiences to help people understand and appreciate the world. Effective interpretation is relevant, organized, and thematic. It also addresses the whole person and different learning styles. The document provides tips for writing objectives, choosing themes, scripting presentations, using props, and evaluating activities.
This drama course introduces students to the elements of theater through a variety of activities focused on self-awareness, awareness of others, and awareness of their environment. The course covers theater history, acting techniques, and culminates in a final performance for local theater professionals. The first week focuses on developing self-awareness through warmups, partner activities like mirroring, and group improvisation games. Students write reflections on their experiences and discuss connections to professional theater practices and life skills.
This document provides an overview of the structure and content of an elementary education certification exam. It describes the five sections of the exam which cover language arts and reading, social science, physical education and arts, science and technology, and mathematics. For each section, it lists the competencies and skills that will be assessed, provides sample questions testing those skills, and gives the answers. The document is intended to help examinees prepare for the test by familiarizing them with what will be covered.
This research proposal aims to investigate effective methods for elementary school students to appreciate art. The current art curriculum focuses on aesthetic perception, application of art, creative expression, and appreciation of art. However, students lack skills and confidence in appreciating art. This study will examine if using big books can help students apply Feldman's four elements of art criticism: description, formal analysis, interpretation, and judgment. It will use a quantitative method with a pre-test and post-test design to assess students' verbal and written art appreciation before and after using big books. The findings could provide insights on developing students' art appreciation abilities.
The document outlines the values and assessment criteria for the Island School Theatre drama program. It emphasizes collaboration, readiness to learn, embracing failure and reflection. The values include actively creating and communicating with others, being altruistic and inclusive, and adding value through work. Assessment criteria focuses on collaboration, dramatic literacy, synthesis and reflection.
Drama Techniques: A Powerful Tool in Language LearningMonica Mulholland
This document discusses using drama techniques in language learning. It begins by outlining the traditional teacher-centered foreign language teaching approach focused on grammar drills and memorization, versus a more contemporary student-centered approach emphasizing communication. The document then introduces drama techniques, which engage students physically, emotionally, and mentally in language learning. Examples of drama warm-up games are provided, followed by steps for creating improvised role plays. The document argues that drama techniques promote higher-order thinking skills and confidence, while avoiding the boredom and pain of traditional methods.
Creative Destruction: An 'Open Textbook' disrupting personal and institutiona...Janice K. Jones
This document summarizes Dr. Janice K. Jones' experience creating an open textbook project at the University of Southern Queensland. It describes how the initial plan was to create an open WordPress site with open educational resources for teaching the arts. However, the site was hacked, forcing Dr. Jones to rethink the project. She transformed it into a blog site called ArtsSpace that shares artistic works and stories beyond traditional textbooks. The project aims to disrupt boundaries and start conversations around arts education. Overall, the document outlines the challenges and transformations in Dr. Jones' process of developing this open educational resource.
Similar to Improvisation in the Lecture Classroom (20)
Access, Advocacy, Inclusivity: Campus Roles in Building Musical CommunitiesChristopher Smith
Dr Christopher J Smith (associate professor & Chair of Musicology and director of the Vernacular Music Center at Texas Tech University); keynote address Jan 27 2011 at Texas Association of Music Schools Annual Convention
This document provides an overview and introduction to a course on Ireland. It discusses key themes that will be covered, including Yeats's concept of "gyres" to describe the cyclical nature of history and experience. Students are introduced to Irish culture, folklore, topography, and the role of music and storytelling in preserving history and culture, especially among Irish communities in exile. Readings are assigned from Glassie, Carson, and O hAllmhurain to explore these topics further for the next class. Videos are also shared showing the social context and role of traditional Irish music.
Paths toward Publication for Musicologists, Texas Tech 2010Christopher Smith
Presentation by TTU Musicology Chair Dr Christopher J Smith on publishing for musicologists. Includes strategies for generating topics, organizing research, identifying targets, networking, and more; also a "mind-map" depicting interlocking publication strategies.
Presentation by Dr Christopher Smith, Associate Professor & Chair of Musicology at the Texas Tech School of Music, Musicology colloquium series, 4.8.2010
Fili, Jeli, Asik, Scop; Scientist, Healer, Poet, Teacher: “Engaged and Integr...Christopher Smith
Slideshow to accompany lecture in the Texas Tech University "Engaged and Integrated Scholar" series by Dr Christopher J Smith, chair of Musicology and director of the Vernacular Music Center.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help boost feelings of calmness, happiness and focus.
Memento slideshow for the annual Texas Tech University seminar "Music, Folklore, and Tradition in Irish Cultural History" and its annual field-trip. Contact christopher.smith@ttu.edu for more details.
The document summarizes Dr. Christopher Smith's presentation on energizing students through participatory learning methods. Some key points discussed include:
- Drawing on vernacular pedagogies from places like West Africa that engage students through oral traditions, storytelling, imitation and other intuitive teaching modes.
- Teaching in ways that align with students' expert learning styles both ancient and modern, rather than solely lecture-based approaches.
- Exploiting patterns, memory, orality and other archetypal teaching methods to more effectively engage students in problem-solving and demonstration of concepts.
- Encouraging faculty to identify the archetypal narratives in their own disciplines and ways of linking teaching methods more
1. The document discusses incorporating vernacular literatures into the classroom to explore cultural identity through music.
2. It argues that paying attention to vernacular literatures, which are precise expressions of particular cultures, can provide relevance beyond just ancient works.
3. Examples are provided of folk songs and poems that could be used to teach concepts through patterns, stories, and participation rather than just transmitting data.
Slideshow of places and people accompanying Steve Cooper's guest lecture to the course "Music, Folklore, and Tradition in Irish Cultural History" at Texas Tech University. http://ttuvmc.org
The document discusses the meaning of advocacy in the arts and music. It states that advocacy means thinking, speaking, and engaging in arts presentations that celebrate the relevance, immediacy, and emotional reward of the arts for all community members. It also means finding ways to make repertoires and performances accessible to audiences unfamiliar with the work so they feel empowered to learn more and get involved. Advocacy is about demonstrating and celebrating the positive forces that drew practitioners to the arts and providing similar experiences for audiences.
"The Old Ways: Pre-literate pedagogies in the (post-)/(multi-)literate class...Christopher Smith
Slideshow from a presentation in the Texas Tech University Teaching Academy's "What the Best Teachers Do" series, Feb 2009. Full title: "The Old Ways: Pre-literate pedagogies in the (post-)/(multi-)literate classroom"
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
How to Fix the Import Error in the Odoo 17Celine George
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
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A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
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This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
7. Orienteering: “a family of sports that requires navigational skills using a map and compass to navigate from point to point in diverse and usually unfamiliar terrain”
hence, improvisation is an absolutely ubiquitous, essential, fundamental for human interaction
What is it not: “intuitive”; “instinctive”; “a talent”; “innate”
Conventional definitions of “improvisation” tend to reference theatrical or musical improvisation, yet every conversation is actually an improvisation; hence, we all have thousands of hours of practice at this
not a linear progression or narrative, but rather the mutual, collaborative mapping of a terrain: recognizing its landmarks and their relationship to one another, demonstrating connections and orientations, providing students the opportunity to practice mapping and navigating that terrain
The outdoor sport of orienteering: “a family of sports that requires navigational skills using a map and compass to navigate from point to point in diverse and usually unfamiliar terrain”
almost all improvisation occurs within strictures and according to received/internalized expectations. In improvisation, strictures and expectations are useful guides.
In the classroom, the goal of improvisation is to achieve maximal focus of shared attention, and to clearly and in an energized fashion direct that shared focus, maintaining contrast & flow, attention and open-ness
In the classroom, the goal of improvisation is to achieve maximal focus of shared attention, and to clearly and in an energized fashion direct that shared focus, maintaining contrast & flow, attention and open-ness
Undergrad non-majors (large populations)Undergrad majors (medium populations)Graduate students (small populations)
Contrasting:largemediumsmall
addressing multiple modesminimizing text information; conceiving text at “visual prompt”
focus & attentionthe “present moment”detailwide-angle” & “zoomed-in” perspectivesconsciousness: shape/space/stance/breath/time/energy
promptsmnemonicstimelineskeywordschecklistsverbal formulaevocabularyphysical cuesweaning from the linear narrative
rhetoricmodelsverbal poetrycomedytheaterpresentation techniqueother communicative forms