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How colour psychology affects environments
1. An introduction to the use of colour
psychology in environments
Catherine Shovlin
catherine@changingthelogic.com
2. Colour theory affects our lives – the science
1.
2.
Colour is energy (the visible part of the
electromagnetic spectrum)
Of all sensory inputs, colour is processed quickest and
affects our emotions and our bodies first.
3. Colour theory affects our lives – the impact
1.
Our response to colour is physiological, subconscious and
symbolic
2.
Colour is processed separately from vision.
Blindfolded people react physically to colours and even
blind people can sense colour.
“It’s role in
all forms of life
is too evident to be
either denied or
ignored”
Faber Birren, Definer
of Colour
“A specific colour
stimulation is
accompanied by a
specific response
pattern of the entire
organism”
Goldstein
neuropsychologist
4. Colour theory affects what we do
Colour has the single biggest impact on our reactions (principal
cue to composition)
The main purchasing cue for consumers “on the go” is product
attractiveness.
80/20 colour rules
80% of our
reaction to
colour is
unconscious
80% of visual
information is
related to
color
Colour
increases
brand
recognition by
up to 80%
Around 80% of
purchasing
decisions are
now made instore (not in
advance).
5. 4 steps to choose colours for an environment
1. What do you want to achieve? (the brief)
2. What reaction do you want? (psychological /
physiological impact of colour)
3. What personality do you need? (colour group)
4. Check for harmony: ensure balance of colours is
pleasing and appropriate
6. Step 1. What do you want to achieve?
What and who is the environment for?
What atmosphere is right for what you want to
achieve?
(For example are you aiming for calm, excitement,
sophistication, accessibility, a sense of good
value?)
What will give you stand out? (not another me-too
environment)
7. Step 2. What physical reaction do you want?
Primaries
Physical
urgency
Emotional
creativity
Balancing
healing
Intellectual
reliability
soothing
calming
spiritual
appetite
grounding
pure
gravity
neutral
Secondaries
Soft lights in an
orange interior
generally nullify the
negative effects of
orange and
produce the highest
level of perceived
price fairness
8. Step 3: What personality do you need?
Select one of four colour groups
lighter
Group 2
Group 3
Group 4
cooler
warmer
Group 1
stronger
The four groups have different strengths and
weaknesses (see next 4 slides). Mixing colours from
more than one group causes uneasiness in the
observer and brings out the worst of both groups
9. Group 1: Morning light
Good for: dating agency, beach
holiday, cocktail bar, mobiles
targeted at 20 something
females, Smart car showroom
Not for: banks, police
stations, airlines, male or elderly
target market
Colours: light, warm, no black
Textures: sparkling, lacy, light, frilly,
fresh, crisp
Design: airy, fun, welcoming
Objects: chandeliers, fairy lights,
changeable displays, variety
Strengths: communicating,
welcoming, fun, flirty
Weaknesses: unreliable, superficial
10.
11. Group 2. Dream light
Good for: spa, wedding planner,
solicitor, undertaker, feminine boutique
hotel, BMW showroom, music college,
Embassy
Not for: Young people, fast food,
technology, theme park, Club 18-30
•
•
•
•
Colours: subtle, cool
Textures: smooth, flowing, soft
Design: elegant, subtle, flowing, graceful
Objects: classical, well
made, uncontroversial, antiques
• Strengths:
sophisticated, calm, gentle, quiet, selfcontained, diplomatic, dexterous, peace
makers, serious, dependable, orderly, perc
eptive
• Weaknesses:
aloof, reserved, unexpressive, dry, dull
12.
13. Group 3. Firelight
Good for: restaurants, niche
retailers, organic food, adventure
holiday, land rover showroom
Not for: operating theatres, banks,
airports, nurseries, nail bar
•
•
•
•
•
•
Colours: strong, warm
Textures: natural, weave, suede, wood
Design: ethnic, cosy, quirky
Objects:
unusual, bold, clustered, contrasting, o
pen fires
Strengths:
quirky, friendly, loyal, loveable, indepe
ndent, intense, curious, campaigners, l
ead by example, diverse, get it done.
Weaknesses:
overbearing, moody, predictable, old
14.
15. Group 4. Starlight
Good for: nightclubs, sports car
showrooms, merchant banks,
high style bars, technology
outlets, male products
Not for: nurseries (children or
plants), doctors’ surgeries, village
pub
•
•
•
•
•
Colours: intense, cool
Textures: hard, glossy, high
quality, metallic (platinum)
Design: high
tech, modern, dramatic, uncompro
mising, sharp, aspirational
Good: self assured, magnetic, star
quality, compelling eyes, good in a
crisis, well
organised, objective, confident, resp
ected, successful, stoic
Weaknesses: seen as
heartless, dangerous, arrogant
16.
17. Find out more about how colour
can change your logic
catherine@changingthelogic.com
Catherine Shovlin is an independent
consultant trading as Changing the Logic
and a qualified Colour Affects
practioner.
Editor's Notes
Visible 400-700 nanometers (radio – tv – microwave – infrared – colour – ultraviolet – x rays)Dermo-optic vision allows us to differentiate colours of energy waves through the skin eg Rosa Kuleshova, Russia, 50s/60s could even read this way. A blindfolded person will have physiological reactions under different colour rays. Ref Kurt Goldstein, German neurologist and psychiatrist who was a pioneer in modern neuropsychology, author of The Organism, “it is probably not a false statement to say that a specific colour stimulation is accompanied by a specific response pattern of the entire organism”Ref Faber Birren, 1950sRetina -> hypothalmus (brain’s brain) -> pituitary -> hormone levels (body temp, metabolism, sexual / reproductive function, sleeping, behaviour, appetite, autonomous nervous systemColour symbolism is driven by culture, fashion, weather, memories, marketing… it is not constant
ShaiBarbut, University of Guelph, Department of Food Science, Guelph, ON, Canada N1G 2W1 Received 2 January 2003; revised 9 April 2003; accepted 15 April 2003. ; Available online 2 July 2003. AbstractThe effects of light source on the acceptability of Hungarian, Hot-Hungarian and regular salamis were investigated. The color of all salamis was most preferred (P<0.05) under incandescent (INC) light, as compared to fluorescent (FL) and metal halide (MH). Higher buying response was also evident when INC was used. The two Hungarian salamis, which had a high red component (higher a* and chroma values), received higher color preference scores under FL compared to MH. Most panelists described the color of the Hungarian salami under INC light as red, but brown under FL and MH. Relative luminance data, collected with a fiber optic probe connected to a photo-diode array, demonstrated the reason to be low red color seen in salamis presented under FL and MH lights. Ref: Color Matters
Source Munsell Colour System, wikipediaRef: Babin, Hardesty and Suter, 2003, Univ of MassIt is probably the expressive qualities (primarily of color but also of shape) that spontaneously affect the passively receiving mind, whereas the tectonic structure of pattern (characteristic of shape, but found also in color) engages the actively organizing mind."Source: Arnheim, Rudolf, Art and Visual Perception, University of California Press, Berkely, 1974, p. 336