Horror monsters
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The document discusses several popular horror movie monsters: the Predator, zombies, Freddy Krueger, Chucky, and Ghostface. The Predator is an extraterrestrial that hunts for sport, while zombies are reanimated human corpses that hunger for human flesh. Freddy Krueger kills in dreams and then in reality with razored gloves. Chucky's soul inhabits a doll seeking a human body. Ghostface terrorizes victims by phone before attacking. These characters instill fear because of their ability to hunt and kill unexpectedly or exploit common fears.
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The document discusses the history and evolution of horror films over time. It provides descriptions of influential early horror films from the 1920s-1980s like Nosferatu, Frankenstein, Psycho and Night of the Living Dead. It notes how horror films have changed from focusing on ghosts and monsters to incorporating themes like serial killers, zombies and supernatural possessions. More recent horror films from the 2000s emphasize realistic scenes and suspense to scare audiences by suggesting events could actually occur.
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Spisanie VIP, Broi 30 (01.06.2015)
"Не казвай, че нямаш време. Имаш точно толкова време, с колкото са разполагали Леонардо да Винчи, Алберт Айнщайн или Микеланджело."
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Similar to Horror monsters
What is horror
Horror films seek to elicit negative emotional reactions from viewers by playing on primal fears. They often feature startling scenes involving macabre or supernatural themes. Horror movies have evolved over time to reflect new generations' fears, from alien invasions after Sputnik to mutated creatures resulting from nuclear power. While staples like ghosts and monsters remain, they are now presented through innovative means like vengeful computer spirits or virus-created zombies. Successful horror films rely on effective use of setting, characters, sound, villains, and weapons to frighten audiences.
What is horror?
Horror films seek to elicit negative emotional reactions from viewers by playing on primal fears. They often feature startling scenes involving macabre or supernatural themes. Over time, horror movies have evolved to reflect new generations' fears, from alien invasions after Sputnik to mutated creatures resulting from nuclear technology. Successful horror relies on effective use of setting, characters, sound, villains, and props to frighten audiences. Key elements include isolated locations, stereotypical character types like the "final girl," unsettling soundtracks, masked or inhuman villains, and disturbing weapons.
What is horror?
Horror films seek to elicit negative emotions in viewers by preying on primal fears. They have evolved over time to reflect new generations' fears, from alien invasions after Sputnik to mutated creatures from nuclear power. Successful horror films feature iconic settings, stereotypical characters like the final girl and jock, unsettling sounds and music, mysterious villains hidden behind masks, and disturbing weapons like knives and chainsaws used to kill victims.
What is horror?
(1) Horror films are designed to cause suspense, tension, and scare audiences when they least expect it by involving their worst nightmares and supernatural creatures. (2) Early horror films involved little blood but modern ones contain more graphic violence using weapons like knives and chainsaws. (3) Traditional horror movies focused on ghosts and demons while today most feature possessed humans.
Horror Genre
The document provides a detailed overview of the history and evolution of the horror genre in film. It discusses some key points:
- The first horror film dates back to 1896 and was only 2 minutes long. Gothic literature in the late 1700s helped develop the genre.
- Important early directors like Hitchcock and Romero influenced the genre with films like Psycho and Night of the Living Dead.
- Technology has helped advance the visuals and special effects over time to depict monsters and creatures more realistically.
- There are many sub-genres of horror that blend with other genres like comedy, action, science fiction and more. Iconography, settings, characters and narratives structures are described.
Horror sub genres
The document discusses several horror subgenres including splatter, slasher, and psychological horror. Splatter films focus on graphic violence and gore. Key conventions include graphic depictions of violence and blood using special effects. Slasher films involve a psychopath killer stalking and murdering victims with weapons like knives and saws. Common conventions are the "final girl" trope and stereotypical victims. Psychological horror relies on characters' fears and unstable psyches to create tension. It explores hidden parts of the human mind and builds fear through atmosphere and mystery rather than graphic violence.
Media genre
This document discusses various genres and subgenres of film. It begins by defining the horror genre, noting that horror films aim to create a sense of fear through disturbing representations of nightmares and evil forces. It provides examples of classic horror films and describes common tropes like ghosts, violence, and overlapping with other genres. The document then outlines several horror subgenres like slasher, supernatural, and zombie films. It also discusses common stereotypical characters found in horror movies. Similarly, it defines the comedy and fantasy genres, provides examples and subgenres for each, and briefly mentions some stereotypical characters often seen in comedy and fantasy films.
Sub-Genres of Horror
This document discusses several major subgenres of horror films, including slasher, psychological, supernatural, possession, gothic, monster, and zombie films. It provides characteristics and conventions for each subgenre, such as common plot elements, settings, characters, and themes. Examples are given for well-known films that exemplify each subgenre, such as Friday the 13th for slasher, The Shining for psychological, Poltergeist for supernatural, The Exorcist for possession, Dracula for gothic, Godzilla for monster, and Zombie for zombie films.
History and analysis of the Horror Genre
The document provides a history and analysis of the horror genre. It discusses that horror films are meant to scare audiences using primal fears. It then summarizes the origins of horror films in the late 19th century and traces the evolution of various horror subgenres over the 20th century including monster movies, slashers, sci-fi horrors, found footage films, and remakes of classic films in recent decades. Key conventions of the genre like settings, characters, themes, and visual icons are also outlined.
horror genre - by Dan Offer
The document defines horror films as aiming to create tension, fear, and alarm by using audiences' darkest fears in an unsettling way. It provides the example of Nightmare on Elm Street, which terrifies viewers by having murders occur in dreams rather than reality, leaving no escape. Horror films traditionally use graphic violence and gore as well as dark settings to distress audiences. Common stereotypes include "bad boys" who overconfidently pursue the killer and blonde female characters who are less intelligent and often die after wandering off alone.
Horror Genre Presentation
The document defines horror films as aiming to create tension, fear, and alarm by using audiences' darkest fears in an unsettling way. It provides the example of Nightmare on Elm Street, which terrifies viewers by having murders occur in dreams rather than reality, leaving no escape. Horror films traditionally use graphic violence and gore as well as dark settings to distress audiences. Common stereotypes include "bad boys" who overconfidently pursue the killer and blonde female characters who are less intelligent and often die after wandering off alone.
What is horror?
The document defines horror films as aiming to create tension, fear, and alarm by using audiences' darkest fears in an unsettling way. It provides the example of Nightmare on Elm Street, which terrifies viewers by having murders occur in dreams rather than reality, leaving no escape. Horror films traditionally use graphic violence and gore as well as dark settings to distress audiences. Common stereotypes include "bad boys" who overconfidently pursue the killer and blonde female characters who are less intelligent and often die after wandering off alone.
Codes and conventions
This document discusses the codes and conventions commonly found in horror films. It outlines several examples of popular horror subgenres and the fears they aim to invoke, such as nightmares, vulnerability, and death. Character archetypes are described, with the final girl often surviving and villains having distinguishing murder methods. Unwritten rules are listed, like certain actions guaranteeing a character's death. Locations and weapons typically featured are also provided.
Horror chris george media powerpoint
The horror genre originated in the late 1700s as a genre of Gothic literature. One of the first horror films was made in 1896 by French filmmaker Georges Melies. While the term 'horror' was not used to describe films until the 1930s, the genre has evolved significantly with advances in technology. Famous directors like Alfred Hitchcock and George Romero helped establish conventions for camera work, editing, settings, characters, and themes that are still common in modern horror films. Subgenres have also emerged like slasher, psychological horror, and zombie films.
Research: Horror Genre
This document discusses the horror genre and the 1978 film Halloween. It defines horror films as depicting viewers' worst fears and the unknown. Halloween follows Michael Myers who returns to his hometown to stalk and kill people on Halloween. The film helped establish conventions for the genre such as using first-person perspectives and female heroes. It also examines posters for the film and discusses target audiences for horror, which appeals to a wide range including women who enjoy strong female characters.
Genre research
The document discusses research conducted on the popularity and appeal of the horror genre. Interviews with friends and family revealed several reasons why people enjoy horror films, including that they are fun, help people face their fears, and have launched the careers of legendary directors. Narrative structure and typical character archetypes are important conventions that genre fans recognize and appreciate. Iconic imagery commonly found in horror films, such as haunted locations and symbols of death, further enhance the viewing experience.
Genre research
The document discusses research conducted on the popularity and appeal of the horror genre. Interviews with friends and family revealed that horror films are enjoyable because they are fun, help people face their fears, and provide an outlet for rationalizing real-life horrors. Additionally, the document discusses common narrative structures, character types, and iconic visual elements that are frequently used in horror films and contribute to audiences' familiarity and enjoyment of the genre.
Geezah
This document outlines a proposal for a classic slasher horror film that draws inspiration from movies like Halloween and Friday the 13th. It will follow slasher conventions like an iconic killer murdering victims in a suburban setting. The target audience is young adults who are eligible for an R rating. The film will take place both during the day and night in a non-specified suburban area. It will explore themes of death, fear, evil, and the unknown. The characters and setting are meant to be relatable while not focusing on ethnic or gender specifics. The narrative follows a girl whose parents are murdered by a dark figure that continues killing others in their new town.
SUB-GENRES POWERPOINT
This document summarizes several subgenres of horror films, including supernatural, slasher, psychological, possession, and zombie films. It provides examples for each subgenre, such as The Conjuring for supernatural horror and Scream for slasher films. The document also discusses conventions for each subgenre, like the use of children as victims in supernatural films or the "final girl" character in slashers. Finally, it states that the author's chosen subgenre for a film project is psychological horror, as they find these films most interesting and able to grip audiences through fear and tricks.
Audience fear ppt
This document discusses conventions of fear and representation in horror films. It begins by listing common fears such as spiders, death, clowns, and isolation. It then examines conventions that create fear, such as antagonists wearing masks, isolated locations, groups being persecuted, and recognizable costumes. Specific films like It, The Others, and The Crazies are discussed. The document also covers Neale's theory of three types of monsters - outsiders, man-made monsters, and insiders. Finally, it analyzes films like Nightmare on Elm Street where the antagonist crosses between two monster types.
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Stankonia
Stankonia is the fourth studio album by Outkast, released in 2000. It sold over 4 million copies in the US and reached #2 on the Billboard chart that year. The album won a Grammy for best rap album. The album cover features Outkast members Big Boi and Andre 3000 standing next to each other in plain black and white against American flag stripes. The interior CD features a naked woman, intended to represent sex appeal common in rap music. While the cover is dull, the interior CD uses vibrant red and yellow colors. The analysis concludes the packaging represents hip-hop genre conventions through imagery of jewelry, wealth and sexuality.
Stankonia
Stankonia is the fourth studio album by Outkast, released in 2000. It sold over 4 million copies in the US and reached #2 on the Billboard chart that year. The album won a Grammy for best rap album. The album cover features Outkast members Big Boi and Andre 3000 standing next to each other in plain black and white against American flag stripes. The interior CD features a naked woman, intended to represent sex appeal common in rap music. While the cover is dull, the interior CD uses vibrant red and yellow colors. The analysis concludes the packaging conveys hip-hop genre conventions through imagery of jewelry, money and women despite lacking a clear theme.
Stankonia
Stankonia is the fourth studio album by Outkast, released in 2000. It sold over 4 million copies in the US and reached #2 on the Billboard chart that year. The album won a Grammy for best rap album. The album cover features Outkast members Big Boi and Andre 3000 standing next to each other in plain black and white against American flag stripes. The interior CD features a naked woman, intended to represent sex appeal common in rap music. While the cover is dull, the interior CD uses vibrant red and yellow colors. The analysis concludes the packaging conveys hip-hop genre conventions through imagery of jewelry, money and women despite lacking a clear theme.
Film Evaluation
In their preliminary task, the filmmaker used a phone camera which resulted in shaky footage. The dialogue was basic with no music or sound effects. For their film opening, the filmmaker used a tripod for smoother shots. They incorporated music and sound effects to set the atmosphere. A variety of shots like pans were used. While the 180 degree rule was used in both, it showed a conversation in the preliminary and a character leaving a house in the film opening. The editing in the film opening helped the video flow smoothly with improvements like match on action shots. Overall, the filmmaker feels they have improved in progressing from the preliminary task to the full film opening product.
Film Distributors
Film distributors are responsible for marketing and setting release dates for films. 20th Century Fox is one of the major American film studios that distributes big-budget action films with special effects. While 20th Century Fox has distributed horror films, they focus on larger budgets than my UK film would have. Film4 is a British company that produces and distributes lower budget UK films for television and DVD, making them a good fit for my small, British production. DreamWorks distributes animated family films and would not be suitable since my film is not animated.
Micro elements in Scream
The document analyzes various shots and elements from the opening scene of the film Scream. It describes the title screen introducing the genre as horror through flashing red text and screaming sounds. A close-up shot shows the main character's facial expression of fear as she looks around scared. A medium shot shows her locking the door in her night clothes. Sound, camera movements, and mise-en-scene elements like the phone calls and remote location effectively set the tone and establish this is a horror film through conventional techniques.
Micro elements in Scream
The document analyzes various shots from a horror film through the lens of cinematography techniques. It describes shots including the title screen, a close-up of a scared character's face, a medium shot of the character locking the door, a long shot establishing the setting as a house at night. Other shots discussed are a high angle shot of a character answering the phone, zooms used to show emotional changes, and the use of diegetic and non-diegetic sound to match the mood. Mise-en-scene elements like the remote setting and a knife are also analyzed for how they establish the film as belonging to the horror genre.
Evaluation
The document discusses the improvements made from the preliminary task to the full film opening product. It notes that the preliminary task used a phone camera which resulted in shaky footage, while the film opening used a tripod for a more professional look. Additional elements like music, sound effects, and a wider range of shots were incorporated. The editing in the film opening employed smooth transitions and continuity techniques like match on action to improve the overall flow and quality compared to the basic preliminary task.
Different social groups
The main character is a criminal who is presented conventionally and stereotypically. He wears a balaclava to conceal his identity as he goes out to do his job after getting a phone call from his boss detailing the job. This follows typical tropes of criminal-based media where the criminal receives instructions before going out to commit an illegal act while hiding their appearance.
Comparing representations
Mr. MacIntosh and the workers at his factory represent different social classes through their clothing and accents. As the boss, Mr. MacIntosh wears smart clothing and has a London accent even though the factory is in northern England. In contrast, the workers wear scruffy clothes suitable for manual labor. Additionally, one worker wears a Manchester United football badge, showing his support for that club. The document ranks Mr. MacIntosh higher than the workers due to his role as boss overseeing the company.
History of Horror
Technology has greatly impacted the quality and special effects used in horror films over time. Early horror films from the 1900s based on novels and books had short run times of only 15 minutes and contained obvious endings with clear distinctions between good and evil. By the 1920s, silent films with wax figure stories and remakes of films like Hands of Orlac were being created with longer run times of over 60 minutes. The 1930s saw the first horror film with sound, Dracula, and the first in color, Doctor X, adding new dimensions of terror. Plots continued becoming more complex in the 1940s with films like I Walked With A Zombie containing nurse drama and vampire rumors. Modern horror films have many subgenres and focus
History of horror
Technology has significantly impacted the quality and special effects used in horror films over the past century. Early silent films from the 1900s based on novels like Frankenstein had short runtimes of only 15 minutes compared to modern 2 hour films. The 1920s saw the rise of films incorporating wax figure exhibits and medical experiments gone wrong. The first horror film with sound was 1931's Dracula, adding a new terrifying dimension, while the 1940s saw plots become more intricate like I Walked With A Zombie involving murder accusations and planned elopement. By the 1950s, the genre focused more on sci-fi creatures attacking humans as seen in Creature From The Black Lagoon.
Micro elements
The document analyzes the micro elements used in a horror film opening scene. It describes several shots used - a close-up of the character's scared facial expression, a medium shot of the character locking the door in night clothes, and a long shot establishing the night time setting. It also discusses the sound design with screams during the title and changing music fitting what is seen. The mise-en-scene creates a recognizable horror genre atmosphere through the remote location, phone calls, and victim's scared expressions, clearly establishing the genre for the audience from the start.
Certificate ratings done tech
The document discusses UK film certificate ratings from U to 18, outlining the types of content allowed at each rating level. A U rating is suitable for all ages and allows only mild language and violence. PG allows more language and mild references to sexual themes. 12A permits more action and strong language depending on context. 15 allows strong violence, language, sexual content, and drugs. An 18 rating has no restrictions and may contain strong violence, language, sexual violence, and horror.
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Horror monsters
- 2. Predator (1987) The Predator is an extraterrestrial species in the science fiction Predator franchise, first introduced in the film Predator in 1987. It’s characterised by its trophy hunting of other species for a sport. It’s scary because it is really good at hunting, and you never know when it’s watching you, igniting the fire of “the fear of the unknown.”
- 3. Zombies Zombies are mindless, reanimated human corpses with a hunger for human flesh. Zombies are normally formed by some kind of virus that will turn a human into one if they’re infected. There has been many films with Zombies in including “Dawn Of The Dead” & “28 Days Later.” Zombies are feared in society because there is always a massive out break of them, that can’t be stopped easily. Also Zombies won’t stop for nothing.
- 4. Freddy Krueger Freddy Krueger is the antagonist from the popular film series Nightmare On Elm Street. He’s a burnt serial killer who uses a glove with razors attached to it to kill victims, first in their dreams, but then in real life too. He is a scary character because he is unpleasant to look at and also because no one would want to have a dream containing him because they would know their fate in the future.
- 5. Chucky A serial killer’s spirit inhabits a “Good Guy” doll and tries to transfer his soul through to a human body. The character Chucky is one of the most recognisable horror icons ever. The character is scary because it’s a child’s toy that you wouldn’t expect would have such a dark secret. Things related to childish things is always scary in a horror film because of today’s horror films making them seem darker.
- 6. Ghostface Ghostface from the series of films Scream is a well known character. The character will call it’s victims to taunt or threaten them before the murder, the murderer isn’t always the same person. The identity behind the mask changes within each Scream film. This character is feared because it uses modern ways of communication to play with his or her victim before murder, again people in real life would not want this to happen to them.