Ho, hey
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The indie music video has musky colors and dim lighting typical of the genre. It features performances of the band playing instruments like guitar and banjo in everyday, low-budget settings. The music and visuals create a calm atmosphere, with subtle connections to the lyrics. The video focuses on showing the artists performing without sexualization and does not include any intertextual references.
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A famous musical intrument and my favourite musucian frommy country
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Music video analysis 1
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The document discusses codes and conventions for different music genres in music videos. For rock videos, it notes they are predominantly performance-based, use low key lighting and spotlights on band members, fast pace editing to match songs, dark settings and outfits, and expressive lead singers. Pop videos are described as having high key lighting, colorful backgrounds, fashionable outfits, and portraying artists as happy. Dance videos focus on concepts and performances, use high key lighting, colorful settings like clubs, and fashionable clothing.
Codes and conventions of Music Videos
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Music video analyses
The video analyses provide summaries of 3 music videos:
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2) Kate Nash's "Pumpkin Soup" tells an upbeat love story through quirky imagery like a kissing booth to avoid typical pop love story tropes.
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The document discusses the image associated with the acoustic music genre. It notes that acoustic artists typically have a shaggy hair, wear casual clothing like t-shirts, jeans, and hoodies, and use natural colors rather than bold colors like black or red. The document also provides examples of lyrics from acoustic songs that tell stories and convey emotions. It then discusses characteristics of acoustic music videos, such as including nature scenes, portraying the artist acting out the song's story, using black and white or effects to look vintage, and focusing on one person singing about another person and conveying emotion through slow-paced camera shots.
Analysing music videos
This music video tells a narrative story of an elephant escaping from the zoo to find "paradise." It features no performance from Coldplay apart from at the very end, as part of the storyline. Using a narrative structure allows Coldplay, as a famous band, to create a video that will encourage discussion and re-watching to follow the story. The video feels like a movie with its opening titles, showing Coldplay's commercial success and large-scale productions.
Music video anlyses
Lucy Spraggan's "Last Night" music video analyzes three songs: Lily Allen's "Littlest Things", Kate Nash's "Pumpkin Soup", and Lucy Spraggan's "Last Night". It examines the genre, concept, camerawork, sound, editing, and mise-en-scene of each video. The document provides screenshots and descriptions to analyze the technical and creative elements of each music video.
Indie rock music two videos
The document discusses conventions of indie rock music videos. It provides examples and analyzes the videos for "Take Me To Church" by Hozier and "Arabella" by Arctic Monkeys. Both videos use black and white color schemes and tell narrative stories that relate to the song lyrics. However, the Arctic Monkeys video more directly features the band's performance, while the Hozier video focuses solely on the narrative. Overall, the document examines visual and technical elements that indie rock videos commonly employ to represent their genre's themes through performance and storytelling.
A2 Media Evaluation Question 1
The media product uses, develops, and challenges conventions of real acoustic music videos. It follows many conventions such as a solitary location, a protagonist recovering from heartbreak while looking to the past, use of instruments, plain costumes, and lip syncing. However, it also challenges conventions with dance studio scenes, a dance routine, and use of a notepad and colorful lighting, which are more common in pop videos. The video was inspired by real music videos that incorporated ballet, keyboards, guitars, black and white filming, and artists in nature.
Case Study
This document discusses and summarizes elements of several music videos:
- The Baxter Dury "Miami" video features a single camera angle and shows Dury dancing slowly with a woman, conveying passion. Psychedelic lighting adds to the feeling.
- The Oasis "Lyla" video uses black and white to depict a woman's emotions, with close-up shots highlighting her contrasting scenarios. The band plays in the background of a party she attends.
- The Jam's "In The City" keeps it simple but shows the band members' expressions through close-ups. Paul Weller was influenced by bands like the Beatles and opted for a standard style over costumes.
Music video anlyses
The video analyses 4 music videos:
1) Lily Allen's "Littlest Things" which uses old movie genre motifs but lyrics don't match the video.
2) Kate Nash's "Pumpkin Soup" tells a quirky love story in a non-typical pop way.
3) Lucy Spraggan's "Last Night" talks about alcohol through images and clips.
4) Analyzes camera shots, sound, editing, and mise-en-scene techniques used in each video.
Media nirvana
The video for Nirvana's "Smells Like Teen Spirit" is analyzed. It is categorized as rock/grunge based on elements like long hair whipping around during live performances, drums and guitars. Images in the video relate to the lyrics by showing a crowd entertained by the performance, and emblems of adolescence through a school gym setting and cheerleaders. Through shots of the band playing and people tapping their feet, the quick cuts of roughly 166 help quicken the pace to match the music. The artist is presented in a rough, casual way typical of grunge to seem less manufactured than boy bands. While cheerleaders are included, the camera does not linger on females
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Arctic monkeys i bet that yoou look good on the dancefloor
Arctic monkeys i bet that yoou look good on the dancefloor
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Smells like teen spirit
This music video features dark lighting and grunge-themed instrumentation that matches the dark lyrics. The dark atmosphere connects the lyrics and visuals. Close-ups of each band member were likely demanded by the record label to showcase each musician to fans. The video focuses only on the band's performance without additional narrative or concepts.
Focus group questions
The document contains 5 questions for a focus group about common elements in indie music videos, whether the identified conventions are typical of the genre, what changes participants would make to the videos, who the target audience is perceived to be, and what participants feel is the most important convention of an indie pop music video.
Link to survey and proof
This survey asks respondents for their opinions on various topics related to technology and its impact on society. Questions cover issues such as the effects of social media, risks of automation, and attitudes towards emerging tech like artificial intelligence and robotics. The goal is to understand public perspectives and concerns regarding rapid advances in technology.
Mood board
The document discusses elements that can be included in a rap music video to create identity for the artist and fit with rap music genre conventions, such as stereotypical clothing, common transportation props, and typical scenery backdrops seen in other rap videos. It also mentions the use of a black and white filter to give the video an aesthetic feeling.
Stage 1 research n1
The music video for Eminem's "Headlights" shows some characteristics of typical rap videos like drinking and smoking but does not focus heavily on money or guns. There are some connections between the lyrics and visuals, such as Eminem writing lyrics on a plane as shown. However, there is not a strong correlation between the music and visuals overall. Unlike typical demands, Eminem is only shown in one medium shot and the video focuses more on his mother than close ups of the artist. It does not contain voyeuristic treatment of women or frequent references to looking. It includes an intertextual reference to one of Eminem's older songs criticizing his mother to add authenticity to his apology in
Stage 1 research 3
The document discusses characteristics common in music videos, including portraying elements typical of the genre like younger people in hoodies and gangs for rap videos. It also notes the visuals in a music video usually relate to both the lyrics and music, and record labels often want close-ups of the artist while artists may develop recurring motifs. Frequent references are made to looking and treating the female body voyeuristically, as well as intertextual references between videos.
Stage 1 research 2
The document summarizes and analyzes the music video for R. Kelly's song "Ignition". It notes that the video shows two different house party scenes, appropriate for the hip hop genre. It also finds a relationship between the lyrics "Beep Beep" and scenes of a car driving. The video frequently shows closeups of R. Kelly, demonstrating the record label's demand to highlight the artist. It presents voyeuristic treatment of scantily-clad women. The video is primarily a performance-based promotion of the artist and song, without a narrative story. Formal analysis cites Strauss' formal vs informal distinction and references Todorov's and Propp's narrative theories.
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Ho, hey
- 2. GENRE CHARACTERISTICS • Musky colours • Light bulbs-typical for indie videos? • Shows the instruments that they are playing. E.G. Guitars, tambourine, Banjo • Not very well lit • Typical setting of a indie video-not very expensive, daily scenery
- 3. RELATIONSHIP BETWEEN THE LYRICS AND THE VISUALS • There are subtle relations to the lyrics as when the artist sings “family”, he is joined by the whole band which connotes that they are a family
- 4. RELATIONSHIP BETWEEN THE MUSIC AND THE VISUALS • The music video is very calm looking and nothing is very up in your face, much like the music as it is calm and not too loud or sudden • The lights are always dimming as well which also gives of a calm atmosphere
- 5. DEMANDS OF THE RECORD LABEL • Shows the artists throughout the video • Also includes close-ups of the artists individually and also shows the artists together •
- 6. NOTION OF LOOKING • The camera moves with the artists as though you are with them • There is no sexualisation of the female body • There is however a shot of a photo at the beginning of the video
- 7. INTERTEXTUAL REFERENCES • There aren't any intertextual references.
- 8. PERFORMANCE BASED, NARRATIVE BASED, CONCEPT BASED. • This video is performance based as three isn’t a narrative and the artists are strictly performing