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By :
  NUR MURNI BT ABDULLAH
NOR ILLYANA BT AHMAD NAZRI
 A branch of history which looked at literature of
  evidence about economic and political events going on
  at the time at which the works were produced, and
  that also looked at historical events to explain the
  content of literary works.
 Historical criticism insisted that to understand a
  literary piece, we need to understand the author’s
  biography and social background, ideas circulating at
  the time, and the cultural milieu
 New Historicism
 Is a theory in literary criticism that suggests literature
  must be studied and interpreted within the context of
  both the history of the author and the history of the
  critic.
 Critics using this approach look at the work and
  consider other writing that may have inspired it or
  inspired by it , as well as the life of the author and how
  it relates to the text.
 Old Historicism
 Insisted that a literary work be read with a sense of
  time and place of its creation.
 This is necessary, insist historical critics, because
  every literary work is a product of its time and its
  world. Understanding the social background and the
  intellectual currents of that time and that world
  illuminate literary works for later generation of
  readers.
LONDON

 I wandered through each chartered street,
Near where the chartered Thames does flow,
       A mark in every face I meet,
     Marks of weakness, marks of woe.

         In every cry of every man,
        In every infant's cry of fear,
       In every voice, in every ban,
     The mind-forged manacles I hear:

      How the chimney-sweeper's cry
     Every blackening church appals,
       And the hapless soldier's sigh
     Runs in blood down palace-walls.
 But most, through midnight streets I hear

      How the youthful harlot's curse
     Blasts the new-born infant's tear,
And blights with plagues the marriage-hearse
In the first quatrain, the author is talking about how he
is walking through every transitory street. The adjective
“chartered” seems to suggest the idea of the importance of
money to live everyday in this ephemeral world, where
everything is focused around money, richness and its value
to reach anything. But, in despite of the role of money has
in the world and happiness because of its value, many
people are dominated by sorrow and sadness. The verses “In
every cry of every man” and “in every infant’s cry of fear” are
examples of this fact. People are not happy. They are living
in fear all the time, inside the dark of a society influenced
by materialism. Human beings are loosing the real sense of
life.
The materialism of words is reflected in the second
quatrain with “the mind-forged manacles”, which
represents people’s obsession for money and the
dependence to the important institutions.

     In the third quatrain, the author is comparing two
different representations: a chimney-sweeper and a
soldier. Both of them are archetypal that represent the
most important institutions of that time: Monarchy and
the Church, which are the reason of the suffering of
human beings. This one has a clear connotation of
power and manipulation in society.
The fourth quatrain represents the author talking
again about what he hears metaphorically while he is
walking through the street. “The youthful harlot’s
curse” makes reference to the disease of syphilis, very
frequent in that time, in the 18th century, which is the
principal cause of death. The term “harlot” has negative
connotations, as “curse”. It is interpreted as something
which destroys life and society. Syphilis destroys
life, whereas harlots destroy families, and family is the
most important part in society, in this case, in English
society. “The marriage-hearse” could be understood as
a “vehicle in which love and desire combine with death
and destruction” (Elite Skills classics, 2004).

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Historical criticism

  • 1. By : NUR MURNI BT ABDULLAH NOR ILLYANA BT AHMAD NAZRI
  • 2.  A branch of history which looked at literature of evidence about economic and political events going on at the time at which the works were produced, and that also looked at historical events to explain the content of literary works.  Historical criticism insisted that to understand a literary piece, we need to understand the author’s biography and social background, ideas circulating at the time, and the cultural milieu
  • 3.  New Historicism  Is a theory in literary criticism that suggests literature must be studied and interpreted within the context of both the history of the author and the history of the critic.  Critics using this approach look at the work and consider other writing that may have inspired it or inspired by it , as well as the life of the author and how it relates to the text.
  • 4.  Old Historicism  Insisted that a literary work be read with a sense of time and place of its creation.  This is necessary, insist historical critics, because every literary work is a product of its time and its world. Understanding the social background and the intellectual currents of that time and that world illuminate literary works for later generation of readers.
  • 5. LONDON I wandered through each chartered street, Near where the chartered Thames does flow, A mark in every face I meet, Marks of weakness, marks of woe. In every cry of every man, In every infant's cry of fear, In every voice, in every ban, The mind-forged manacles I hear: How the chimney-sweeper's cry Every blackening church appals, And the hapless soldier's sigh Runs in blood down palace-walls. But most, through midnight streets I hear How the youthful harlot's curse Blasts the new-born infant's tear, And blights with plagues the marriage-hearse
  • 6. In the first quatrain, the author is talking about how he is walking through every transitory street. The adjective “chartered” seems to suggest the idea of the importance of money to live everyday in this ephemeral world, where everything is focused around money, richness and its value to reach anything. But, in despite of the role of money has in the world and happiness because of its value, many people are dominated by sorrow and sadness. The verses “In every cry of every man” and “in every infant’s cry of fear” are examples of this fact. People are not happy. They are living in fear all the time, inside the dark of a society influenced by materialism. Human beings are loosing the real sense of life.
  • 7. The materialism of words is reflected in the second quatrain with “the mind-forged manacles”, which represents people’s obsession for money and the dependence to the important institutions. In the third quatrain, the author is comparing two different representations: a chimney-sweeper and a soldier. Both of them are archetypal that represent the most important institutions of that time: Monarchy and the Church, which are the reason of the suffering of human beings. This one has a clear connotation of power and manipulation in society.
  • 8. The fourth quatrain represents the author talking again about what he hears metaphorically while he is walking through the street. “The youthful harlot’s curse” makes reference to the disease of syphilis, very frequent in that time, in the 18th century, which is the principal cause of death. The term “harlot” has negative connotations, as “curse”. It is interpreted as something which destroys life and society. Syphilis destroys life, whereas harlots destroy families, and family is the most important part in society, in this case, in English society. “The marriage-hearse” could be understood as a “vehicle in which love and desire combine with death and destruction” (Elite Skills classics, 2004).