CONTENT
 HBO
 Itt´s not tv. It´s HBO
 Timeline

 The market
 Competitors

 The Business Model
 The value proposition
 Where does the money comes from

 HBO Go and the new value proposition
 Strategy overview
It’s not TV. It’s HBO
 An American premium cable and
satellite TV network.
 Second largest premium channel
in the U.S: 41 million pay
television subscribers.
 Broadcasts in at least 151
countries covering approximately
114 million subscribers worldwide.
 Produces high quality and
original content: Movies, Emmy
award winning series and
documentaries
HBO timeline

1997 - 1999
First original drama Oz, Sex and
the City, and The Sopranos
premieres.

1972
HBO launched the mixture of
movies and sporting events
the basic formula.

1981
The channel expands to a 24/7 programming
schedule.

1983

1973
HBO is acquired by Time Life and
becomes the fastest growing pay TV
service in the US.

2010
2013
Netflix's U.S. subscription
numbers passed HBO

Five year agreement with
BSkyB, HBO programming
airing in the UK

First original made-for-TV movie The Terry Fox
Story and first children’s show on the channel,
Fraggle Rock.

2001 – 2002
Band of Brothers, the most expensive television
miniseries ever made by a television network. The
Wire, which cements the channel’s reputation as a
home for high-quality drama.
Business Model
HBO Business Model
Product
Placement

Brands
Brand
Awareness

Integrated Ads
&
Sales

Premium
Content

DVD/Merch
andising

Subscribers
$1.4 billion in
subscriber fees
($15 per month)

Fans Effect & Sales
Disruptions
Premium Targeting
Content intermediation 1972

 Different channels for different
audiences
 TV as a niche market. Long Tail
 Subscription fee

#1
Content Quality

#1

Content creator 1983

 High-end
television writers
 Expensive
Content A season
costs between
$50 - $60 million
($5 million per
episode)

 Emmy Award nominations and wins
 Series around several skilled actors

 The inclusion of taboo contents
 Hybridization of genres
Multiplatform & interaction #3
Interaction, communities and customization 2010 (HBO GO)

VALUE PROPOSITION

 Cheaper fee
 No need for tv broadcasts
 Platform diversity
 Special features (behind the
cameras, characters
information, etc.)
 Launched in 2010 as a web page
 On Apple platforms 2011

 Interaction (+content)
Business Model Evolution
#1
CONTENT
CREATION

CONTENT
PACKAGING

CONTENT
DISTRIBUTION

USER
INTERFACE

END USER

#2
CONTENT
CREATION

CONTENT
PACKAGING

CONTENT
DISTRIBUTION

USER
INTERFACE

END USER

#3
CONTENT
CREATION

CONTENT
PACKAGING

CONTENT
DISTRIBUTION

USER
INTERFACE

END USER
The NETFLIX issue

Netflix was in talks with domestic cable
providers to place the service in Cox and
Comcast's channel lineup.

HBO Go, the network's multiplatform
online service that gives subscribers full
access to most of the network's series
archive and all current movies and
specials through laptops, smartphones,
tablets, Roku boxes and Apple TVs.

‘…The goal is to become HBO faster than HBO can become us…”’
‘…Ted Sarandos, Netflix’s chief content officer…
THANK YOU

HBO

  • 2.
    CONTENT  HBO  Itt´snot tv. It´s HBO  Timeline  The market  Competitors  The Business Model  The value proposition  Where does the money comes from  HBO Go and the new value proposition  Strategy overview
  • 3.
    It’s not TV.It’s HBO  An American premium cable and satellite TV network.  Second largest premium channel in the U.S: 41 million pay television subscribers.  Broadcasts in at least 151 countries covering approximately 114 million subscribers worldwide.  Produces high quality and original content: Movies, Emmy award winning series and documentaries
  • 4.
    HBO timeline 1997 -1999 First original drama Oz, Sex and the City, and The Sopranos premieres. 1972 HBO launched the mixture of movies and sporting events the basic formula. 1981 The channel expands to a 24/7 programming schedule. 1983 1973 HBO is acquired by Time Life and becomes the fastest growing pay TV service in the US. 2010 2013 Netflix's U.S. subscription numbers passed HBO Five year agreement with BSkyB, HBO programming airing in the UK First original made-for-TV movie The Terry Fox Story and first children’s show on the channel, Fraggle Rock. 2001 – 2002 Band of Brothers, the most expensive television miniseries ever made by a television network. The Wire, which cements the channel’s reputation as a home for high-quality drama.
  • 5.
  • 6.
    HBO Business Model Product Placement Brands Brand Awareness IntegratedAds & Sales Premium Content DVD/Merch andising Subscribers $1.4 billion in subscriber fees ($15 per month) Fans Effect & Sales
  • 7.
  • 8.
    Premium Targeting Content intermediation1972  Different channels for different audiences  TV as a niche market. Long Tail  Subscription fee #1
  • 9.
    Content Quality #1 Content creator1983  High-end television writers  Expensive Content A season costs between $50 - $60 million ($5 million per episode)  Emmy Award nominations and wins  Series around several skilled actors  The inclusion of taboo contents  Hybridization of genres
  • 10.
    Multiplatform & interaction#3 Interaction, communities and customization 2010 (HBO GO) VALUE PROPOSITION  Cheaper fee  No need for tv broadcasts  Platform diversity  Special features (behind the cameras, characters information, etc.)  Launched in 2010 as a web page  On Apple platforms 2011  Interaction (+content)
  • 11.
    Business Model Evolution #1 CONTENT CREATION CONTENT PACKAGING CONTENT DISTRIBUTION USER INTERFACE ENDUSER #2 CONTENT CREATION CONTENT PACKAGING CONTENT DISTRIBUTION USER INTERFACE END USER #3 CONTENT CREATION CONTENT PACKAGING CONTENT DISTRIBUTION USER INTERFACE END USER
  • 12.
    The NETFLIX issue Netflixwas in talks with domestic cable providers to place the service in Cox and Comcast's channel lineup. HBO Go, the network's multiplatform online service that gives subscribers full access to most of the network's series archive and all current movies and specials through laptops, smartphones, tablets, Roku boxes and Apple TVs. ‘…The goal is to become HBO faster than HBO can become us…”’ ‘…Ted Sarandos, Netflix’s chief content officer…
  • 14.