The document provides information about street art, including its definition, history, examples of different styles (e.g. graffiti, murals, stickers), and the legality of street art. It notes that street art began as gang graffiti in New York in the 1920s-1930s and grew into a movement in the 1970s-1980s as young people used it to express political views. While most street art is illegal, some cities provide designated walls where graffiti is permitted. The laws governing street art as well as penalties for violating these laws are also summarized.
The document discusses different definitions and types of street art. It defines street art as art found in or inspired by the urban environment, with anti-capitalist undertones. Street art encompasses various impermanent forms like stencils, stickers, and yarn bombing. While some see it as vandalism, others view it as a tool for political expression or urban beautification. The legal distinction between graffiti art and vandalism is permission, though many celebrated street artists began without permission.
The document discusses the street art group "Start from Zero" in Hong Kong. It was founded 9 years ago by two members, Dom and Katol, who were inspired to begin doing street art after seeing an "OBEY" poster. Their art uses stencils, stickers, and wheatpasting to spread the message of "starting from zero" and encourage others. However, street art is largely unrecognized and illegal in Hong Kong. To continue their work within the law, Start from Zero now produces clothing and holds exhibitions featuring their designs. Their art allows them to express resistance and find an identity outside of mainstream culture.
Graffiti began in the 1960s in Philadelphia and New York as people began tagging messages and names to honor a musician who had passed away. Over time, graffiti evolved from simple vandalism to a more artistic form as taggers spent more time developing their styles. Supporters argue that graffiti can be used to spread political messages or beautify dull areas when done legally by artists. However, critics argue that graffiti often costs taxpayers significant money to remove and that even illegal graffiti can encourage other crimes by signaling that vandalism will not be punished. The debate continues over whether graffiti is a positive art form or merely destructive vandalism.
Graffiti began in the 1960s in Philadelphia and New York as tags to honor a musician, but soon became more about vandalism and getting messages across. People began widely tagging their names on public transportation in New York in the 1970s. Authorities worked to remove graffiti from trains, pushing artists to tag walls and other public places instead. Supporters argue graffiti can be used for political messages or to beautify areas, while critics argue it is costly vandalism that can encourage other crimes.
Graffiti art is a form of self-expression that allows artists to showcase their talent and opinions in public spaces. While often lumped together with vandalism, graffiti requires skill as a true art form, transforming plain walls into creative works of art through practice over time. The document distinguishes graffiti art from mindless vandalism and highlights that respectful graffiti artists do not deface private property or the work of others without permission.
From graffiti to street art essay pp.pptxDamian Rarog
Street art began emerging in the 1960s with tributes to jazz musicians being written on walls in Philadelphia. It grew in the 1970s in New York City as artists like TAKI 183 and TRACY 168 began "tagging" trains. Over time, vandalism and graffiti evolved into a recognized art form. Street artists use various techniques like stencils, posters, and freehand painting to create works that can address social and political issues while beautifying public spaces. Famous street artists like Banksy, Shepard Fairey, and Space Invader have helped bring attention to causes while transforming dull areas into more vibrant places.
Street art began as graffiti in the 1950s-60s in Philadelphia and New York City. It has since evolved into a global art movement that uses public spaces to communicate messages. While often illegal, street art beautifies neighborhoods and brings attention to social and political issues. It has also helped launch the careers of famous artists like Banksy and introduced new styles like stenciling and tile art. Though controversial, street art has become firmly integrated into modern culture.
The document discusses street art, architecture, and urbanism. It defines street art as unsanctioned public expressions using building aesthetics. Polychromy and cladding are mentioned as using color or other materials to dress building exteriors. The conclusion states that street art politically expresses and interacts with urban surroundings in a way that makes functionality aesthetically appealing.
The document discusses different definitions and types of street art. It defines street art as art found in or inspired by the urban environment, with anti-capitalist undertones. Street art encompasses various impermanent forms like stencils, stickers, and yarn bombing. While some see it as vandalism, others view it as a tool for political expression or urban beautification. The legal distinction between graffiti art and vandalism is permission, though many celebrated street artists began without permission.
The document discusses the street art group "Start from Zero" in Hong Kong. It was founded 9 years ago by two members, Dom and Katol, who were inspired to begin doing street art after seeing an "OBEY" poster. Their art uses stencils, stickers, and wheatpasting to spread the message of "starting from zero" and encourage others. However, street art is largely unrecognized and illegal in Hong Kong. To continue their work within the law, Start from Zero now produces clothing and holds exhibitions featuring their designs. Their art allows them to express resistance and find an identity outside of mainstream culture.
Graffiti began in the 1960s in Philadelphia and New York as people began tagging messages and names to honor a musician who had passed away. Over time, graffiti evolved from simple vandalism to a more artistic form as taggers spent more time developing their styles. Supporters argue that graffiti can be used to spread political messages or beautify dull areas when done legally by artists. However, critics argue that graffiti often costs taxpayers significant money to remove and that even illegal graffiti can encourage other crimes by signaling that vandalism will not be punished. The debate continues over whether graffiti is a positive art form or merely destructive vandalism.
Graffiti began in the 1960s in Philadelphia and New York as tags to honor a musician, but soon became more about vandalism and getting messages across. People began widely tagging their names on public transportation in New York in the 1970s. Authorities worked to remove graffiti from trains, pushing artists to tag walls and other public places instead. Supporters argue graffiti can be used for political messages or to beautify areas, while critics argue it is costly vandalism that can encourage other crimes.
Graffiti art is a form of self-expression that allows artists to showcase their talent and opinions in public spaces. While often lumped together with vandalism, graffiti requires skill as a true art form, transforming plain walls into creative works of art through practice over time. The document distinguishes graffiti art from mindless vandalism and highlights that respectful graffiti artists do not deface private property or the work of others without permission.
From graffiti to street art essay pp.pptxDamian Rarog
Street art began emerging in the 1960s with tributes to jazz musicians being written on walls in Philadelphia. It grew in the 1970s in New York City as artists like TAKI 183 and TRACY 168 began "tagging" trains. Over time, vandalism and graffiti evolved into a recognized art form. Street artists use various techniques like stencils, posters, and freehand painting to create works that can address social and political issues while beautifying public spaces. Famous street artists like Banksy, Shepard Fairey, and Space Invader have helped bring attention to causes while transforming dull areas into more vibrant places.
Street art began as graffiti in the 1950s-60s in Philadelphia and New York City. It has since evolved into a global art movement that uses public spaces to communicate messages. While often illegal, street art beautifies neighborhoods and brings attention to social and political issues. It has also helped launch the careers of famous artists like Banksy and introduced new styles like stenciling and tile art. Though controversial, street art has become firmly integrated into modern culture.
The document discusses street art, architecture, and urbanism. It defines street art as unsanctioned public expressions using building aesthetics. Polychromy and cladding are mentioned as using color or other materials to dress building exteriors. The conclusion states that street art politically expresses and interacts with urban surroundings in a way that makes functionality aesthetically appealing.
Graffiti began in the 1960s in Philadelphia and New York as a way to honor musicians and spread messages. Early graffiti was seen as vandalism, but it evolved into an art form as artists tagged their names and neighborhoods across the cities. While some see graffiti as a way to beautify neighborhoods and make political statements, others argue it is socially and politically problematic. It can cost taxpayers millions to remove, encourage crime, and spread hateful or offensive messages. There is ongoing debate around whether graffiti should be considered art or vandalism.
The document discusses the history and origins of graffiti. It traces graffiti back to ancient Rome, where political statements and satire were scratched onto walls. The word "graffiti" comes from the Italian word "graffiato," meaning scratched. While sometimes viewed as vandalism, graffiti has also been considered a form of art and political expression throughout history. Modern graffiti emerged in New York in the 1970s, where artists would tag trains as a way to gain exposure and mark their territory across the city. The document explores both the legal and illegal aspects of graffiti and provides tips for creating graffiti-style lettering on paper.
Graffiti culture has evolved into a modern art form using spray paint with its own history, styles, and prominent artists. While still illegal in most places, graffiti is considered an expression of individuality by its practitioners. The culture includes specialized terms like "writer" for artists and "crew" for collaborative groups. While some view graffiti as vandalism, others see it as a legitimate art form and some cities have designated legal walls for graffiti.
Here is a slideshow presentation of Street Art, with little discussion on its history, differentiation of kinds (e.g. Street Art, Mural Art, Graffiti, and Public Art), various movements, and function of street art. This is presentation is created in attempt to share information and educate people.
Street art originated in Philadelphia in the 1960s as a memorial to a street artist named 'YardBird' who had died. Artists began using graffiti to remember him, and the practice soon spread across the US and worldwide. In New York City, street artists began "tagging" subway cars to get greater exposure as the cars traveled throughout the city. This illegal "bombing" of subway infrastructure was risky but helped popularize street art. While some governments tried to crack down and clean up graffiti, street art grew in popularity and importance, with some pieces like Banksy becoming famous worldwide artworks that attracted tourism. However, street art also caused problems like vandalism, crime, and high cleanup costs for cities
Street art began as graffiti in the early 20th century with gangs tagging walls in New York. Kyselak is considered the "father of graffiti" for spreading his name throughout the Austro-Hungarian Empire in the early 19th century. Graffiti became popular in New York in the 1960s-1970s as people tagged their names and street numbers. Street art is now defined as using techniques like stencils or stickers to convey a message beyond just tagging, and influences include early hobos drawing images. Technology now allows street artists to gain popularity by sharing their work online.
The document provides an overview of graffiti, including its origins, history, definitions, types, and issues surrounding it. It traces graffiti back 40,000 years to early cave paintings and discusses its emergence in the 1960s in Philadelphia and proliferation in New York City in the 1970s-1980s. The document also explores modern graffiti styles and the various public approaches to handling graffiti.
The document provides an introduction to street art, describing it as art created in public spaces that is meant to make a statement or beautify an area. It notes that street art includes various mediums like stickers, spray paint, and stencils. Examples are given of famous street artists from around the world and some of their notable pieces that have been created using different techniques.
Street art and graffiti both involve public art displays, but graffiti focuses more on tags and fame within the graffiti community, while street art aims to send social or political messages anonymously. Graffiti began in the 1960s with tags on subway cars in New York City and has rules around different styles like throw ups and pieces. Street art is now found in museums and brings communities together through murals, but both forms face legal issues and conflicting views from the public. Artists themselves disagree on differences, with some seeing graffiti as rebellious and street art as mature, while others feel the distinctions are forced.
Street art began in the 1960s with graffiti related to jazz musician Charlie Parker in Philadelphia. Graffiti spread to New York in the 1970s and was pioneered by artists like TAKI 183. There are various reasons why people engage in graffiti, street art, and vandalism, ranging from expressing themselves artistically to gaining social acceptance to making political statements. While graffiti can beautify empty spaces and spread messages, it is also expensive to remove and can decrease property values if not properly regulated. Famous street artists like Banksy, Shepard Fairey, and Space Invader use the medium to comment on social and political issues, but their work is sometimes illegal and causes property damage.
Graffiti is a controversial topic that has long been debated as both a form of creative expression but also as an act of vandalism. While some graffiti artists put significant time and effort into their work, graffiti is often seen as vandalism when done without permission, especially by younger people looking to emulate more experienced artists. However, graffiti began as an art form in the 1970s in New York City, pioneered by artists like TAKI 183, and some graffiti artists like Jean-Michel Basquiat and Keith Haring later gained recognition for their work.
Pros and cons of graffiti and street artKatie Taplin
The document discusses the history and perspectives of graffiti and street art. It notes that graffiti originated in Philadelphia in the late 1960s started by two artists named Cornbread and Cool Earl. Street art later branched off from graffiti. The document outlines pros and cons of both graffiti and street art from artistic expression to costs of removal to negative influences. It profiles some influential figures in graffiti history like Taki 183 and Shepard Fairey. Facts are given showing most common graffiti targets in the UK.
Graffiti began in New York in the 1960s as single hitting and was done predominantly by Puerto Ricans and African-Americans from poor, inner-city neighborhoods. In the late 1980s, graffiti was forced to transform as cities built secure train yards and enacted stricter laws in response to graffiti on subway cars. Most artists then took their art to the streets, though some began painting freight trains, losing a vital part of graffiti culture. Varying graffiti styles developed over time, from quick throw ups to complex wildstyles.
This document provides information on several street artists and their techniques:
- Space Invader uses ceramic tiles to create mosaic-style artwork glued on walls in cities worldwide.
- Banksy is known for his stenciled graffiti spray painted on walls, streets, and bridges around the world.
- Shepard Fairey emerged from skateboarding and is known for his "Andre the Giant has a posse" and Obama "Hope" posters displayed in museums globally.
- Mark Jenkins sculpts entirely with cellophane tape to create interactive art.
- Juan Muñoz worked mainly with paper mache, bronze and resin to tell stories through his sculptures.
- JR places
The document discusses the history and origins of graffiti art. It traces graffiti back 30,000 years to prehistoric cave paintings. Modern graffiti emerged in the 1960s with teenagers tagging subway trains in New York City. Graffiti grew closely associated with hip hop culture in the 1980s as artists used spray paint and stencils to create designs. Artists like Basquiat were influential figures in both the graffiti and hip hop scenes in New York during that time. Graffiti continues to influence modern art movements while also dividing opinions as more mainstream artists like Banksy have adopted the style.
From cave paintings 40,000 years ago to modern street art, graffiti has served as a means of expression and communication. It started as vandalism in Philadelphia in the 1960s but has evolved into a recognized art form. However, opinions on graffiti vary - some see it as a way to beautify communities, while others view it as visual clutter that should not be allowed without permission. Legalizing certain graffiti could help social groups feel included in communities while also saving governments money spent on removal.
The document provides an overview of graffiti, including its history and evolution. It begins in the late 1960s with the emergence of "tagging" in New York City, where writers began proliferating their tags across subway systems to communicate and compete. Over time, graffiti grew more elaborate as writers created larger pieces incorporating styles like wildstyle. By the 1980s, graffiti had moved beyond subways and was recognized increasingly as an art form, with a growing presence in commercial media. The document discusses different graffiti styles, public perceptions of graffiti as both a problem and an expression, and approaches to graffiti prevention, removal and management.
Lady Pink argues that art should not be restricted only to galleries and museums, but should be freely expressed by humans wherever they want. Graffiti has a long history dating back to markings found in Pompeii. Though initially seen as uncultured, graffiti was a form of expression for the working classes and a way to critique oppressive authority. Photographer Brassaï brought graffiti to the attention of famous artists in the 1930s. Tagging began as artists started signing their names to trains, and became more elaborate over time. Graffiti is addictive and competitive, valued for its placement in public spaces, and was historically a male-dominated form of expression. The Situationists used graffiti to subvert social
The Whitehouse Projects began 5 years ago in Peru when founder Jim Cossio witnessed street artists creating works directly on gallery walls that would later be painted over. This inspired Cossio to create traveling art events where street and fine artists create works during the event that are then available for purchase through a silent auction. Any unsold works are painted over at the end of the night. The events bring different types of artists together and allow attendees to observe the art creation process and potentially purchase works, with proceeds going to charity. Whitehouse Projects has expanded and will be holding events in several US cities in 2014-2015.
This document discusses graffiti and urban art. It introduces Banksy, the famous graffiti artist from Bristol known for his stenciled spray paintings in public spaces that often contain political or social commentary. Students are instructed to work in pairs to describe graffiti images, look for anything unusual in them, and see if they contain hidden messages. Web links are provided for further information on Banksy and viewing graffiti images.
Graffiti is mostly illegal and seen as vandalism under the law. Laws like the Criminal Damage Act 1971 make it an offense to damage property without permission, with fines or imprisonment as possible punishments. However, some places designate walls where street art is allowed legally. Temporary tape art that does not damage surfaces is also usually permitted. While street artists hold no rights over works created on private property, some cities commission murals to encourage legal street art.
The document discusses the legality of different forms of street art under UK law. Graffiti that causes over £5000 in damage can be referred to the Crown Court, while damage under £5000 is punishable by a fine up to £5000 or community service. Local authorities can issue fixed penalty notices of £75 for unauthorized graffiti under the Clean Neighborhoods and Environment Act. Some places provide legal walls for street artists, and temporary art like tape art is also legal. However, the owner of the land owns any artwork created on it without permission.
Graffiti began in the 1960s in Philadelphia and New York as a way to honor musicians and spread messages. Early graffiti was seen as vandalism, but it evolved into an art form as artists tagged their names and neighborhoods across the cities. While some see graffiti as a way to beautify neighborhoods and make political statements, others argue it is socially and politically problematic. It can cost taxpayers millions to remove, encourage crime, and spread hateful or offensive messages. There is ongoing debate around whether graffiti should be considered art or vandalism.
The document discusses the history and origins of graffiti. It traces graffiti back to ancient Rome, where political statements and satire were scratched onto walls. The word "graffiti" comes from the Italian word "graffiato," meaning scratched. While sometimes viewed as vandalism, graffiti has also been considered a form of art and political expression throughout history. Modern graffiti emerged in New York in the 1970s, where artists would tag trains as a way to gain exposure and mark their territory across the city. The document explores both the legal and illegal aspects of graffiti and provides tips for creating graffiti-style lettering on paper.
Graffiti culture has evolved into a modern art form using spray paint with its own history, styles, and prominent artists. While still illegal in most places, graffiti is considered an expression of individuality by its practitioners. The culture includes specialized terms like "writer" for artists and "crew" for collaborative groups. While some view graffiti as vandalism, others see it as a legitimate art form and some cities have designated legal walls for graffiti.
Here is a slideshow presentation of Street Art, with little discussion on its history, differentiation of kinds (e.g. Street Art, Mural Art, Graffiti, and Public Art), various movements, and function of street art. This is presentation is created in attempt to share information and educate people.
Street art originated in Philadelphia in the 1960s as a memorial to a street artist named 'YardBird' who had died. Artists began using graffiti to remember him, and the practice soon spread across the US and worldwide. In New York City, street artists began "tagging" subway cars to get greater exposure as the cars traveled throughout the city. This illegal "bombing" of subway infrastructure was risky but helped popularize street art. While some governments tried to crack down and clean up graffiti, street art grew in popularity and importance, with some pieces like Banksy becoming famous worldwide artworks that attracted tourism. However, street art also caused problems like vandalism, crime, and high cleanup costs for cities
Street art began as graffiti in the early 20th century with gangs tagging walls in New York. Kyselak is considered the "father of graffiti" for spreading his name throughout the Austro-Hungarian Empire in the early 19th century. Graffiti became popular in New York in the 1960s-1970s as people tagged their names and street numbers. Street art is now defined as using techniques like stencils or stickers to convey a message beyond just tagging, and influences include early hobos drawing images. Technology now allows street artists to gain popularity by sharing their work online.
The document provides an overview of graffiti, including its origins, history, definitions, types, and issues surrounding it. It traces graffiti back 40,000 years to early cave paintings and discusses its emergence in the 1960s in Philadelphia and proliferation in New York City in the 1970s-1980s. The document also explores modern graffiti styles and the various public approaches to handling graffiti.
The document provides an introduction to street art, describing it as art created in public spaces that is meant to make a statement or beautify an area. It notes that street art includes various mediums like stickers, spray paint, and stencils. Examples are given of famous street artists from around the world and some of their notable pieces that have been created using different techniques.
Street art and graffiti both involve public art displays, but graffiti focuses more on tags and fame within the graffiti community, while street art aims to send social or political messages anonymously. Graffiti began in the 1960s with tags on subway cars in New York City and has rules around different styles like throw ups and pieces. Street art is now found in museums and brings communities together through murals, but both forms face legal issues and conflicting views from the public. Artists themselves disagree on differences, with some seeing graffiti as rebellious and street art as mature, while others feel the distinctions are forced.
Street art began in the 1960s with graffiti related to jazz musician Charlie Parker in Philadelphia. Graffiti spread to New York in the 1970s and was pioneered by artists like TAKI 183. There are various reasons why people engage in graffiti, street art, and vandalism, ranging from expressing themselves artistically to gaining social acceptance to making political statements. While graffiti can beautify empty spaces and spread messages, it is also expensive to remove and can decrease property values if not properly regulated. Famous street artists like Banksy, Shepard Fairey, and Space Invader use the medium to comment on social and political issues, but their work is sometimes illegal and causes property damage.
Graffiti is a controversial topic that has long been debated as both a form of creative expression but also as an act of vandalism. While some graffiti artists put significant time and effort into their work, graffiti is often seen as vandalism when done without permission, especially by younger people looking to emulate more experienced artists. However, graffiti began as an art form in the 1970s in New York City, pioneered by artists like TAKI 183, and some graffiti artists like Jean-Michel Basquiat and Keith Haring later gained recognition for their work.
Pros and cons of graffiti and street artKatie Taplin
The document discusses the history and perspectives of graffiti and street art. It notes that graffiti originated in Philadelphia in the late 1960s started by two artists named Cornbread and Cool Earl. Street art later branched off from graffiti. The document outlines pros and cons of both graffiti and street art from artistic expression to costs of removal to negative influences. It profiles some influential figures in graffiti history like Taki 183 and Shepard Fairey. Facts are given showing most common graffiti targets in the UK.
Graffiti began in New York in the 1960s as single hitting and was done predominantly by Puerto Ricans and African-Americans from poor, inner-city neighborhoods. In the late 1980s, graffiti was forced to transform as cities built secure train yards and enacted stricter laws in response to graffiti on subway cars. Most artists then took their art to the streets, though some began painting freight trains, losing a vital part of graffiti culture. Varying graffiti styles developed over time, from quick throw ups to complex wildstyles.
This document provides information on several street artists and their techniques:
- Space Invader uses ceramic tiles to create mosaic-style artwork glued on walls in cities worldwide.
- Banksy is known for his stenciled graffiti spray painted on walls, streets, and bridges around the world.
- Shepard Fairey emerged from skateboarding and is known for his "Andre the Giant has a posse" and Obama "Hope" posters displayed in museums globally.
- Mark Jenkins sculpts entirely with cellophane tape to create interactive art.
- Juan Muñoz worked mainly with paper mache, bronze and resin to tell stories through his sculptures.
- JR places
The document discusses the history and origins of graffiti art. It traces graffiti back 30,000 years to prehistoric cave paintings. Modern graffiti emerged in the 1960s with teenagers tagging subway trains in New York City. Graffiti grew closely associated with hip hop culture in the 1980s as artists used spray paint and stencils to create designs. Artists like Basquiat were influential figures in both the graffiti and hip hop scenes in New York during that time. Graffiti continues to influence modern art movements while also dividing opinions as more mainstream artists like Banksy have adopted the style.
From cave paintings 40,000 years ago to modern street art, graffiti has served as a means of expression and communication. It started as vandalism in Philadelphia in the 1960s but has evolved into a recognized art form. However, opinions on graffiti vary - some see it as a way to beautify communities, while others view it as visual clutter that should not be allowed without permission. Legalizing certain graffiti could help social groups feel included in communities while also saving governments money spent on removal.
The document provides an overview of graffiti, including its history and evolution. It begins in the late 1960s with the emergence of "tagging" in New York City, where writers began proliferating their tags across subway systems to communicate and compete. Over time, graffiti grew more elaborate as writers created larger pieces incorporating styles like wildstyle. By the 1980s, graffiti had moved beyond subways and was recognized increasingly as an art form, with a growing presence in commercial media. The document discusses different graffiti styles, public perceptions of graffiti as both a problem and an expression, and approaches to graffiti prevention, removal and management.
Lady Pink argues that art should not be restricted only to galleries and museums, but should be freely expressed by humans wherever they want. Graffiti has a long history dating back to markings found in Pompeii. Though initially seen as uncultured, graffiti was a form of expression for the working classes and a way to critique oppressive authority. Photographer Brassaï brought graffiti to the attention of famous artists in the 1930s. Tagging began as artists started signing their names to trains, and became more elaborate over time. Graffiti is addictive and competitive, valued for its placement in public spaces, and was historically a male-dominated form of expression. The Situationists used graffiti to subvert social
The Whitehouse Projects began 5 years ago in Peru when founder Jim Cossio witnessed street artists creating works directly on gallery walls that would later be painted over. This inspired Cossio to create traveling art events where street and fine artists create works during the event that are then available for purchase through a silent auction. Any unsold works are painted over at the end of the night. The events bring different types of artists together and allow attendees to observe the art creation process and potentially purchase works, with proceeds going to charity. Whitehouse Projects has expanded and will be holding events in several US cities in 2014-2015.
This document discusses graffiti and urban art. It introduces Banksy, the famous graffiti artist from Bristol known for his stenciled spray paintings in public spaces that often contain political or social commentary. Students are instructed to work in pairs to describe graffiti images, look for anything unusual in them, and see if they contain hidden messages. Web links are provided for further information on Banksy and viewing graffiti images.
Graffiti is mostly illegal and seen as vandalism under the law. Laws like the Criminal Damage Act 1971 make it an offense to damage property without permission, with fines or imprisonment as possible punishments. However, some places designate walls where street art is allowed legally. Temporary tape art that does not damage surfaces is also usually permitted. While street artists hold no rights over works created on private property, some cities commission murals to encourage legal street art.
The document discusses the legality of different forms of street art under UK law. Graffiti that causes over £5000 in damage can be referred to the Crown Court, while damage under £5000 is punishable by a fine up to £5000 or community service. Local authorities can issue fixed penalty notices of £75 for unauthorized graffiti under the Clean Neighborhoods and Environment Act. Some places provide legal walls for street artists, and temporary art like tape art is also legal. However, the owner of the land owns any artwork created on it without permission.
The document discusses the legality of different forms of street art. It describes a legal dispute over a Banksy mural painted on private property without permission. While painting on someone else's property without consent is considered criminal damage, some local councils provide legal spaces for street art. Temporary graffiti using tape is legal but litter laws may apply. Drawing on discarded chewing gum in public is also legal as the artist is using other people's litter.
Graffiti began in the 1920s-1930s as gang markings but became more popular in New York in the 1960s-1970s as people tagged their names. Authorities tried to stop subway tagging, so artists began tagging walls and adding more color and design. Taki 183 and Tracy 168 gained fame for their tagging styles. Graffiti can positively impact run-down areas by making them more vibrant, and it allows political expression, but it is also seen as vandalism and illegal. Pop art inspired graffiti with its use of commercial imagery and styles. Graffiti focuses on tagging to gain fame while street art makes statements, though both comment on society and politics. Famous graffiti artists include Egs, Os
The document is a presentation on graffiti that provides information on the history and types of graffiti. It discusses how graffiti originated as a form of artistic expression in Paris in the 1960s during student protests and then emerged in Brazil influenced by counterculture movements. It also explores different types of graffiti like tags, murals, and "heaven spots"; the purpose of conveying social and political messages; and variations in perceptions and legal regulations of graffiti around the world.
Street art techniques include stencils, posters, freehand spray painting, tiles/mosaics, LED lights, sculptures/objects, pressure washing, knitted graffiti, and chewing gum art. Stencils allow artists to quickly and efficiently reproduce designs, while posters/prints are effective for mass production and message spreading. Some artists use spray paint freehand to create detailed murals, tiles to depict video game characters, or LED lights to beautify dark spaces. Other works like sculptures, knitted items, or chewing gum paintings aim to transform mundane objects into art or statements. Pressure washing and knitted graffiti alter surfaces without damage. A variety of illegal and legal street art forms exist to create social impact
The graffiti movement began in Philadelphia in the 1960s and spread to New York, where people would tag their names and gang numbers on subway cars to increase their reputation. Over time, graffiti escalated and spread worldwide. Authorities tried to crack down by cleaning graffiti, but taggers continued in tunnels and other places. While some see graffiti as art, others view it as criminal damage and vandalism due to the costs of cleanup and how it can make areas seem intimidating. There is still debate around whether graffiti constitutes vandalism or is a legitimate art form.
Street art began in Philadelphia in the 1960s after the death of jazz musician Charlie Parker. It later shifted to New York City in 1971 when artists began illegally painting trains, known as "bombing". While this new art form caused mixed reactions, it allowed artists to express themselves and their messages to the public in a genuine way. Street art is both praised for allowing expression and giving cities more character, but is also criticized as illegal vandalism that costs money to remove. Ultimately, street art has been influential in culture for thousands of years and will likely continue.
The Evolution of Street Art
The Many Styles of Street Art
Famous Street Artists
Legal vs Illegal Street Art
Impact of Street Art on SocietyControversies Surrounding Street ArtThe Future of Street Art
Graffiti and street art have gained more recognition and acceptance in the art world. While graffiti is typically writing someone's name, street art encompasses a wider range of visual artistic expressions done in public spaces, including murals, stencils and wheatpasting. Banksy is a famous street artist known for his politically charged pieces done using stencils and spray paint. Views on street art vary from condemnation as vandalism to acceptance as a valid art form that can beautify cities and bring communities together through outdoor art projects.
The document discusses street vending in New York City. It notes that there are approximately 20,000 street vendors from various boroughs who have been vending for over 200 years. However, street vendors, many of whom are immigrants and people of color, face harassment from police and difficulties obtaining licenses. The Street Vendor Project works to address these injustices by educating vendors on their rights and advocating on their behalf with the government.
The document discusses street vending in New York City. It notes that there are approximately 20,000 street vendors from various boroughs who have been vending for over 200 years. However, street vendors, many of whom are immigrants and people of color, face harassment from police and difficulties obtaining licenses. The Street Vendor Project works to address these injustices by educating vendors on their rights and advocating on their behalf with the government.
Graffiti is often associated with gangs and vandalism. However, not all graffiti artists have criminal intentions. Some respect private property and do not deface other artwork. Graffiti allows artists to express their thoughts publicly without cost and reaches broader audiences than traditional art forms. While graffiti and vandalism are illegal, attempting to stop it or painting over pieces will not end it, as graffiti represents the voice of the streets for many. It should be appreciated for its message rather than dismissed as a crime alone. New art forms often start controversially; graffiti is simply this generation's new means of artistic expression.
Montana Colors is the leading manufacturer of spray paint worldwide, with 18 years of innovation producing a complete range of products for graffiti, art, and industrial uses. The document proposes launching the MTN Graffiti School and Lab to provide legal, educational, and career opportunities for graffiti artists, reducing vandalism. This includes workshops, mapping legal walls, and an online marketplace to sell artists' works, using proceeds to clean illegal graffiti. The goal is to revolutionize graffiti as a recognized art form in London.
Street art began as tagging by gangs in the 1920s-30s and evolved over time. By the 1970s-80s, artists began tagging their names on public transportation and walls in New York. Street art gained popularity in the 1980s and 21st century due to technology and the internet. It has transformed from vandalism into a widely accepted art form that communicates powerful messages. Well-known street artists like Banksy, Shepard Fairey, and Invader have helped establish street art as a legitimate art movement through their unique styles and meaningful works.
Street art began as gang graffiti in the 1920s-30s and evolved over time. By the 1970s-80s, artists began using public spaces to tag their names, starting trends like Taki 183. Street art grew popular in the 80s due to technology and now expresses political and social messages. While sometimes seen as vandalism, street art is now more accepted as an art form. It comes in many styles and is used worldwide to engage audiences in important issues.
Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
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2. What is street art?
Street art is visual art usually created in public locations,
most of the time unsanctioned artwork created outside of the
context of traditional art venues. Many people don’t
recognise this artwork as art and tend to compare it to
vandalism. Street art include different kind of terms, for
example: graffiti artwork, stencil graffiti, sticker art,
wheatpasting and street poster art. There’s no one way to
describe this art, with anti-capitalist and rebellious
undertones, it is a democratic form of popular public art
probably best understood by seeing it in situ.
3. History of
street art.
Some of the earliest expressions of street art were
certainly the graffiti, which started showing up on the
sides of trains, cars and walls. This was the work of gangs
in the 1920s and 1930s New York. The impact of this
subversive culture was extraordinarily felt in the 1970s
and 1980s. These decades were a significant turning
point in the history of street art – it was a time when
young people, by responding to their socio-political
environment, started creating a movement, taking the
‘battle for meaning’ into their own hands. Soon, this
subcultural phenomenon gained the attention and respect
in the ‘grown-up’ world. From the fingers and cans of
teenagers, it had taken a form of true artistic expression.
Essentially an illegal activity, a process of creation through destruction began
its evolution into numerous forms of artistic expression which found it’s way to
galleries and the global art market. Although still subversive, and in its large
part an illegal movement, through art enthusiasts and professionals, street art
earned its place in the contemporary art world.
7. Laws regarding street art (rules against
illegal graffiti)
Anti-Social Behaviour Act 2003
The anti-social behaviour act 2003 introduced powers for local councils to punish
offenders and to help them clean up illegal graffiti. The only way of producing
legal graffiti within the council is by using free walls provided locally (only in
some places). The powers under the Act include the following:
Local authorities have the power to give clean-up notices to owners of street
furniture for example phone boxes if they have graffiti on them The notice will
state that if the property is not cleaned within 28 days the local authority will
be able to remove the graffiti themselves charging the owner for this service.
8. ● The Act also makes it an offence to sell spray paint to people under the age
of 16. It is the duty of shopkeepers to prove that they took reasonable steps
to determine the age of the person. If they did not do this they can be fined
up to £2,500.
The Clean Neighbourhoods and Environment act 2005
Fixed penalty notices: The Anti-Social Behaviour Act 2003 as amended by
the Clean Neighbourhoods and Environment Act 2005 gives local
authorities the power to issue fixed penalty notice for anyone caught doing
graffiti. While the individual is subject to the fixed penalty notice no criminal
proceedings can be brought against him for 14 days after he has become
subject to the notice or if he pays the notice.
9. The Clean Neighbourhoods Act specifies the usual fixed penalty for this offence to
be £75. The local authority is able to specify a higher or lower penalty however if it
deems to be necessary. Failure to comply with the fixed penalty notice will result
in a criminal sanction.
Criminal Damage Act 1971
Section 6 of the Criminal Damage Act 1971 provides for the offences in relation
to graffiti. Someone caught doing graffiti will be guilty of a criminal act and can
be fined up to £5,000 if the damage they have caused is less than £5,000.
Alternatively they may be given a community service order rather than a fine
which is often the case in relation to young offenders.
If the cost of the damage is over £5,000 then the case will be referred to the
Crown Court which has the scope for tougher sentences.
10. Currently the Criminal Damage Act does not give stop and search powers
meaning that people stopped who have been thought to have been carrying out
graffiti cannot be searched for spray cans and such like.
Antisocial Behaviour Order (ASBO)
Anyone over the age of 10 can be gives an ASBO if they behave antisocially.
Behaving antisocially includes:
● Drunken or threatening behaviour.
● Vandalism and graffiti.
● Playing loud music at night.
Getting an ASBO means you won’t be allowed to do certain things, such as:
● Going to a particular place, example; your local town centre.
11. Spending time with people who are known as trouble-makers.
Drinking on the streets.
As ASBO will last for at least 2 years. It could be reviewed if your behaviour
improves.Penalties for not obeying your ASBO.
Breaking or “breaching” the ASBO is a criminal offence and you can be taken to court. The sentence
you get will depend on the circumstances and your age.
● Young offenders.
You can be fined up to £250 (if you’re ages 10 to 14) or up to £1,000 (if you’re ages 15 to 17). The
fine may have to be paid by your parents if you’re under 16. You might also get community sentence
or, if you're over 12, a detention and training order (DTO) for up to 24 months.
● Adult offenders.
You can be fined up to £5,000 or sentenced to 5 years in prison, or both.
12. Where does Graffiti Fall under intellectual property law?
Whether or not graffiti is subject to intellectual property (IP) laws are often
determined by circumstance, the type of property the graffiti exists on, and who
owns that property. Artists, in general, are allowed to claim copyright protection
to prevent others from stealing their work and ideas, and also making profit
from those.
One of these cases regards a famous British street artist called Banksy. He
created a mural on the side of a building, which has stood for years and a not-for-
profit art gallery removed his work. However, the notoriety of Banksy was
something the owners of the building realised, and they claimed that the mural
was worth an estimated $100,000, proceeding to file for damages against the
gallery that removed the mural.
13. Legal graffiti walls
Free walls:
Many local councils within the UK try and provide spaces for
graffiti artists to present their artwork legally. It is a good way
to deal with it within the society because it gives people a
clear indication of where they can do it (and do it legally) and
where they can’t. Example:
Glossop (https://legal-walls.net/wall/1038),
Mossley (https://legal-walls.net/wall/481),
Stalybridge (https://legal-walls.net/wall/1039)
15. Tagging This is an example of tagging in
Manchester Northern quarter. A
tag is the most basic writing of an
artist’s name; it is simple a
handstyle. A graffiti writer’s tag is
his or her personalized signature.
Tags can contain subtle and
sometimes cryptic messages, and
may incorporate the artist’s crew
initials or other letters. Tagging
tends to be illegal and if caught
doing there are fines.
16. Commissioned Mural
Commissioned murals is a
type of street art where the
owners of the particular place
pay the artist to create
something on their property.
These type of murals are legal
since they’re paid for and
arranged, plus include the
artist's name. It’s considered
property and its protected by
law.
17. Large format poster
A poster is any piece of printed paper
designed to be attached to a wall or
vertical surface. Typically posters
include both textual and graphic
elements, although a poster may be
either wholly graphical or wholly text.
Posters are designed to be both eye-
catching and informative. They are
frequent tool of advertisers
(particularly of events, musicians and
films), propagandists, protestors and
other groups trying to communicate a
message.
18. Mosaic
A mosaic is a piece of art or
image made from the
assemblage of small pieces of
coloured glass, stone, or other
materials. It is often used in
decorative art or as interior
decoration, however here it’s
presented as a street art piece.
Most mosaics are made out of
small, flat, roughly square
pieces of stone or glass of
different colours/shades (known
as tesserae).
19. Installation
Installation is another form of
street art,while more
conventional street art is done
on walls and surfaces - street
installations use three-
dimensional objects set in an
urban environment. Like graffiti,
it is generally non-permission
based and the installation is
effectively abandoned by the
artist upon completion. Street
installations sometimes have an
interactive component.
20. Political
Politics and political opinions are
linked in a number of ways to
modern Street Art. Ideology
informs both the work produced
by the artist and how this work is
perceived by the viewer. Artists
can convey explicit messages to
the general public through Street
Art, arguably in a manner which
reaches a larger proportion of
the population than do more
conventional forms of art.
21. Sticker Stickers
Sticker art (also known as sticker
bombing, sticker slapping, slap tagging,
and sticker tagging) is a form of street art
in which an image or message is publicly
displayed using stickers. These stickers
may promote a political agenda,
comment on a policy or issue, or
comprise a subcategory of graffiti.
Sticker artists use a variety of label types,
including inexpensively purchased and
free stickers, such as the United States
Postal Service's Label 228 or name tags.
22. Wheatpaste poster
Wheatpaste (also known as flour paste, or
simply paste) is a gel or liquid adhesive made
from wheat flour or starch and water. It has been
used since antiquity for various arts and crafts
such as bookbinding, collage etc. Closely
resembling wallpaper paste, a crude wheat flour
paste can be made by mixing roughly equal
portions of flour and water by heating until the
mixture thickens. A crucial difference among
wheat pastes is the division between those
made from flour and those made from starch.
Vegetable flours contain both gluten and starch.
Using only starch, a fine quality, fully reversible
paste can be produced. The latter is the
standard adhesive for paper conservation.
24. Final piece
The photoshoot I set up for my final
piece was based on a company
called “Supreme”. It’s a popular and
quite expensive company,
sometimes coming up with stuff
that has literally no use to them as
a clothing/skate company - yet
people still buy it for a name.
Therefore, I decided to put
“Supreme” on a trash bag and make
it look like another thing they’re
selling. I made my model try and
make it look like he’s excited about
it too and would also pay money for
it.
Supreme red clay
brick, selling for £399
retail and on ebay.