2. B2B Focus
Interviews for pain points
MVP Shipped
160+ Early Access Requests
Partner Network in USA & Canada, Australia
Not just another music network
12. Our Team
Anthony Bliss
Founder, Product
Chris Mead
Co-Founder, Design
4+ Years Product Mgmt. & Marketing
Online/Offline Lead Tracking for Mazda
3X Lead Conv. Rate Optimisation
CarSearch Social Search Platform
4+ Years Creative Lead
Award winning website designs
Branding direction across print and web
Creator of @Little_Elliot
Sam Fitzpatrick
Co-founder, Industry Advisor
4+ Years Music Industry Professional
MD of Us Is The New Them
Recordings
Growing independent musician
100+ Live Music Events
14. References
1 http://www.bbc.co.uk/newsbeat/19952717
2
https://www.prsformusic.com/aboutus/corporateresources/reportsandpublications/addinguptheind
ustry2011/Documents/Economic Insight 11 Dec.pdf
The implementation of the Live Music Act in October 2012 will contribute to a healthy future for live
music at all levels.
Events with a capacity of 200 or less no longer need to obtain permission from their local authority,
which should see more pubs willing to host musical performances in the coming months.
Extending the range of venues available to performers can only be a good thing for the long-term
future of live music.
Growth at the top end of the market cannot be expected to continue if new acts aren’t presented with
adequate opportunities to hone their craft.2
Thank you
Editor's Notes
Problem
Issues
Solving
Problem
Issues
Solving
Make it easier for musicians to find venues and venues to find musicians
Win win, an enabling platform that creates an ecosystem of new and additional job outcomes
Marketplace = Convenience
Venues (Pubs, Gardens, Houses, Practise rooms, Recording Studios) & Professional Services (musicians, sound engineers, mastering studios)
Revenue Model
Y1 1 Per Month @ 1% Market Penetration
Y2 2 Per Month @ 3% Market Penetration
Y3 4 Per Month @ 10% Market Penetration
Y4 8 Per Month @ 10% Market Penetration