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Song Mise-En-Scene Editing Camera Angles Narration
Beyonce - Sorry • Black and white filter
(more dramatic,
emphasises that it is a
direct alternative to pop
music)
• Urban locations (e.g bus,
car-park, connotes the
urban style of hip-hop
music)
• Face paint represents
African sub-culture and
connotes the origins of
the R&B/Hip-Hop genre
• Ensemble wear similar
costumes (connotes
unity and makes the
dance routines appear
smoother, furthermore
allows for Beyonce to
stand out as an artist –
thus creating her ‘star
persona’.
• Use of dancing and
organised choreography
is typical to R&B music,
as it emphasises the
heavy, rhythmic beat of
the song.
• Black and white filter
symbolises heartbreak,
indicates that she feels
numb after her husbands
affair
• Shots are significantly
longer in places (creates
a sense of tension,
particularly during the
master shots of the
house)
• Slow-motion on bus,
when Beyonce addresses
the camera (emphasises
her happiness, shows
that she is moving
forward from this
heartbreak)
• Stop-motion
(performance becomes
disjointed, could
symbolise a broken
heart?)
• Additionally, use of stop-
motion suits the beat well,
furthermore suits the hip-hop
genre well and emphasises
the tension connoted by the
narrative
• Hand-held shots on bus
(connotes guilty realism
and raw emotion – also
creates a more natural,
urban feel) UNPOLISHED
• Medium close up, staring
directly into the camera
and addressing the
audience (deeper
understanding of the
artist’s anger and
emotion)
• Master shot (shows all
dancers –strength in
numbers)
• Panning shot of trees
(calm, juxtaposition
between Beyonce’s lip-
syncing)
• Low angle shot (indicates
power, makes Beyonce
appear strong)
• Wide shot on bus (all
dancers in view, sense of
unity)
• Zoom (brings audience closer
to artist, concentrate on stare,
appreciate her strong, fierce
persona)
• Narration at beginning
(subliminal message,
aimed at Jay Z who had
an affair)
• Religious language in
narration connotes her
anger (e.g Jay Z has
broken 10
Commandments and
should be punished)
• Narrative = revenge,
shows she’s stronger
without him and does’t
need him anymore (black
and white also connotes
how she is numb to his
actions)
• Nursery rhyme style
motif at the beginning
creates a juxtaposition
(creates tension as
contrasts with the theme
of revenge)
• Word apathy = means
lack of interest
(demonstrates how she
no longer cares about her
Partner)
Song Mise-En-Scene Editing Camera Angles Narrative
Drake – Hotline Bling • Vivid, contrasting colours
(bright, dynamic
atmosphere)
• Dancing (common
convention of R&B
videos, unique style
represents modern
themes of video)
• Silhouettes of girls
dancing provocatively
(typical convention of
R&B videos, relates to
Mulvey’s male gaze
theory)
• Costumes = urban style
(e.g knitted jumpers with
jogging bottoms,
incredibly casual)
• Men more covered up
than women (female
dancers wear high heels
and crop tops, particulary
exposed)
• iPhone links with the
phone-call theme (relates
to song title)
• Quick colour changes
(emotional, angry,
annoyed?)
• Slow motion during
the women’s dance
scenes (attracts male
attention)
• Long takes (relaxed,
calm, laid back video)
• Cross-cutting between
Drake and the female
dancers (indicates his
main point of interest
and what his song is
about)
• Jump cuts between
different shots of
Drake (creates his
‘star persona’ and
attracts the audiences
attention towards
him)
• Long shot (women’s body
in full focus – creates a
misogynistic tone)
• Master shot (all women
in view, emphasises the
role of a ‘female call
centre’)
• Close up of women’s
bodies (male gaze theory,
engrains this
representation of women
onto audience’s minds)
• Zoom towards women
(artist’s main interest –
singing about ‘girls’)
• Low angle shots (Drake =
dominant, in control)
• Camera pans across
women (demonstrates
attraction, idea that
visuals are directed
towards heterosexual
male audience)
• Wide shot (shows Drake’s
dancing, emphasises his
‘star persona’ and R&B
convention)
• Video doesn’t have a
strong narrative, more
performance based
• Primary focus on
Drake, unique modern
dance moves
represent his
eccentricity
• Call centre scene –
creates the impression
that women are there
to please men
(misogynistic)
• Women do not receive
an equal portrayal to
men, used as
decoration to make
the male protagonist
appear more
powerful, attractive
and dominant
Song Mise-En-Scene Editing Camera Angles Narration
Usher - Chains • American Flag
(resembles justice,
creates a juxtapostion
created by the criminal
themes in the video)
• Hands held together
represent prayer
(indicates their
depeseration)
• Handcuffs and gun
(semantic elements,
connote violence and
oppression)
• Hands held up to the
windows (creates
sympathy, indicates that
black people are trapped
society)
• Usher’s facial expressions
connote the fear they
experience as a result of
their oppression)
• Smashed statue (failure
of law and order,
contradicting the
constitution, going
against American justice
system)
• Flashing lights = police
• Black and white filter
(more dramatic, serious
atmosphere, represents
oppression)
• Similar to Beyonce’s
video, connoting a hurtful
message, represents
‘dark times’
• Low contrast editing
(symbolises darkness and
oppression, indicates the
terror and fear within
society)
• Short shots and quick
jump cuts (disjointed
narrative, indicates the
panic and fear
experienced by this
particular social group)
• Slow-motion (strong
emotional response, fully
represents their
oppression)
• Close-ups of victims
create pathos (fully
demonstrate their fear)
• Deep focus shot (focuses
on the victims behind the
crimes, further sympathy
is generated)
• Extreme close ups of
hands (fully represents
their pain and allows us
to see them as trapped by
society)
• Pan of lip-syncing
(indicates that the artist
is fighting for justice
through the use of the
mainstream media,
getting them to focus on
their side of the story)
• Zoom into characters
(creates the impression
that they are trying to
fight back, and are
growing stronger in fear)
• Artist being chased and
visiting the victims of
unjust shootings creates
empathy, and draws more
attention to the ‘Black
Lives Matter’ movement.
• Prominent celebrity,
viewing his oppression
spreads awareness of the
issues within society
• Blood on hands and
shattered statues of
figures that represent
justice indicate the
destruction of the
constitution, thus
showing how law and
order has failed
• Use of children as extras
creates a great sense of
pathos (innocent yet
vulnerable in society,
treatment seems unfair)
• Man in catatonic state at
funeral represents the
shock of society (people
have no idea what they
can do)

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Genre Research

  • 1.
  • 2. Song Mise-En-Scene Editing Camera Angles Narration Beyonce - Sorry • Black and white filter (more dramatic, emphasises that it is a direct alternative to pop music) • Urban locations (e.g bus, car-park, connotes the urban style of hip-hop music) • Face paint represents African sub-culture and connotes the origins of the R&B/Hip-Hop genre • Ensemble wear similar costumes (connotes unity and makes the dance routines appear smoother, furthermore allows for Beyonce to stand out as an artist – thus creating her ‘star persona’. • Use of dancing and organised choreography is typical to R&B music, as it emphasises the heavy, rhythmic beat of the song. • Black and white filter symbolises heartbreak, indicates that she feels numb after her husbands affair • Shots are significantly longer in places (creates a sense of tension, particularly during the master shots of the house) • Slow-motion on bus, when Beyonce addresses the camera (emphasises her happiness, shows that she is moving forward from this heartbreak) • Stop-motion (performance becomes disjointed, could symbolise a broken heart?) • Additionally, use of stop- motion suits the beat well, furthermore suits the hip-hop genre well and emphasises the tension connoted by the narrative • Hand-held shots on bus (connotes guilty realism and raw emotion – also creates a more natural, urban feel) UNPOLISHED • Medium close up, staring directly into the camera and addressing the audience (deeper understanding of the artist’s anger and emotion) • Master shot (shows all dancers –strength in numbers) • Panning shot of trees (calm, juxtaposition between Beyonce’s lip- syncing) • Low angle shot (indicates power, makes Beyonce appear strong) • Wide shot on bus (all dancers in view, sense of unity) • Zoom (brings audience closer to artist, concentrate on stare, appreciate her strong, fierce persona) • Narration at beginning (subliminal message, aimed at Jay Z who had an affair) • Religious language in narration connotes her anger (e.g Jay Z has broken 10 Commandments and should be punished) • Narrative = revenge, shows she’s stronger without him and does’t need him anymore (black and white also connotes how she is numb to his actions) • Nursery rhyme style motif at the beginning creates a juxtaposition (creates tension as contrasts with the theme of revenge) • Word apathy = means lack of interest (demonstrates how she no longer cares about her Partner)
  • 3. Song Mise-En-Scene Editing Camera Angles Narrative Drake – Hotline Bling • Vivid, contrasting colours (bright, dynamic atmosphere) • Dancing (common convention of R&B videos, unique style represents modern themes of video) • Silhouettes of girls dancing provocatively (typical convention of R&B videos, relates to Mulvey’s male gaze theory) • Costumes = urban style (e.g knitted jumpers with jogging bottoms, incredibly casual) • Men more covered up than women (female dancers wear high heels and crop tops, particulary exposed) • iPhone links with the phone-call theme (relates to song title) • Quick colour changes (emotional, angry, annoyed?) • Slow motion during the women’s dance scenes (attracts male attention) • Long takes (relaxed, calm, laid back video) • Cross-cutting between Drake and the female dancers (indicates his main point of interest and what his song is about) • Jump cuts between different shots of Drake (creates his ‘star persona’ and attracts the audiences attention towards him) • Long shot (women’s body in full focus – creates a misogynistic tone) • Master shot (all women in view, emphasises the role of a ‘female call centre’) • Close up of women’s bodies (male gaze theory, engrains this representation of women onto audience’s minds) • Zoom towards women (artist’s main interest – singing about ‘girls’) • Low angle shots (Drake = dominant, in control) • Camera pans across women (demonstrates attraction, idea that visuals are directed towards heterosexual male audience) • Wide shot (shows Drake’s dancing, emphasises his ‘star persona’ and R&B convention) • Video doesn’t have a strong narrative, more performance based • Primary focus on Drake, unique modern dance moves represent his eccentricity • Call centre scene – creates the impression that women are there to please men (misogynistic) • Women do not receive an equal portrayal to men, used as decoration to make the male protagonist appear more powerful, attractive and dominant
  • 4. Song Mise-En-Scene Editing Camera Angles Narration Usher - Chains • American Flag (resembles justice, creates a juxtapostion created by the criminal themes in the video) • Hands held together represent prayer (indicates their depeseration) • Handcuffs and gun (semantic elements, connote violence and oppression) • Hands held up to the windows (creates sympathy, indicates that black people are trapped society) • Usher’s facial expressions connote the fear they experience as a result of their oppression) • Smashed statue (failure of law and order, contradicting the constitution, going against American justice system) • Flashing lights = police • Black and white filter (more dramatic, serious atmosphere, represents oppression) • Similar to Beyonce’s video, connoting a hurtful message, represents ‘dark times’ • Low contrast editing (symbolises darkness and oppression, indicates the terror and fear within society) • Short shots and quick jump cuts (disjointed narrative, indicates the panic and fear experienced by this particular social group) • Slow-motion (strong emotional response, fully represents their oppression) • Close-ups of victims create pathos (fully demonstrate their fear) • Deep focus shot (focuses on the victims behind the crimes, further sympathy is generated) • Extreme close ups of hands (fully represents their pain and allows us to see them as trapped by society) • Pan of lip-syncing (indicates that the artist is fighting for justice through the use of the mainstream media, getting them to focus on their side of the story) • Zoom into characters (creates the impression that they are trying to fight back, and are growing stronger in fear) • Artist being chased and visiting the victims of unjust shootings creates empathy, and draws more attention to the ‘Black Lives Matter’ movement. • Prominent celebrity, viewing his oppression spreads awareness of the issues within society • Blood on hands and shattered statues of figures that represent justice indicate the destruction of the constitution, thus showing how law and order has failed • Use of children as extras creates a great sense of pathos (innocent yet vulnerable in society, treatment seems unfair) • Man in catatonic state at funeral represents the shock of society (people have no idea what they can do)