Genre analysis
•Download as PPTX, PDF•
0 likes•108 views
My partner and I have decided to create a hood crime film trailer based on our analysis of successful trailers in this genre such as Ill Manors, Harry Brown, and Adulthood. We were drawn to the exciting conventions of the hood crime genre, which typically focuses on the struggles of young black men growing up in urban environments surrounded by gang activity, poverty, and crime. Key themes include reality, survival, identity, and gang violence. Generic conventions include realistic portrayals of criminals and criminal acts set in run-down urban areas, with a focus on stereotypical characters, slang, violence, drugs/alcohol, and hip hop music.
Report
Share
Report
Share
Recommended
Genre analysis
My partner and I have decided to create a hood crime film trailer based on our analysis of successful trailers in this genre such as Ill Manors, Harry Brown, and Adulthood. We were drawn to the exciting conventions of the hood crime genre, which typically focuses on the struggles of young black men growing up in urban environments surrounded by gang violence, poverty, and racial discrimination. Hood crime films and trailers aim to portray realistic depictions of crime and the circumstances that lead people into criminal lifestyles while also raising awareness of societal issues. Common themes in these works include reality, perception, death, gang violence, drug use, law breaking, identity, survival, and purpose.
Wire ppt
The document provides an overview of the HBO crime drama television series The Wire. It discusses how each season focuses on a different institution in Baltimore such as the drug trade, port system, government, schools, and media. It also summarizes the realistic portrayal of urban life and how the characters, though divided between law enforcement and criminals, are complex with both positive and negative qualities. The document also highlights the show's themes around the impact of institutions on individuals and its aim to present a truthful depiction of Baltimore through its characters and dialogue.
Crime & Gangster Films
Crime & gangster films focus on the illegal activities of criminals and gangsters. They can portray real-life or fictional characters and examine themes like the effects of poverty and pursuing wealth and power. Key characters typically include criminals, their accomplices, law enforcement agents, and rival gangs. These films are often considered a subgenre of film noir due to their stylistic similarities such as negative characterizations and morally ambiguous narratives.
Crime(W.A)
Crime films focus on the lives of criminals and their deeds, ranging from realistic portrayals to exaggerated villains. Common conventions include morally upright protagonists investigating crimes like murder in disturbing areas involving drugs and gangs. Subgenres are crime comedies mixing humor with crimes, crime thrillers focusing on protagonists overcoming dramatic criminal situations, and film noir mysteries from the 1940s-1960s. Heist films and mafia films depict organized criminal plans like bank robbery, kidnapping, and violence between crime groups. Famous crime movies include Taken, The Godfather, Pain and Gain, Sin City, Ocean's Eleven, 50 Cent's Get Rich or Die Tryin', and The Italian Job.
How does your media product represent particular social
The document discusses how the media product represents different social groups in terms of race, gender, age, and social class. It notes that the main character is Asian to fit with the title "Outsider" and challenge stereotypes of Asians. The villains are of different ethnicities to reflect London's diversity. All major roles are male to fit thriller conventions, and the cast are teenagers aged 16-17 to portray stereotypes about youth and gangs. Most characters are working class to match the suburban London setting and create a brutal tone.
Crime(W.A)
Crime films focus on the lives of criminals and their evil deeds, ranging from realistic portrayals to exaggerated villains overcome by heroes. Common conventions include morally upright protagonists investigating crimes like murder in dangerous areas. The protagonist often has a personal stake and the plans become more intricate over the film, with the hero prevailing and romantically rewarded or avenged. Subgenres are crime comedies mixing humor, crime thrillers emphasizing action/drama, film noir of the 1940s-60s, and heist films of robbery plots. Other genres depict gang problems or Mafia activities.
Urban Drama themes and character types
Urban drama films typically explore themes of corruption, violence, betrayal, drug addiction, and poverty according to the document. The document also notes that these themes can help a film group develop ideas for their trailer by understanding what elements are common in urban drama films. Character types seen in urban dramas include gang members, police officers, and those struggling with poverty or addiction.
In what way does your media product represent social groups.
The document discusses how media represents different social groups such as teenagers, the middle class, chavs, and criminals. It provides three stills as examples - the first from the author's film showing a character who is part of the "criminal social group" wearing a hooded top, the second of an actor from the film "Kidulthood" also wearing a hooded top in a way that conceals identity and implies criminality, and the third of rap artist Lil Wayne wearing a hooded top who has faced criminal charges himself, reinforcing the negative connotations of hooded tops.
Recommended
Genre analysis
My partner and I have decided to create a hood crime film trailer based on our analysis of successful trailers in this genre such as Ill Manors, Harry Brown, and Adulthood. We were drawn to the exciting conventions of the hood crime genre, which typically focuses on the struggles of young black men growing up in urban environments surrounded by gang violence, poverty, and racial discrimination. Hood crime films and trailers aim to portray realistic depictions of crime and the circumstances that lead people into criminal lifestyles while also raising awareness of societal issues. Common themes in these works include reality, perception, death, gang violence, drug use, law breaking, identity, survival, and purpose.
Wire ppt
The document provides an overview of the HBO crime drama television series The Wire. It discusses how each season focuses on a different institution in Baltimore such as the drug trade, port system, government, schools, and media. It also summarizes the realistic portrayal of urban life and how the characters, though divided between law enforcement and criminals, are complex with both positive and negative qualities. The document also highlights the show's themes around the impact of institutions on individuals and its aim to present a truthful depiction of Baltimore through its characters and dialogue.
Crime & Gangster Films
Crime & gangster films focus on the illegal activities of criminals and gangsters. They can portray real-life or fictional characters and examine themes like the effects of poverty and pursuing wealth and power. Key characters typically include criminals, their accomplices, law enforcement agents, and rival gangs. These films are often considered a subgenre of film noir due to their stylistic similarities such as negative characterizations and morally ambiguous narratives.
Crime(W.A)
Crime films focus on the lives of criminals and their deeds, ranging from realistic portrayals to exaggerated villains. Common conventions include morally upright protagonists investigating crimes like murder in disturbing areas involving drugs and gangs. Subgenres are crime comedies mixing humor with crimes, crime thrillers focusing on protagonists overcoming dramatic criminal situations, and film noir mysteries from the 1940s-1960s. Heist films and mafia films depict organized criminal plans like bank robbery, kidnapping, and violence between crime groups. Famous crime movies include Taken, The Godfather, Pain and Gain, Sin City, Ocean's Eleven, 50 Cent's Get Rich or Die Tryin', and The Italian Job.
How does your media product represent particular social
The document discusses how the media product represents different social groups in terms of race, gender, age, and social class. It notes that the main character is Asian to fit with the title "Outsider" and challenge stereotypes of Asians. The villains are of different ethnicities to reflect London's diversity. All major roles are male to fit thriller conventions, and the cast are teenagers aged 16-17 to portray stereotypes about youth and gangs. Most characters are working class to match the suburban London setting and create a brutal tone.
Crime(W.A)
Crime films focus on the lives of criminals and their evil deeds, ranging from realistic portrayals to exaggerated villains overcome by heroes. Common conventions include morally upright protagonists investigating crimes like murder in dangerous areas. The protagonist often has a personal stake and the plans become more intricate over the film, with the hero prevailing and romantically rewarded or avenged. Subgenres are crime comedies mixing humor, crime thrillers emphasizing action/drama, film noir of the 1940s-60s, and heist films of robbery plots. Other genres depict gang problems or Mafia activities.
Urban Drama themes and character types
Urban drama films typically explore themes of corruption, violence, betrayal, drug addiction, and poverty according to the document. The document also notes that these themes can help a film group develop ideas for their trailer by understanding what elements are common in urban drama films. Character types seen in urban dramas include gang members, police officers, and those struggling with poverty or addiction.
In what way does your media product represent social groups.
The document discusses how media represents different social groups such as teenagers, the middle class, chavs, and criminals. It provides three stills as examples - the first from the author's film showing a character who is part of the "criminal social group" wearing a hooded top, the second of an actor from the film "Kidulthood" also wearing a hooded top in a way that conceals identity and implies criminality, and the third of rap artist Lil Wayne wearing a hooded top who has faced criminal charges himself, reinforcing the negative connotations of hooded tops.
Urban stories exam approach
The document discusses themes related to urban stories and films about power, poverty, and conflict. It provides context on films like "La Haine" and "City of God" that portray cultures dominated by powerful ideologies and the inability to form relationships due to social conditions. Issues covered include feelings of insignificance, violence, and conflicts arising from social/cultural environments. The document also analyzes how these films use aspects like mise-en-scene and sound to generate meaning and emotional responses regarding the issues presented.
City of God Booklet
City of God tells the story of Rocket, a young man growing up in the violent slums of Rio de Janeiro in the 1960s-1980s. As crime escalates in brutality under the leadership of the psychopathic gang leader Lil' Ze, Rocket pursues a career in photography to escape the criminal world of the favelas. The film chronicles the changing gang culture over the decades as weapons become more powerful and gang members younger. Rocket acts as an observer of the intertwining narratives unfolding around him as he witnesses the short and brutal lives of those in the slums.
Crime genre
The document discusses conventions of the crime genre in film. It provides details on common character types like gangsters and bank robbers who operate outside the law. Narratives often follow the life of a criminal or their rise and fall through conflicts. Settings typically involve large cities and dark locations like alleyways and nightclubs to give the films a dark feel and signal the genre to audiences.
Genre presentation
This document discusses the crime/drama genre. It provides examples of hybrid crime/drama films such as New Jack City, Safe, and Dead Presidents. It notes that crime/drama films are influenced by film noir and emphasize cynical attitudes without misleading viewers about unhappy endings. These films also blend drama and real-life criminality and transgression. Narratives typically show a criminal's rise and fall due to conflicts with family, surroundings, or law enforcement. Crime/drama films employ techniques like apparatus film theory to convey meaning through camerawork and character expressions. They often portray criminals as immoral and self-destructive individuals destroyed by police heroes. Common props, locations, and cinematography of the
City of god
Here is a potential response to the question:
Both La Haine and City of God use stylistic techniques to represent the social realities of the environments they depict, while also pushing the boundaries of realism.
La Haine employs a documentary-like aesthetic through its handheld camerawork, long takes, and natural lighting. However, it is not a purely observational film, as techniques like crane shots add a sense of stylization. Overall, its black and white cinematography and slower pacing create a gritty sense of realism.
City of God has a more chaotic, kinetic visual style in line with the violence of the favelas. Its use of quick cuts, Dutch angles, and color gives a vivid
La Haine first analysis
This document provides an overview of common issues, contexts, and representations explored in urban stories films. It discusses themes of cultures dominated by powerful ideologies, feelings of insignificance, and conflicts arising from social/cultural environments. For the film La Haine, it notes the context of 1990s Paris housing estates and police brutality. It examines representations of ethnic young men and how characters like Hubert reject crime but are impacted by circumstances beyond their control. Students are tasked with analyzing 1-2 scenes from the films through discussion of techniques, themes and the social issues they raise.
Thriller genre Forms and Conventions
The film Léon: The Professional is a 1994 French thriller directed by Luc Besson. It stars Jean Reno as Léon, a professional hitman, and Gary Oldman as the corrupt DEA agent Stansfield. Léon takes in 12-year-old Mathilda after her family is killed by Stansfield. Mathilda develops feelings for Léon and becomes his protégé, learning how to fight and use guns. They work together to seek revenge on Stansfield for Mathilda's family. The film contains many thriller genre conventions like stereotypical characters, themes of crime, revenge, and corruption, and an urban setting with guns and violence.
Film genre crime
This document provides an overview of the crime film genre. It defines crime films as focusing on the lives of criminals, ranging from realistic portrayals to fantastical villains. Some common crime film subgenres discussed are crime-comedies, crime-thrillers, heist films, and mob films. Crime films typically feature strong violence, language, sexual content and depictions of criminal acts like theft, murder, and drugs. They usually include guns, drugs, and strong male leads with weak female characters. Cinematography in crime films employs long shots to establish locations and add mystery to characters.
Summary of urban stories 2014
This document provides context and analysis of the films La Haine and City of God. For both films, it examines themes of power, poverty, and conflict within urban environments. It summarizes key plot points, characters, and scenes. It also analyzes how the films portray issues of ethnicity, gender, class, and violence within the contexts of France and Brazil. The document uses examples and details from the films to illustrate its points about the social, political, and historical contexts portrayed.
Audience research for thriller
The document discusses the target audience for the 1976 film Taxi Driver, directed by Martin Scorsese and starring Robert De Niro. It analyzes that the primary target audience is adults aged 18-40, as younger audiences may struggle with themes of the main character's job, political views, and depicted mental illness. It also suggests that the film targets male audiences specifically, due to the lead male character and depiction of his experiences as a male taxi driver. Finally, it states that the film's target socio-economic group would be the working class, as the main character's job as a taxi driver places him in a position that would be relatable to this class.
A2 media genre research
A police crime thriller focuses on crime stories from a law enforcement perspective. Examples include The Untouchables, Out of Time, and Scarface. Seven (1995) follows two detectives hunting a serial killer targeting victims for the seven deadly sins. Gangster Squad (1949) depicts cops battling a ruthless mobster running Los Angeles. The Departed (2006) involves an undercover officer and police mole infiltrating the Irish mafia in Boston, often ending in bloodshed as loyalties are tested. Key conventions include the use of guns, alcohol, tough protagonists, and portraying law enforcement in an imperfect light.
Thriller genre
The document discusses the 1994 film Léon: The Professional, analyzing its characters, themes, and stylistic elements that are common in the thriller genre. It examines the stereotypical characters such as Leon and Mathilda, as well as themes of revenge, corruption, love, and crime. The document also analyzes the film's narrative techniques, iconography involving weapons, and audiovisual style using shots like close-ups.
Sex and violence in film
Sex and violence in films refers to the presentation of sexuality, sex acts, and violent actions. Explicit scenes are commonly seen in art films, horror films, erotic dramas, and thrillers. A brief history showed that early films contained violence to create a sense of realism. Attitudes towards sex and violence in films vary across regions and countries due to differing cultural norms and censorship standards. While ratings systems aim to help audiences find age-appropriate content, education is also seen as an important way to develop self-censorship.
Representation of Gender in City of God
The document discusses the representation of gender in the film City of God. It notes that men are depicted as strong, violent, and associated with crime and drugs, while women are portrayed as weak and used by men. This shows an imbalance between genders that reflects the undeveloped nature of the favelas. Key scenes discussed include a man being killed while trying to escape with his girlfriend, and a rape scene showing men taking out aggression on women. The challenges presented by some powerful female characters, like a reporter, are also mentioned.
Understanding Film Through Context
This document discusses how understanding films through their contexts is important. It provides examples of how societal attitudes, politics, censorship, artistic conventions, financial constraints, and technological developments have influenced filmmaking. Understanding these contextual factors helps viewers more accurately comprehend and judge the films.
City of god gender
The document discusses the representation of gender in the 2002 film City of God. It notes that gender plays an important role, with men typically portrayed as powerful through controlling the drug trade and asserting dominance over women through violence and rape. However, some scenes challenge typical gender roles, such as a woman manipulating a man through sex, or a woman convincing a man to leave the city with her after becoming pregnant. Overall, the film presents a stereotypical portrayal of gender but also raises questions about women gaining or challenging power over men in some situations.
Malcolm presentation
This mockumentary follows Malcolm, a small-time illegal arms dealer living in Detroit. It examines his belief that he is helping society through his weapons trafficking by fueling conflict between criminal groups. The film crew documenting Malcolm struggles with the ethics of filming his illegal activities. As the film progresses, Malcolm becomes more paranoid and short-tempered as he is hunted by law enforcement. His friend Timothy offers some dissenting opinions about Malcolm's work.
Mind map hooligan film
The document outlines three potential film ideas:
1) A hooligan film called "Extreme Victory" about a teenager drawn into football hooliganism. Scenes could be easily filmed in London on private property with access to actors.
2) A gangster film called "Payback" about a man escaping London for Spain but getting involved with a gang. Scenes in London are feasible but footage abroad is not realistic.
3) A thriller called "Soldier of Retaliation" about a soldier befriending a family where deaths later occur. Costumes and war footage are not realistic within the budget.
"Extreme Victory" is chosen as it has the most advantages in terms of access
Evaluation question 2
The document discusses how the media product represents different social groups including social class, gender, sexuality, family, and race. For social class, characters are depicted as working class, upper class, and middle class using clothing and setting. Both main characters are initially male but more gender variety is intended later. Sexuality includes both heterosexual and gay relationships but the alleged rapist is portrayed as heterosexual. Family is shown grieving and united after the assault. Race is not a focus in the opening but all races and ethnicities will be represented, avoiding stereotypes about criminality.
Grave consequences
This document outlines a proposed action comedy film called "Grave Consequences" that follows two people who dispose of dead bodies and get into trouble. It is influenced by comedy/action movies like 21 Jump Street and Bad Boys. The target audience would be teenagers and young adults aged 15-24. Ideas for marketing include teaser scenes of the characters throwing bodies in a river or finding them in a car trunk, as well as poster and magazine cover designs to pique interest in the mysterious story.
Configuração de Eqúipamentos
We are experts in hardware solutions. For over 20 years, we have provided customized hardware solutions for various industries such as manufacturing, healthcare, education, and more. Contact us today to discuss your needs and how we can help you with an optimized hardware solution.
More Related Content
What's hot
Urban stories exam approach
The document discusses themes related to urban stories and films about power, poverty, and conflict. It provides context on films like "La Haine" and "City of God" that portray cultures dominated by powerful ideologies and the inability to form relationships due to social conditions. Issues covered include feelings of insignificance, violence, and conflicts arising from social/cultural environments. The document also analyzes how these films use aspects like mise-en-scene and sound to generate meaning and emotional responses regarding the issues presented.
City of God Booklet
City of God tells the story of Rocket, a young man growing up in the violent slums of Rio de Janeiro in the 1960s-1980s. As crime escalates in brutality under the leadership of the psychopathic gang leader Lil' Ze, Rocket pursues a career in photography to escape the criminal world of the favelas. The film chronicles the changing gang culture over the decades as weapons become more powerful and gang members younger. Rocket acts as an observer of the intertwining narratives unfolding around him as he witnesses the short and brutal lives of those in the slums.
Crime genre
The document discusses conventions of the crime genre in film. It provides details on common character types like gangsters and bank robbers who operate outside the law. Narratives often follow the life of a criminal or their rise and fall through conflicts. Settings typically involve large cities and dark locations like alleyways and nightclubs to give the films a dark feel and signal the genre to audiences.
Genre presentation
This document discusses the crime/drama genre. It provides examples of hybrid crime/drama films such as New Jack City, Safe, and Dead Presidents. It notes that crime/drama films are influenced by film noir and emphasize cynical attitudes without misleading viewers about unhappy endings. These films also blend drama and real-life criminality and transgression. Narratives typically show a criminal's rise and fall due to conflicts with family, surroundings, or law enforcement. Crime/drama films employ techniques like apparatus film theory to convey meaning through camerawork and character expressions. They often portray criminals as immoral and self-destructive individuals destroyed by police heroes. Common props, locations, and cinematography of the
City of god
Here is a potential response to the question:
Both La Haine and City of God use stylistic techniques to represent the social realities of the environments they depict, while also pushing the boundaries of realism.
La Haine employs a documentary-like aesthetic through its handheld camerawork, long takes, and natural lighting. However, it is not a purely observational film, as techniques like crane shots add a sense of stylization. Overall, its black and white cinematography and slower pacing create a gritty sense of realism.
City of God has a more chaotic, kinetic visual style in line with the violence of the favelas. Its use of quick cuts, Dutch angles, and color gives a vivid
La Haine first analysis
This document provides an overview of common issues, contexts, and representations explored in urban stories films. It discusses themes of cultures dominated by powerful ideologies, feelings of insignificance, and conflicts arising from social/cultural environments. For the film La Haine, it notes the context of 1990s Paris housing estates and police brutality. It examines representations of ethnic young men and how characters like Hubert reject crime but are impacted by circumstances beyond their control. Students are tasked with analyzing 1-2 scenes from the films through discussion of techniques, themes and the social issues they raise.
Thriller genre Forms and Conventions
The film Léon: The Professional is a 1994 French thriller directed by Luc Besson. It stars Jean Reno as Léon, a professional hitman, and Gary Oldman as the corrupt DEA agent Stansfield. Léon takes in 12-year-old Mathilda after her family is killed by Stansfield. Mathilda develops feelings for Léon and becomes his protégé, learning how to fight and use guns. They work together to seek revenge on Stansfield for Mathilda's family. The film contains many thriller genre conventions like stereotypical characters, themes of crime, revenge, and corruption, and an urban setting with guns and violence.
Film genre crime
This document provides an overview of the crime film genre. It defines crime films as focusing on the lives of criminals, ranging from realistic portrayals to fantastical villains. Some common crime film subgenres discussed are crime-comedies, crime-thrillers, heist films, and mob films. Crime films typically feature strong violence, language, sexual content and depictions of criminal acts like theft, murder, and drugs. They usually include guns, drugs, and strong male leads with weak female characters. Cinematography in crime films employs long shots to establish locations and add mystery to characters.
Summary of urban stories 2014
This document provides context and analysis of the films La Haine and City of God. For both films, it examines themes of power, poverty, and conflict within urban environments. It summarizes key plot points, characters, and scenes. It also analyzes how the films portray issues of ethnicity, gender, class, and violence within the contexts of France and Brazil. The document uses examples and details from the films to illustrate its points about the social, political, and historical contexts portrayed.
Audience research for thriller
The document discusses the target audience for the 1976 film Taxi Driver, directed by Martin Scorsese and starring Robert De Niro. It analyzes that the primary target audience is adults aged 18-40, as younger audiences may struggle with themes of the main character's job, political views, and depicted mental illness. It also suggests that the film targets male audiences specifically, due to the lead male character and depiction of his experiences as a male taxi driver. Finally, it states that the film's target socio-economic group would be the working class, as the main character's job as a taxi driver places him in a position that would be relatable to this class.
A2 media genre research
A police crime thriller focuses on crime stories from a law enforcement perspective. Examples include The Untouchables, Out of Time, and Scarface. Seven (1995) follows two detectives hunting a serial killer targeting victims for the seven deadly sins. Gangster Squad (1949) depicts cops battling a ruthless mobster running Los Angeles. The Departed (2006) involves an undercover officer and police mole infiltrating the Irish mafia in Boston, often ending in bloodshed as loyalties are tested. Key conventions include the use of guns, alcohol, tough protagonists, and portraying law enforcement in an imperfect light.
Thriller genre
The document discusses the 1994 film Léon: The Professional, analyzing its characters, themes, and stylistic elements that are common in the thriller genre. It examines the stereotypical characters such as Leon and Mathilda, as well as themes of revenge, corruption, love, and crime. The document also analyzes the film's narrative techniques, iconography involving weapons, and audiovisual style using shots like close-ups.
Sex and violence in film
Sex and violence in films refers to the presentation of sexuality, sex acts, and violent actions. Explicit scenes are commonly seen in art films, horror films, erotic dramas, and thrillers. A brief history showed that early films contained violence to create a sense of realism. Attitudes towards sex and violence in films vary across regions and countries due to differing cultural norms and censorship standards. While ratings systems aim to help audiences find age-appropriate content, education is also seen as an important way to develop self-censorship.
Representation of Gender in City of God
The document discusses the representation of gender in the film City of God. It notes that men are depicted as strong, violent, and associated with crime and drugs, while women are portrayed as weak and used by men. This shows an imbalance between genders that reflects the undeveloped nature of the favelas. Key scenes discussed include a man being killed while trying to escape with his girlfriend, and a rape scene showing men taking out aggression on women. The challenges presented by some powerful female characters, like a reporter, are also mentioned.
Understanding Film Through Context
This document discusses how understanding films through their contexts is important. It provides examples of how societal attitudes, politics, censorship, artistic conventions, financial constraints, and technological developments have influenced filmmaking. Understanding these contextual factors helps viewers more accurately comprehend and judge the films.
City of god gender
The document discusses the representation of gender in the 2002 film City of God. It notes that gender plays an important role, with men typically portrayed as powerful through controlling the drug trade and asserting dominance over women through violence and rape. However, some scenes challenge typical gender roles, such as a woman manipulating a man through sex, or a woman convincing a man to leave the city with her after becoming pregnant. Overall, the film presents a stereotypical portrayal of gender but also raises questions about women gaining or challenging power over men in some situations.
Malcolm presentation
This mockumentary follows Malcolm, a small-time illegal arms dealer living in Detroit. It examines his belief that he is helping society through his weapons trafficking by fueling conflict between criminal groups. The film crew documenting Malcolm struggles with the ethics of filming his illegal activities. As the film progresses, Malcolm becomes more paranoid and short-tempered as he is hunted by law enforcement. His friend Timothy offers some dissenting opinions about Malcolm's work.
Mind map hooligan film
The document outlines three potential film ideas:
1) A hooligan film called "Extreme Victory" about a teenager drawn into football hooliganism. Scenes could be easily filmed in London on private property with access to actors.
2) A gangster film called "Payback" about a man escaping London for Spain but getting involved with a gang. Scenes in London are feasible but footage abroad is not realistic.
3) A thriller called "Soldier of Retaliation" about a soldier befriending a family where deaths later occur. Costumes and war footage are not realistic within the budget.
"Extreme Victory" is chosen as it has the most advantages in terms of access
Evaluation question 2
The document discusses how the media product represents different social groups including social class, gender, sexuality, family, and race. For social class, characters are depicted as working class, upper class, and middle class using clothing and setting. Both main characters are initially male but more gender variety is intended later. Sexuality includes both heterosexual and gay relationships but the alleged rapist is portrayed as heterosexual. Family is shown grieving and united after the assault. Race is not a focus in the opening but all races and ethnicities will be represented, avoiding stereotypes about criminality.
Grave consequences
This document outlines a proposed action comedy film called "Grave Consequences" that follows two people who dispose of dead bodies and get into trouble. It is influenced by comedy/action movies like 21 Jump Street and Bad Boys. The target audience would be teenagers and young adults aged 15-24. Ideas for marketing include teaser scenes of the characters throwing bodies in a river or finding them in a car trunk, as well as poster and magazine cover designs to pique interest in the mysterious story.
What's hot (20)
Viewers also liked
Configuração de Eqúipamentos
We are experts in hardware solutions. For over 20 years, we have provided customized hardware solutions for various industries such as manufacturing, healthcare, education, and more. Contact us today to discuss your needs and how we can help you with an optimized hardware solution.
Basic right hand backward roll
The document provides instructions for practicing a basic backward roll on the banjo. It recommends practicing the roll with the right hand thumb on the 3rd, 4th, and 5th strings. It notes that the right hand fingers are important for playing the 5-string banjo and that regular practice of rolls will improve overall playing ability. It also explains that a pattern of three quavers or eighth notes needs to be repeated over three bars to complete the roll.
Pai Icc Camas
El documento proporciona información sobre el proceso asistencial integrado para la insuficiencia cardíaca. Define la insuficiencia cardíaca, describe sus manifestaciones clínicas y criterios de diagnóstico, y explica la clasificación de la enfermedad. Además, detalla el proceso de atención en primaria, urgencias y cardiología, incluyendo una nueva consulta de alta resolución para la insuficiencia cardíaca. Finalmente, presenta algunos casos clínicos como ejemplos.
Presentation1
This document provides information on American artworks created between 1825-1865 and 1900-1945. It summarizes several paintings, including Frederic Church's Niagara Falls, which depicts one of the natural wonders of the world. It also discusses Thomas Cole's View from Mount Holyoke, one of the earliest works of the Hudson River School. Finally, it analyzes Jacob Lawrence's Migration of the Negro panel about race riots during the Great Migration period.
Type of function
The document contains definitions of various functions in terms of y expressed in terms of x. It includes linear functions such as y=2x, quadratic functions like y=x^2, and some constants. It also tests if some numbers are rational or irrational. Overall it appears to be examples of different types of functions and testing the rationality of some numbers.
Country roads
The document provides the chords for John Denver's song "Country Roads" over three verses. It describes the beauty of West Virginia with references to the Blue Ridge Mountains, Shenandoah River, and life being older than the trees. The singer expresses nostalgia for their home in West Virginia and longing to return to the place they belong.
Estilos de aprendizaje
Este documento presenta un índice de 8 unidades de aprendizaje. La Unidad 1 habla sobre tres tipos de personas y la importancia de tomar conciencia de las diferencias individuales entre estudiantes. La Unidad 2 describe la influencia del docente en el aprendizaje de los estudiantes y conceptos como estilos de aprendizaje. Las Unidades 3 a 6 no contienen descripciones. La Unidad 7 presenta conceptos sobre didáctica y el modelo de aprendizaje experiencial de Kolb. Finalmente, la Unidad 8 incluye frases sobre la dirección de una
Tx session transport 2035 future roadmap
future of cargo brainstorm session for hte CMMN cargo project held at the TX change facility at the University of Twente may 2011
Games Unit Final
The Games Unit discusses their experience playing NBA 2K7. They chose the game because it was basketball season. Marcus brought the game system and NBA 2K7 while Stephen and Caleb played the game, and Trent took notes. They only played it once but got a lot of information to work on their blog. Before winter break they played the game, then returned and worked on their blog. The document also includes a walkthrough of the first screen and gameplay options of NBA 2K7.
From brotherelephantstomayday
This document summarizes the development of a ticketing system in Taiwan over 10 years from 2003-2013. It describes:
1) The initial problems solved in developing Version 1 of the system from 2003-2004, allowing online ticket sales and pickup for 36 games.
2) Growth and achievements from 2004-2009, including expanding to multiple stadiums and sports events, selling over 15 million tickets through web and convenience store kiosks.
3) Major events in 2009-2011 that tested the system's capabilities, like the World Games and sold out Mayday concerts with tickets selling in seconds.
4) Continued improvements through 2013 that increased sales volumes and transaction speeds for concerts and other events.
[한국소비자포럼] 제7기 팀 화이트 모집(~06.30)
한국소비자포럼은
2014년 여름, 우리 사회의 따뜻한 변화를 이끌어 갈
따뜻한 소비자 [제7기 팀 화이트]를 모집합니다.
멀쩡한 핸드폰 배터리가 폭파했다며 거액의 보상금을 요청하고,
팔지도 않는 제품을 반품해달라고 억지를 부리는,
‘블랙컨슈머’들에 골머리를 앓고 있는 기업들이 많습니다.
매년 수많은 비용을 지불해가며
블랙컨슈머를 관리하는 나라, 대한민국.
이들을 입막음하는 것이
근본적인 문제를 해결하는 방법은 아닐텐데
기업은 물질적인 보상까지 하며 잠깐의 소동을 진정시키기에 바쁜 듯 합니다.
이제, 협박과 억지 부리는 사람들이 이득을 보는 세상이 아니라
따뜻한 소비자들이 더 좋은 혜택을 누리는
사회를 만들어야 하지 않겠습니까?
기업과 소비자가 함께 웃는 세상을 꿈꾸는
국내 최대의 소비자 네트워크 한국소비자포럼은
정직하고 따뜻한 소비자들에게 더 좋은 혜택을 제공하고,
더불어 성장하는 관계를 맺을 수 있도록
2014 ‘더불어 성장하는 따뜻한 대한민국’ 캠페인을 진행합니다.
소비자들이 한 목소리로 기업에게 전합니다.
“블랙컨슈머가 아닌, 따뜻한 소비자에게 관심을 갖으라고”
소비자들이 한 목소리로 전 국민에게 전합니다.
“따뜻한 마음을 가진 정직한 소비자가 되자고”
기업과의 상생을 꿈꾸는 따뜻한 소비자,
우리 사회의 따뜻한 변화를 이끌어 갈 [팀 화이트]를 모집합니다.
|신청조건|
1. 대한민국 소비자 모두
2. 기업과 브랜드에 관심있는 소비자
[WANTED]
기업과 소비자의 상생을 꿈꾸는 따뜻한 마음을 가진 사람
남 앞에서 자신을 표현하기 즐기는 똘기 충만한 당신
스펙이 아닌 자신만의 경험을 쌓아보고 싶은 청춘
성실하고 꾸준한 활동으로 성취감을 느껴보고 싶은 노력파
유별난 특기는 없어도 의지와 끈기는 남다른 당신
|신청기간| 2014년 6월 30일(월) 자정까지
|신청방법| 한국소비자포럼 홈페이지(www.customerscouncil.com) 내 ‘팀 화이트 신청하기’
|신청결과| 2014년 7월 1일(화) 개별 안내
|특전|
1. 팀 화이트 멤버십 발급
2. 팀 화이트 위촉장 발급
3. 브랜드아카데미 무료 수강(브랜드전문교육)
4. 리얼버즈™마케팅 참여
5. 우수자에게 장학금 지급
6. 워크샵 및 MT
7. 한국소비자포럼 진행 이벤트 참여
8. 제3회 대한민국 상생대축제 우선 초청
|발대식| 2014년 7월 10일(목), 콘래드 서울
|문의| 한국소비자포럼 사무국 Tel. 02-335-0880 (커뮤니케이션본부)
Adam bloom bi_server_diag
The BI server was crashing when running multiple reports and dashboards simultaneously due to running out of memory. Security filters applied to fact tables rather than dimensions were identified as a potential cause. Rewriting the security filters to improve efficiency solved the crashing and performance issues. Analyzing query complexity, volume of data retrieved, and logical execution plans provided insights to diagnose and address the problems.
Viewers also liked (20)
Similar to Genre analysis
The American Gangster Genre
The document discusses the American gangster genre of crime and gangster films. These films typically depict the sinister actions of criminals operating outside the law through theft, murder, and rising to power in criminal organizations. They often show the life of a criminal figure and their conflicts with law enforcement or rival gangs. Gangster films are usually set in crowded cities and depict the secret criminal world through nightclubs, fast cars, and seedy living areas. While gangsters pursue wealth and success, they are ultimately doomed to failure and violent ends.
Prezzyyyy
The document discusses the target audience for a gritty British crime thriller film about police brutality and racial profiling set in London. The target audience is males aged 15-24, as crime thrillers predominantly appeal to this demographic. This age group enjoys fast-paced, action-packed, and sometimes gruesome films. The film will feature a male lead character engaging in dangerous situations, which males in the target age range can identify with. Additionally, the document provides mood boards showing interests of the target audience and describes their psychographic traits as "Strivers" or "Makers."
Evaluation 4
The document discusses the target audience for a gritty British crime thriller film about police brutality and racial profiling set in London. The target audience is males aged 15-24, as crime thrillers predominantly appeal to this demographic. This age group enjoys fast-paced, action-packed, and sometimes gruesome films. The film will feature a male lead character engaging in dangerous situations, which males in the target age range can identify with. Additionally, the document provides mood boards showing interests of the target audience and describes their psychographic traits as "Strivers" or "Makers."
Genre analysis
Crime films focus on the lives of criminals and often glorify criminal acts. They highlight the rise and fall of particular criminals or gangs, showing their secret world through dark nightclubs, piles of cash, and seedy living quarters. Common conventions of the crime genre include gangs, weapons, drugs, violence, hatred, and fast pacing. Some subgenres are cops and robbers, detective/mysteries, film noir, hood films, law and order, and mafia gangster films. The document's author chose the crime genre for their film trailer project because they and their partner enjoy hood films like Top Boy and wanted a genre they felt comfortable portraying in a short trailer.
Social realism
Social realism focuses on everyday problems like drugs, poverty, and crime in modern cities. It typically features unknown actors portraying characters set in familiar urban locations. Social realism films realistically depict controversial issues that most people can relate to, such as drugs, alcohol, sex, and crime, as well as political and religious views of the time period portrayed.
Social realism
Social realism focuses on everyday problems like drugs, poverty, and crime in modern cities. It typically features unknown actors portraying characters set in familiar urban locations. Social realism films realistically depict controversial issues that most people can relate to, such as drugs, alcohol, sex, and crime, as well as political and religious views of the time period portrayed.
Social realism
Social realism focuses on everyday problems like drugs, poverty, and crime in modern cities. It typically features unknown actors portraying characters set in familiar urban locations. Social realism films realistically depict controversial issues that most people can relate to, such as drugs, alcohol, sex, and crime, as well as political and religious views of the time period portrayed.
How did you attract/address your audience?
To attract their niche audience for a psychological horror film, the filmmakers used several horror film conventions: a protagonist and antagonist, dark colors associated with the antagonist, jump cuts, dim lighting, an isolated woodland setting, a non-human zombie antagonist, and themes of fear, killing, isolation, and death. They also aimed to attract more female viewers by having both the protagonist and antagonist be teenage females, subverting the typical male-dominated characters in the genre.
Gangster genre research
This document summarizes research on the gangster genre of films. It outlines the key codes and conventions including common symbols, motifs, themes, and narrative structures. It provides a history of the genre from its origins in the 1930s-1940s through prominent eras in the 1970s-1990s. Examples of influential and classic gangster films are given for each decade. The document concludes that understanding these elements is essential for effectively opening a new gangster film.
Crime and gangster films
Crime and gangster films typically feature characters that are materialistic, street-smart criminals who operate outside the law, committing violent crimes and murders. These stories often highlight the rise and fall of a criminal or gang as they battle rivals and law enforcement. The settings are usually in large cities, depicted with neon signs, fast cars, and other symbols of wealth. These films portray a morality tale where crime does not pay, as the pursuit of wealth and status through illegal means often leads to the criminal's downfall and death. The Hays Production Code of the 1930s censored some of the earlier films' glorification of criminals, requiring them to depict gangsters as psychopaths and emphasize that crime does not pay.
FM4 Film Studies Exam
The document provides information about the WJEC GCE Film Studies exam, including the structure and timing of the exam. It examines the topics of Urban Stories focusing on films about power, poverty and conflict. Sample exam questions and advice for answering are provided, along with background on relevant films like City of God, La Haine, and Bicycle Thieves that may be discussed.
ENG 239 Review for Exam 3The exam will cover the following.docx
ENG 239
Review for Exam 3
The exam will cover the following:
Scorsese, Martin. Goodfellas (1990)
“The Gangster Movie” (PDF)
Information about the Gangster Genre:
Source/History:
The 1930s is when gangster films became popular, mostly due to the Prohibition Era (which lasted through the 1920s until 1933) and the emergence of real-life gangsters and organized crime.
Conventions/characteristics of classic gangster films:
Setting: gangster/crime films are like noir films, usually set in the “bad” areas of cities, to provide a view of the secret world of the criminal.
Plot: the gangster or crime film is developed around the sinister actions of criminals or
gangsters, particularly bankrobbers, underworld figures, or ruthless hoodlums who operate outside the law, stealing and murdering their way through life. There is some overlap between criminal and gangster films and film noir, especially in their cynical views of the world.
Gangster movies often highlight or glorify the rise and fall of a particular criminal(s), gang, bank robber, murderer or lawbreaker in personal power struggles or conflict with law and order figures, an underling or competitive colleague, or a rival gang.
Protagonist: film gangsters are usually materialistic, street-smart, immoral, power-hungry, ambitious, and self-destructive. Rivalry with other criminals in gangster warfare is often a significant plot characteristic. They rise to power with a tough cruel exterior while showing an ambitious desire for success and recognition, but underneath they can occasionally express sensitivity and gentleness.
Women: almost always secondary or minor characters, whose roles are defined by their relation to the men in the film: wives, mistresses, mothers, etc.
Themes of the genre:
Gangster films are morality tales: while gangsters can be sympathetic figures,
they are ultimately bad guys and are inevitably arrested or killed by the end. Pre-1960s films, like noir films, reinforce conventional notions of authority, such as depicting the police as incorruptible “good guys” who get the job done. Post-1960s films make the gangsters more heroic, or show the traditional “good guys” to be as corrupt, if not more so, than their underworld counterparts.
Gangster films are often the inverse of American Dream narratives, also known as “rags-to-riches stories”: American Dream success stories turned upside down in which criminals live in an inverted dream world of success and wealth.
The gangster functions as the doppelganger of “respectable” men in power, such as politicians and corporate presidents,” parodying the American drive to succeed. Gangsters are promoted just like people in “regular” jobs; but the standards they must meet (murdering, stealing, etc.) are vastly different.
Limits of the American Dream and American excess: the American Dream is sometimes depicted as false or accessible to only the “right” kinds of people. Often from poor immigrant families, ...
Evaluation Question 2- Olivia Gracey
This document summarizes how a media product represents social groups through its characters. The protagonist, Iby, is a 23-year-old reformed ex-convict from an urban area trying to escape gangs and poverty for his family. The antagonist, Jordan, is a wealthy white male gangster who uses guns and flashy cars. Iby's wife is portrayed as vulnerable due to her involvement with Iby and danger from gang crime; she is sexualized through close-ups and short skirts. Overall, the characters represent the social groups of troubled urban youth trying to reform and gang members who commit crime to maintain their lavish lifestyle.
The synopsis
The document discusses various conventions and tropes that are commonly seen in mobster and crime genre films. It outlines elements like costumes involving suits that help identify characters as part of a criminal organization. It also describes common storylines like a protagonist rising from poverty to wealth and power through a criminal group. Additionally, it mentions visual elements like low lighting and use of the color red that can symbolize secrecy, violence and authority within the genre.
Repertoire of elements
Gangster crime films typically follow a narrative pattern. The protagonist is often an immigrant of Italian descent who strives to attain the American Dream but whose fall is usually due to his own greed or stupidity. The settings are usually run-down urban areas that provide a view of the secret criminal world. Key themes include rivalry, morality, betrayal, ambition, materialism, self-destruction, loyalty, and the difference between appearances and reality. The target audience for gangster crime films is typically male adults between 20-50 years old.
Hb analysis
The document analyzes the 2009 film Harry Brown. It describes Harry Brown as a frail, lonely, isolated man living a dull lifestyle in London. The film uses elements of social realism and the crime and revenge genres. It examines Harry Brown's transformation from a victim to a vigilante seeking revenge after his best friend is murdered. The document analyzes aspects of the film like characters, themes, narrative techniques, and how it portrays youth crime to potentially exploit moral panics around criminal youth.
Genre Research
Urban drama is a subgenre of drama that depicts realistic portrayals of social issues through stories often centered on black American or British males involved in illegal activities like drugs or violence. The genre became popular in the 1980s and 2000s. Urban drama films typically feature protagonists from poor neighborhoods portrayed as products of their environments and often address themes shown in movies like Ill Manors, Menace II Society, and Juice. Popular urban drama films include Boyz N The Hood, Kidulthood, Menace II Society, and Get Rich or Die Tryin.
Media tv crime drama Sophie's + Jenna's q's
The document discusses codes and conventions that are typical in the crime drama TV genre. It provides examples of common elements like locations, characters, themes, and mood. Regarding locations, crime dramas often take place in cities or other urban areas. Character-wise, there is typically an intelligent yet flawed detective protagonist and a criminal antagonist whose motives are revealed later. Common themes involve solving crimes like murders, with personal drama mixed in for characters. The mood is usually tense and dramatic, aided by elements like music, lighting, and pacing of action.
Question 1 evaluation
This document summarizes how a student's media project used and challenged conventions of hood crime films. It notes the project was set in London like similar films and shows. Conventions it followed included establishing shots, drugs, police, gangs and violence. However, it challenged conventions by including a relationship, which rarely happens in the genre, and addressing the binary opposition of rich and poor.
Film essay research
The document discusses how horror films can act as a reflection of societal fears and issues. It addresses several topics including how the threats portrayed in horror films have evolved over time to better represent the fears of the era. For example, films after World War 2 featured more werewolf movies likely reflecting the violence of Nazis. The document also examines how horror films have addressed topics like racism, treatment of women, immigration fears and more. Many examples of specific films are provided that illustrate how the films incorporated themes relating to the societal issues of their time period and location.
Similar to Genre analysis (20)
ENG 239 Review for Exam 3The exam will cover the following.docx
ENG 239 Review for Exam 3The exam will cover the following.docx
More from sophiecornelius
Website Analysis
The kidulthood website aims to promote the main character and DVD. It uses the same house style and fonts as the poster to maintain consistency in branding. The website features an interactive quote that changes each second, unlike static posters. While the main image of the character is the same as the poster, it was simply flipped for the website. There are social media links to notify others and expand the audience for the film. The identical look between the poster and website helps people remember the film but may bore some viewers with the lack of new information.
Poster Drafts and Photo shoot
The document describes three drafts of a movie poster. The first draft is dull and missing key information. The second draft has a more interesting background but was unfinished. The final poster is darker to convey danger, with the strap line and other text standing out against less background writing.
Poster analysis
The film poster for Black Swan uses dark colours in the background to match the title and depict Natalie Portman as the 'light in the darkness'. Her cracked face may represent the downfall of her good side, and clues suggest the film relates to ballet. The Harry Brown poster features Michael Caine holding a gun amid images of anarchy, using red colours to imply violence as his character takes authority. Kidulthood's poster introduces a gang in tracksuits against a black-and-white backdrop, with one holding a baseball bat to hint at criminal activity in the urban inner-city setting.
Location shots
This document provides ideas and suggestions for location shots. It discusses location shots as a type of shot that can be used in video or film productions. Specific locations are not mentioned, rather the document title implies it contains ideas for selecting and utilizing different location settings in visual storytelling.
Location shots
This document provides ideas and suggestions for location shots. It discusses location shots as a type of shot that can be used in video or film productions. Specific locations are not mentioned, rather the document title implies it contains ideas and options to consider for capturing location footage.
Bbfc research
The British Board of Film Classification (BBFC) is an independent non-profit organization that has been classifying films shown in UK cinemas since 1912 and videos/DVDs since 1984. The BBFC examines films and videos before release to protect children from unsuitable content and provide consumers information about a film's content. A 15 rating means no one under 15 can watch as it may contain strong violence, frequent strong language, portrayals of sexual activity, brief scenes of sexual violence or references to it, and drug use.
Final evaluation A2 advanced portfolio
The document provides an evaluation of a media product called "Rebirth" by Sophie Cornelius. It includes a synopsis of the film, which follows Callum, a troubled teen released from prison who spirals into depression after being rejected from his old gang. He seeks comfort in Maisie, a former flame, who finds herself becoming entangled in Callum's dangerous lifestyle. Inspiration and conventions used in the poster, trailer, and website are then discussed. Location choices, camera work, editing, sound, and characterization in the trailer are analyzed. Finally, audience feedback on early drafts of the trailer is presented, highlighting improvements made.
More from sophiecornelius (7)
Recently uploaded
Main Java[All of the Base Concepts}.docx
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
How to Manage Your Lost Opportunities in Odoo 17 CRM
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
A Strategic Approach: GenAI in Education
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Digital Artifact 1 - 10VCD Environments Unit
Digital Artifact 1 - 10VCD Environments Unit - NGV Pavilion Concept Design
The History of Stoke Newington Street Names
Presented at the Stoke Newington Literary Festival on 9th June 2024
www.StokeNewingtonHistory.com
How to Add Chatter in the odoo 17 ERP Module
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
বাংলাদেশ অর্থনৈতিক সমীক্ষা (Economic Review) ২০২৪ UJS App.pdf
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
How to Fix the Import Error in the Odoo 17
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
clinical examination of hip joint (1).pdf
described clinical examination all orthopeadic conditions .
Hindi varnamala | hindi alphabet PPT.pdf
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
Azure Interview Questions and Answers PDF By ScholarHat
Azure Interview Questions and Answers PDF By ScholarHat
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptxMohd Adib Abd Muin, Senior Lecturer at Universiti Utara Malaysia
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
Recently uploaded (20)
How to Manage Your Lost Opportunities in Odoo 17 CRM
How to Manage Your Lost Opportunities in Odoo 17 CRM
Digital Artefact 1 - Tiny Home Environmental Design
Digital Artefact 1 - Tiny Home Environmental Design
বাংলাদেশ অর্থনৈতিক সমীক্ষা (Economic Review) ২০২৪ UJS App.pdf
বাংলাদেশ অর্থনৈতিক সমীক্ষা (Economic Review) ২০২৪ UJS App.pdf
Liberal Approach to the Study of Indian Politics.pdf
Liberal Approach to the Study of Indian Politics.pdf
Azure Interview Questions and Answers PDF By ScholarHat
Azure Interview Questions and Answers PDF By ScholarHat
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Genre analysis
- 2. What genre is your A2 production? Following the film trailer analysis that my partner and I have carried out , my partner and I have decided to create a hood crime trailer. we have explored different types of trailers and concluded that the one we thought was the best ones were of a hood crime genre. The ones that stood out most to us were: Ill Manors, Harry Brown and Adulthood. We decided that we liked many conventions from the hood crime genre, after looking through different film trailers. We thought it would be the best genre to base our film on because it has many conventions we thought would be exciting to exercise in our trailers. Overall hood crime is something that many people can relate to because gang activity is always in the news and it makes people aware of what is happening in society today that we all live in.
- 3. Genre The first section of research me and my partner carried out was looking up the definitions of the hood crime film genre. This is what we found… Hood film is a film genre originating in the United States which features aspects of urban African-American culture such as hip hop music, street gangs, racial discrimination, poverty, and the problems of young black men coming of age or struggling in a predominantly white society. Such films predominantly feature African- American actors. Crime films are films that focus on the lives of criminals. The stylistic approach to a crime film varies from realistic portrayals of real-life criminal figures, to the far-fetched evil doings of imaginary arch-villains. Criminal acts are almost always glorified in these movies Sub-Genres • Humorous •Realistic •Stereotypical
- 4. Hood Crime Genre Hood crime rely on the circumstances they are put through and the struggles and hurdles of life that they have to overcome in order to survive in life. The hood crime genre typically is filmed on estates and places where there is gang activity and generally lots of crime taking place. The points of some of these films is to aware people of what is happening in society nowadays and to in a way warn them of things their children may be doing or what the person is getting themselves into. Themes: Many hood crime films have emerged in recent years, all in various media, not only film. despite these very different forms of representation, general trends have appeared throughout the narratives. Some of the themes consist of: • Reality • Perception • Death • Gang violence • Drug taking • Law breaking • Identity • Survival • Existence and purpose.
- 5. Generic Conventions of Hood Crime • Hood and crime films are based around and focus on the illegal actions of criminals, gangsters, thieves and other figures of the underworld society. • They are mainly realistic and factual portrays of real life criminals and incidents that have happened in previous years. • Key characters types within this genre of film are the main criminal, their accomplices, an opposing law enforcement agency which is normally the police and rival criminals and gangs. • Stereotypically negative characterisations, the protagonist is often and anti here, corrupt law enforcement, morally ambiguous qualities for the main characters. • Settings are often within large crowded cities, and in the less glamorous, poorer areas of the city when the underworld society can be portrayed, for example, nightclubs, pubs, dark alleyways etc. • Non diagetic often accompanies scenes without dialogue • Characters are often from a minority background • Success is seen through materialism, such as expense clothes and cars, and the increase of a characters power.
- 6. Generic Settings/ Camera Angles/ Iconogra Setting • estates • urban inner city environments • run down areas • dark ally ways • pubs • nightclubs • bars • flats • blocks of houses • abandoned buildings • hospitals • police stations • court rooms Iconography • dim lighting • dark colours • gangs • violence • knifes • guns • hip hop music • rap • fighting • strong language • slang • drug abuse • alcohol abuse • smoking • blood Camera Angles • low angle, shows who's weak • high angles, shows who has power • extream close up on violence, drugs and abuse • establishing shot of estates and run down areas.